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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B367007F it is the complementary color #4C98FF7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B367007F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B367007F shade: #B867007F, #C9790E7F, #DA8B217F, #EB9D347F and #FCAF477F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B367007F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B367007F shade: #B367007F, #A255007F, #9143007F, #8031007F and #6F1F007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B367007F shade: #B36700, #B33700, #B30600 and #B30000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B367007F shade: #B36700, #B39700, #9EB300, #6EB300 and #3EB300

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B367007F shade matches the following richer shades: #B36700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B367007F shade: #B36700, #A4650E, #96621D, #87602B and #795E3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B367007F shade: #B30600, #B33600, #B36500, #B39500 and #A1B300

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B367007F shade: #603700, #894F00, #B36700, #DC7E00 and #FF9506

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B367007F shade: #B36700, #2AB300 and #1E00B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B367007F shade: #B36700, #00B365 and #6500B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B367007F shade: #B36700, #2AB300, #004DB3 and #8900B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B367007F shade: #B36700, #00B30C, #004DB3 and #B300A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 50 / 15

HEX #B367007F

RGBA 179 103 0 0.5

HSLA 34.53, 1%, 0.35%, 0.5

LABA 51.02, 24.68, 58.8, 0.5

 

Complementary color

CMYK 35 / 20 / 0 / 0

HEX #4C98FF7F

RGBA 76 152 255 0.5

HSLA 214.53, 1%, 0.65%, 0.5

LABA 62.69, 9.6, -58.04, 0.5

 

CMYK 0 / 22 / 50 / 14

HEX #B867007F

RGBA 184 103 0 0.5

HSLA 33.59, 1%, 0.36%, 0.5

LABA 51.71, 26.85, 59.59, 0.5

 

CMYK 0 / 20 / 47 / 11

HEX #C9790E7F

RGBA 201 121 14 0.5

HSLA 34.33, 0.87%, 0.42%, 0.5

LABA 58.15, 24.56, 62.36, 0.5

 

CMYK 0 / 18 / 42 / 7

HEX #DA8B217F

RGBA 218 139 33 0.5

HSLA 34.38, 0.74%, 0.49%, 0.5

LABA 64.55, 22.51, 63.3, 0.5

 

CMYK 0 / 17 / 39 / 4

HEX #EB9D347F

RGBA 235 157 52 0.5

HSLA 34.43, 0.82%, 0.56%, 0.5

LABA 70.89, 20.7, 63.05, 0.5

 

CMYK 0 / 15 / 36 / 1

HEX #FCAF477F

RGBA 252 175 71 0.5

HSLA 34.48, 0.97%, 0.63%, 0.5

LABA 77.17, 19.11, 62.21, 0.5

 

CMYK 0 / 21 / 50 / 15

HEX #B367007F

RGBA 179 103 0 0.5

HSLA 34.53, 1%, 0.35%, 0.5

LABA 51.02, 24.68, 58.8, 0.5

 

CMYK 0 / 24 / 50 / 18

HEX #A255007F

RGBA 162 85 0 0.5

HSLA 31.48, 1%, 0.32%, 0.5

LABA 44.49, 27.2, 53.53, 0.5

 

CMYK 0 / 27 / 50 / 22

HEX #9143007F

RGBA 145 67 0 0.5

HSLA 27.72, 1%, 0.28%, 0.5

LABA 37.9, 29.72, 48.24, 0.5

 

CMYK 0 / 31 / 50 / 25

HEX #8031007F

RGBA 128 49 0 0.5

HSLA 22.97, 1%, 0.25%, 0.5

LABA 31.31, 32.11, 42.79, 0.5

 

CMYK 0 / 36 / 50 / 28

HEX #6F1F007F

RGBA 111 31 0 0.5

HSLA 16.76, 1%, 0.22%, 0.5

LABA 24.83, 34.06, 36.08, 0.5

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 0 / 69 / 100 / 30

HEX #B33700

RGB 179 55 0

HSL 18.44, 1%, 0.35%

LAB 41.71, 48.41, 53.5

 

CMYK 0 / 97 / 100 / 30

HEX #B30600

RGB 179 6 0

HSL 2.01, 1%, 0.35%

LAB 37.32, 60.73, 51.6

 

CMYK 0 / 100 / 100 / 30

HEX #B30000

RGB 179 0 0

HSL 0, 1%, 0.35%

LAB 37.08, 61.42, 51.49

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 0 / 16 / 100 / 30

HEX #B39700

RGB 179 151 0

HSL 50.61, 1%, 0.35%

LAB 63.11, -1.85, 66.94

 

CMYK 12 / 0 / 100 / 30

HEX #9EB300

RGB 158 179 0

HSL 67.04, 1%, 0.35%

LAB 69.12, -25.63, 70.51

 

CMYK 39 / 0 / 100 / 30

HEX #6EB300

RGB 110 179 0

HSL 83.13, 1%, 0.35%

LAB 66.18, -44.68, 66.98

 

CMYK 65 / 0 / 100 / 30

HEX #3EB300

RGB 62 179 0

HSL 99.22, 1%, 0.35%

LAB 64.37, -58.74, 64.8

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 0 / 38 / 91 / 36

HEX #A4650E

RGB 164 101 14

HSL 34.8, 0.84%, 0.35%

LAB 48.55, 19.37, 53.08

 

CMYK 0 / 35 / 81 / 41

HEX #96621D

RGB 150 98 29

HSL 34.21, 0.68%, 0.35%

LAB 46.05, 15.16, 45.19

 

CMYK 0 / 29 / 68 / 47

HEX #87602B

RGB 135 96 43

HSL 34.57, 0.52%, 0.35%

LAB 43.79, 10.14, 35.73

 

CMYK 0 / 22 / 52 / 53

HEX #795E3A

RGB 121 94 58

HSL 34.29, 0.35%, 0.35%

LAB 41.81, 6.12, 24.74

 

CMYK 0 / 97 / 100 / 30

HEX #B30600

RGB 179 6 0

HSL 2.01, 1%, 0.35%

LAB 37.32, 60.73, 51.6

 

CMYK 0 / 70 / 100 / 30

HEX #B33600

RGB 179 54 0

HSL 18.1, 1%, 0.35%

LAB 41.57, 48.81, 53.43

 

CMYK 0 / 44 / 100 / 30

HEX #B36500

RGB 179 101 0

HSL 33.85, 1%, 0.35%

LAB 50.56, 25.78, 58.52

 

CMYK 0 / 17 / 100 / 30

HEX #B39500

RGB 179 149 0

HSL 49.94, 1%, 0.35%

LAB 62.57, -0.77, 66.57

 

CMYK 10 / 0 / 100 / 30

HEX #A1B300

RGB 161 179 0

HSL 66.03, 1%, 0.35%

LAB 69.34, -24.34, 70.77

 

CMYK 0 / 43 / 100 / 62

HEX #603700

RGB 96 55 0

HSL 34.38, 1%, 0.19%

LAB 27.35, 14.31, 37.41

 

CMYK 0 / 42 / 100 / 46

HEX #894F00

RGB 137 79 0

HSL 34.6, 1%, 0.27%

LAB 39.43, 19.44, 48.55

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 0 / 43 / 100 / 14

HEX #DC7E00

RGB 220 126 0

HSL 34.36, 1%, 0.43%

LAB 61.77, 29.78, 68.34

 

CMYK 0 / 42 / 98 / 0

HEX #FF9506

RGB 255 149 6

HSL 34.46, 1%, 0.51%

LAB 71.4, 32.28, 75.93

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 77 / 0 / 100 / 30

HEX #2AB300

RGB 42 179 0

HSL 105.92, 1%, 0.35%

LAB 63.94, -62.46, 64.27

 

CMYK 83 / 100 / 0 / 30

HEX #1E00B3

RGB 30 0 179

HSL 250.06, 1%, 0.35%

LAB 22.05, 61.06, -80.98

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 100 / 0 / 44 / 30

HEX #00B365

RGB 0 179 101

HSL 153.85, 1%, 0.35%

LAB 64.31, -56.54, 29.22

 

CMYK 44 / 100 / 0 / 30

HEX #6500B3

RGB 101 0 179

HSL 273.85, 1%, 0.35%

LAB 29.47, 64.92, -68.46

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 77 / 0 / 100 / 30

HEX #2AB300

RGB 42 179 0

HSL 105.92, 1%, 0.35%

LAB 63.94, -62.46, 64.27

 

CMYK 100 / 57 / 0 / 30

HEX #004DB3

RGB 0 77 179

HSL 214.19, 1%, 0.35%

LAB 35.13, 21.73, -59.41

 

CMYK 23 / 100 / 0 / 30

HEX #8900B3

RGB 137 0 179

HSL 285.92, 1%, 0.35%

LAB 35.15, 69.05, -58.92

 

CMYK 0 / 42 / 100 / 30

HEX #B36700

RGB 179 103 0

HSL 34.53, 1%, 0.35%

LAB 51.02, 24.68, 58.8

 

CMYK 100 / 0 / 93 / 30

HEX #00B30C

RGB 0 179 12

HSL 124.02, 1%, 0.35%

LAB 63.56, -65.8, 62.26

 

CMYK 100 / 57 / 0 / 30

HEX #004DB3

RGB 0 77 179

HSL 214.19, 1%, 0.35%

LAB 35.13, 21.73, -59.41

 

CMYK 0 / 100 / 7 / 30

HEX #B300A7

RGB 179 0 167

HSL 304.02, 1%, 0.35%

LAB 41.8, 73.6, -40.65

 

Description

Color code: HEX #B367007F | qconv.com Color code: HEX #B367007F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 103 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 103 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 50 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 50% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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