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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B38A2C it is the complementary color #4C75D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B38A2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B38A2C shade: #B88A27, #C99C3A, #DAAE4D, #EBC060 and #FCD273

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B38A2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B38A2C shade: #B38A2C, #A27819, #916606, #805400 and #6F4200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B38A2C shade: #B58B2C, #B5662C, #B5412C and #B52C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B38A2C shade: #B58B2C, #B5B02C, #94B52C, #6FB52C and #4BB52C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B38A2C shade matches the following richer shades: #B58B2C, #C7921A and #D99907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B38A2C shade: #B58B2C, #A2843E, #907D50, #7E7662 and #6C6F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B38A2C shade: #B5402C, #B5652C, #B5892C, #B5AE2C and #97B52C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B38A2C shade: #72581C, #937224, #B58B2C, #CFA23A and #D7B25C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B38A2C shade: #B38A2C, #3CB52C and #532CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B38A2C shade: #B38A2C, #2CB589 and #892CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B38A2C shade: #B38A2C, #3CB52C, #2C57B5 and #A52CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B38A2C shade: #B38A2C, #2CB545, #2C57B5 and #B52C9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 75 / 30

HEX #B38A2C

RGB 179 138 44

HSL 41.78, 0.61%, 0.44%

LAB 59.84, 6.34, 53.42

 

Complementary color

CMYK 64 / 45 / 0 / 17

HEX #4C75D3

RGB 76 117 211

HSL 221.78, 0.61%, 0.56%

LAB 50.64, 15.49, -52.79

 

CMYK 0 / 25 / 79 / 28

HEX #B88A27

RGB 184 138 39

HSL 40.97, 0.65%, 0.44%

LAB 60.35, 8.37, 56.03

 

CMYK 0 / 22 / 71 / 21

HEX #C99C3A

RGB 201 156 58

HSL 41.12, 0.57%, 0.51%

LAB 66.9, 6.9, 55.45

 

CMYK 0 / 20 / 65 / 15

HEX #DAAE4D

RGB 218 174 77

HSL 41.28, 0.66%, 0.58%

LAB 73.36, 5.65, 54.46

 

CMYK 0 / 18 / 59 / 8

HEX #EBC060

RGB 235 192 96

HSL 41.44, 0.78%, 0.65%

LAB 79.73, 4.58, 53.28

 

CMYK 0 / 17 / 54 / 1

HEX #FCD273

RGB 252 210 115

HSL 41.61, 0.96%, 0.72%

LAB 86.02, 3.66, 52.04

 

CMYK 0 / 23 / 75 / 30

HEX #B38A2C

RGB 179 138 44

HSL 41.78, 0.61%, 0.44%

LAB 59.84, 6.34, 53.42

 

CMYK 0 / 26 / 85 / 36

HEX #A27819

RGB 162 120 25

HSL 41.61, 0.73%, 0.37%

LAB 53.15, 7.96, 53.52

 

CMYK 0 / 30 / 96 / 43

HEX #916606

RGB 145 102 6

HSL 41.44, 0.92%, 0.3%

LAB 46.36, 9.92, 52.2

 

CMYK 0 / 34 / 100 / 50

HEX #805400

RGB 128 84 0

HSL 39.38, 1%, 0.25%

LAB 39.46, 12.28, 47.96

 

CMYK 0 / 41 / 100 / 56

HEX #6F4200

RGB 111 66 0

HSL 35.68, 1%, 0.22%

LAB 32.43, 14.89, 42.23

 

CMYK 0 / 23 / 76 / 29

HEX #B58B2C

RGB 181 139 44

HSL 41.61, 0.61%, 0.44%

LAB 60.31, 6.68, 53.96

 

CMYK 0 / 44 / 76 / 29

HEX #B5662C

RGB 181 102 44

HSL 25.4, 0.61%, 0.44%

LAB 51.28, 27.19, 45

 

CMYK 0 / 64 / 76 / 29

HEX #B5412C

RGB 181 65 44

HSL 9.2, 0.61%, 0.44%

LAB 43.92, 45.89, 37.3

 

CMYK 0 / 76 / 76 / 29

HEX #B52C2C

RGB 181 44 44

HSL 0, 0.61%, 0.44%

LAB 40.91, 54.13, 34.01

 

CMYK 0 / 23 / 76 / 29

HEX #B58B2C

RGB 181 139 44

HSL 41.61, 0.61%, 0.44%

LAB 60.31, 6.68, 53.96

 

CMYK 0 / 3 / 76 / 29

HEX #B5B02C

RGB 181 176 44

HSL 57.81, 0.61%, 0.44%

LAB 70.22, -13.11, 63.3

 

CMYK 18 / 0 / 76 / 29

HEX #94B52C

RGB 148 181 44

HSL 74.45, 0.61%, 0.44%

LAB 69.13, -29.6, 61.39

 

CMYK 39 / 0 / 76 / 29

HEX #6FB52C

RGB 111 181 44

HSL 90.66, 0.61%, 0.44%

LAB 66.98, -43.71, 58.58

 

CMYK 59 / 0 / 76 / 29

HEX #4BB52C

RGB 75 181 44

HSL 106.42, 0.61%, 0.44%

LAB 65.53, -54.64, 56.68

 

CMYK 0 / 23 / 76 / 29

HEX #B58B2C

RGB 181 139 44

HSL 41.61, 0.61%, 0.44%

LAB 60.31, 6.68, 53.96

 

CMYK 0 / 27 / 87 / 22

HEX #C7921A

RGB 199 146 26

HSL 41.62, 0.77%, 0.44%

LAB 63.98, 10.27, 63.91

 

CMYK 0 / 29 / 97 / 15

HEX #D99907

RGB 217 153 7

HSL 41.71, 0.94%, 0.44%

LAB 67.69, 14.11, 71.09

 

CMYK 0 / 23 / 76 / 29

HEX #B58B2C

RGB 181 139 44

HSL 41.61, 0.61%, 0.44%

LAB 60.31, 6.68, 53.96

 

CMYK 0 / 19 / 62 / 36

HEX #A2843E

RGB 162 132 62

HSL 42, 0.45%, 0.44%

LAB 56.62, 3.12, 41.34

 

CMYK 0 / 13 / 44 / 44

HEX #907D50

RGB 144 125 80

HSL 42.19, 0.29%, 0.44%

LAB 53.14, 0.77, 27.18

 

CMYK 0 / 6 / 22 / 51

HEX #7E7662

RGB 126 118 98

HSL 42.86, 0.13%, 0.44%

LAB 49.83, -0.45, 12.14

 

CMYK 7 / 4 / 0 / 55

HEX #6C6F74

RGB 108 111 116

HSL 217.5, 0.04%, 0.44%

LAB 46.73, -0.08, -3.17

 

CMYK 0 / 65 / 76 / 29

HEX #B5402C

RGB 181 64 44

HSL 8.76, 0.61%, 0.44%

LAB 43.76, 46.33, 37.12

 

CMYK 0 / 44 / 76 / 29

HEX #B5652C

RGB 181 101 44

HSL 24.96, 0.61%, 0.44%

LAB 51.05, 27.73, 44.77

 

CMYK 0 / 24 / 76 / 29

HEX #B5892C

RGB 181 137 44

HSL 40.73, 0.61%, 0.44%

LAB 59.8, 7.79, 53.46

 

CMYK 0 / 4 / 76 / 29

HEX #B5AE2C

RGB 181 174 44

HSL 56.93, 0.61%, 0.44%

LAB 69.67, -12.08, 62.79

 

CMYK 17 / 0 / 76 / 29

HEX #97B52C

RGB 151 181 44

HSL 73.14, 0.61%, 0.44%

LAB 69.33, -28.37, 61.65

 

CMYK 0 / 23 / 75 / 55

HEX #72581C

RGB 114 88 28

HSL 41.86, 0.61%, 0.28%

LAB 38.97, 4.03, 37.24

 

CMYK 0 / 22 / 76 / 42

HEX #937224

RGB 147 114 36

HSL 42.16, 0.61%, 0.36%

LAB 49.94, 4.87, 45.86

 

CMYK 0 / 23 / 76 / 29

HEX #B58B2C

RGB 181 139 44

HSL 41.61, 0.61%, 0.44%

LAB 60.31, 6.68, 53.96

 

CMYK 0 / 22 / 72 / 19

HEX #CFA23A

RGB 207 162 58

HSL 41.88, 0.61%, 0.52%

LAB 69.05, 6.27, 57.83

 

CMYK 0 / 17 / 57 / 16

HEX #D7B25C

RGB 215 178 92

HSL 41.95, 0.61%, 0.6%

LAB 74.23, 3.3, 48.32

 

CMYK 0 / 23 / 75 / 30

HEX #B38A2C

RGB 179 138 44

HSL 41.78, 0.61%, 0.44%

LAB 59.84, 6.34, 53.42

 

CMYK 67 / 0 / 76 / 29

HEX #3CB52C

RGB 60 181 44

HSL 112.99, 0.61%, 0.44%

LAB 65.11, -58.09, 56.12

 

CMYK 54 / 76 / 0 / 29

HEX #532CB5

RGB 83 44 181

HSL 257.08, 0.61%, 0.44%

LAB 31.75, 50.51, -65.96

 

CMYK 0 / 23 / 75 / 30

HEX #B38A2C

RGB 179 138 44

HSL 41.78, 0.61%, 0.44%

LAB 59.84, 6.34, 53.42

 

CMYK 76 / 0 / 24 / 29

HEX #2CB589

RGB 44 181 137

HSL 160.73, 0.61%, 0.44%

LAB 66.05, -46.31, 12.29

 

CMYK 24 / 76 / 0 / 29

HEX #892CB5

RGB 137 44 181

HSL 280.73, 0.61%, 0.44%

LAB 38.65, 59.63, -54.43

 

CMYK 0 / 23 / 75 / 30

HEX #B38A2C

RGB 179 138 44

HSL 41.78, 0.61%, 0.44%

LAB 59.84, 6.34, 53.42

 

CMYK 67 / 0 / 76 / 29

HEX #3CB52C

RGB 60 181 44

HSL 112.99, 0.61%, 0.44%

LAB 65.11, -58.09, 56.12

 

CMYK 76 / 52 / 0 / 29

HEX #2C57B5

RGB 44 87 181

HSL 221.17, 0.61%, 0.44%

LAB 39.05, 18.92, -54.18

 

CMYK 9 / 76 / 0 / 29

HEX #A52CB5

RGB 165 44 181

HSL 292.99, 0.61%, 0.44%

LAB 42.97, 65.15, -47.25

 

CMYK 0 / 23 / 75 / 30

HEX #B38A2C

RGB 179 138 44

HSL 41.78, 0.61%, 0.44%

LAB 59.84, 6.34, 53.42

 

CMYK 76 / 0 / 62 / 29

HEX #2CB545

RGB 44 181 69

HSL 130.95, 0.61%, 0.44%

LAB 64.97, -58.54, 45.86

 

CMYK 76 / 52 / 0 / 29

HEX #2C57B5

RGB 44 87 181

HSL 221.17, 0.61%, 0.44%

LAB 39.05, 18.92, -54.18

 

CMYK 0 / 76 / 14 / 29

HEX #B52C9C

RGB 181 44 156

HSL 310.95, 0.61%, 0.44%

LAB 44.27, 64.62, -30.15

 

Description

Color code: HEX #B38A2C | qconv.com Color code: HEX #B38A2C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 138 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 138 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 75 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 75% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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