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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B388CB it is the complementary color #4C7734. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B388CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B388CB shade: #B888C6, #C99AD9, #DAACEC, #EBBEFF and #FCD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B388CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B388CB shade: #B388CB, #A276B8, #9164A5, #805292 and #6F407F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B388CB shade: #B286CA, #C486CA, #CA86BE, #CA86AC and #CA8699

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B388CB shade: #B286CA, #A086CA, #8D86CA and #8686CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B388CB shade matches the following richer shades: #B286CA, #B678D8, #BA6AE6 and #BE5CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B388CB shade: #B286CA, #AE95BC, #AAA3AE, #A6B1A0 and #A2BF92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B388CB shade: #8D86CA, #9F86CA, #B186CA, #C386CA and #CA86BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B388CB shade: #8D4DB1, #A06ABE, #B286CA, #C4A3D7 and #D7C0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B388CB shade: #B388CB, #CA8692 and #86CA96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B388CB shade: #B388CB, #CAB186 and #86CAB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B388CB shade: #B388CB, #CA8692, #9FCA86 and #86CABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B388CB shade: #B388CB, #CA9086, #9FCA86 and #86C1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 33 / 0 / 20

HEX #B388CB

RGB 179 136 203

HSL 278.51, 0.39%, 0.66%

LAB 62.93, 28.69, -28.4

 

Complementary color

CMYK 36 / 0 / 56 / 53

HEX #4C7734

RGB 76 119 52

HSL 98.51, 0.39%, 0.34%

LAB 45.6, -27.95, 31.83

 

CMYK 7 / 31 / 0 / 22

HEX #B888C6

RGB 184 136 198

HSL 286.45, 0.35%, 0.65%

LAB 63.24, 29.24, -25.07

 

CMYK 7 / 29 / 0 / 15

HEX #C99AD9

RGB 201 154 217

HSL 284.76, 0.45%, 0.73%

LAB 69.85, 28.59, -25.36

 

CMYK 8 / 27 / 0 / 7

HEX #DAACEC

RGB 218 172 236

HSL 283.13, 0.63%, 0.8%

LAB 76.35, 27.97, -25.64

 

CMYK 8 / 25 / 0 / 0

HEX #EBBEFF

RGB 235 190 255

HSL 281.54, 1%, 0.87%

LAB 82.76, 27.4, -25.93

 

CMYK 1 / 18 / 0 / 0

HEX #FCD0FF

RGB 252 208 255

HSL 296.17, 1%, 0.91%

LAB 88.46, 23.3, -17.14

 

CMYK 12 / 33 / 0 / 20

HEX #B388CB

RGB 179 136 203

HSL 278.51, 0.39%, 0.66%

LAB 62.93, 28.69, -28.4

 

CMYK 12 / 36 / 0 / 28

HEX #A276B8

RGB 162 118 184

HSL 280, 0.32%, 0.59%

LAB 56.19, 29.4, -28.19

 

CMYK 12 / 39 / 0 / 35

HEX #9164A5

RGB 145 100 165

HSL 281.54, 0.27%, 0.52%

LAB 49.31, 30.17, -27.99

 

CMYK 12 / 44 / 0 / 43

HEX #805292

RGB 128 82 146

HSL 283.13, 0.28%, 0.45%

LAB 42.31, 30.99, -27.77

 

CMYK 13 / 50 / 0 / 50

HEX #6F407F

RGB 111 64 127

HSL 284.76, 0.33%, 0.37%

LAB 35.16, 31.84, -27.51

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 3 / 34 / 0 / 21

HEX #C486CA

RGB 196 134 202

HSL 294.71, 0.39%, 0.66%

LAB 64.2, 34.99, -25.73

 

CMYK 0 / 34 / 6 / 21

HEX #CA86BE

RGB 202 134 190

HSL 310.59, 0.39%, 0.66%

LAB 64.42, 34.72, -18.59

 

CMYK 0 / 34 / 15 / 21

HEX #CA86AC

RGB 202 134 172

HSL 326.47, 0.39%, 0.66%

LAB 63.82, 31.65, -9.33

 

CMYK 0 / 34 / 24 / 21

HEX #CA8699

RGB 202 134 153

HSL 343.24, 0.39%, 0.66%

LAB 63.27, 28.71, 0.63

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 21 / 34 / 0 / 21

HEX #A086CA

RGB 160 134 202

HSL 262.94, 0.39%, 0.66%

LAB 60.59, 23.68, -31.6

 

CMYK 30 / 34 / 0 / 21

HEX #8D86CA

RGB 141 134 202

HSL 246.18, 0.39%, 0.66%

LAB 58.95, 18, -34.28

 

CMYK 34 / 34 / 0 / 21

HEX #8686CA

RGB 134 134 202

HSL 240, 0.39%, 0.66%

LAB 58.4, 15.99, -35.18

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 16 / 44 / 0 / 15

HEX #B678D8

RGB 182 120 216

HSL 278.75, 0.55%, 0.66%

LAB 60.19, 41.23, -39.93

 

CMYK 19 / 54 / 0 / 10

HEX #BA6AE6

RGB 186 106 230

HSL 278.71, 0.71%, 0.66%

LAB 58.47, 52.72, -50.46

 

CMYK 22 / 62 / 0 / 4

HEX #BE5CF4

RGB 190 92 244

HSL 278.68, 0.87%, 0.66%

LAB 57.2, 63.45, -60.26

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 7 / 21 / 0 / 26

HEX #AE95BC

RGB 174 149 188

HSL 278.46, 0.23%, 0.66%

LAB 65.06, 16.6, -16.77

 

CMYK 2 / 6 / 0 / 32

HEX #AAA3AE

RGB 170 163 174

HSL 278.18, 0.06%, 0.66%

LAB 67.87, 4.6, -4.78

 

CMYK 6 / 0 / 10 / 31

HEX #A6B1A0

RGB 166 177 160

HSL 98.82, 0.1%, 0.66%

LAB 70.93, -7.04, 7.38

 

CMYK 15 / 0 / 24 / 25

HEX #A2BF92

RGB 162 191 146

HSL 98.67, 0.26%, 0.66%

LAB 74.2, -18.15, 19.53

 

CMYK 30 / 34 / 0 / 21

HEX #8D86CA

RGB 141 134 202

HSL 246.18, 0.39%, 0.66%

LAB 58.95, 18, -34.28

 

CMYK 21 / 34 / 0 / 21

HEX #9F86CA

RGB 159 134 202

HSL 262.06, 0.39%, 0.66%

LAB 60.5, 23.38, -31.75

 

CMYK 12 / 34 / 0 / 21

HEX #B186CA

RGB 177 134 202

HSL 277.94, 0.39%, 0.66%

LAB 62.22, 28.96, -28.95

 

CMYK 3 / 34 / 0 / 21

HEX #C386CA

RGB 195 134 202

HSL 293.82, 0.39%, 0.66%

LAB 64.09, 34.67, -25.91

 

CMYK 0 / 34 / 5 / 21

HEX #CA86BF

RGB 202 134 191

HSL 309.71, 0.39%, 0.66%

LAB 64.46, 34.9, -19.1

 

CMYK 20 / 56 / 0 / 31

HEX #8D4DB1

RGB 141 77 177

HSL 278.4, 0.39%, 0.5%

LAB 44.44, 44.48, -42.74

 

CMYK 16 / 44 / 0 / 25

HEX #A06ABE

RGB 160 106 190

HSL 278.57, 0.39%, 0.58%

LAB 53.49, 36.86, -35.85

 

CMYK 12 / 34 / 0 / 21

HEX #B286CA

RGB 178 134 202

HSL 278.82, 0.39%, 0.66%

LAB 62.32, 29.28, -28.79

 

CMYK 9 / 24 / 0 / 16

HEX #C4A3D7

RGB 196 163 215

HSL 278.08, 0.39%, 0.74%

LAB 71.44, 21.61, -21.87

 

CMYK 5 / 15 / 0 / 11

HEX #D7C0E3

RGB 215 192 227

HSL 279.43, 0.38%, 0.82%

LAB 80.57, 14.43, -14.43

 

CMYK 12 / 33 / 0 / 20

HEX #B388CB

RGB 179 136 203

HSL 278.51, 0.39%, 0.66%

LAB 62.93, 28.69, -28.4

 

CMYK 0 / 34 / 28 / 21

HEX #CA8692

RGB 202 134 146

HSL 349.41, 0.39%, 0.66%

LAB 63.08, 27.71, 4.34

 

CMYK 34 / 0 / 26 / 21

HEX #86CA96

RGB 134 202 150

HSL 134.12, 0.39%, 0.66%

LAB 75.77, -32.27, 19.3

 

CMYK 12 / 33 / 0 / 20

HEX #B388CB

RGB 179 136 203

HSL 278.51, 0.39%, 0.66%

LAB 62.93, 28.69, -28.4

 

CMYK 0 / 12 / 34 / 21

HEX #CAB186

RGB 202 177 134

HSL 37.94, 0.39%, 0.66%

LAB 73.36, 2.71, 25.34

 

CMYK 34 / 0 / 12 / 21

HEX #86CAB1

RGB 134 202 177

HSL 157.94, 0.39%, 0.66%

LAB 76.37, -26.94, 5.68

 

CMYK 12 / 33 / 0 / 20

HEX #B388CB

RGB 179 136 203

HSL 278.51, 0.39%, 0.66%

LAB 62.93, 28.69, -28.4

 

CMYK 0 / 34 / 28 / 21

HEX #CA8692

RGB 202 134 146

HSL 349.41, 0.39%, 0.66%

LAB 63.08, 27.71, 4.34

 

CMYK 21 / 0 / 34 / 21

HEX #9FCA86

RGB 159 202 134

HSL 97.94, 0.39%, 0.66%

LAB 76.88, -26.52, 29.47

 

CMYK 34 / 0 / 5 / 21

HEX #86CABF

RGB 134 202 191

HSL 170.29, 0.39%, 0.66%

LAB 76.72, -23.86, -1.34

 

CMYK 12 / 33 / 0 / 20

HEX #B388CB

RGB 179 136 203

HSL 278.51, 0.39%, 0.66%

LAB 62.93, 28.69, -28.4

 

CMYK 0 / 29 / 34 / 21

HEX #CA9086

RGB 202 144 134

HSL 8.82, 0.39%, 0.66%

LAB 65.14, 20.64, 14.05

 

CMYK 21 / 0 / 34 / 21

HEX #9FCA86

RGB 159 202 134

HSL 97.94, 0.39%, 0.66%

LAB 76.88, -26.52, 29.47

 

CMYK 34 / 4 / 0 / 21

HEX #86C1CA

RGB 134 193 202

HSL 187.94, 0.39%, 0.66%

LAB 74.49, -16.73, -10.6

 

Description

Color code: HEX #B388CB | qconv.com Color code: HEX #B388CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 136 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 136 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 33 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 33% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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