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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B36380 it is the complementary color #4C9C7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B36380. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B36380 shade: #B8637B, #C9758E, #DA87A1, #EB99B4 and #FCABC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B36380. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B36380 shade: #B36380, #A2516D, #913F5A, #802D47 and #6F1B34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B36380 shade: #B36582, #B3656C and #B36565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B36380 shade: #B36582, #B36597, #B365AC, #A665B3 and #9165B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B36380 shade matches the following richer shades: #B36582, #C6537C, #D84077, #EB2E72 and #FE1B6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B36380 shade: #B36582, #A17887, #8E8A8C, #7C9D91 and #69B096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B36380 shade: #B365AB, #B36597, #B36582, #B3656D and #B37265

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B36380 shade: #85415A, #A04F6C, #B36582, #C18198 and #CE9DAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B36380 shade: #B36380, #B3A665 and #65A1B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B36380 shade: #B36380, #82B365 and #6582B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B36380 shade: #B36380, #B3A665, #65B397 and #6572B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B36380 shade: #B36380, #A9B365, #65B397 and #7065B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 28 / 30

HEX #B36380

RGB 179 99 128

HSL 338.25, 0.34%, 0.55%

LAB 51.91, 35.75, -1.81

 

Complementary color

CMYK 51 / 0 / 19 / 39

HEX #4C9C7F

RGB 76 156 127

HSL 158.25, 0.34%, 0.45%

LAB 58.83, -31.74, 7.75

 

CMYK 0 / 46 / 33 / 28

HEX #B8637B

RGB 184 99 123

HSL 343.06, 0.37%, 0.55%

LAB 52.45, 36.89, 2.02

 

CMYK 0 / 42 / 29 / 21

HEX #C9758E

RGB 201 117 142

HSL 342.14, 0.44%, 0.62%

LAB 59.06, 35.97, 0.8

 

CMYK 0 / 38 / 26 / 15

HEX #DA87A1

RGB 218 135 161

HSL 341.2, 0.53%, 0.69%

LAB 65.6, 35.11, -0.27

 

CMYK 0 / 35 / 23 / 8

HEX #EB99B4

RGB 235 153 180

HSL 340.24, 0.67%, 0.76%

LAB 72.05, 34.29, -1.22

 

CMYK 0 / 32 / 21 / 1

HEX #FCABC7

RGB 252 171 199

HSL 339.26, 0.93%, 0.83%

LAB 78.43, 33.53, -2.08

 

CMYK 0 / 45 / 28 / 30

HEX #B36380

RGB 179 99 128

HSL 338.25, 0.34%, 0.55%

LAB 51.91, 35.75, -1.81

 

CMYK 0 / 50 / 33 / 36

HEX #A2516D

RGB 162 81 109

HSL 339.26, 0.33%, 0.48%

LAB 45.18, 36.65, -0.53

 

CMYK 0 / 57 / 38 / 43

HEX #913F5A

RGB 145 63 90

HSL 340.24, 0.39%, 0.41%

LAB 38.4, 37.52, 1.05

 

CMYK 0 / 65 / 45 / 50

HEX #802D47

RGB 128 45 71

HSL 341.2, 0.48%, 0.34%

LAB 31.63, 38.21, 3.08

 

CMYK 0 / 76 / 53 / 56

HEX #6F1B34

RGB 111 27 52

HSL 342.14, 0.61%, 0.27%

LAB 24.99, 38.43, 5.88

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 44 / 40 / 30

HEX #B3656C

RGB 179 101 108

HSL 354.62, 0.34%, 0.55%

LAB 51.81, 32.1, 9.91

 

CMYK 0 / 44 / 44 / 30

HEX #B36565

RGB 179 101 101

HSL 0, 0.34%, 0.55%

LAB 51.65, 31.3, 13.82

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 44 / 16 / 30

HEX #B36597

RGB 179 101 151

HSL 321.54, 0.34%, 0.55%

LAB 53.09, 38.16, -13.63

 

CMYK 0 / 44 / 4 / 30

HEX #B365AC

RGB 179 101 172

HSL 305.38, 0.34%, 0.55%

LAB 53.89, 41.78, -24.67

 

CMYK 7 / 44 / 0 / 30

HEX #A665B3

RGB 166 101 179

HSL 290, 0.34%, 0.55%

LAB 52.59, 39.1, -30.87

 

CMYK 19 / 44 / 0 / 30

HEX #9165B3

RGB 145 101 179

HSL 273.85, 0.34%, 0.55%

LAB 50.19, 32.75, -34.79

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 58 / 37 / 22

HEX #C6537C

RGB 198 83 124

HSL 338.61, 0.5%, 0.55%

LAB 51.44, 49.83, 0.21

 

CMYK 0 / 70 / 45 / 15

HEX #D84077

RGB 216 64 119

HSL 338.29, 0.66%, 0.55%

LAB 51.38, 62.7, 3.49

 

CMYK 0 / 80 / 51 / 8

HEX #EB2E72

RGB 235 46 114

HSL 338.41, 0.83%, 0.55%

LAB 52.76, 72.83, 8.95

 

CMYK 0 / 89 / 57 / 0

HEX #FE1B6D

RGB 254 27 109

HSL 338.33, 0.99%, 0.55%

LAB 55.03, 80.7, 15.67

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 25 / 16 / 37

HEX #A17887

RGB 161 120 135

HSL 338.05, 0.18%, 0.55%

LAB 54.82, 18.41, -1.9

 

CMYK 0 / 3 / 1 / 44

HEX #8E8A8C

RGB 142 138 140

HSL 330, 0.02%, 0.55%

LAB 57.87, 1.87, -0.55

 

CMYK 21 / 0 / 8 / 38

HEX #7C9D91

RGB 124 157 145

HSL 158.18, 0.14%, 0.55%

LAB 62.03, -13.96, 2.52

 

CMYK 40 / 0 / 15 / 31

HEX #69B096

RGB 105 176 150

HSL 158.03, 0.31%, 0.55%

LAB 66.72, -28.43, 6.35

 

CMYK 0 / 44 / 4 / 30

HEX #B365AB

RGB 179 101 171

HSL 306.15, 0.34%, 0.55%

LAB 53.85, 41.6, -24.15

 

CMYK 0 / 44 / 16 / 30

HEX #B36597

RGB 179 101 151

HSL 321.54, 0.34%, 0.55%

LAB 53.09, 38.16, -13.63

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 44 / 39 / 30

HEX #B3656D

RGB 179 101 109

HSL 353.85, 0.34%, 0.55%

LAB 51.83, 32.21, 9.35

 

CMYK 0 / 36 / 44 / 30

HEX #B37265

RGB 179 114 101

HSL 10, 0.34%, 0.55%

LAB 54.61, 24.14, 17.89

 

CMYK 0 / 51 / 32 / 48

HEX #85415A

RGB 133 65 90

HSL 337.94, 0.34%, 0.39%

LAB 36.94, 32.1, -1.31

 

CMYK 0 / 51 / 33 / 37

HEX #A04F6C

RGB 160 79 108

HSL 338.52, 0.34%, 0.47%

LAB 44.44, 36.86, -1.03

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 33 / 21 / 24

HEX #C18198

RGB 193 129 152

HSL 338.44, 0.34%, 0.63%

LAB 61.05, 28, -2.16

 

CMYK 0 / 24 / 15 / 19

HEX #CE9DAF

RGB 206 157 175

HSL 337.96, 0.33%, 0.71%

LAB 69.7, 21, -2.26

 

CMYK 0 / 45 / 28 / 30

HEX #B36380

RGB 179 99 128

HSL 338.25, 0.34%, 0.55%

LAB 51.91, 35.75, -1.81

 

CMYK 0 / 7 / 44 / 30

HEX #B3A665

RGB 179 166 101

HSL 50, 0.34%, 0.55%

LAB 67.87, -4.58, 35.28

 

CMYK 44 / 10 / 0 / 30

HEX #65A1B3

RGB 101 161 179

HSL 193.85, 0.34%, 0.55%

LAB 62.94, -14.64, -15.42

 

CMYK 0 / 45 / 28 / 30

HEX #B36380

RGB 179 99 128

HSL 338.25, 0.34%, 0.55%

LAB 51.91, 35.75, -1.81

 

CMYK 27 / 0 / 44 / 30

HEX #82B365

RGB 130 179 101

HSL 97.69, 0.34%, 0.55%

LAB 67.97, -30.52, 34.65

 

CMYK 44 / 27 / 0 / 30

HEX #6582B3

RGB 101 130 179

HSL 217.69, 0.34%, 0.55%

LAB 54.01, 2.81, -29.1

 

CMYK 0 / 45 / 28 / 30

HEX #B36380

RGB 179 99 128

HSL 338.25, 0.34%, 0.55%

LAB 51.91, 35.75, -1.81

 

CMYK 0 / 7 / 44 / 30

HEX #B3A665

RGB 179 166 101

HSL 50, 0.34%, 0.55%

LAB 67.87, -4.58, 35.28

 

CMYK 44 / 0 / 16 / 30

HEX #65B397

RGB 101 179 151

HSL 158.46, 0.34%, 0.55%

LAB 67.46, -30.75, 6.84

 

CMYK 44 / 36 / 0 / 30

HEX #6572B3

RGB 101 114 179

HSL 230, 0.34%, 0.55%

LAB 49.56, 12.4, -36.05

 

CMYK 0 / 45 / 28 / 30

HEX #B36380

RGB 179 99 128

HSL 338.25, 0.34%, 0.55%

LAB 51.91, 35.75, -1.81

 

CMYK 6 / 0 / 44 / 30

HEX #A9B365

RGB 169 179 101

HSL 67.69, 0.34%, 0.55%

LAB 70.6, -15.49, 38.53

 

CMYK 44 / 0 / 16 / 30

HEX #65B397

RGB 101 179 151

HSL 158.46, 0.34%, 0.55%

LAB 67.46, -30.75, 6.84

 

CMYK 37 / 44 / 0 / 30

HEX #7065B3

RGB 112 101 179

HSL 248.46, 0.34%, 0.55%

LAB 46.98, 23.28, -40.06

 

Description

Color code: HEX #B36380 | qconv.com Color code: HEX #B36380 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 99 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 99 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 28 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 28% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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