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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39D39 it is the complementary color #4C62C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39D39 shade: #B89D34, #C9AF47, #DAC15A, #EBD36D and #FCE580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39D39 shade: #B39D39, #A28B26, #917913, #806700 and #6F5500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39D39 shade: #B29C38, #B27B38, #B25B38, #B23A38 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39D39 shade: #B29C38, #A7B238, #87B238, #66B238 and #45B238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39D39 shade matches the following richer shades: #B29C38, #C5A825 and #D8B512

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39D39 shade: #B29C38, #9F904B, #8C845E, #797871 and #666C84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39D39 shade: #B25B38, #B27B38, #B29C38, #A8B238 and #88B238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39D39 shade: #746524, #93812E, #B29C38, #C7B14D and #D1BF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39D39 shade: #B39D39, #38B23A and #6B38B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39D39 shade: #B39D39, #38B29C and #9C38B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39D39 shade: #B39D39, #38B23A, #384FB2 and #B238B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39D39 shade: #B39D39, #38B25F, #384FB2 and #B2388C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 68 / 30

HEX #B39D39

RGB 179 157 57

HSL 49.18, 0.52%, 0.46%

LAB 64.96, -3.36, 53.18

 

Complementary color

CMYK 62 / 51 / 0 / 22

HEX #4C62C6

RGB 76 98 198

HSL 229.18, 0.52%, 0.54%

LAB 44.73, 22.91, -54.84

 

CMYK 0 / 15 / 72 / 28

HEX #B89D34

RGB 184 157 52

HSL 47.73, 0.56%, 0.46%

LAB 65.4, -1.42, 55.86

 

CMYK 0 / 13 / 65 / 21

HEX #C9AF47

RGB 201 175 71

HSL 48, 0.55%, 0.53%

LAB 71.91, -2.52, 55.09

 

CMYK 0 / 11 / 59 / 15

HEX #DAC15A

RGB 218 193 90

HSL 48.28, 0.63%, 0.6%

LAB 78.34, -3.45, 54.06

 

CMYK 0 / 10 / 54 / 8

HEX #EBD36D

RGB 235 211 109

HSL 48.57, 0.76%, 0.67%

LAB 84.67, -4.24, 52.91

 

CMYK 0 / 9 / 49 / 1

HEX #FCE580

RGB 252 229 128

HSL 48.87, 0.95%, 0.75%

LAB 90.91, -4.91, 51.73

 

CMYK 0 / 12 / 68 / 30

HEX #B39D39

RGB 179 157 57

HSL 49.18, 0.52%, 0.46%

LAB 64.96, -3.36, 53.18

 

CMYK 0 / 14 / 77 / 36

HEX #A28B26

RGB 162 139 38

HSL 48.87, 0.62%, 0.39%

LAB 58.31, -2.16, 53.66

 

CMYK 0 / 17 / 87 / 43

HEX #917913

RGB 145 121 19

HSL 48.57, 0.77%, 0.32%

LAB 51.54, -0.68, 53.2

 

CMYK 0 / 20 / 100 / 50

HEX #806700

RGB 128 103 0

HSL 48.28, 1%, 0.25%

LAB 44.65, 1.09, 51.5

 

CMYK 0 / 23 / 100 / 56

HEX #6F5500

RGB 111 85 0

HSL 45.95, 1%, 0.22%

LAB 37.62, 3.37, 45.71

 

CMYK 0 / 12 / 69 / 30

HEX #B29C38

RGB 178 156 56

HSL 49.18, 0.52%, 0.46%

LAB 64.59, -3.32, 53.19

 

CMYK 0 / 31 / 69 / 30

HEX #B27B38

RGB 178 123 56

HSL 32.95, 0.52%, 0.46%

LAB 56, 14.86, 44.1

 

CMYK 0 / 49 / 69 / 30

HEX #B25B38

RGB 178 91 56

HSL 17.21, 0.52%, 0.46%

LAB 48.55, 32.5, 35.76

 

CMYK 0 / 67 / 69 / 30

HEX #B23A38

RGB 178 58 56

HSL 0.98, 0.52%, 0.46%

LAB 42.42, 48.45, 28.53

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 12 / 69 / 30

HEX #B29C38

RGB 178 156 56

HSL 49.18, 0.52%, 0.46%

LAB 64.59, -3.32, 53.19

 

CMYK 6 / 0 / 69 / 30

HEX #A7B238

RGB 167 178 56

HSL 65.41, 0.52%, 0.46%

LAB 69.71, -19.56, 58.12

 

CMYK 24 / 0 / 69 / 30

HEX #87B238

RGB 135 178 56

HSL 81.15, 0.52%, 0.46%

LAB 67.48, -32.69, 55.13

 

CMYK 43 / 0 / 69 / 30

HEX #66B238

RGB 102 178 56

HSL 97.38, 0.52%, 0.46%

LAB 65.71, -44.68, 52.73

 

CMYK 61 / 0 / 69 / 30

HEX #45B238

RGB 69 178 56

HSL 113.61, 0.52%, 0.46%

LAB 64.48, -54.08, 51.05

 

CMYK 0 / 12 / 69 / 30

HEX #B29C38

RGB 178 156 56

HSL 49.18, 0.52%, 0.46%

LAB 64.59, -3.32, 53.19

 

CMYK 0 / 15 / 81 / 23

HEX #C5A825

RGB 197 168 37

HSL 49.13, 0.68%, 0.46%

LAB 69.48, -2.16, 65.38

 

CMYK 0 / 16 / 92 / 15

HEX #D8B512

RGB 216 181 18

HSL 49.39, 0.85%, 0.46%

LAB 74.63, -1.08, 74.61

 

CMYK 0 / 12 / 69 / 30

HEX #B29C38

RGB 178 156 56

HSL 49.18, 0.52%, 0.46%

LAB 64.59, -3.32, 53.19

 

CMYK 0 / 9 / 53 / 38

HEX #9F904B

RGB 159 144 75

HSL 49.29, 0.36%, 0.46%

LAB 59.73, -3.77, 38.33

 

CMYK 0 / 6 / 33 / 45

HEX #8C845E

RGB 140 132 94

HSL 49.57, 0.2%, 0.46%

LAB 54.95, -3.15, 21.64

 

CMYK 0 / 1 / 7 / 53

HEX #797871

RGB 121 120 113

HSL 52.5, 0.03%, 0.46%

LAB 50.32, -0.98, 3.97

 

CMYK 23 / 18 / 0 / 48

HEX #666C84

RGB 102 108 132

HSL 228, 0.13%, 0.46%

LAB 45.93, 3.31, -14

 

CMYK 0 / 49 / 69 / 30

HEX #B25B38

RGB 178 91 56

HSL 17.21, 0.52%, 0.46%

LAB 48.55, 32.5, 35.76

 

CMYK 0 / 31 / 69 / 30

HEX #B27B38

RGB 178 123 56

HSL 32.95, 0.52%, 0.46%

LAB 56, 14.86, 44.1

 

CMYK 0 / 12 / 69 / 30

HEX #B29C38

RGB 178 156 56

HSL 49.18, 0.52%, 0.46%

LAB 64.59, -3.32, 53.19

 

CMYK 6 / 0 / 69 / 30

HEX #A8B238

RGB 168 178 56

HSL 64.92, 0.52%, 0.46%

LAB 69.79, -19.13, 58.22

 

CMYK 24 / 0 / 69 / 30

HEX #88B238

RGB 136 178 56

HSL 80.66, 0.52%, 0.46%

LAB 67.55, -32.3, 55.21

 

CMYK 0 / 13 / 69 / 55

HEX #746524

RGB 116 101 36

HSL 48.75, 0.53%, 0.3%

LAB 42.99, -2.2, 37.71

 

CMYK 0 / 12 / 69 / 42

HEX #93812E

RGB 147 129 46

HSL 49.31, 0.52%, 0.38%

LAB 54.13, -3.05, 45.77

 

CMYK 0 / 12 / 69 / 30

HEX #B29C38

RGB 178 156 56

HSL 49.18, 0.52%, 0.46%

LAB 64.59, -3.32, 53.19

 

CMYK 0 / 11 / 61 / 22

HEX #C7B14D

RGB 199 177 77

HSL 49.18, 0.52%, 0.54%

LAB 72.31, -4.04, 52.78

 

CMYK 0 / 9 / 48 / 18

HEX #D1BF6C

RGB 209 191 108

HSL 49.31, 0.52%, 0.62%

LAB 77.22, -4.66, 43.91

 

CMYK 0 / 12 / 68 / 30

HEX #B39D39

RGB 179 157 57

HSL 49.18, 0.52%, 0.46%

LAB 64.96, -3.36, 53.18

 

CMYK 69 / 0 / 67 / 30

HEX #38B23A

RGB 56 178 58

HSL 120.98, 0.52%, 0.46%

LAB 64.15, -56.68, 49.78

 

CMYK 40 / 69 / 0 / 30

HEX #6B38B2

RGB 107 56 178

HSL 265.08, 0.52%, 0.46%

LAB 36.31, 47.79, -56.63

 

CMYK 0 / 12 / 68 / 30

HEX #B39D39

RGB 179 157 57

HSL 49.18, 0.52%, 0.46%

LAB 64.96, -3.36, 53.18

 

CMYK 69 / 0 / 12 / 30

HEX #38B29C

RGB 56 178 156

HSL 169.18, 0.52%, 0.46%

LAB 65.81, -38.59, 1.51

 

CMYK 12 / 69 / 0 / 30

HEX #9C38B2

RGB 156 56 178

HSL 289.18, 0.52%, 0.46%

LAB 42.93, 58.29, -45.62

 

CMYK 0 / 12 / 68 / 30

HEX #B39D39

RGB 179 157 57

HSL 49.18, 0.52%, 0.46%

LAB 64.96, -3.36, 53.18

 

CMYK 69 / 0 / 67 / 30

HEX #38B23A

RGB 56 178 58

HSL 120.98, 0.52%, 0.46%

LAB 64.15, -56.68, 49.78

 

CMYK 69 / 56 / 0 / 30

HEX #384FB2

RGB 56 79 178

HSL 228.69, 0.52%, 0.46%

LAB 37.2, 24.7, -55.38

 

CMYK 0 / 69 / 1 / 30

HEX #B238B0

RGB 178 56 176

HSL 300.98, 0.52%, 0.46%

LAB 46.21, 62.98, -39.01

 

CMYK 0 / 12 / 68 / 30

HEX #B39D39

RGB 179 157 57

HSL 49.18, 0.52%, 0.46%

LAB 64.96, -3.36, 53.18

 

CMYK 69 / 0 / 47 / 30

HEX #38B25F

RGB 56 178 95

HSL 139.18, 0.52%, 0.46%

LAB 64.57, -51.8, 32.8

 

CMYK 69 / 56 / 0 / 30

HEX #384FB2

RGB 56 79 178

HSL 228.69, 0.52%, 0.46%

LAB 37.2, 24.7, -55.38

 

CMYK 0 / 69 / 21 / 30

HEX #B2388C

RGB 178 56 140

HSL 318.69, 0.52%, 0.46%

LAB 44.5, 57.47, -20.18

 

Description

Color code: HEX #B39D39 | qconv.com Color code: HEX #B39D39 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 157 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 157 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 68 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 68% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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