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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37C75 it is the complementary color #4C838A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37C75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37C75 shade: #B87C70, #C98E83, #DAA096, #EBB2A9 and #FCC4BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37C75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37C75 shade: #B37C75, #A26A62, #91584F, #80463C and #6F3429

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37C75 shade: #B37C75 and #B37575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37C75 shade: #B37C75, #B38D75, #B39D75, #B3AE75 and #A7B375

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37C75 shade matches the following richer shades: #B37C75, #C46E64, #D66152, #E75441 and #F84630

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37C75 shade: #B37C75, #A28986, #909797, #7FA4A9 and #6EB2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37C75 shade: #B37590, #B3757F, #B37B75, #B38C75 and #B39C75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37C75 shade: #8A534C, #A4635A, #B37C75, #C2958F and #D0AEAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37C75 shade: #B37C75, #A0B375 and #7587B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37C75 shade: #B37C75, #75B37B and #7B75B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37C75 shade: #B37C75, #A0B375, #75ADB3 and #8775B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37C75 shade: #B37C75, #8EB375, #75ADB3 and #9A75B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

Complementary color

CMYK 45 / 5 / 0 / 46

HEX #4C838A

RGB 76 131 138

HSL 186.77, 0.29%, 0.42%

LAB 51.39, -16.21, -9.47

 

CMYK 0 / 33 / 39 / 28

HEX #B87C70

RGB 184 124 112

HSL 10, 0.34%, 0.58%

LAB 57.82, 21.85, 16.05

 

CMYK 0 / 29 / 35 / 21

HEX #C98E83

RGB 201 142 131

HSL 9.43, 0.39%, 0.65%

LAB 64.49, 20.96, 14.81

 

CMYK 0 / 27 / 31 / 15

HEX #DAA096

RGB 218 160 150

HSL 8.82, 0.48%, 0.72%

LAB 71.04, 20.18, 13.68

 

CMYK 0 / 24 / 28 / 8

HEX #EBB2A9

RGB 235 178 169

HSL 8.18, 0.62%, 0.79%

LAB 77.5, 19.47, 12.65

 

CMYK 0 / 22 / 25 / 1

HEX #FCC4BC

RGB 252 196 188

HSL 7.5, 0.91%, 0.86%

LAB 83.86, 18.84, 11.69

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 0 / 35 / 40 / 36

HEX #A26A62

RGB 162 106 98

HSL 7.5, 0.26%, 0.51%

LAB 50.54, 21.4, 13.71

 

CMYK 0 / 39 / 46 / 43

HEX #91584F

RGB 145 88 79

HSL 8.18, 0.29%, 0.44%

LAB 43.6, 22.46, 15.18

 

CMYK 0 / 45 / 53 / 50

HEX #80463C

RGB 128 70 60

HSL 8.82, 0.36%, 0.37%

LAB 36.55, 23.69, 16.93

 

CMYK 0 / 53 / 63 / 56

HEX #6F3429

RGB 111 52 41

HSL 9.43, 0.46%, 0.3%

LAB 29.4, 25.09, 19.08

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 0 / 35 / 35 / 30

HEX #B37575

RGB 179 117 117

HSL 0, 0.29%, 0.58%

LAB 55.68, 24.39, 10.08

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 0 / 21 / 35 / 30

HEX #B38D75

RGB 179 141 117

HSL 23.23, 0.29%, 0.58%

LAB 61.58, 10.97, 18.3

 

CMYK 0 / 12 / 35 / 30

HEX #B39D75

RGB 179 157 117

HSL 38.71, 0.29%, 0.58%

LAB 65.73, 2.14, 23.92

 

CMYK 0 / 3 / 35 / 30

HEX #B3AE75

RGB 179 174 117

HSL 55.16, 0.29%, 0.58%

LAB 70.27, -6.99, 29.94

 

CMYK 7 / 0 / 35 / 30

HEX #A7B375

RGB 167 179 117

HSL 71.61, 0.29%, 0.58%

LAB 70.69, -14.38, 30.31

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 0 / 44 / 49 / 23

HEX #C46E64

RGB 196 110 100

HSL 6.25, 0.45%, 0.58%

LAB 55.89, 32.95, 20.58

 

CMYK 0 / 55 / 62 / 16

HEX #D66152

RGB 214 97 82

HSL 6.82, 0.62%, 0.58%

LAB 55.54, 44.94, 30.92

 

CMYK 0 / 64 / 72 / 9

HEX #E75441

RGB 231 84 65

HSL 6.87, 0.78%, 0.58%

LAB 55.8, 55.87, 41.36

 

CMYK 0 / 72 / 81 / 3

HEX #F84630

RGB 248 70 48

HSL 6.6, 0.93%, 0.58%

LAB 56.63, 66.04, 51.97

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 0 / 15 / 17 / 36

HEX #A28986

RGB 162 137 134

HSL 6.43, 0.13%, 0.58%

LAB 59.25, 8.95, 5.12

 

CMYK 5 / 0 / 0 / 41

HEX #909797

RGB 144 151 151

HSL 180, 0.03%, 0.58%

LAB 61.91, -2.51, -0.88

 

CMYK 25 / 3 / 0 / 34

HEX #7FA4A9

RGB 127 164 169

HSL 187.14, 0.2%, 0.58%

LAB 64.9, -11.39, -6.73

 

CMYK 41 / 4 / 0 / 27

HEX #6EB2BA

RGB 110 178 186

HSL 186.32, 0.36%, 0.58%

LAB 68.53, -19.41, -10.86

 

CMYK 0 / 35 / 20 / 30

HEX #B37590

RGB 179 117 144

HSL 333.87, 0.29%, 0.58%

LAB 56.41, 28.28, -4.57

 

CMYK 0 / 35 / 29 / 30

HEX #B3757F

RGB 179 117 127

HSL 350.32, 0.29%, 0.58%

LAB 55.93, 25.74, 4.62

 

CMYK 0 / 31 / 35 / 30

HEX #B37B75

RGB 179 123 117

HSL 5.81, 0.29%, 0.58%

LAB 57.11, 21.04, 12.1

 

CMYK 0 / 22 / 35 / 30

HEX #B38C75

RGB 179 140 117

HSL 22.26, 0.29%, 0.58%

LAB 61.33, 11.52, 17.95

 

CMYK 0 / 13 / 35 / 30

HEX #B39C75

RGB 179 156 117

HSL 37.74, 0.29%, 0.58%

LAB 65.47, 2.68, 23.57

 

CMYK 0 / 40 / 45 / 46

HEX #8A534C

RGB 138 83 76

HSL 6.77, 0.29%, 0.42%

LAB 41.39, 22.09, 13.84

 

CMYK 0 / 40 / 45 / 36

HEX #A4635A

RGB 164 99 90

HSL 7.3, 0.29%, 0.5%

LAB 48.95, 25.24, 16.3

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 0 / 23 / 26 / 24

HEX #C2958F

RGB 194 149 143

HSL 7.06, 0.29%, 0.66%

LAB 65.71, 16, 9.68

 

CMYK 0 / 16 / 18 / 18

HEX #D0AEAA

RGB 208 174 170

HSL 6.32, 0.29%, 0.74%

LAB 73.92, 11.69, 6.65

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 11 / 0 / 35 / 30

HEX #A0B375

RGB 160 179 117

HSL 78.39, 0.29%, 0.58%

LAB 70.17, -17.11, 29.53

 

CMYK 35 / 25 / 0 / 30

HEX #7587B3

RGB 117 135 179

HSL 222.58, 0.29%, 0.58%

LAB 56.45, 4.34, -25.24

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 35 / 0 / 31 / 30

HEX #75B37B

RGB 117 179 123

HSL 125.81, 0.29%, 0.58%

LAB 67.61, -31.6, 22.45

 

CMYK 31 / 35 / 0 / 30

HEX #7B75B3

RGB 123 117 179

HSL 245.81, 0.29%, 0.58%

LAB 52.05, 16.75, -32.03

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 11 / 0 / 35 / 30

HEX #A0B375

RGB 160 179 117

HSL 78.39, 0.29%, 0.58%

LAB 70.17, -17.11, 29.53

 

CMYK 35 / 3 / 0 / 30

HEX #75ADB3

RGB 117 173 179

HSL 185.81, 0.29%, 0.58%

LAB 67.22, -16.71, -8.91

 

CMYK 25 / 35 / 0 / 30

HEX #8775B3

RGB 135 117 179

HSL 257.42, 0.29%, 0.58%

LAB 53.09, 20.36, -30.33

 

CMYK 0 / 31 / 35 / 30

HEX #B37C75

RGB 179 124 117

HSL 6.77, 0.29%, 0.58%

LAB 57.35, 20.48, 12.44

 

CMYK 21 / 0 / 35 / 30

HEX #8EB375

RGB 142 179 117

HSL 95.81, 0.29%, 0.58%

LAB 68.95, -23.9, 27.69

 

CMYK 35 / 3 / 0 / 30

HEX #75ADB3

RGB 117 173 179

HSL 185.81, 0.29%, 0.58%

LAB 67.22, -16.71, -8.91

 

CMYK 14 / 35 / 0 / 30

HEX #9A75B3

RGB 154 117 179

HSL 275.81, 0.29%, 0.58%

LAB 54.91, 26.33, -27.36

 

Description

Color code: HEX #B37C75 | qconv.com Color code: HEX #B37C75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 124 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 124 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 35 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 35% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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