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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B386E2 it is the complementary color #4C791D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B386E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B386E2 shade: #B886DD, #C998F0, #DAAAFF, #EBBCFF and #FCCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B386E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B386E2 shade: #B386E2, #A274CF, #9162BC, #8050A9 and #6F3E96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B386E2 shade: #B488E2, #CC88E2, #E288E0, #E288C7 and #E288AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B386E2 shade: #B488E2, #9C88E2 and #8888E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B386E2 shade matches the following richer shades: #B488E2, #B47CEE and #B470FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B386E2 shade: #B488E2, #B494D6, #B5A0CA, #B5ACBE and #B5B8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B386E2 shade: #888CE2, #9B88E2, #B488E2, #CC88E2 and #E288E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B386E2 shade: #8A46D2, #9F67DA, #B488E2, #C9A9EA and #DECAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B386E2 shade: #B386E2, #E288A5 and #88E28F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B386E2 shade: #B386E2, #E2B488 and #88E2B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B386E2 shade: #B386E2, #E288A5, #B7E288 and #88E2C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B386E2 shade: #B386E2, #E28889, #B7E288 and #88E2E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 41 / 0 / 11

HEX #B386E2

RGB 179 134 226

HSL 269.35, 0.61%, 0.71%

LAB 63.45, 34.87, -40.44

 

Complementary color

CMYK 37 / 0 / 76 / 53

HEX #4C791D

RGB 76 121 29

HSL 89.35, 0.61%, 0.29%

LAB 46.04, -31.07, 42.86

 

CMYK 17 / 39 / 0 / 13

HEX #B886DD

RGB 184 134 221

HSL 274.48, 0.56%, 0.7%

LAB 63.72, 35.21, -37.19

 

CMYK 16 / 37 / 0 / 6

HEX #C998F0

RGB 201 152 240

HSL 273.41, 0.75%, 0.77%

LAB 70.29, 34.47, -37.3

 

CMYK 15 / 33 / 0 / 0

HEX #DAAAFF

RGB 218 170 255

HSL 273.88, 1%, 0.83%

LAB 76.6, 32.93, -35.52

 

CMYK 8 / 26 / 0 / 0

HEX #EBBCFF

RGB 235 188 255

HSL 282.09, 1%, 0.87%

LAB 82.3, 28.47, -26.63

 

CMYK 1 / 19 / 0 / 0

HEX #FCCEFF

RGB 252 206 255

HSL 296.33, 1%, 0.9%

LAB 88, 24.35, -17.84

 

CMYK 21 / 41 / 0 / 11

HEX #B386E2

RGB 179 134 226

HSL 269.35, 0.61%, 0.71%

LAB 63.45, 34.87, -40.44

 

CMYK 22 / 44 / 0 / 19

HEX #A274CF

RGB 162 116 207

HSL 270.33, 0.49%, 0.63%

LAB 56.76, 35.69, -40.4

 

CMYK 23 / 48 / 0 / 26

HEX #9162BC

RGB 145 98 188

HSL 271.33, 0.4%, 0.56%

LAB 49.96, 36.56, -40.37

 

CMYK 24 / 53 / 0 / 34

HEX #8050A9

RGB 128 80 169

HSL 272.36, 0.36%, 0.49%

LAB 43.05, 37.48, -40.33

 

CMYK 26 / 59 / 0 / 41

HEX #6F3E96

RGB 111 62 150

HSL 273.41, 0.42%, 0.42%

LAB 36.04, 38.4, -40.24

 

CMYK 20 / 40 / 0 / 11

HEX #B488E2

RGB 180 136 226

HSL 269.33, 0.61%, 0.71%

LAB 64, 34.04, -39.56

 

CMYK 10 / 40 / 0 / 11

HEX #CC88E2

RGB 204 136 226

HSL 285.33, 0.61%, 0.71%

LAB 66.47, 41.12, -35.52

 

CMYK 0 / 40 / 1 / 11

HEX #E288E0

RGB 226 136 224

HSL 301.33, 0.61%, 0.71%

LAB 68.87, 47.35, -30.51

 

CMYK 0 / 40 / 12 / 11

HEX #E288C7

RGB 226 136 199

HSL 318, 0.61%, 0.71%

LAB 67.95, 43.07, -18.03

 

CMYK 0 / 40 / 23 / 11

HEX #E288AF

RGB 226 136 175

HSL 334, 0.61%, 0.71%

LAB 67.18, 39.37, -5.72

 

CMYK 20 / 40 / 0 / 11

HEX #B488E2

RGB 180 136 226

HSL 269.33, 0.61%, 0.71%

LAB 64, 34.04, -39.56

 

CMYK 31 / 40 / 0 / 11

HEX #9C88E2

RGB 156 136 226

HSL 253.33, 0.61%, 0.71%

LAB 61.8, 27.23, -43.17

 

CMYK 40 / 40 / 0 / 11

HEX #8888E2

RGB 136 136 226

HSL 240, 0.61%, 0.71%

LAB 60.19, 21.9, -45.82

 

CMYK 20 / 40 / 0 / 11

HEX #B488E2

RGB 180 136 226

HSL 269.33, 0.61%, 0.71%

LAB 64, 34.04, -39.56

 

CMYK 24 / 48 / 0 / 7

HEX #B47CEE

RGB 180 124 238

HSL 269.47, 0.77%, 0.71%

LAB 61.91, 43.41, -49.51

 

CMYK 28 / 55 / 0 / 2

HEX #B470FA

RGB 180 112 250

HSL 269.57, 0.93%, 0.71%

LAB 60.06, 52.59, -59.08

 

CMYK 20 / 40 / 0 / 11

HEX #B488E2

RGB 180 136 226

HSL 269.33, 0.61%, 0.71%

LAB 64, 34.04, -39.56

 

CMYK 16 / 31 / 0 / 16

HEX #B494D6

RGB 180 148 214

HSL 269.09, 0.45%, 0.71%

LAB 66.32, 24.65, -29.3

 

CMYK 10 / 21 / 0 / 21

HEX #B5A0CA

RGB 181 160 202

HSL 270, 0.28%, 0.71%

LAB 68.92, 15.68, -18.66

 

CMYK 5 / 9 / 0 / 25

HEX #B5ACBE

RGB 181 172 190

HSL 270, 0.12%, 0.71%

LAB 71.59, 6.61, -8.03

 

CMYK 2 / 0 / 3 / 28

HEX #B5B8B2

RGB 181 184 178

HSL 90, 0.04%, 0.71%

LAB 74.39, -2.16, 2.67

 

CMYK 40 / 38 / 0 / 11

HEX #888CE2

RGB 136 140 226

HSL 237.33, 0.61%, 0.71%

LAB 61.2, 19.56, -44.21

 

CMYK 31 / 40 / 0 / 11

HEX #9B88E2

RGB 155 136 226

HSL 252.67, 0.61%, 0.71%

LAB 61.71, 26.96, -43.31

 

CMYK 20 / 40 / 0 / 11

HEX #B488E2

RGB 180 136 226

HSL 269.33, 0.61%, 0.71%

LAB 64, 34.04, -39.56

 

CMYK 10 / 40 / 0 / 11

HEX #CC88E2

RGB 204 136 226

HSL 285.33, 0.61%, 0.71%

LAB 66.47, 41.12, -35.52

 

CMYK 0 / 40 / 0 / 11

HEX #E288E1

RGB 226 136 225

HSL 300.67, 0.61%, 0.71%

LAB 68.91, 47.53, -31

 

CMYK 34 / 67 / 0 / 18

HEX #8A46D2

RGB 138 70 210

HSL 269.14, 0.61%, 0.55%

LAB 44.85, 55.06, -61.28

 

CMYK 27 / 53 / 0 / 15

HEX #9F67DA

RGB 159 103 218

HSL 269.22, 0.61%, 0.63%

LAB 54.17, 44.67, -50.75

 

CMYK 20 / 40 / 0 / 11

HEX #B488E2

RGB 180 136 226

HSL 269.33, 0.61%, 0.71%

LAB 64, 34.04, -39.56

 

CMYK 14 / 28 / 0 / 8

HEX #C9A9EA

RGB 201 169 234

HSL 269.54, 0.61%, 0.79%

LAB 74.02, 23.86, -28.27

 

CMYK 8 / 17 / 0 / 5

HEX #DECAF2

RGB 222 202 242

HSL 270, 0.61%, 0.87%

LAB 84.06, 14.3, -17.14

 

CMYK 21 / 41 / 0 / 11

HEX #B386E2

RGB 179 134 226

HSL 269.35, 0.61%, 0.71%

LAB 63.45, 34.87, -40.44

 

CMYK 0 / 40 / 27 / 11

HEX #E288A5

RGB 226 136 165

HSL 340.67, 0.61%, 0.71%

LAB 66.9, 37.97, -0.51

 

CMYK 40 / 0 / 37 / 11

HEX #88E28F

RGB 136 226 143

HSL 124.67, 0.61%, 0.71%

LAB 82.71, -43.69, 32.34

 

CMYK 21 / 41 / 0 / 11

HEX #B386E2

RGB 179 134 226

HSL 269.35, 0.61%, 0.71%

LAB 63.45, 34.87, -40.44

 

CMYK 0 / 20 / 40 / 11

HEX #E2B488

RGB 226 180 136

HSL 29.33, 0.61%, 0.71%

LAB 76.43, 10.88, 28.77

 

CMYK 40 / 0 / 20 / 11

HEX #88E2B4

RGB 136 226 180

HSL 149.33, 0.61%, 0.71%

LAB 83.4, -37.07, 14.13

 

CMYK 21 / 41 / 0 / 11

HEX #B386E2

RGB 179 134 226

HSL 269.35, 0.61%, 0.71%

LAB 63.45, 34.87, -40.44

 

CMYK 0 / 40 / 27 / 11

HEX #E288A5

RGB 226 136 165

HSL 340.67, 0.61%, 0.71%

LAB 66.9, 37.97, -0.51

 

CMYK 19 / 0 / 40 / 11

HEX #B7E288

RGB 183 226 136

HSL 88.67, 0.61%, 0.71%

LAB 85.12, -29.1, 39.48

 

CMYK 40 / 0 / 12 / 11

HEX #88E2C6

RGB 136 226 198

HSL 161.33, 0.61%, 0.71%

LAB 83.81, -33.32, 5.24

 

CMYK 21 / 41 / 0 / 11

HEX #B386E2

RGB 179 134 226

HSL 269.35, 0.61%, 0.71%

LAB 63.45, 34.87, -40.44

 

CMYK 0 / 40 / 39 / 11

HEX #E28889

RGB 226 136 137

HSL 359.33, 0.61%, 0.71%

LAB 66.2, 34.47, 14.27

 

CMYK 19 / 0 / 40 / 11

HEX #B7E288

RGB 183 226 136

HSL 88.67, 0.61%, 0.71%

LAB 85.12, -29.1, 39.48

 

CMYK 40 / 0 / 0 / 11

HEX #88E2E1

RGB 136 226 225

HSL 179.33, 0.61%, 0.71%

LAB 84.52, -27.12, -8

 

Description

Color code: HEX #B386E2 | qconv.com Color code: HEX #B386E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 134 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 134 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 41 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 41% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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