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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3A030 it is the complementary color #4C5FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3A030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3A030 shade: #B8A02B, #C9B23E, #DAC451, #EBD664 and #FCE877

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3A030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3A030 shade: #B3A030, #A28E1D, #917C0A, #806A00 and #6F5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3A030 shade: #B5A230, #B57E30, #B55A30, #B53630 and #B53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3A030 shade: #B5A230, #A5B530, #81B530, #5DB530 and #39B530

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3A030 shade matches the following richer shades: #B5A230, #C8AF1E and #DABC0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3A030 shade: #B5A230, #A39543, #908855, #7E7A68 and #6B6D7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3A030 shade: #B55A30, #B57E30, #B5A130, #A6B530 and #82B530

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3A030 shade: #74681F, #958528, #B5A230, #CDB942 and #D5C563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3A030 shade: #B3A030, #30B537 and #6C30B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3A030 shade: #B3A030, #30B5A1 and #A130B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3A030 shade: #B3A030, #30B537, #3044B5 and #B530AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3A030 shade: #B3A030, #30B55F, #3044B5 and #B53087

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 73 / 30

HEX #B3A030

RGB 179 160 48

HSL 51.3, 0.58%, 0.45%

LAB 65.7, -5.43, 57.55

 

Complementary color

CMYK 63 / 54 / 0 / 19

HEX #4C5FCF

RGB 76 95 207

HSL 231.3, 0.58%, 0.55%

LAB 44.56, 27.89, -60.3

 

CMYK 0 / 13 / 77 / 28

HEX #B8A02B

RGB 184 160 43

HSL 49.79, 0.62%, 0.45%

LAB 66.14, -3.44, 59.96

 

CMYK 0 / 11 / 69 / 21

HEX #C9B23E

RGB 201 178 62

HSL 50.07, 0.56%, 0.52%

LAB 72.63, -4.62, 59.63

 

CMYK 0 / 10 / 63 / 15

HEX #DAC451

RGB 218 196 81

HSL 50.36, 0.65%, 0.59%

LAB 79.03, -5.61, 58.85

 

CMYK 0 / 9 / 57 / 8

HEX #EBD664

RGB 235 214 100

HSL 50.67, 0.77%, 0.66%

LAB 85.34, -6.45, 57.84

 

CMYK 0 / 8 / 53 / 1

HEX #FCE877

RGB 252 232 119

HSL 50.98, 0.96%, 0.73%

LAB 91.57, -7.17, 56.74

 

CMYK 0 / 11 / 73 / 30

HEX #B3A030

RGB 179 160 48

HSL 51.3, 0.58%, 0.45%

LAB 65.7, -5.43, 57.55

 

CMYK 0 / 12 / 82 / 36

HEX #A28E1D

RGB 162 142 29

HSL 50.98, 0.7%, 0.37%

LAB 59.08, -4.15, 57.41

 

CMYK 0 / 14 / 93 / 43

HEX #917C0A

RGB 145 124 10

HSL 50.67, 0.87%, 0.3%

LAB 52.35, -2.57, 55.88

 

CMYK 0 / 17 / 100 / 50

HEX #806A00

RGB 128 106 0

HSL 49.69, 1%, 0.25%

LAB 45.49, -0.65, 52.09

 

CMYK 0 / 21 / 100 / 56

HEX #6F5800

RGB 111 88 0

HSL 47.57, 1%, 0.22%

LAB 38.48, 1.57, 46.31

 

CMYK 0 / 10 / 73 / 29

HEX #B5A230

RGB 181 162 48

HSL 51.43, 0.58%, 0.45%

LAB 66.43, -5.61, 58.32

 

CMYK 0 / 30 / 73 / 29

HEX #B57E30

RGB 181 126 48

HSL 35.19, 0.58%, 0.45%

LAB 57.04, 14.08, 49.03

 

CMYK 0 / 50 / 73 / 29

HEX #B55A30

RGB 181 90 48

HSL 18.95, 0.58%, 0.45%

LAB 48.7, 33.82, 40.31

 

CMYK 0 / 70 / 73 / 29

HEX #B53630

RGB 181 54 48

HSL 2.71, 0.58%, 0.45%

LAB 42.27, 50.67, 33.21

 

CMYK 0 / 73 / 73 / 29

HEX #B53030

RGB 181 48 48

HSL 0, 0.58%, 0.45%

LAB 41.46, 52.91, 32.28

 

CMYK 0 / 10 / 73 / 29

HEX #B5A230

RGB 181 162 48

HSL 51.43, 0.58%, 0.45%

LAB 66.43, -5.61, 58.32

 

CMYK 9 / 0 / 73 / 29

HEX #A5B530

RGB 165 181 48

HSL 67.22, 0.58%, 0.45%

LAB 70.36, -22.33, 61.63

 

CMYK 29 / 0 / 73 / 29

HEX #81B530

RGB 129 181 48

HSL 83.46, 0.58%, 0.45%

LAB 67.97, -36.9, 58.49

 

CMYK 49 / 0 / 73 / 29

HEX #5DB530

RGB 93 181 48

HSL 99.7, 0.58%, 0.45%

LAB 66.2, -49.34, 56.16

 

CMYK 69 / 0 / 73 / 29

HEX #39B530

RGB 57 181 48

HSL 115.94, 0.58%, 0.45%

LAB 65.07, -58.39, 54.64

 

CMYK 0 / 10 / 73 / 29

HEX #B5A230

RGB 181 162 48

HSL 51.43, 0.58%, 0.45%

LAB 66.43, -5.61, 58.32

 

CMYK 0 / 13 / 85 / 22

HEX #C8AF1E

RGB 200 175 30

HSL 51.18, 0.74%, 0.45%

LAB 71.58, -4.73, 69.16

 

CMYK 0 / 14 / 95 / 15

HEX #DABC0B

RGB 218 188 11

HSL 51.3, 0.9%, 0.45%

LAB 76.62, -3.94, 77.1

 

CMYK 0 / 10 / 73 / 29

HEX #B5A230

RGB 181 162 48

HSL 51.43, 0.58%, 0.45%

LAB 66.43, -5.61, 58.32

 

CMYK 0 / 9 / 59 / 36

HEX #A39543

RGB 163 149 67

HSL 51.25, 0.42%, 0.45%

LAB 61.38, -5.41, 44.33

 

CMYK 0 / 6 / 41 / 44

HEX #908855

RGB 144 136 85

HSL 51.86, 0.26%, 0.45%

LAB 56.28, -4.81, 28.45

 

CMYK 0 / 3 / 17 / 51

HEX #7E7A68

RGB 126 122 104

HSL 49.09, 0.1%, 0.45%

LAB 51.1, -1.76, 10.41

 

CMYK 12 / 11 / 0 / 52

HEX #6B6D7A

RGB 107 109 122

HSL 232, 0.07%, 0.45%

LAB 46.27, 2.07, -7.46

 

CMYK 0 / 50 / 73 / 29

HEX #B55A30

RGB 181 90 48

HSL 18.95, 0.58%, 0.45%

LAB 48.7, 33.82, 40.31

 

CMYK 0 / 30 / 73 / 29

HEX #B57E30

RGB 181 126 48

HSL 35.19, 0.58%, 0.45%

LAB 57.04, 14.08, 49.03

 

CMYK 0 / 11 / 73 / 29

HEX #B5A130

RGB 181 161 48

HSL 50.98, 0.58%, 0.45%

LAB 66.16, -5.08, 58.06

 

CMYK 8 / 0 / 73 / 29

HEX #A6B530

RGB 166 181 48

HSL 66.77, 0.58%, 0.45%

LAB 70.43, -21.91, 61.73

 

CMYK 28 / 0 / 73 / 29

HEX #82B530

RGB 130 181 48

HSL 83.01, 0.58%, 0.45%

LAB 68.03, -36.51, 58.57

 

CMYK 0 / 10 / 73 / 55

HEX #74681F

RGB 116 104 31

HSL 51.53, 0.58%, 0.29%

LAB 43.82, -4.25, 40.84

 

CMYK 0 / 11 / 73 / 42

HEX #958528

RGB 149 133 40

HSL 51.19, 0.58%, 0.37%

LAB 55.4, -4.69, 49.65

 

CMYK 0 / 10 / 73 / 29

HEX #B5A230

RGB 181 162 48

HSL 51.43, 0.58%, 0.45%

LAB 66.43, -5.61, 58.32

 

CMYK 0 / 10 / 68 / 20

HEX #CDB942

RGB 205 185 66

HSL 51.37, 0.58%, 0.53%

LAB 74.87, -6.33, 60.41

 

CMYK 0 / 8 / 54 / 16

HEX #D5C563

RGB 213 197 99

HSL 51.58, 0.58%, 0.61%

LAB 79.03, -6.9, 50.54

 

CMYK 0 / 11 / 73 / 30

HEX #B3A030

RGB 179 160 48

HSL 51.3, 0.58%, 0.45%

LAB 65.7, -5.43, 57.55

 

CMYK 73 / 0 / 70 / 29

HEX #30B537

RGB 48 181 55

HSL 123.16, 0.58%, 0.45%

LAB 64.92, -59.4, 51.77

 

CMYK 40 / 73 / 0 / 29

HEX #6C30B5

RGB 108 48 181

HSL 267.07, 0.58%, 0.45%

LAB 35.28, 52.62, -60.08

 

CMYK 0 / 11 / 73 / 30

HEX #B3A030

RGB 179 160 48

HSL 51.3, 0.58%, 0.45%

LAB 65.7, -5.43, 57.55

 

CMYK 73 / 0 / 11 / 29

HEX #30B5A1

RGB 48 181 161

HSL 170.98, 0.58%, 0.45%

LAB 66.71, -39.71, 0.03

 

CMYK 11 / 73 / 0 / 29

HEX #A130B5

RGB 161 48 181

HSL 290.98, 0.58%, 0.45%

LAB 42.8, 62.98, -47.55

 

CMYK 0 / 11 / 73 / 30

HEX #B3A030

RGB 179 160 48

HSL 51.3, 0.58%, 0.45%

LAB 65.7, -5.43, 57.55

 

CMYK 73 / 0 / 70 / 29

HEX #30B537

RGB 48 181 55

HSL 123.16, 0.58%, 0.45%

LAB 64.92, -59.4, 51.77

 

CMYK 73 / 62 / 0 / 29

HEX #3044B5

RGB 48 68 181

HSL 230.98, 0.58%, 0.45%

LAB 34.19, 31.88, -62.08

 

CMYK 0 / 73 / 3 / 29

HEX #B530AF

RGB 181 48 175

HSL 302.71, 0.58%, 0.45%

LAB 45.68, 66.24, -39.23

 

CMYK 0 / 11 / 73 / 30

HEX #B3A030

RGB 179 160 48

HSL 51.3, 0.58%, 0.45%

LAB 65.7, -5.43, 57.55

 

CMYK 73 / 0 / 48 / 29

HEX #30B55F

RGB 48 181 95

HSL 141.2, 0.58%, 0.45%

LAB 65.36, -54.24, 33.77

 

CMYK 73 / 62 / 0 / 29

HEX #3044B5

RGB 48 68 181

HSL 230.98, 0.58%, 0.45%

LAB 34.19, 31.88, -62.08

 

CMYK 0 / 73 / 25 / 29

HEX #B53087

RGB 181 48 135

HSL 320.75, 0.58%, 0.45%

LAB 43.78, 60.47, -18.2

 

Description

Color code: HEX #B3A030 | qconv.com Color code: HEX #B3A030 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 160 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 160 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 73 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 73% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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