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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B38577 it is the complementary color #4C7A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B38577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B38577 shade: #B88572, #C99785, #DAA998, #EBBBAB and #FCCDBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B38577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B38577 shade: #B38577, #A27364, #916151, #804F3E and #6F3D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B38577 shade: #B28476 and #B27676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B38577 shade: #B28476, #B29476, #B2A476, #AFB276 and #9FB276

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B38577 shade matches the following richer shades: #B28476, #C37B65, #D57153, #E66842 and #F75F31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B38577 shade: #B28476, #A18D87, #8F9699, #7EA0AA and #6DA9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B38577 shade: #B27688, #B27678, #B28476, #B29476 and #B2A476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B38577 shade: #895B4D, #A36C5C, #B28476, #C19C90 and #D0B3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B38577 shade: #B38577, #98B276 and #7680B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B38577 shade: #B38577, #76B284 and #8476B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B38577 shade: #B38577, #98B276, #76A4B2 and #9076B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B38577 shade: #B38577, #86B276, #76A4B2 and #A276B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 34 / 30

HEX #B38577

RGB 179 133 119

HSL 14, 0.28%, 0.58%

LAB 59.61, 15.69, 14.44

 

Complementary color

CMYK 44 / 10 / 0 / 47

HEX #4C7A88

RGB 76 122 136

HSL 194, 0.28%, 0.42%

LAB 48.55, -11.79, -12.56

 

CMYK 0 / 28 / 38 / 28

HEX #B88572

RGB 184 133 114

HSL 16.29, 0.33%, 0.58%

LAB 60.05, 17.08, 17.98

 

CMYK 0 / 25 / 34 / 21

HEX #C99785

RGB 201 151 133

HSL 15.88, 0.39%, 0.65%

LAB 66.71, 16.28, 16.78

 

CMYK 0 / 22 / 30 / 15

HEX #DAA998

RGB 218 169 152

HSL 15.45, 0.47%, 0.73%

LAB 73.25, 15.58, 15.68

 

CMYK 0 / 20 / 27 / 8

HEX #EBBBAB

RGB 235 187 171

HSL 15, 0.62%, 0.8%

LAB 79.7, 14.96, 14.67

 

CMYK 0 / 19 / 25 / 1

HEX #FCCDBE

RGB 252 205 190

HSL 14.52, 0.91%, 0.87%

LAB 86.04, 14.4, 13.72

 

CMYK 0 / 26 / 34 / 30

HEX #B38577

RGB 179 133 119

HSL 14, 0.28%, 0.58%

LAB 59.61, 15.69, 14.44

 

CMYK 0 / 29 / 38 / 36

HEX #A27364

RGB 162 115 100

HSL 14.52, 0.25%, 0.51%

LAB 52.8, 16.52, 15.66

 

CMYK 0 / 33 / 44 / 43

HEX #916151

RGB 145 97 81

HSL 15, 0.28%, 0.44%

LAB 45.86, 17.48, 17.04

 

CMYK 0 / 38 / 52 / 50

HEX #804F3E

RGB 128 79 62

HSL 15.45, 0.35%, 0.37%

LAB 38.78, 18.63, 18.64

 

CMYK 0 / 45 / 61 / 56

HEX #6F3D2B

RGB 111 61 43

HSL 15.88, 0.44%, 0.3%

LAB 31.56, 20, 20.54

 

CMYK 0 / 26 / 34 / 30

HEX #B28476

RGB 178 132 118

HSL 14, 0.28%, 0.58%

LAB 59.23, 15.72, 14.46

 

CMYK 0 / 34 / 34 / 30

HEX #B27676

RGB 178 118 118

HSL 0, 0.28%, 0.58%

LAB 55.82, 23.57, 9.68

 

CMYK 0 / 26 / 34 / 30

HEX #B28476

RGB 178 132 118

HSL 14, 0.28%, 0.58%

LAB 59.23, 15.72, 14.46

 

CMYK 0 / 17 / 34 / 30

HEX #B29476

RGB 178 148 118

HSL 30, 0.28%, 0.58%

LAB 63.3, 6.8, 20.07

 

CMYK 0 / 8 / 34 / 30

HEX #B2A476

RGB 178 164 118

HSL 46, 0.28%, 0.58%

LAB 67.52, -1.94, 25.75

 

CMYK 2 / 0 / 34 / 30

HEX #AFB276

RGB 175 178 118

HSL 63, 0.28%, 0.58%

LAB 71.05, -10.57, 30.37

 

CMYK 11 / 0 / 34 / 30

HEX #9FB276

RGB 159 178 118

HSL 79, 0.28%, 0.58%

LAB 69.84, -16.84, 28.55

 

CMYK 0 / 26 / 34 / 30

HEX #B28476

RGB 178 132 118

HSL 14, 0.28%, 0.58%

LAB 59.23, 15.72, 14.46

 

CMYK 0 / 37 / 48 / 24

HEX #C37B65

RGB 195 123 101

HSL 14.04, 0.44%, 0.58%

LAB 58.7, 25.61, 23.74

 

CMYK 0 / 47 / 61 / 16

HEX #D57153

RGB 213 113 83

HSL 13.85, 0.61%, 0.58%

LAB 58.58, 36.58, 34.13

 

CMYK 0 / 55 / 71 / 10

HEX #E66842

RGB 230 104 66

HSL 13.9, 0.77%, 0.58%

LAB 59.08, 46.53, 44.46

 

CMYK 0 / 62 / 80 / 3

HEX #F75F31

RGB 247 95 49

HSL 13.94, 0.93%, 0.58%

LAB 60.05, 56.04, 54.69

 

CMYK 0 / 26 / 34 / 30

HEX #B28476

RGB 178 132 118

HSL 14, 0.28%, 0.58%

LAB 59.23, 15.72, 14.46

 

CMYK 0 / 12 / 16 / 37

HEX #A18D87

RGB 161 141 135

HSL 13.85, 0.12%, 0.58%

LAB 60.23, 6.47, 5.94

 

CMYK 7 / 2 / 0 / 40

HEX #8F9699

RGB 143 150 153

HSL 198, 0.05%, 0.58%

LAB 61.61, -1.91, -2.46

 

CMYK 26 / 6 / 0 / 33

HEX #7EA0AA

RGB 126 160 170

HSL 193.64, 0.21%, 0.58%

LAB 63.74, -9.31, -9.03

 

CMYK 42 / 10 / 0 / 27

HEX #6DA9BB

RGB 109 169 187

HSL 193.85, 0.36%, 0.58%

LAB 65.92, -14.69, -15.35

 

CMYK 0 / 34 / 24 / 30

HEX #B27688

RGB 178 118 136

HSL 342, 0.28%, 0.58%

LAB 56.29, 26.11, -0.11

 

CMYK 0 / 34 / 33 / 30

HEX #B27678

RGB 178 118 120

HSL 358, 0.28%, 0.58%

LAB 55.86, 23.83, 8.59

 

CMYK 0 / 26 / 34 / 30

HEX #B28476

RGB 178 132 118

HSL 14, 0.28%, 0.58%

LAB 59.23, 15.72, 14.46

 

CMYK 0 / 17 / 34 / 30

HEX #B29476

RGB 178 148 118

HSL 30, 0.28%, 0.58%

LAB 63.3, 6.8, 20.07

 

CMYK 0 / 8 / 34 / 30

HEX #B2A476

RGB 178 164 118

HSL 46, 0.28%, 0.58%

LAB 67.52, -1.94, 25.75

 

CMYK 0 / 34 / 44 / 46

HEX #895B4D

RGB 137 91 77

HSL 14, 0.28%, 0.42%

LAB 43.27, 17.11, 15.76

 

CMYK 0 / 34 / 44 / 36

HEX #A36C5C

RGB 163 108 92

HSL 13.52, 0.28%, 0.5%

LAB 51.02, 19.97, 17.91

 

CMYK 0 / 26 / 34 / 30

HEX #B28476

RGB 178 132 118

HSL 14, 0.28%, 0.58%

LAB 59.23, 15.72, 14.46

 

CMYK 0 / 19 / 25 / 24

HEX #C19C90

RGB 193 156 144

HSL 14.69, 0.28%, 0.66%

LAB 67.37, 11.91, 11.47

 

CMYK 0 / 14 / 18 / 18

HEX #D0B3AB

RGB 208 179 171

HSL 12.97, 0.28%, 0.74%

LAB 75.2, 9.15, 7.93

 

CMYK 0 / 26 / 34 / 30

HEX #B38577

RGB 179 133 119

HSL 14, 0.28%, 0.58%

LAB 59.61, 15.69, 14.44

 

CMYK 15 / 0 / 34 / 30

HEX #98B276

RGB 152 178 118

HSL 86, 0.28%, 0.58%

LAB 69.34, -19.52, 27.81

 

CMYK 34 / 28 / 0 / 30

HEX #7680B2

RGB 118 128 178

HSL 230, 0.28%, 0.58%

LAB 54.56, 8.47, -27.59

 

CMYK 0 / 26 / 34 / 30

HEX #B38577

RGB 179 133 119

HSL 14, 0.28%, 0.58%

LAB 59.61, 15.69, 14.44

 

CMYK 34 / 0 / 26 / 30

HEX #76B284

RGB 118 178 132

HSL 134, 0.28%, 0.58%

LAB 67.54, -29.18, 17.49

 

CMYK 26 / 34 / 0 / 30

HEX #8476B2

RGB 132 118 178

HSL 254, 0.28%, 0.58%

LAB 53.03, 18.6, -29.87

 

CMYK 0 / 26 / 34 / 30

HEX #B38577

RGB 179 133 119

HSL 14, 0.28%, 0.58%

LAB 59.61, 15.69, 14.44

 

CMYK 15 / 0 / 34 / 30

HEX #98B276

RGB 152 178 118

HSL 86, 0.28%, 0.58%

LAB 69.34, -19.52, 27.81

 

CMYK 34 / 8 / 0 / 30

HEX #76A4B2

RGB 118 164 178

HSL 194, 0.28%, 0.58%

LAB 64.66, -11.9, -12.18

 

CMYK 19 / 34 / 0 / 30

HEX #9076B2

RGB 144 118 178

HSL 266, 0.28%, 0.58%

LAB 54.13, 22.34, -28.07

 

CMYK 0 / 26 / 34 / 30

HEX #B38577

RGB 179 133 119

HSL 14, 0.28%, 0.58%

LAB 59.61, 15.69, 14.44

 

CMYK 25 / 0 / 34 / 30

HEX #86B276

RGB 134 178 118

HSL 104, 0.28%, 0.58%

LAB 68.18, -26.15, 26.05

 

CMYK 34 / 8 / 0 / 30

HEX #76A4B2

RGB 118 164 178

HSL 194, 0.28%, 0.58%

LAB 64.66, -11.9, -12.18

 

CMYK 9 / 34 / 0 / 30

HEX #A276B2

RGB 162 118 178

HSL 284, 0.28%, 0.58%

LAB 55.94, 28.12, -25.13

 

Description

Color code: HEX #B38577 | qconv.com Color code: HEX #B38577 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 133 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 133 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 34 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 34% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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