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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B37711 it is the complementary color #4C88EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B37711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B37711 shade: #B8770C, #C9891F, #DA9B32, #EBAD45 and #FCBF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B37711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B37711 shade: #B37711, #A26500, #915300, #804100 and #6F2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B37711 shade: #B17610, #B14A10, #B11F10 and #B11010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B37711 shade: #B17610, #B1A110, #96B110, #6BB110 and #3FB110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B37711 shade matches the following richer shades: #B17610 and #C17A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B37711 shade: #B17610, #A27220, #926E30, #826A40 and #73654F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B37711 shade: #B11E10, #B14910, #B17410, #B19F10 and #99B110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B37711 shade: #664409, #8C5D0D, #B17610, #D78F14 and #EBA329

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B37711 shade: #B37711, #2EB110 and #3310B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B37711 shade: #B37711, #10B174 and #7410B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B37711 shade: #B37711, #2EB110, #104EB1 and #9410B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B37711 shade: #B37711, #10B123, #104EB1 and #B1109F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 91 / 30

HEX #B37711

RGB 179 119 17

HSL 37.78, 0.83%, 0.38%

LAB 54.88, 16.05, 58.01

 

Complementary color

CMYK 68 / 43 / 0 / 7

HEX #4C88EE

RGB 76 136 238

HSL 217.78, 0.83%, 0.62%

LAB 57.38, 13.25, -57.15

 

CMYK 0 / 35 / 93 / 28

HEX #B8770C

RGB 184 119 12

HSL 37.33, 0.88%, 0.38%

LAB 55.49, 18.2, 59.83

 

CMYK 0 / 32 / 85 / 21

HEX #C9891F

RGB 201 137 31

HSL 37.41, 0.73%, 0.45%

LAB 62, 16.19, 60.96

 

CMYK 0 / 29 / 77 / 15

HEX #DA9B32

RGB 218 155 50

HSL 37.5, 0.69%, 0.53%

LAB 68.44, 14.45, 60.82

 

CMYK 0 / 26 / 71 / 8

HEX #EBAD45

RGB 235 173 69

HSL 37.59, 0.81%, 0.6%

LAB 74.81, 12.95, 60.04

 

CMYK 0 / 24 / 65 / 1

HEX #FCBF58

RGB 252 191 88

HSL 37.68, 0.96%, 0.67%

LAB 81.11, 11.64, 58.96

 

CMYK 0 / 34 / 91 / 30

HEX #B37711

RGB 179 119 17

HSL 37.78, 0.83%, 0.38%

LAB 54.88, 16.05, 58.01

 

CMYK 0 / 38 / 100 / 36

HEX #A26500

RGB 162 101 0

HSL 37.41, 1%, 0.32%

LAB 48.25, 18.25, 55.9

 

CMYK 0 / 43 / 100 / 43

HEX #915300

RGB 145 83 0

HSL 34.34, 1%, 0.28%

LAB 41.54, 20.79, 50.45

 

CMYK 0 / 49 / 100 / 50

HEX #804100

RGB 128 65 0

HSL 30.47, 1%, 0.25%

LAB 34.74, 23.41, 44.96

 

CMYK 0 / 58 / 100 / 56

HEX #6F2F00

RGB 111 47 0

HSL 25.41, 1%, 0.22%

LAB 27.88, 26.01, 38.83

 

CMYK 0 / 33 / 91 / 31

HEX #B17610

RGB 177 118 16

HSL 38.01, 0.83%, 0.38%

LAB 54.39, 15.69, 57.76

 

CMYK 0 / 58 / 91 / 31

HEX #B14A10

RGB 177 74 16

HSL 21.61, 0.83%, 0.38%

LAB 44.63, 39.34, 50.42

 

CMYK 0 / 82 / 91 / 31

HEX #B11F10

RGB 177 31 16

HSL 5.59, 0.83%, 0.38%

LAB 38.49, 56.02, 45.96

 

CMYK 0 / 91 / 91 / 31

HEX #B11010

RGB 177 16 16

HSL 0, 0.83%, 0.38%

LAB 37.4, 59.13, 45.18

 

CMYK 0 / 33 / 91 / 31

HEX #B17610

RGB 177 118 16

HSL 38.01, 0.83%, 0.38%

LAB 54.39, 15.69, 57.76

 

CMYK 0 / 9 / 91 / 31

HEX #B1A110

RGB 177 161 16

HSL 54.04, 0.83%, 0.38%

LAB 65.65, -7.88, 66.45

 

CMYK 15 / 0 / 91 / 31

HEX #96B110

RGB 150 177 16

HSL 70.06, 0.83%, 0.38%

LAB 68, -27.81, 67.37

 

CMYK 40 / 0 / 91 / 31

HEX #6BB110

RGB 107 177 16

HSL 86.09, 0.83%, 0.38%

LAB 65.44, -44.61, 64.24

 

CMYK 64 / 0 / 91 / 31

HEX #3FB110

RGB 63 177 16

HSL 102.48, 0.83%, 0.38%

LAB 63.79, -57.49, 62.18

 

CMYK 0 / 33 / 91 / 31

HEX #B17610

RGB 177 118 16

HSL 38.01, 0.83%, 0.38%

LAB 54.39, 15.69, 57.76

 

CMYK 0 / 37 / 99 / 24

HEX #C17A01

RGB 193 122 1

HSL 37.81, 0.99%, 0.38%

LAB 57.33, 20.38, 63.58

 

CMYK 0 / 33 / 91 / 31

HEX #B17610

RGB 177 118 16

HSL 38.01, 0.83%, 0.38%

LAB 54.39, 15.69, 57.76

 

CMYK 0 / 30 / 80 / 36

HEX #A27220

RGB 162 114 32

HSL 37.85, 0.67%, 0.38%

LAB 51.63, 11.6, 49.71

 

CMYK 0 / 25 / 67 / 43

HEX #926E30

RGB 146 110 48

HSL 37.96, 0.51%, 0.38%

LAB 48.85, 7.39, 39.15

 

CMYK 0 / 18 / 51 / 49

HEX #826A40

RGB 130 106 64

HSL 38.18, 0.34%, 0.38%

LAB 46.21, 3.76, 27.05

 

CMYK 0 / 12 / 31 / 55

HEX #73654F

RGB 115 101 79

HSL 36.67, 0.19%, 0.38%

LAB 43.53, 1.9, 14.52

 

CMYK 0 / 83 / 91 / 31

HEX #B11E10

RGB 177 30 16

HSL 5.22, 0.83%, 0.38%

LAB 38.4, 56.27, 45.89

 

CMYK 0 / 59 / 91 / 31

HEX #B14910

RGB 177 73 16

HSL 21.24, 0.83%, 0.38%

LAB 44.45, 39.83, 50.29

 

CMYK 0 / 34 / 91 / 31

HEX #B17410

RGB 177 116 16

HSL 37.27, 0.83%, 0.38%

LAB 53.89, 16.81, 57.39

 

CMYK 0 / 10 / 91 / 31

HEX #B19F10

RGB 177 159 16

HSL 53.29, 0.83%, 0.38%

LAB 65.11, -6.82, 66.02

 

CMYK 14 / 0 / 91 / 31

HEX #99B110

RGB 153 177 16

HSL 68.94, 0.83%, 0.38%

LAB 68.21, -26.54, 67.63

 

CMYK 0 / 33 / 91 / 60

HEX #664409

RGB 102 68 9

HSL 38.06, 0.84%, 0.22%

LAB 31.76, 9.51, 37.77

 

CMYK 0 / 34 / 91 / 45

HEX #8C5D0D

RGB 140 93 13

HSL 37.8, 0.83%, 0.3%

LAB 43.41, 12.94, 48.01

 

CMYK 0 / 33 / 91 / 31

HEX #B17610

RGB 177 118 16

HSL 38.01, 0.83%, 0.38%

LAB 54.39, 15.69, 57.76

 

CMYK 0 / 33 / 91 / 16

HEX #D78F14

RGB 215 143 20

HSL 37.85, 0.83%, 0.46%

LAB 65.08, 18.79, 66.99

 

CMYK 0 / 31 / 83 / 8

HEX #EBA329

RGB 235 163 41

HSL 37.73, 0.83%, 0.54%

LAB 72.24, 17.16, 68.1

 

CMYK 0 / 34 / 91 / 30

HEX #B37711

RGB 179 119 17

HSL 37.78, 0.83%, 0.38%

LAB 54.88, 16.05, 58.01

 

CMYK 74 / 0 / 91 / 31

HEX #2EB110

RGB 46 177 16

HSL 108.82, 0.83%, 0.38%

LAB 63.39, -60.82, 61.7

 

CMYK 71 / 91 / 0 / 31

HEX #3310B1

RGB 51 16 177

HSL 253.04, 0.83%, 0.38%

LAB 24.48, 57.46, -75.7

 

CMYK 0 / 34 / 91 / 30

HEX #B37711

RGB 179 119 17

HSL 37.78, 0.83%, 0.38%

LAB 54.88, 16.05, 58.01

 

CMYK 91 / 0 / 34 / 31

HEX #10B174

RGB 16 177 116

HSL 157.27, 0.83%, 0.38%

LAB 64.01, -52.07, 20.86

 

CMYK 34 / 91 / 0 / 31

HEX #7410B1

RGB 116 16 177

HSL 277.27, 0.83%, 0.38%

LAB 32.39, 63.57, -62.38

 

CMYK 0 / 34 / 91 / 30

HEX #B37711

RGB 179 119 17

HSL 37.78, 0.83%, 0.38%

LAB 54.88, 16.05, 58.01

 

CMYK 74 / 0 / 91 / 31

HEX #2EB110

RGB 46 177 16

HSL 108.82, 0.83%, 0.38%

LAB 63.39, -60.82, 61.7

 

CMYK 91 / 56 / 0 / 31

HEX #104EB1

RGB 16 78 177

HSL 216.89, 0.83%, 0.38%

LAB 35.47, 20.89, -57.67

 

CMYK 16 / 91 / 0 / 31

HEX #9410B1

RGB 148 16 177

HSL 289.19, 0.83%, 0.38%

LAB 37.56, 68.2, -53.74

 

CMYK 0 / 34 / 91 / 30

HEX #B37711

RGB 179 119 17

HSL 37.78, 0.83%, 0.38%

LAB 54.88, 16.05, 58.01

 

CMYK 91 / 0 / 80 / 31

HEX #10B123

RGB 16 177 35

HSL 127.08, 0.83%, 0.38%

LAB 63.07, -63.39, 56.8

 

CMYK 91 / 56 / 0 / 31

HEX #104EB1

RGB 16 78 177

HSL 216.89, 0.83%, 0.38%

LAB 35.47, 20.89, -57.67

 

CMYK 0 / 91 / 10 / 31

HEX #B1109F

RGB 177 16 159

HSL 306.71, 0.83%, 0.38%

LAB 41.57, 70.41, -36.26

 

Description

Color code: HEX #B37711 | qconv.com Color code: HEX #B37711 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 119 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 119 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 91 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 91% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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