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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3686C it is the complementary color #4C9793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3686C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3686C shade: #B86867, #C97A7A, #DA8C8D, #EB9EA0 and #FCB0B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3686C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3686C shade: #B3686C, #A25659, #914446, #803233 and #6F2020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3686C shade: #B2666A and #B26666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3686C shade: #B2666A, #B2667F, #B26693, #B266A8 and #A866B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3686C shade matches the following richer shades: #B2666A, #C5545A, #D74149, #EA2F39 and #FC1C28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3686C shade: #B2666A, #A0797B, #8D8C8C, #7A9E9C and #68B1AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3686C shade: #B26694, #B26680, #B2666B, #B27666 and #B28A66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3686C shade: #844246, #9F5054, #B2666A, #C08285 and #CE9DA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3686C shade: #B3686C, #A8B266 and #668AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3686C shade: #B3686C, #6BB266 and #666BB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3686C shade: #B3686C, #A8B266, #66B2AD and #7066B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3686C shade: #B3686C, #91B266, #66B2AD and #8766B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 40 / 30

HEX #B3686C

RGB 179 104 108

HSL 356.8, 0.33%, 0.55%

LAB 52.47, 30.46, 10.84

 

Complementary color

CMYK 50 / 0 / 3 / 41

HEX #4C9793

RGB 76 151 147

HSL 176.8, 0.33%, 0.45%

LAB 57.82, -24.25, -5.08

 

CMYK 0 / 43 / 44 / 28

HEX #B86867

RGB 184 104 103

HSL 0.74, 0.36%, 0.56%

LAB 53.03, 31.83, 14.66

 

CMYK 0 / 39 / 39 / 21

HEX #C97A7A

RGB 201 122 122

HSL 0, 0.42%, 0.63%

LAB 59.65, 30.78, 13.18

 

CMYK 0 / 36 / 35 / 15

HEX #DA8C8D

RGB 218 140 141

HSL 359.23, 0.51%, 0.7%

LAB 66.2, 29.82, 11.88

 

CMYK 0 / 33 / 32 / 8

HEX #EB9EA0

RGB 235 158 160

HSL 358.44, 0.66%, 0.77%

LAB 72.66, 28.94, 10.72

 

CMYK 0 / 30 / 29 / 1

HEX #FCB0B3

RGB 252 176 179

HSL 357.63, 0.93%, 0.84%

LAB 79.04, 28.14, 9.67

 

CMYK 0 / 42 / 40 / 30

HEX #B3686C

RGB 179 104 108

HSL 356.8, 0.33%, 0.55%

LAB 52.47, 30.46, 10.84

 

CMYK 0 / 47 / 45 / 36

HEX #A25659

RGB 162 86 89

HSL 357.63, 0.31%, 0.49%

LAB 45.71, 31.54, 12.41

 

CMYK 0 / 53 / 52 / 43

HEX #914446

RGB 145 68 70

HSL 358.44, 0.36%, 0.42%

LAB 38.89, 32.69, 14.3

 

CMYK 0 / 61 / 60 / 50

HEX #803233

RGB 128 50 51

HSL 359.23, 0.44%, 0.35%

LAB 32.05, 33.84, 16.68

 

CMYK 0 / 71 / 71 / 56

HEX #6F2020

RGB 111 32 32

HSL 0, 0.55%, 0.28%

LAB 25.31, 34.79, 19.79

 

CMYK 0 / 43 / 40 / 30

HEX #B2666A

RGB 178 102 106

HSL 356.84, 0.33%, 0.55%

LAB 51.85, 30.93, 11.12

 

CMYK 0 / 43 / 43 / 30

HEX #B26666

RGB 178 102 102

HSL 0, 0.33%, 0.55%

LAB 51.75, 30.48, 13.36

 

CMYK 0 / 43 / 40 / 30

HEX #B2666A

RGB 178 102 106

HSL 356.84, 0.33%, 0.55%

LAB 51.85, 30.93, 11.12

 

CMYK 0 / 43 / 29 / 30

HEX #B2667F

RGB 178 102 127

HSL 340.26, 0.33%, 0.55%

LAB 52.4, 33.63, -0.52

 

CMYK 0 / 43 / 17 / 30

HEX #B26693

RGB 178 102 147

HSL 324.47, 0.33%, 0.55%

LAB 53.03, 36.64, -11.38

 

CMYK 0 / 43 / 6 / 30

HEX #B266A8

RGB 178 102 168

HSL 307.89, 0.33%, 0.55%

LAB 53.81, 40.21, -22.48

 

CMYK 6 / 43 / 0 / 30

HEX #A866B2

RGB 168 102 178

HSL 292.11, 0.33%, 0.55%

LAB 53, 38.96, -29.64

 

CMYK 0 / 43 / 40 / 30

HEX #B2666A

RGB 178 102 106

HSL 356.84, 0.33%, 0.55%

LAB 51.85, 30.93, 11.12

 

CMYK 0 / 57 / 54 / 23

HEX #C5545A

RGB 197 84 90

HSL 356.81, 0.49%, 0.55%

LAB 50.63, 45.67, 19.38

 

CMYK 0 / 70 / 66 / 16

HEX #D74149

RGB 215 65 73

HSL 356.8, 0.65%, 0.55%

LAB 50.34, 58.64, 29.67

 

CMYK 0 / 80 / 76 / 8

HEX #EA2F39

RGB 234 47 57

HSL 356.79, 0.82%, 0.55%

LAB 51.63, 69.18, 41.29

 

CMYK 0 / 89 / 84 / 1

HEX #FC1C28

RGB 252 28 40

HSL 356.79, 0.97%, 0.55%

LAB 53.68, 77.25, 53.47

 

CMYK 0 / 43 / 40 / 30

HEX #B2666A

RGB 178 102 106

HSL 356.84, 0.33%, 0.55%

LAB 51.85, 30.93, 11.12

 

CMYK 0 / 24 / 23 / 37

HEX #A0797B

RGB 160 121 123

HSL 356.92, 0.17%, 0.55%

LAB 54.64, 15.51, 4.81

 

CMYK 0 / 1 / 1 / 45

HEX #8D8C8C

RGB 141 140 140

HSL 0, 0%, 0.55%

LAB 58.33, 0.37, 0.12

 

CMYK 23 / 0 / 1 / 38

HEX #7A9E9C

RGB 122 158 156

HSL 176.67, 0.16%, 0.55%

LAB 62.5, -12.74, -3.02

 

CMYK 41 / 0 / 2 / 31

HEX #68B1AD

RGB 104 177 173

HSL 176.71, 0.32%, 0.55%

LAB 67.58, -23.75, -5.12

 

CMYK 0 / 43 / 17 / 30

HEX #B26694

RGB 178 102 148

HSL 323.68, 0.33%, 0.55%

LAB 53.07, 36.8, -11.91

 

CMYK 0 / 43 / 28 / 30

HEX #B26680

RGB 178 102 128

HSL 339.47, 0.33%, 0.55%

LAB 52.43, 33.77, -1.07

 

CMYK 0 / 43 / 40 / 30

HEX #B2666B

RGB 178 102 107

HSL 356.05, 0.33%, 0.55%

LAB 51.87, 31.05, 10.57

 

CMYK 0 / 34 / 43 / 30

HEX #B27666

RGB 178 118 102

HSL 12.63, 0.33%, 0.55%

LAB 55.46, 21.61, 18.45

 

CMYK 0 / 22 / 43 / 30

HEX #B28A66

RGB 178 138 102

HSL 28.42, 0.33%, 0.55%

LAB 60.43, 10.42, 25.11

 

CMYK 0 / 50 / 47 / 48

HEX #844246

RGB 132 66 70

HSL 356.36, 0.33%, 0.39%

LAB 36.45, 28.66, 10.63

 

CMYK 0 / 50 / 47 / 38

HEX #9F5054

RGB 159 80 84

HSL 356.96, 0.33%, 0.47%

LAB 43.87, 33.09, 12.83

 

CMYK 0 / 43 / 40 / 30

HEX #B2666A

RGB 178 102 106

HSL 356.84, 0.33%, 0.55%

LAB 51.85, 30.93, 11.12

 

CMYK 0 / 32 / 31 / 25

HEX #C08285

RGB 192 130 133

HSL 357.1, 0.33%, 0.63%

LAB 60.66, 24.34, 8.14

 

CMYK 0 / 24 / 22 / 19

HEX #CE9DA0

RGB 206 157 160

HSL 356.33, 0.33%, 0.71%

LAB 69.31, 18.66, 5.51

 

CMYK 0 / 42 / 40 / 30

HEX #B3686C

RGB 179 104 108

HSL 356.8, 0.33%, 0.55%

LAB 52.47, 30.46, 10.84

 

CMYK 6 / 0 / 43 / 30

HEX #A8B266

RGB 168 178 102

HSL 67.89, 0.33%, 0.55%

LAB 70.26, -15.27, 37.58

 

CMYK 43 / 22 / 0 / 30

HEX #668AB2

RGB 102 138 178

HSL 211.58, 0.33%, 0.55%

LAB 56.3, -1.87, -24.98

 

CMYK 0 / 42 / 40 / 30

HEX #B3686C

RGB 179 104 108

HSL 356.8, 0.33%, 0.55%

LAB 52.47, 30.46, 10.84

 

CMYK 40 / 0 / 43 / 30

HEX #6BB266

RGB 107 178 102

HSL 116.05, 0.33%, 0.55%

LAB 66.46, -37.75, 31.97

 

CMYK 43 / 40 / 0 / 30

HEX #666BB2

RGB 102 107 178

HSL 236.05, 0.33%, 0.55%

LAB 47.69, 16.64, -38.41

 

CMYK 0 / 42 / 40 / 30

HEX #B3686C

RGB 179 104 108

HSL 356.8, 0.33%, 0.55%

LAB 52.47, 30.46, 10.84

 

CMYK 6 / 0 / 43 / 30

HEX #A8B266

RGB 168 178 102

HSL 67.89, 0.33%, 0.55%

LAB 70.26, -15.27, 37.58

 

CMYK 43 / 0 / 3 / 30

HEX #66B2AD

RGB 102 178 173

HSL 176.05, 0.33%, 0.55%

LAB 67.79, -24.76, -4.83

 

CMYK 37 / 43 / 0 / 30

HEX #7066B2

RGB 112 102 178

HSL 247.89, 0.33%, 0.55%

LAB 47.19, 22.39, -39.16

 

CMYK 0 / 42 / 40 / 30

HEX #B3686C

RGB 179 104 108

HSL 356.8, 0.33%, 0.55%

LAB 52.47, 30.46, 10.84

 

CMYK 19 / 0 / 43 / 30

HEX #91B266

RGB 145 178 102

HSL 86.05, 0.33%, 0.55%

LAB 68.62, -24.33, 35.16

 

CMYK 43 / 0 / 3 / 30

HEX #66B2AD

RGB 102 178 173

HSL 176.05, 0.33%, 0.55%

LAB 67.79, -24.76, -4.83

 

CMYK 24 / 43 / 0 / 30

HEX #8766B2

RGB 135 102 178

HSL 266.05, 0.33%, 0.55%

LAB 49.34, 28.96, -35.63

 

Description

Color code: HEX #B3686C | qconv.com Color code: HEX #B3686C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 104 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 104 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 40 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 40% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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