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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3A028 it is the complementary color #4C5FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3A028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3A028 shade: #B8A023, #C9B236, #DAC449, #EBD65C and #FCE86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3A028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3A028 shade: #B3A028, #A28E15, #917C02, #806A00 and #6F5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3A028 shade: #B3A029, #B37B29, #B35529, #B33029 and #B32929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3A028 shade: #B3A029, #A0B329, #7BB329, #56B329 and #31B329

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3A028 shade matches the following richer shades: #B3A029, #C4AD17 and #D6BA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3A028 shade: #B3A029, #A1933A, #8F864C, #7E795E and #6C6C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3A028 shade: #B35429, #B37929, #B39E29, #A3B329 and #7EB329

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3A028 shade: #6F6419, #918221, #B3A029, #D1BB34 and #D8C755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3A028 shade: #B3A028, #29B32F and #6729B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3A028 shade: #B3A028, #29B39E and #9E29B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3A028 shade: #B3A028, #29B32F, #293DB3 and #B329AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3A028 shade: #B3A028, #29B359, #293DB3 and #B32982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 78 / 30

HEX #B3A028

RGB 179 160 40

HSL 51.8, 0.63%, 0.43%

LAB 65.65, -5.78, 60.37

 

Complementary color

CMYK 65 / 56 / 0 / 16

HEX #4C5FD7

RGB 76 95 215

HSL 231.8, 0.63%, 0.57%

LAB 45.12, 30.63, -63.96

 

CMYK 0 / 13 / 81 / 28

HEX #B8A023

RGB 184 160 35

HSL 50.34, 0.68%, 0.43%

LAB 66.1, -3.74, 62.54

 

CMYK 0 / 11 / 73 / 21

HEX #C9B236

RGB 201 178 54

HSL 50.61, 0.58%, 0.5%

LAB 72.58, -5.01, 62.66

 

CMYK 0 / 10 / 67 / 15

HEX #DAC449

RGB 218 196 73

HSL 50.9, 0.66%, 0.57%

LAB 78.96, -6.09, 62.15

 

CMYK 0 / 9 / 61 / 8

HEX #EBD65C

RGB 235 214 92

HSL 51.19, 0.78%, 0.64%

LAB 85.27, -7, 61.3

 

CMYK 0 / 8 / 56 / 1

HEX #FCE86F

RGB 252 232 111

HSL 51.49, 0.96%, 0.71%

LAB 91.49, -7.78, 60.28

 

CMYK 0 / 11 / 78 / 30

HEX #B3A028

RGB 179 160 40

HSL 51.8, 0.63%, 0.43%

LAB 65.65, -5.78, 60.37

 

CMYK 0 / 12 / 87 / 36

HEX #A28E15

RGB 162 142 21

HSL 51.49, 0.77%, 0.36%

LAB 59.05, -4.38, 59.57

 

CMYK 0 / 14 / 99 / 43

HEX #917C02

RGB 145 124 2

HSL 51.19, 0.97%, 0.29%

LAB 52.33, -2.71, 57.36

 

CMYK 0 / 17 / 100 / 50

HEX #806A00

RGB 128 106 0

HSL 49.69, 1%, 0.25%

LAB 45.49, -0.65, 52.09

 

CMYK 0 / 21 / 100 / 56

HEX #6F5800

RGB 111 88 0

HSL 47.57, 1%, 0.22%

LAB 38.48, 1.57, 46.31

 

CMYK 0 / 11 / 77 / 30

HEX #B3A029

RGB 179 160 41

HSL 51.74, 0.63%, 0.43%

LAB 65.66, -5.74, 60.04

 

CMYK 0 / 31 / 77 / 30

HEX #B37B29

RGB 179 123 41

HSL 35.65, 0.63%, 0.43%

LAB 56, 14.55, 50.93

 

CMYK 0 / 53 / 77 / 30

HEX #B35529

RGB 179 85 41

HSL 19.13, 0.63%, 0.43%

LAB 47.29, 35.31, 42.3

 

CMYK 0 / 73 / 77 / 30

HEX #B33029

RGB 179 48 41

HSL 3.04, 0.63%, 0.43%

LAB 40.99, 51.99, 35.71

 

CMYK 0 / 77 / 77 / 30

HEX #B32929

RGB 179 41 41

HSL 0, 0.63%, 0.43%

LAB 40.13, 54.38, 34.79

 

CMYK 0 / 11 / 77 / 30

HEX #B3A029

RGB 179 160 41

HSL 51.74, 0.63%, 0.43%

LAB 65.66, -5.74, 60.04

 

CMYK 11 / 0 / 77 / 30

HEX #A0B329

RGB 160 179 41

HSL 68.26, 0.63%, 0.43%

LAB 69.38, -23.78, 62.89

 

CMYK 31 / 0 / 77 / 30

HEX #7BB329

RGB 123 179 41

HSL 84.35, 0.63%, 0.43%

LAB 66.98, -38.67, 59.79

 

CMYK 52 / 0 / 77 / 30

HEX #56B329

RGB 86 179 41

HSL 100.43, 0.63%, 0.43%

LAB 65.26, -51.11, 57.54

 

CMYK 73 / 0 / 77 / 30

HEX #31B329

RGB 49 179 41

HSL 116.52, 0.63%, 0.43%

LAB 64.2, -59.71, 56.15

 

CMYK 0 / 11 / 77 / 30

HEX #B3A029

RGB 179 160 41

HSL 51.74, 0.63%, 0.43%

LAB 65.66, -5.74, 60.04

 

CMYK 0 / 12 / 88 / 23

HEX #C4AD17

RGB 196 173 23

HSL 52.02, 0.79%, 0.43%

LAB 70.65, -5.6, 69.82

 

CMYK 0 / 13 / 98 / 16

HEX #D6BA05

RGB 214 186 5

HSL 51.96, 0.95%, 0.43%

LAB 75.71, -4.71, 76.9

 

CMYK 0 / 11 / 77 / 30

HEX #B3A029

RGB 179 160 41

HSL 51.74, 0.63%, 0.43%

LAB 65.66, -5.74, 60.04

 

CMYK 0 / 9 / 64 / 37

HEX #A1933A

RGB 161 147 58

HSL 51.84, 0.47%, 0.43%

LAB 60.56, -5.86, 47.58

 

CMYK 0 / 6 / 47 / 44

HEX #8F864C

RGB 143 134 76

HSL 51.94, 0.31%, 0.43%

LAB 55.49, -5.14, 32.31

 

CMYK 0 / 4 / 25 / 51

HEX #7E795E

RGB 126 121 94

HSL 50.63, 0.15%, 0.43%

LAB 50.59, -2.79, 15.53

 

CMYK 4 / 4 / 0 / 56

HEX #6C6C70

RGB 108 108 112

HSL 240, 0.02%, 0.43%

LAB 45.75, 0.84, -2.23

 

CMYK 0 / 53 / 77 / 30

HEX #B35429

RGB 179 84 41

HSL 18.7, 0.63%, 0.43%

LAB 47.09, 35.82, 42.09

 

CMYK 0 / 32 / 77 / 30

HEX #B37929

RGB 179 121 41

HSL 34.78, 0.63%, 0.43%

LAB 55.5, 15.66, 50.45

 

CMYK 0 / 12 / 77 / 30

HEX #B39E29

RGB 179 158 41

HSL 50.87, 0.63%, 0.43%

LAB 65.12, -4.67, 59.54

 

CMYK 9 / 0 / 77 / 30

HEX #A3B329

RGB 163 179 41

HSL 66.96, 0.63%, 0.43%

LAB 69.6, -22.51, 63.17

 

CMYK 30 / 0 / 77 / 30

HEX #7EB329

RGB 126 179 41

HSL 83.04, 0.63%, 0.43%

LAB 67.15, -37.53, 60.01

 

CMYK 0 / 10 / 77 / 56

HEX #6F6419

RGB 111 100 25

HSL 52.33, 0.63%, 0.27%

LAB 42.1, -4.65, 41.49

 

CMYK 0 / 10 / 77 / 43

HEX #918221

RGB 145 130 33

HSL 51.96, 0.63%, 0.35%

LAB 54.13, -5.2, 50.99

 

CMYK 0 / 11 / 77 / 30

HEX #B3A029

RGB 179 160 41

HSL 51.74, 0.63%, 0.43%

LAB 65.66, -5.74, 60.04

 

CMYK 0 / 11 / 75 / 18

HEX #D1BB34

RGB 209 187 52

HSL 51.59, 0.63%, 0.51%

LAB 75.66, -6.32, 66.57

 

CMYK 0 / 8 / 61 / 15

HEX #D8C755

RGB 216 199 85

HSL 52.21, 0.63%, 0.59%

LAB 79.67, -7.73, 57.75

 

CMYK 0 / 11 / 78 / 30

HEX #B3A028

RGB 179 160 40

HSL 51.8, 0.63%, 0.43%

LAB 65.65, -5.78, 60.37

 

CMYK 77 / 0 / 74 / 30

HEX #29B32F

RGB 41 179 47

HSL 122.61, 0.63%, 0.43%

LAB 64.09, -60.52, 53.92

 

CMYK 42 / 77 / 0 / 30

HEX #6729B3

RGB 103 41 179

HSL 266.96, 0.63%, 0.43%

LAB 33.4, 54.37, -61.98

 

CMYK 0 / 11 / 78 / 30

HEX #B3A028

RGB 179 160 40

HSL 51.8, 0.63%, 0.43%

LAB 65.65, -5.78, 60.37

 

CMYK 77 / 0 / 12 / 30

HEX #29B39E

RGB 41 179 158

HSL 170.87, 0.63%, 0.43%

LAB 65.89, -40.46, 0.48

 

CMYK 12 / 77 / 0 / 30

HEX #9E29B3

RGB 158 41 179

HSL 290.87, 0.63%, 0.43%

LAB 41.39, 64.34, -48.66

 

CMYK 0 / 11 / 78 / 30

HEX #B3A028

RGB 179 160 40

HSL 51.8, 0.63%, 0.43%

LAB 65.65, -5.78, 60.37

 

CMYK 77 / 0 / 74 / 30

HEX #29B32F

RGB 41 179 47

HSL 122.61, 0.63%, 0.43%

LAB 64.09, -60.52, 53.92

 

CMYK 77 / 66 / 0 / 30

HEX #293DB3

RGB 41 61 179

HSL 231.3, 0.63%, 0.43%

LAB 31.95, 34.89, -64.57

 

CMYK 0 / 77 / 4 / 30

HEX #B329AC

RGB 179 41 172

HSL 303.04, 0.63%, 0.43%

LAB 44.44, 67.45, -39.44

 

CMYK 0 / 11 / 78 / 30

HEX #B3A028

RGB 179 160 40

HSL 51.8, 0.63%, 0.43%

LAB 65.65, -5.78, 60.37

 

CMYK 77 / 0 / 50 / 30

HEX #29B359

RGB 41 179 89

HSL 140.87, 0.63%, 0.43%

LAB 64.51, -55.51, 35.72

 

CMYK 77 / 66 / 0 / 30

HEX #293DB3

RGB 41 61 179

HSL 231.3, 0.63%, 0.43%

LAB 31.95, 34.89, -64.57

 

CMYK 0 / 77 / 27 / 30

HEX #B32982

RGB 179 41 130

HSL 321.3, 0.63%, 0.43%

LAB 42.43, 61.57, -17.24

 

Description

Color code: HEX #B3A028 | qconv.com Color code: HEX #B3A028 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 160 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 160 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 78 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 78% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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