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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3A1DF it is the complementary color #4C5E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3A1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3A1DF shade: #B8A1DA, #C9B3ED, #DAC5FF, #EBD7FF and #FCE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3A1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3A1DF shade: #B3A1DF, #A28FCC, #917DB9, #806BA6 and #6F5993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3A1DF shade: #B2A0DE, #C3A0DE, #D4A0DE, #DEA0D8 and #DEA0C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3A1DF shade: #B2A0DE, #A1A0DE and #A0A0DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3A1DF shade matches the following richer shades: #B2A0DE, #AE96E9, #AA8BF3 and #A581FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3A1DF shade: #B2A0DE, #B6AAD4, #BBB5CA, #BFBFC0 and #C3C9B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3A1DF shade: #A0B0DE, #A1A0DE, #B2A0DE, #C2A0DE and #D3A0DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3A1DF shade: #8063C9, #9981D4, #B2A0DE, #CBBFE9 and #E4DDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3A1DF shade: #B3A1DF, #DEA0C0 and #A7DEA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3A1DF shade: #B3A1DF, #DEB2A0 and #A0DEB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3A1DF shade: #B3A1DF, #DEA0C0, #CDDEA0 and #A0DEBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3A1DF shade: #B3A1DF, #DEA0AE, #CDDEA0 and #A0DED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 28 / 0 / 13

HEX #B3A1DF

RGB 179 161 223

HSL 257.42, 0.49%, 0.75%

LAB 69.75, 19.07, -28.98

 

Complementary color

CMYK 19 / 0 / 66 / 63

HEX #4C5E20

RGB 76 94 32

HSL 77.42, 0.49%, 0.25%

LAB 37.2, -17.32, 32.36

 

CMYK 16 / 26 / 0 / 15

HEX #B8A1DA

RGB 184 161 218

HSL 264.21, 0.44%, 0.74%

LAB 69.99, 19.51, -25.82

 

CMYK 15 / 24 / 0 / 7

HEX #C9B3ED

RGB 201 179 237

HSL 262.76, 0.62%, 0.82%

LAB 76.54, 19.02, -26.03

 

CMYK 15 / 23 / 0 / 0

HEX #DAC5FF

RGB 218 197 255

HSL 261.72, 1%, 0.89%

LAB 82.94, 18.35, -25.77

 

CMYK 8 / 16 / 0 / 0

HEX #EBD7FF

RGB 235 215 255

HSL 270, 1%, 0.92%

LAB 88.68, 14.13, -16.96

 

CMYK 1 / 9 / 0 / 0

HEX #FCE9FF

RGB 252 233 255

HSL 291.82, 1%, 0.96%

LAB 94.39, 10.25, -8.28

 

CMYK 20 / 28 / 0 / 13

HEX #B3A1DF

RGB 179 161 223

HSL 257.42, 0.49%, 0.75%

LAB 69.75, 19.07, -28.98

 

CMYK 21 / 30 / 0 / 20

HEX #A28FCC

RGB 162 143 204

HSL 258.69, 0.37%, 0.68%

LAB 63.08, 19.62, -28.85

 

CMYK 22 / 32 / 0 / 27

HEX #917DB9

RGB 145 125 185

HSL 260, 0.3%, 0.61%

LAB 56.28, 20.23, -28.76

 

CMYK 23 / 36 / 0 / 35

HEX #806BA6

RGB 128 107 166

HSL 261.36, 0.25%, 0.54%

LAB 49.32, 20.91, -28.7

 

CMYK 24 / 39 / 0 / 42

HEX #6F5993

RGB 111 89 147

HSL 262.76, 0.25%, 0.46%

LAB 42.2, 21.68, -28.67

 

CMYK 20 / 28 / 0 / 13

HEX #B2A0DE

RGB 178 160 222

HSL 257.42, 0.48%, 0.75%

LAB 69.38, 19.09, -29.01

 

CMYK 12 / 28 / 0 / 13

HEX #C3A0DE

RGB 195 160 222

HSL 273.87, 0.48%, 0.75%

LAB 70.88, 24.4, -26.57

 

CMYK 5 / 28 / 0 / 13

HEX #D4A0DE

RGB 212 160 222

HSL 290.32, 0.48%, 0.75%

LAB 72.5, 29.82, -23.95

 

CMYK 0 / 28 / 3 / 13

HEX #DEA0D8

RGB 222 160 216

HSL 305.81, 0.48%, 0.75%

LAB 73.3, 31.95, -19.35

 

CMYK 0 / 28 / 10 / 13

HEX #DEA0C7

RGB 222 160 199

HSL 322.26, 0.48%, 0.75%

LAB 72.76, 28.98, -10.84

 

CMYK 20 / 28 / 0 / 13

HEX #B2A0DE

RGB 178 160 222

HSL 257.42, 0.48%, 0.75%

LAB 69.38, 19.09, -29.01

 

CMYK 27 / 28 / 0 / 13

HEX #A1A0DE

RGB 161 160 222

HSL 240.97, 0.48%, 0.75%

LAB 68.02, 13.97, -31.23

 

CMYK 28 / 28 / 0 / 13

HEX #A0A0DE

RGB 160 160 222

HSL 240, 0.48%, 0.75%

LAB 67.94, 13.68, -31.36

 

CMYK 20 / 28 / 0 / 13

HEX #B2A0DE

RGB 178 160 222

HSL 257.42, 0.48%, 0.75%

LAB 69.38, 19.09, -29.01

 

CMYK 25 / 36 / 0 / 9

HEX #AE96E9

RGB 174 150 233

HSL 257.35, 0.65%, 0.75%

LAB 67.05, 26.08, -38.71

 

CMYK 30 / 43 / 0 / 5

HEX #AA8BF3

RGB 170 139 243

HSL 257.88, 0.81%, 0.75%

LAB 64.55, 33.6, -48.15

 

CMYK 35 / 49 / 0 / 1

HEX #A581FD

RGB 165 129 253

HSL 257.42, 0.97%, 0.75%

LAB 62.33, 40.45, -57.19

 

CMYK 20 / 28 / 0 / 13

HEX #B2A0DE

RGB 178 160 222

HSL 257.42, 0.48%, 0.75%

LAB 69.38, 19.09, -29.01

 

CMYK 14 / 20 / 0 / 17

HEX #B6AAD4

RGB 182 170 212

HSL 257.14, 0.33%, 0.75%

LAB 71.86, 12.58, -19.7

 

CMYK 7 / 10 / 0 / 21

HEX #BBB5CA

RGB 187 181 202

HSL 257.14, 0.17%, 0.75%

LAB 74.75, 6.13, -9.85

 

CMYK 1 / 1 / 0 / 25

HEX #BFBFC0

RGB 191 191 192

HSL 240, 0.01%, 0.75%

LAB 77.37, 0.19, -0.51

 

CMYK 3 / 0 / 10 / 21

HEX #C3C9B5

RGB 195 201 181

HSL 78, 0.16%, 0.75%

LAB 80.02, -5.63, 9.28

 

CMYK 28 / 21 / 0 / 13

HEX #A0B0DE

RGB 160 176 222

HSL 224.52, 0.48%, 0.75%

LAB 72.09, 4.74, -24.97

 

CMYK 27 / 28 / 0 / 13

HEX #A1A0DE

RGB 161 160 222

HSL 240.97, 0.48%, 0.75%

LAB 68.02, 13.97, -31.23

 

CMYK 20 / 28 / 0 / 13

HEX #B2A0DE

RGB 178 160 222

HSL 257.42, 0.48%, 0.75%

LAB 69.38, 19.09, -29.01

 

CMYK 13 / 28 / 0 / 13

HEX #C2A0DE

RGB 194 160 222

HSL 272.9, 0.48%, 0.75%

LAB 70.79, 24.08, -26.72

 

CMYK 5 / 28 / 0 / 13

HEX #D3A0DE

RGB 211 160 222

HSL 289.35, 0.48%, 0.75%

LAB 72.4, 29.5, -24.11

 

CMYK 36 / 51 / 0 / 21

HEX #8063C9

RGB 128 99 201

HSL 257.06, 0.49%, 0.59%

LAB 49.17, 34.73, -49.23

 

CMYK 28 / 39 / 0 / 17

HEX #9981D4

RGB 153 129 212

HSL 257.35, 0.49%, 0.67%

LAB 59.18, 26.9, -39.47

 

CMYK 20 / 28 / 0 / 13

HEX #B2A0DE

RGB 178 160 222

HSL 257.42, 0.48%, 0.75%

LAB 69.38, 19.09, -29.01

 

CMYK 13 / 18 / 0 / 9

HEX #CBBFE9

RGB 203 191 233

HSL 257.14, 0.49%, 0.83%

LAB 79.52, 12.28, -19.32

 

CMYK 7 / 9 / 0 / 4

HEX #E4DDF4

RGB 228 221 244

HSL 258.26, 0.51%, 0.91%

LAB 89.27, 6.6, -10.35

 

CMYK 20 / 28 / 0 / 13

HEX #B3A1DF

RGB 179 161 223

HSL 257.42, 0.49%, 0.75%

LAB 69.75, 19.07, -28.98

 

CMYK 0 / 28 / 14 / 13

HEX #DEA0C0

RGB 222 160 192

HSL 329.03, 0.48%, 0.75%

LAB 72.55, 27.82, -7.29

 

CMYK 25 / 0 / 28 / 13

HEX #A7DEA0

RGB 167 222 160

HSL 113.23, 0.48%, 0.75%

LAB 83.44, -29.34, 24.87

 

CMYK 20 / 28 / 0 / 13

HEX #B3A1DF

RGB 179 161 223

HSL 257.42, 0.49%, 0.75%

LAB 69.75, 19.07, -28.98

 

CMYK 0 / 20 / 28 / 13

HEX #DEB2A0

RGB 222 178 160

HSL 17.42, 0.48%, 0.75%

LAB 76.01, 13.35, 15.25

 

CMYK 28 / 0 / 20 / 13

HEX #A0DEB2

RGB 160 222 178

HSL 137.42, 0.48%, 0.75%

LAB 83.41, -28.5, 15.36

 

CMYK 20 / 28 / 0 / 13

HEX #B3A1DF

RGB 179 161 223

HSL 257.42, 0.49%, 0.75%

LAB 69.75, 19.07, -28.98

 

CMYK 0 / 28 / 14 / 13

HEX #DEA0C0

RGB 222 160 192

HSL 329.03, 0.48%, 0.75%

LAB 72.55, 27.82, -7.29

 

CMYK 8 / 0 / 28 / 13

HEX #CDDEA0

RGB 205 222 160

HSL 76.45, 0.48%, 0.75%

LAB 85.89, -15.94, 28.59

 

CMYK 28 / 0 / 14 / 13

HEX #A0DEBE

RGB 160 222 190

HSL 149.03, 0.48%, 0.75%

LAB 83.67, -26.22, 9.41

 

CMYK 20 / 28 / 0 / 13

HEX #B3A1DF

RGB 179 161 223

HSL 257.42, 0.49%, 0.75%

LAB 69.75, 19.07, -28.98

 

CMYK 0 / 28 / 22 / 13

HEX #DEA0AE

RGB 222 160 174

HSL 346.45, 0.48%, 0.75%

LAB 72.05, 25.02, 1.92

 

CMYK 8 / 0 / 28 / 13

HEX #CDDEA0

RGB 205 222 160

HSL 76.45, 0.48%, 0.75%

LAB 85.89, -15.94, 28.59

 

CMYK 28 / 0 / 6 / 13

HEX #A0DED1

RGB 160 222 209

HSL 167.42, 0.48%, 0.75%

LAB 84.13, -22.33, 0.04

 

Description

Color code: HEX #B3A1DF | qconv.com Color code: HEX #B3A1DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 161 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 161 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 28 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 28% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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