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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39B58 it is the complementary color #4C64A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39B58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39B58 shade: #B89B53, #C9AD66, #DABF79, #EBD18C and #FCE39F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39B58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39B58 shade: #B39B58, #A28945, #917732, #80651F and #6F530C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39B58 shade: #B29A57, #B28257, #B26957 and #B25757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39B58 shade: #B29A57, #B1B257, #99B257, #80B257 and #68B257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39B58 shade matches the following richer shades: #B29A57, #C6A344, #D9AD30 and #EDB61C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39B58 shade: #B29A57, #9E916B, #8A877F, #767E93 and #6375A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39B58 shade: #B26957, #B28257, #B29A57, #B2B257 and #9AB257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39B58 shade: #7D6B3A, #998447, #B29A57, #BFAB74 and #CCBC90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39B58 shade: #B39B58, #5DB257 and #7657B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39B58 shade: #B39B58, #57B29A and #9A57B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39B58 shade: #B39B58, #5DB257, #576FB2 and #AC57B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39B58 shade: #B39B58, #57B26C, #576FB2 and #B2579D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 51 / 30

HEX #B39B58

RGB 179 155 88

HSL 44.18, 0.37%, 0.52%

LAB 64.75, 0.05, 38.15

 

Complementary color

CMYK 54 / 40 / 0 / 35

HEX #4C64A7

RGB 76 100 167

HSL 224.18, 0.37%, 0.48%

LAB 43.42, 11.12, -38.84

 

CMYK 0 / 16 / 55 / 28

HEX #B89B53

RGB 184 155 83

HSL 42.77, 0.42%, 0.52%

LAB 65.17, 1.74, 41.32

 

CMYK 0 / 14 / 49 / 21

HEX #C9AD66

RGB 201 173 102

HSL 43.03, 0.48%, 0.59%

LAB 71.73, 0.94, 40.02

 

CMYK 0 / 12 / 44 / 15

HEX #DABF79

RGB 218 191 121

HSL 43.3, 0.57%, 0.66%

LAB 78.2, 0.27, 38.75

 

CMYK 0 / 11 / 40 / 8

HEX #EBD18C

RGB 235 209 140

HSL 43.58, 0.7%, 0.74%

LAB 84.56, -0.31, 37.53

 

CMYK 0 / 10 / 37 / 1

HEX #FCE39F

RGB 252 227 159

HSL 43.87, 0.94%, 0.81%

LAB 90.84, -0.82, 36.36

 

CMYK 0 / 13 / 51 / 30

HEX #B39B58

RGB 179 155 88

HSL 44.18, 0.37%, 0.52%

LAB 64.75, 0.05, 38.15

 

CMYK 0 / 15 / 57 / 36

HEX #A28945

RGB 162 137 69

HSL 43.87, 0.4%, 0.45%

LAB 58.04, 0.88, 39.46

 

CMYK 0 / 18 / 66 / 43

HEX #917732

RGB 145 119 50

HSL 43.58, 0.49%, 0.38%

LAB 51.2, 1.92, 40.71

 

CMYK 0 / 21 / 76 / 50

HEX #80651F

RGB 128 101 31

HSL 43.3, 0.61%, 0.31%

LAB 44.23, 3.22, 41.67

 

CMYK 0 / 25 / 89 / 56

HEX #6F530C

RGB 111 83 12

HSL 43.03, 0.8%, 0.24%

LAB 37.1, 4.9, 41.69

 

CMYK 0 / 13 / 51 / 30

HEX #B29A57

RGB 178 154 87

HSL 44.18, 0.37%, 0.52%

LAB 64.37, 0.07, 38.19

 

CMYK 0 / 27 / 51 / 30

HEX #B28257

RGB 178 130 87

HSL 28.35, 0.37%, 0.52%

LAB 58.15, 13.33, 30.44

 

CMYK 0 / 41 / 51 / 30

HEX #B26957

RGB 178 105 87

HSL 11.87, 0.37%, 0.52%

LAB 52.13, 27.28, 22.64

 

CMYK 0 / 51 / 51 / 30

HEX #B25757

RGB 178 87 87

HSL 0, 0.37%, 0.52%

LAB 48.22, 36.95, 17.43

 

CMYK 0 / 13 / 51 / 30

HEX #B29A57

RGB 178 154 87

HSL 44.18, 0.37%, 0.52%

LAB 64.37, 0.07, 38.19

 

CMYK 1 / 0 / 51 / 30

HEX #B1B257

RGB 177 178 87

HSL 60.66, 0.37%, 0.52%

LAB 70.79, -13.08, 45.85

 

CMYK 14 / 0 / 51 / 30

HEX #99B257

RGB 153 178 87

HSL 76.48, 0.37%, 0.52%

LAB 68.97, -22.9, 43.25

 

CMYK 28 / 0 / 51 / 30

HEX #80B257

RGB 128 178 87

HSL 92.97, 0.37%, 0.52%

LAB 67.37, -32.52, 40.94

 

CMYK 42 / 0 / 51 / 30

HEX #68B257

RGB 104 178 87

HSL 108.79, 0.37%, 0.52%

LAB 66.11, -40.79, 39.13

 

CMYK 0 / 13 / 51 / 30

HEX #B29A57

RGB 178 154 87

HSL 44.18, 0.37%, 0.52%

LAB 64.37, 0.07, 38.19

 

CMYK 0 / 18 / 66 / 22

HEX #C6A344

RGB 198 163 68

HSL 43.85, 0.53%, 0.52%

LAB 68.47, 2.38, 52.64

 

CMYK 0 / 20 / 78 / 15

HEX #D9AD30

RGB 217 173 48

HSL 44.38, 0.69%, 0.52%

LAB 72.79, 4.33, 65.56

 

CMYK 0 / 23 / 88 / 7

HEX #EDB61C

RGB 237 182 28

HSL 44.21, 0.85%, 0.52%

LAB 77.01, 7.68, 75.51

 

CMYK 0 / 13 / 51 / 30

HEX #B29A57

RGB 178 154 87

HSL 44.18, 0.37%, 0.52%

LAB 64.37, 0.07, 38.19

 

CMYK 0 / 8 / 32 / 38

HEX #9E916B

RGB 158 145 107

HSL 44.71, 0.21%, 0.52%

LAB 60.41, -1.16, 21.96

 

CMYK 0 / 2 / 8 / 46

HEX #8A877F

RGB 138 135 127

HSL 43.64, 0.04%, 0.52%

LAB 56.35, -0.39, 4.69

 

CMYK 20 / 14 / 0 / 42

HEX #767E93

RGB 118 126 147

HSL 223.45, 0.12%, 0.52%

LAB 52.82, 1.75, -12.31

 

CMYK 41 / 30 / 0 / 35

HEX #6375A7

RGB 99 117 167

HSL 224.12, 0.28%, 0.52%

LAB 49.7, 6.5, -28.88

 

CMYK 0 / 41 / 51 / 30

HEX #B26957

RGB 178 105 87

HSL 11.87, 0.37%, 0.52%

LAB 52.13, 27.28, 22.64

 

CMYK 0 / 27 / 51 / 30

HEX #B28257

RGB 178 130 87

HSL 28.35, 0.37%, 0.52%

LAB 58.15, 13.33, 30.44

 

CMYK 0 / 13 / 51 / 30

HEX #B29A57

RGB 178 154 87

HSL 44.18, 0.37%, 0.52%

LAB 64.37, 0.07, 38.19

 

CMYK 0 / 0 / 51 / 30

HEX #B2B257

RGB 178 178 87

HSL 60, 0.37%, 0.52%

LAB 70.87, -12.66, 45.96

 

CMYK 13 / 0 / 51 / 30

HEX #9AB257

RGB 154 178 87

HSL 75.82, 0.37%, 0.52%

LAB 69.04, -22.5, 43.35

 

CMYK 0 / 14 / 54 / 51

HEX #7D6B3A

RGB 125 107 58

HSL 43.88, 0.37%, 0.36%

LAB 45.88, 0.31, 29.87

 

CMYK 0 / 14 / 54 / 40

HEX #998447

RGB 153 132 71

HSL 44.63, 0.37%, 0.44%

LAB 55.82, -0.13, 35.57

 

CMYK 0 / 13 / 51 / 30

HEX #B29A57

RGB 178 154 87

HSL 44.18, 0.37%, 0.52%

LAB 64.37, 0.07, 38.19

 

CMYK 0 / 10 / 39 / 25

HEX #BFAB74

RGB 191 171 116

HSL 44, 0.37%, 0.6%

LAB 70.5, -0.66, 30.96

 

CMYK 0 / 8 / 29 / 20

HEX #CCBC90

RGB 204 188 144

HSL 44, 0.37%, 0.68%

LAB 76.57, -1.05, 24.36

 

CMYK 0 / 13 / 51 / 30

HEX #B39B58

RGB 179 155 88

HSL 44.18, 0.37%, 0.52%

LAB 64.75, 0.05, 38.15

 

CMYK 48 / 0 / 51 / 30

HEX #5DB257

RGB 93 178 87

HSL 116.04, 0.37%, 0.52%

LAB 65.64, -44.17, 38.44

 

CMYK 34 / 51 / 0 / 30

HEX #7657B2

RGB 118 87 178

HSL 260.44, 0.37%, 0.52%

LAB 44.06, 33.02, -44.08

 

CMYK 0 / 13 / 51 / 30

HEX #B39B58

RGB 179 155 88

HSL 44.18, 0.37%, 0.52%

LAB 64.75, 0.05, 38.15

 

CMYK 51 / 0 / 13 / 30

HEX #57B29A

RGB 87 178 154

HSL 164.18, 0.37%, 0.52%

LAB 66.67, -33.09, 3.98

 

CMYK 13 / 51 / 0 / 30

HEX #9A57B2

RGB 154 87 178

HSL 284.18, 0.37%, 0.52%

LAB 48.13, 42.93, -37.37

 

CMYK 0 / 13 / 51 / 30

HEX #B39B58

RGB 179 155 88

HSL 44.18, 0.37%, 0.52%

LAB 64.75, 0.05, 38.15

 

CMYK 48 / 0 / 51 / 30

HEX #5DB257

RGB 93 178 87

HSL 116.04, 0.37%, 0.52%

LAB 65.64, -44.17, 38.44

 

CMYK 51 / 38 / 0 / 30

HEX #576FB2

RGB 87 111 178

HSL 224.18, 0.37%, 0.52%

LAB 47.76, 10.42, -38.37

 

CMYK 3 / 51 / 0 / 30

HEX #AC57B2

RGB 172 87 178

HSL 296.04, 0.37%, 0.52%

LAB 50.45, 48.05, -33.57

 

CMYK 0 / 13 / 51 / 30

HEX #B39B58

RGB 179 155 88

HSL 44.18, 0.37%, 0.52%

LAB 64.75, 0.05, 38.15

 

CMYK 51 / 0 / 39 / 30

HEX #57B26C

RGB 87 178 108

HSL 133.85, 0.37%, 0.52%

LAB 65.71, -42.63, 27.68

 

CMYK 51 / 38 / 0 / 30

HEX #576FB2

RGB 87 111 178

HSL 224.18, 0.37%, 0.52%

LAB 47.76, 10.42, -38.37

 

CMYK 0 / 51 / 12 / 30

HEX #B2579D

RGB 178 87 157

HSL 313.85, 0.37%, 0.52%

LAB 50.35, 46.11, -21.34

 

Description

Color code: HEX #B39B58 | qconv.com Color code: HEX #B39B58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 155 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 155 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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