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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B35779 it is the complementary color #4CA886. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B35779. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B35779 shade: #B85774, #C96987, #DA7B9A, #EB8DAD and #FC9FC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B35779. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B35779 shade: #B35779, #A24566, #913353, #802140 and #6F0F2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B35779 shade: #B35678, #B3565F and #B35656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B35779 shade: #B35678, #B35692, #B356AB, #A356B3 and #8956B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B35779 shade matches the following richer shades: #B35678, #C74273, #DB2E6E and #EF1B69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B35779 shade: #B35678, #9F6A7E, #8C7E83, #789288 and #64A58D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B35779 shade: #B356AB, #B35693, #B3567A, #B35661 and #B36456

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B35779 shade: #7E3952, #9B4565, #B35678, #C0738F and #CD8FA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B35779 shade: #B35779, #B3A256 and #569FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B35779 shade: #B35779, #7AB356 and #567AB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B35779 shade: #B35779, #B3A256, #56B38F and #5667B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B35779 shade: #B35779, #A8B356, #56B38F and #6156B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 32 / 30

HEX #B35779

RGB 179 87 121

HSL 337.83, 0.38%, 0.52%

LAB 49.23, 41.11, -1.57

 

Complementary color

CMYK 55 / 0 / 20 / 34

HEX #4CA886

RGB 76 168 134

HSL 157.83, 0.38%, 0.48%

LAB 62.73, -35.71, 9.37

 

CMYK 0 / 53 / 37 / 28

HEX #B85774

RGB 184 87 116

HSL 342.06, 0.41%, 0.53%

LAB 49.82, 42.23, 2.39

 

CMYK 0 / 48 / 33 / 21

HEX #C96987

RGB 201 105 135

HSL 341.25, 0.47%, 0.6%

LAB 56.36, 41.35, 0.93

 

CMYK 0 / 44 / 29 / 15

HEX #DA7B9A

RGB 218 123 154

HSL 340.42, 0.56%, 0.67%

LAB 62.85, 40.46, -0.31

 

CMYK 0 / 40 / 26 / 8

HEX #EB8DAD

RGB 235 141 173

HSL 339.57, 0.7%, 0.74%

LAB 69.28, 39.6, -1.39

 

CMYK 0 / 37 / 24 / 1

HEX #FC9FC0

RGB 252 159 192

HSL 338.71, 0.94%, 0.81%

LAB 75.64, 38.78, -2.36

 

CMYK 0 / 51 / 32 / 30

HEX #B35779

RGB 179 87 121

HSL 337.83, 0.38%, 0.52%

LAB 49.23, 41.11, -1.57

 

CMYK 0 / 57 / 37 / 36

HEX #A24566

RGB 162 69 102

HSL 338.71, 0.4%, 0.45%

LAB 42.61, 41.91, 0.02

 

CMYK 0 / 65 / 43 / 43

HEX #913353

RGB 145 51 83

HSL 339.57, 0.48%, 0.38%

LAB 36.01, 42.52, 2.02

 

CMYK 0 / 74 / 50 / 50

HEX #802140

RGB 128 33 64

HSL 340.42, 0.59%, 0.32%

LAB 29.53, 42.68, 4.7

 

CMYK 0 / 86 / 59 / 56

HEX #6F0F2D

RGB 111 15 45

HSL 341.25, 0.76%, 0.25%

LAB 23.37, 41.85, 8.45

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 0 / 52 / 47 / 30

HEX #B3565F

RGB 179 86 95

HSL 354.19, 0.38%, 0.52%

LAB 48.34, 38.62, 12.82

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 0 / 52 / 18 / 30

HEX #B35692

RGB 179 86 146

HSL 321.29, 0.38%, 0.52%

LAB 49.88, 45.17, -15.54

 

CMYK 0 / 52 / 4 / 30

HEX #B356AB

RGB 179 86 171

HSL 305.16, 0.38%, 0.52%

LAB 50.9, 49.3, -28.72

 

CMYK 9 / 52 / 0 / 30

HEX #A356B3

RGB 163 86 179

HSL 289.68, 0.38%, 0.52%

LAB 49.13, 46.21, -36.32

 

CMYK 23 / 52 / 0 / 30

HEX #8956B3

RGB 137 86 179

HSL 272.9, 0.38%, 0.52%

LAB 45.95, 38.97, -41.55

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 0 / 67 / 42 / 22

HEX #C74273

RGB 199 66 115

HSL 337.89, 0.54%, 0.52%

LAB 48.61, 56.56, 1.53

 

CMYK 0 / 79 / 50 / 14

HEX #DB2E6E

RGB 219 46 110

HSL 337.8, 0.71%, 0.52%

LAB 49.67, 68.4, 6.56

 

CMYK 0 / 89 / 56 / 6

HEX #EF1B69

RGB 239 27 105

HSL 337.92, 0.87%, 0.52%

LAB 52.01, 76.92, 13.46

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 0 / 33 / 21 / 38

HEX #9F6A7E

RGB 159 106 126

HSL 337.36, 0.22%, 0.52%

LAB 50.9, 24.18, -2.4

 

CMYK 0 / 10 / 6 / 45

HEX #8C7E83

RGB 140 126 131

HSL 338.57, 0.06%, 0.52%

LAB 54.17, 6.26, -0.77

 

CMYK 18 / 0 / 7 / 43

HEX #789288

RGB 120 146 136

HSL 156.92, 0.11%, 0.52%

LAB 58.35, -11.3, 2.24

 

CMYK 39 / 0 / 15 / 35

HEX #64A58D

RGB 100 165 141

HSL 157.85, 0.27%, 0.52%

LAB 62.96, -26.46, 5.93

 

CMYK 0 / 52 / 4 / 30

HEX #B356AB

RGB 179 86 171

HSL 305.16, 0.38%, 0.52%

LAB 50.9, 49.3, -28.72

 

CMYK 0 / 52 / 18 / 30

HEX #B35693

RGB 179 86 147

HSL 320.65, 0.38%, 0.52%

LAB 49.91, 45.32, -16.08

 

CMYK 0 / 52 / 32 / 30

HEX #B3567A

RGB 179 86 122

HSL 336.77, 0.38%, 0.52%

LAB 49.06, 41.75, -2.41

 

CMYK 0 / 52 / 46 / 30

HEX #B35661

RGB 179 86 97

HSL 352.9, 0.38%, 0.52%

LAB 48.39, 38.82, 11.68

 

CMYK 0 / 44 / 52 / 30

HEX #B36456

RGB 179 100 86

HSL 9.03, 0.38%, 0.52%

LAB 51.12, 30.32, 21.91

 

CMYK 0 / 55 / 35 / 51

HEX #7E3952

RGB 126 57 82

HSL 338.26, 0.38%, 0.36%

LAB 33.92, 32.76, -0.76

 

CMYK 0 / 55 / 35 / 39

HEX #9B4565

RGB 155 69 101

HSL 337.67, 0.38%, 0.44%

LAB 41.48, 39.36, -1.15

 

CMYK 0 / 52 / 33 / 30

HEX #B35678

RGB 179 86 120

HSL 338.06, 0.38%, 0.52%

LAB 49, 41.49, -1.3

 

CMYK 0 / 40 / 26 / 25

HEX #C0738F

RGB 192 115 143

HSL 338.18, 0.38%, 0.6%

LAB 57.51, 33.94, -2.18

 

CMYK 0 / 30 / 19 / 20

HEX #CD8FA6

RGB 205 143 166

HSL 337.74, 0.38%, 0.68%

LAB 66.04, 26.86, -2.62

 

CMYK 0 / 51 / 32 / 30

HEX #B35779

RGB 179 87 121

HSL 337.83, 0.38%, 0.52%

LAB 49.23, 41.11, -1.57

 

CMYK 0 / 9 / 52 / 30

HEX #B3A256

RGB 179 162 86

HSL 49.03, 0.38%, 0.52%

LAB 66.59, -3.91, 41.4

 

CMYK 52 / 11 / 0 / 30

HEX #569FB3

RGB 86 159 179

HSL 192.9, 0.38%, 0.52%

LAB 61.68, -17.17, -17.39

 

CMYK 0 / 51 / 32 / 30

HEX #B35779

RGB 179 87 121

HSL 337.83, 0.38%, 0.52%

LAB 49.23, 41.11, -1.57

 

CMYK 32 / 0 / 52 / 30

HEX #7AB356

RGB 122 179 86

HSL 96.77, 0.38%, 0.52%

LAB 67.31, -35.26, 41.29

 

CMYK 52 / 32 / 0 / 30

HEX #567AB3

RGB 86 122 179

HSL 216.77, 0.38%, 0.52%

LAB 50.86, 3.8, -34.07

 

CMYK 0 / 51 / 32 / 30

HEX #B35779

RGB 179 87 121

HSL 337.83, 0.38%, 0.52%

LAB 49.23, 41.11, -1.57

 

CMYK 0 / 9 / 52 / 30

HEX #B3A256

RGB 179 162 86

HSL 49.03, 0.38%, 0.52%

LAB 66.59, -3.91, 41.4

 

CMYK 52 / 0 / 20 / 30

HEX #56B38F

RGB 86 179 143

HSL 156.77, 0.38%, 0.52%

LAB 66.67, -36.35, 10.04

 

CMYK 52 / 42 / 0 / 30

HEX #5667B3

RGB 86 103 179

HSL 229.03, 0.38%, 0.52%

LAB 45.54, 15.47, -42.47

 

CMYK 0 / 51 / 32 / 30

HEX #B35779

RGB 179 87 121

HSL 337.83, 0.38%, 0.52%

LAB 49.23, 41.11, -1.57

 

CMYK 6 / 0 / 52 / 30

HEX #A8B356

RGB 168 179 86

HSL 67.1, 0.38%, 0.52%

LAB 70.34, -17.41, 45.63

 

CMYK 52 / 0 / 20 / 30

HEX #56B38F

RGB 86 179 143

HSL 156.77, 0.38%, 0.52%

LAB 66.67, -36.35, 10.04

 

CMYK 46 / 52 / 0 / 30

HEX #6156B3

RGB 97 86 179

HSL 247.1, 0.38%, 0.52%

LAB 41.93, 28.65, -48.2

 

Description

Color code: HEX #B35779 | qconv.com Color code: HEX #B35779 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 87 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 87 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 32 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 32% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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