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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39143 it is the complementary color #4C6EBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39143 shade: #B8913E, #C9A351, #DAB564, #EBC777 and #FCD98A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39143 shade: #B39143, #A27F30, #916D1D, #805B0A and #6F4900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39143 shade: #B39142, #B37242, #B35442 and #B34242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39143 shade: #B39142, #B3AF42, #98B342, #7AB342 and #5BB342

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39143 shade matches the following richer shades: #B39142, #C7982E, #DAA01A and #EEA807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39143 shade: #B39142, #9F8956, #8B816A, #77797E and #637191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39143 shade: #B35342, #B37142, #B38F42, #B3AD42 and #9AB342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39143 shade: #76602C, #957837, #B39142, #C3A35C and #CEB47A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39143 shade: #B39143, #4FB342 and #6242B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39143 shade: #B39143, #42B38F and #8F42B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39143 shade: #B39143, #4FB342, #4266B3 and #A642B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39143 shade: #B39143, #42B357, #4266B3 and #B3429E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 63 / 30

HEX #B39143

RGB 179 145 67

HSL 41.79, 0.46%, 0.48%

LAB 61.86, 3.8, 45.29

 

Complementary color

CMYK 60 / 41 / 0 / 26

HEX #4C6EBC

RGB 76 110 188

HSL 221.79, 0.46%, 0.52%

LAB 47.39, 11.93, -44.8

 

CMYK 0 / 21 / 66 / 28

HEX #B8913E

RGB 184 145 62

HSL 40.82, 0.5%, 0.48%

LAB 62.33, 5.67, 48.32

 

CMYK 0 / 19 / 60 / 21

HEX #C9A351

RGB 201 163 81

HSL 41, 0.53%, 0.55%

LAB 68.9, 4.54, 47.11

 

CMYK 0 / 17 / 54 / 15

HEX #DAB564

RGB 218 181 100

HSL 41.19, 0.61%, 0.62%

LAB 75.37, 3.6, 45.83

 

CMYK 0 / 15 / 49 / 8

HEX #EBC777

RGB 235 199 119

HSL 41.38, 0.74%, 0.69%

LAB 81.75, 2.79, 44.54

 

CMYK 0 / 14 / 45 / 1

HEX #FCD98A

RGB 252 217 138

HSL 41.58, 0.95%, 0.76%

LAB 88.04, 2.09, 43.29

 

CMYK 0 / 19 / 63 / 30

HEX #B39143

RGB 179 145 67

HSL 41.79, 0.46%, 0.48%

LAB 61.86, 3.8, 45.29

 

CMYK 0 / 22 / 70 / 36

HEX #A27F30

RGB 162 127 48

HSL 41.58, 0.54%, 0.41%

LAB 55.15, 5.01, 46.41

 

CMYK 0 / 25 / 80 / 43

HEX #916D1D

RGB 145 109 29

HSL 41.38, 0.67%, 0.34%

LAB 48.32, 6.5, 47.08

 

CMYK 0 / 29 / 92 / 50

HEX #805B0A

RGB 128 91 10

HSL 41.19, 0.86%, 0.27%

LAB 41.36, 8.35, 46.56

 

CMYK 0 / 34 / 100 / 56

HEX #6F4900

RGB 111 73 0

HSL 39.46, 1%, 0.22%

LAB 34.28, 10.64, 43.45

 

CMYK 0 / 19 / 63 / 30

HEX #B39142

RGB 179 145 66

HSL 41.95, 0.46%, 0.48%

LAB 61.85, 3.73, 45.76

 

CMYK 0 / 36 / 63 / 30

HEX #B37242

RGB 179 114 66

HSL 25.49, 0.46%, 0.48%

LAB 54.04, 20.97, 36.8

 

CMYK 0 / 53 / 63 / 30

HEX #B35442

RGB 179 84 66

HSL 9.56, 0.46%, 0.48%

LAB 47.39, 37.19, 28.77

 

CMYK 0 / 63 / 63 / 30

HEX #B34242

RGB 179 66 66

HSL 0, 0.46%, 0.48%

LAB 44.05, 45.92, 24.59

 

CMYK 0 / 19 / 63 / 30

HEX #B39142

RGB 179 145 66

HSL 41.95, 0.46%, 0.48%

LAB 61.85, 3.73, 45.76

 

CMYK 0 / 2 / 63 / 30

HEX #B3AF42

RGB 179 175 66

HSL 57.88, 0.46%, 0.48%

LAB 69.92, -12.29, 54.55

 

CMYK 15 / 0 / 63 / 30

HEX #98B342

RGB 152 179 66

HSL 74.34, 0.46%, 0.48%

LAB 68.97, -25.64, 52.92

 

CMYK 32 / 0 / 63 / 30

HEX #7AB342

RGB 122 179 66

HSL 90.27, 0.46%, 0.48%

LAB 67.1, -37.3, 50.34

 

CMYK 49 / 0 / 63 / 30

HEX #5BB342

RGB 91 179 66

HSL 106.73, 0.46%, 0.48%

LAB 65.64, -47.62, 48.31

 

CMYK 0 / 19 / 63 / 30

HEX #B39142

RGB 179 145 66

HSL 41.95, 0.46%, 0.48%

LAB 61.85, 3.73, 45.76

 

CMYK 0 / 24 / 77 / 22

HEX #C7982E

RGB 199 152 46

HSL 41.57, 0.62%, 0.48%

LAB 65.59, 7.64, 58.9

 

CMYK 0 / 27 / 88 / 15

HEX #DAA01A

RGB 218 160 26

HSL 41.88, 0.79%, 0.48%

LAB 69.56, 11.06, 69.24

 

CMYK 0 / 29 / 97 / 7

HEX #EEA807

RGB 238 168 7

HSL 41.82, 0.94%, 0.48%

LAB 73.67, 15.21, 76.37

 

CMYK 0 / 19 / 63 / 30

HEX #B39142

RGB 179 145 66

HSL 41.95, 0.46%, 0.48%

LAB 61.85, 3.73, 45.76

 

CMYK 0 / 14 / 46 / 38

HEX #9F8956

RGB 159 137 86

HSL 41.92, 0.3%, 0.48%

LAB 57.97, 1.18, 30.35

 

CMYK 0 / 7 / 24 / 45

HEX #8B816A

RGB 139 129 106

HSL 41.82, 0.13%, 0.48%

LAB 54.27, -0.14, 13.85

 

CMYK 6 / 4 / 0 / 51

HEX #77797E

RGB 119 121 126

HSL 222.86, 0.03%, 0.48%

LAB 50.81, 0.29, -3

 

CMYK 32 / 22 / 0 / 43

HEX #637191

RGB 99 113 145

HSL 221.74, 0.19%, 0.48%

LAB 47.63, 2.72, -19.15

 

CMYK 0 / 54 / 63 / 30

HEX #B35342

RGB 179 83 66

HSL 9.03, 0.46%, 0.48%

LAB 47.19, 37.7, 28.52

 

CMYK 0 / 37 / 63 / 30

HEX #B37142

RGB 179 113 66

HSL 24.96, 0.46%, 0.48%

LAB 53.8, 21.53, 36.52

 

CMYK 0 / 20 / 63 / 30

HEX #B38F42

RGB 179 143 66

HSL 40.88, 0.46%, 0.48%

LAB 61.33, 4.83, 45.17

 

CMYK 0 / 3 / 63 / 30

HEX #B3AD42

RGB 179 173 66

HSL 56.81, 0.46%, 0.48%

LAB 69.37, -11.26, 53.96

 

CMYK 14 / 0 / 63 / 30

HEX #9AB342

RGB 154 179 66

HSL 73.27, 0.46%, 0.48%

LAB 69.11, -24.82, 53.11

 

CMYK 0 / 19 / 63 / 54

HEX #76602C

RGB 118 96 44

HSL 42.16, 0.46%, 0.32%

LAB 41.84, 2.26, 32.49

 

CMYK 0 / 19 / 63 / 42

HEX #957837

RGB 149 120 55

HSL 41.49, 0.46%, 0.4%

LAB 51.95, 3.52, 39.19

 

CMYK 0 / 19 / 63 / 30

HEX #B39142

RGB 179 145 66

HSL 41.95, 0.46%, 0.48%

LAB 61.85, 3.73, 45.76

 

CMYK 0 / 16 / 53 / 24

HEX #C3A35C

RGB 195 163 92

HSL 41.36, 0.46%, 0.56%

LAB 68.44, 2.88, 40.95

 

CMYK 0 / 13 / 41 / 19

HEX #CEB47A

RGB 206 180 122

HSL 41.43, 0.46%, 0.64%

LAB 74.3, 1.31, 33.01

 

CMYK 0 / 19 / 63 / 30

HEX #B39143

RGB 179 145 67

HSL 41.79, 0.46%, 0.48%

LAB 61.86, 3.8, 45.29

 

CMYK 56 / 0 / 63 / 30

HEX #4FB342

RGB 79 179 66

HSL 113.1, 0.46%, 0.48%

LAB 65.2, -50.97, 47.69

 

CMYK 45 / 63 / 0 / 30

HEX #6242B3

RGB 98 66 179

HSL 256.99, 0.46%, 0.48%

LAB 37.39, 40.82, -55.52

 

CMYK 0 / 19 / 63 / 30

HEX #B39143

RGB 179 145 67

HSL 41.79, 0.46%, 0.48%

LAB 61.86, 3.8, 45.29

 

CMYK 63 / 0 / 20 / 30

HEX #42B38F

RGB 66 179 143

HSL 160.88, 0.46%, 0.48%

LAB 66.04, -40.6, 9.06

 

CMYK 20 / 63 / 0 / 30

HEX #8F42B3

RGB 143 66 179

HSL 280.88, 0.46%, 0.48%

LAB 42.75, 51.01, -46.6

 

CMYK 0 / 19 / 63 / 30

HEX #B39143

RGB 179 145 67

HSL 41.79, 0.46%, 0.48%

LAB 61.86, 3.8, 45.29

 

CMYK 56 / 0 / 63 / 30

HEX #4FB342

RGB 79 179 66

HSL 113.1, 0.46%, 0.48%

LAB 65.2, -50.97, 47.69

 

CMYK 63 / 43 / 0 / 30

HEX #4266B3

RGB 66 102 179

HSL 220.88, 0.46%, 0.48%

LAB 44.11, 11.91, -44.82

 

CMYK 7 / 63 / 0 / 30

HEX #A642B3

RGB 166 66 179

HSL 293.1, 0.46%, 0.48%

LAB 45.99, 56.61, -41.25

 

CMYK 0 / 19 / 63 / 30

HEX #B39143

RGB 179 145 67

HSL 41.79, 0.46%, 0.48%

LAB 61.86, 3.8, 45.29

 

CMYK 63 / 0 / 51 / 30

HEX #42B357

RGB 66 179 87

HSL 131.15, 0.46%, 0.48%

LAB 65.03, -51.45, 37.49

 

CMYK 63 / 43 / 0 / 30

HEX #4266B3

RGB 66 102 179

HSL 220.88, 0.46%, 0.48%

LAB 44.11, 11.91, -44.82

 

CMYK 0 / 63 / 12 / 30

HEX #B3429E

RGB 179 66 158

HSL 311.15, 0.46%, 0.48%

LAB 46.91, 56.35, -27.25

 

Description

Color code: HEX #B39143 | qconv.com Color code: HEX #B39143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 145 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 145 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 63 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 63% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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