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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B381F5CE it is the complementary color #4C7E0ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B381F5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B381F5CE shade: #B881F0CE, #C993FFCE, #DAA5FFCE, #EBB7FFCE and #FCC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B381F5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B381F5CE shade: #B381F5CE, #A26FE2CE, #915DCFCE, #804BBCCE and #6F39A9CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B381F5CE shade: #B280F5, #D280F5, #F180F5, #F580D9 and #F580B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B381F5CE shade: #B280F5, #9380F5 and #8080F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B381F5CE shade matches the following richer shades: #B280F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B381F5CE shade: #B280F5, #B48BEA, #B596DE, #B7A1D3 and #B8ACC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B381F5CE shade: #808DF5, #9180F5, #B080F5, #D080F5 and #EF80F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B381F5CE shade: #8433EE, #9B59F2, #B280F5, #C9A6F8 and #E0CCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B381F5CE shade: #B381F5, #F580AC and #80F582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B381F5CE shade: #B381F5, #F5B080 and #80F5B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B381F5CE shade: #B381F5, #F580AC, #C4F580 and #80F5C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B381F5CE shade: #B381F5, #F58089, #C4F580 and #80F5EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 38 / 0 / 3

HEX #B381F5CE

RGBA 179 129 245 0.81

HSLA 265.86, 0.85%, 0.73%, 0.81

LABA 63.24, 42.05, -51.27, 0.81

 

Complementary color

CMYK 32 / 0 / 75 / 41

HEX #4C7E0ACE

RGBA 76 126 10 0.81

HSLA 85.86, 0.85%, 0.27%, 0.81

LABA 47.6, -34.25, 49.82, 0.81

 

CMYK 19 / 37 / 0 / 5

HEX #B881F0CE

RGBA 184 129 240 0.81

HSLA 269.73, 0.79%, 0.72%, 0.81

LABA 63.49, 42.22, -48.08, 0.81

 

CMYK 17 / 34 / 0 / 0

HEX #C993FFCE

RGBA 201 147 255 0.81

HSLA 270, 1%, 0.79%, 0.81

LABA 69.83, 40.48, -46.2, 0.81

 

CMYK 12 / 29 / 0 / 0

HEX #DAA5FFCE

RGBA 218 165 255 0.81

HSLA 275.33, 1%, 0.82%, 0.81

LABA 75.47, 35.63, -37.27, 0.81

 

CMYK 6 / 23 / 0 / 0

HEX #EBB7FFCE

RGBA 235 183 255 0.81

HSLA 283.33, 1%, 0.86%, 0.81

LABA 81.15, 31.14, -28.38, 0.81

 

CMYK 1 / 17 / 0 / 0

HEX #FCC9FFCE

RGBA 252 201 255 0.81

HSLA 296.67, 1%, 0.89%, 0.81

LABA 86.84, 26.98, -19.58, 0.81

 

CMYK 22 / 38 / 0 / 3

HEX #B381F5CE

RGBA 179 129 245 0.81

HSLA 265.86, 0.85%, 0.73%, 0.81

LABA 63.24, 42.05, -51.27, 0.81

 

CMYK 23 / 41 / 0 / 9

HEX #A26FE2CE

RGBA 162 111 226 0.81

HSLA 266.61, 0.66%, 0.66%, 0.81

LABA 56.63, 42.98, -51.32, 0.81

 

CMYK 24 / 45 / 0 / 15

HEX #915DCFCE

RGBA 145 93 207 0.81

HSLA 267.37, 0.54%, 0.59%, 0.81

LABA 49.92, 43.94, -51.36, 0.81

 

CMYK 26 / 49 / 0 / 21

HEX #804BBCCE

RGBA 128 75 188 0.81

HSLA 268.14, 0.46%, 0.52%, 0.81

LABA 43.14, 44.91, -51.35, 0.81

 

CMYK 28 / 54 / 0 / 27

HEX #6F39A9CE

RGBA 111 57 169 0.81

HSLA 268.93, 0.5%, 0.44%, 0.81

LABA 36.31, 45.8, -51.24, 0.81

 

CMYK 27 / 48 / 0 / 4

HEX #B280F5

RGB 178 128 245

HSL 265.64, 0.85%, 0.73%

LAB 62.92, 42.34, -51.78

 

CMYK 14 / 48 / 0 / 4

HEX #D280F5

RGB 210 128 245

HSL 282.05, 0.85%, 0.73%

LAB 66.32, 50.91, -46.2

 

CMYK 2 / 48 / 0 / 4

HEX #F180F5

RGB 241 128 245

HSL 297.95, 0.85%, 0.73%

LAB 69.99, 59.41, -40.18

 

CMYK 0 / 48 / 11 / 4

HEX #F580D9

RGB 245 128 217

HSL 314.36, 0.85%, 0.73%

LAB 69.37, 55.88, -25.66

 

CMYK 0 / 48 / 24 / 4

HEX #F580B9

RGB 245 128 185

HSL 330.77, 0.85%, 0.73%

LAB 68.28, 51.18, -9.45

 

CMYK 27 / 48 / 0 / 4

HEX #B280F5

RGB 178 128 245

HSL 265.64, 0.85%, 0.73%

LAB 62.92, 42.34, -51.78

 

CMYK 40 / 48 / 0 / 4

HEX #9380F5

RGB 147 128 245

HSL 249.74, 0.85%, 0.73%

LAB 60.1, 34.53, -56.44

 

CMYK 48 / 48 / 0 / 4

HEX #8080F5

RGB 128 128 245

HSL 240, 0.85%, 0.73%

LAB 58.62, 30.14, -58.89

 

CMYK 27 / 48 / 0 / 4

HEX #B280F5

RGB 178 128 245

HSL 265.64, 0.85%, 0.73%

LAB 62.92, 42.34, -51.78

 

CMYK 27 / 48 / 0 / 4

HEX #B280F5

RGB 178 128 245

HSL 265.64, 0.85%, 0.73%

LAB 62.92, 42.34, -51.78

 

CMYK 23 / 41 / 0 / 8

HEX #B48BEA

RGB 180 139 234

HSL 265.89, 0.69%, 0.73%

LAB 65.05, 34.21, -42.34

 

CMYK 18 / 32 / 0 / 13

HEX #B596DE

RGB 181 150 222

HSL 265.83, 0.52%, 0.73%

LAB 67.21, 25.61, -32.34

 

CMYK 13 / 24 / 0 / 17

HEX #B7A1D3

RGB 183 161 211

HSL 266.4, 0.36%, 0.73%

LAB 69.65, 17.68, -22.5

 

CMYK 8 / 14 / 0 / 22

HEX #B8ACC8

RGB 184 172 200

HSL 265.71, 0.2%, 0.73%

LAB 72.14, 9.63, -12.68

 

CMYK 48 / 42 / 0 / 4

HEX #808DF5

RGB 128 141 245

HSL 233.33, 0.85%, 0.73%

LAB 61.85, 22.49, -53.73

 

CMYK 41 / 48 / 0 / 4

HEX #9180F5

RGB 145 128 245

HSL 248.72, 0.85%, 0.73%

LAB 59.93, 34.05, -56.71

 

CMYK 28 / 48 / 0 / 4

HEX #B080F5

RGB 176 128 245

HSL 264.62, 0.85%, 0.73%

LAB 62.73, 41.81, -52.1

 

CMYK 15 / 48 / 0 / 4

HEX #D080F5

RGB 208 128 245

HSL 281.03, 0.85%, 0.73%

LAB 66.09, 50.36, -46.56

 

CMYK 2 / 48 / 0 / 4

HEX #EF80F5

RGB 239 128 245

HSL 296.92, 0.85%, 0.73%

LAB 69.74, 58.86, -40.58

 

CMYK 45 / 79 / 0 / 7

HEX #8433EE

RGB 132 51 238

HSL 265.99, 0.85%, 0.57%

LAB 43.43, 68.97, -79.58

 

CMYK 36 / 63 / 0 / 5

HEX #9B59F2

RGB 155 89 242

HSL 265.88, 0.85%, 0.65%

LAB 52.42, 56.9, -67.06

 

CMYK 27 / 48 / 0 / 4

HEX #B280F5

RGB 178 128 245

HSL 265.64, 0.85%, 0.73%

LAB 62.92, 42.34, -51.78

 

CMYK 19 / 33 / 0 / 3

HEX #C9A6F8

RGB 201 166 248

HSL 265.61, 0.85%, 0.81%

LAB 73.85, 28.54, -36.13

 

CMYK 11 / 19 / 0 / 2

HEX #E0CCFB

RGB 224 204 251

HSL 265.53, 0.85%, 0.89%

LAB 85, 15.66, -20.49

 

CMYK 27 / 47 / 0 / 4

HEX #B381F5

RGB 179 129 245

HSL 265.86, 0.85%, 0.73%

LAB 63.24, 42.05, -51.27

 

CMYK 0 / 48 / 30 / 4

HEX #F580AC

RGB 245 128 172

HSL 337.44, 0.85%, 0.73%

LAB 67.89, 49.47, -2.71

 

CMYK 48 / 0 / 47 / 4

HEX #80F582

RGB 128 245 130

HSL 121.03, 0.85%, 0.73%

LAB 87.73, -55.74, 45.16

 

CMYK 27 / 47 / 0 / 4

HEX #B381F5

RGB 179 129 245

HSL 265.86, 0.85%, 0.73%

LAB 63.24, 42.05, -51.27

 

CMYK 0 / 28 / 48 / 4

HEX #F5B080

RGB 245 176 128

HSL 24.62, 0.85%, 0.73%

LAB 77.29, 19.71, 34.5

 

CMYK 48 / 0 / 28 / 4

HEX #80F5B0

RGB 128 245 176

HSL 144.62, 0.85%, 0.73%

LAB 88.46, -48.28, 23.21

 

CMYK 27 / 47 / 0 / 4

HEX #B381F5

RGB 179 129 245

HSL 265.86, 0.85%, 0.73%

LAB 63.24, 42.05, -51.27

 

CMYK 0 / 48 / 30 / 4

HEX #F580AC

RGB 245 128 172

HSL 337.44, 0.85%, 0.73%

LAB 67.89, 49.47, -2.71

 

CMYK 20 / 0 / 48 / 4

HEX #C4F580

RGB 196 245 128

HSL 85.13, 0.85%, 0.73%

LAB 91.05, -34.16, 50.96

 

CMYK 48 / 0 / 18 / 4

HEX #80F5C8

RGB 128 245 200

HSL 156.92, 0.85%, 0.73%

LAB 88.95, -43.5, 11.52

 

CMYK 27 / 47 / 0 / 4

HEX #B381F5

RGB 179 129 245

HSL 265.86, 0.85%, 0.73%

LAB 63.24, 42.05, -51.27

 

CMYK 0 / 48 / 44 / 4

HEX #F58089

RGB 245 128 137

HSL 355.38, 0.85%, 0.73%

LAB 67.02, 45.49, 15.78

 

CMYK 20 / 0 / 48 / 4

HEX #C4F580

RGB 196 245 128

HSL 85.13, 0.85%, 0.73%

LAB 91.05, -34.16, 50.96

 

CMYK 48 / 0 / 4 / 4

HEX #80F5EB

RGB 128 245 235

HSL 174.87, 0.85%, 0.73%

LAB 89.81, -35.54, -5.45

 

Description

Color code: HEX #B381F5CE | qconv.com Color code: HEX #B381F5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 129 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 129 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 38 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 38% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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