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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3571C it is the complementary color #4CA8E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3571C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3571C shade: #B85717, #C9692A, #DA7B3D, #EB8D50 and #FC9F63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3571C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3571C shade: #B3571C, #A24509, #913300, #802100 and #6F0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3571C shade: #B5581C, #B52F1C and #B51C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3571C shade: #B5581C, #B5811C, #B5AA1C, #96B51C and #6DB51C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3571C shade matches the following richer shades: #B5581C and #C6540B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3571C shade: #B5581C, #A45C2D, #935F3E, #82634F and #716760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3571C shade: #B51C33, #B52E1C, #B5571C, #B57F1C and #B5A81C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3571C shade: #6D3511, #914717, #B5581C, #D96922 and #E28042

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3571C shade: #B3571C, #5CB51C and #1C1FB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3571C shade: #B3571C, #1CB557 and #571CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3571C shade: #B3571C, #5CB51C, #1C7AB5 and #751CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3571C shade: #B3571C, #2EB51C, #1C7AB5 and #A31CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 84 / 30

HEX #B3571C

RGB 179 87 28

HSL 23.44, 0.73%, 0.41%

LAB 47.6, 33.81, 48.53

 

Complementary color

CMYK 67 / 26 / 0 / 11

HEX #4CA8E3

RGB 76 168 227

HSL 203.44, 0.73%, 0.59%

LAB 65.82, -9.05, -37.75

 

CMYK 0 / 53 / 88 / 28

HEX #B85717

RGB 184 87 23

HSL 23.85, 0.78%, 0.41%

LAB 48.35, 35.71, 51.38

 

CMYK 0 / 48 / 79 / 21

HEX #C9692A

RGB 201 105 42

HSL 23.77, 0.65%, 0.48%

LAB 54.75, 33.79, 50.31

 

CMYK 0 / 44 / 72 / 15

HEX #DA7B3D

RGB 218 123 61

HSL 23.69, 0.68%, 0.55%

LAB 61.14, 32.05, 48.71

 

CMYK 0 / 40 / 66 / 8

HEX #EB8D50

RGB 235 141 80

HSL 23.61, 0.79%, 0.62%

LAB 67.49, 30.48, 47.01

 

CMYK 0 / 37 / 61 / 1

HEX #FC9F63

RGB 252 159 99

HSL 23.53, 0.96%, 0.69%

LAB 73.8, 29.07, 45.32

 

CMYK 0 / 51 / 84 / 30

HEX #B3571C

RGB 179 87 28

HSL 23.44, 0.73%, 0.41%

LAB 47.6, 33.81, 48.53

 

CMYK 0 / 57 / 94 / 36

HEX #A24509

RGB 162 69 9

HSL 23.53, 0.89%, 0.34%

LAB 41.15, 35.81, 48.88

 

CMYK 0 / 65 / 100 / 43

HEX #913300

RGB 145 51 0

HSL 21.1, 1%, 0.28%

LAB 34.78, 37.83, 46.5

 

CMYK 0 / 74 / 100 / 50

HEX #802100

RGB 128 33 0

HSL 15.47, 1%, 0.25%

LAB 28.58, 39.44, 40.73

 

CMYK 0 / 86 / 100 / 56

HEX #6F0F00

RGB 111 15 0

HSL 8.11, 1%, 0.22%

LAB 22.73, 39.89, 33.98

 

CMYK 0 / 51 / 85 / 29

HEX #B5581C

RGB 181 88 28

HSL 23.53, 0.73%, 0.41%

LAB 48.12, 34.1, 49.09

 

CMYK 0 / 74 / 85 / 29

HEX #B52F1C

RGB 181 47 28

HSL 7.45, 0.73%, 0.41%

LAB 41.12, 52.57, 42.92

 

CMYK 0 / 85 / 85 / 29

HEX #B51C1C

RGB 181 28 28

HSL 0, 0.73%, 0.41%

LAB 39.14, 58.15, 41.14

 

CMYK 0 / 51 / 85 / 29

HEX #B5581C

RGB 181 88 28

HSL 23.53, 0.73%, 0.41%

LAB 48.12, 34.1, 49.09

 

CMYK 0 / 29 / 85 / 29

HEX #B5811C

RGB 181 129 28

HSL 39.61, 0.73%, 0.41%

LAB 57.66, 11.64, 57.29

 

CMYK 0 / 6 / 85 / 29

HEX #B5AA1C

RGB 181 170 28

HSL 55.69, 0.73%, 0.41%

LAB 68.5, -10.55, 66.39

 

CMYK 17 / 0 / 85 / 29

HEX #96B51C

RGB 150 181 28

HSL 72.16, 0.73%, 0.41%

LAB 69.19, -29.41, 66.01

 

CMYK 40 / 0 / 85 / 29

HEX #6DB51C

RGB 109 181 28

HSL 88.24, 0.73%, 0.41%

LAB 66.81, -45.19, 63.01

 

CMYK 0 / 51 / 85 / 29

HEX #B5581C

RGB 181 88 28

HSL 23.53, 0.73%, 0.41%

LAB 48.12, 34.1, 49.09

 

CMYK 0 / 58 / 94 / 22

HEX #C6540B

RGB 198 84 11

HSL 23.42, 0.89%, 0.41%

LAB 49.94, 42.49, 57.12

 

CMYK 0 / 51 / 85 / 29

HEX #B5581C

RGB 181 88 28

HSL 23.53, 0.73%, 0.41%

LAB 48.12, 34.1, 49.09

 

CMYK 0 / 44 / 73 / 36

HEX #A45C2D

RGB 164 92 45

HSL 23.7, 0.57%, 0.41%

LAB 46.63, 25.51, 38.9

 

CMYK 0 / 35 / 58 / 42

HEX #935F3E

RGB 147 95 62

HSL 23.29, 0.41%, 0.41%

LAB 45.27, 17.59, 27.45

 

CMYK 0 / 24 / 39 / 49

HEX #82634F

RGB 130 99 79

HSL 23.53, 0.24%, 0.41%

LAB 44.57, 9.61, 16.19

 

CMYK 0 / 9 / 15 / 56

HEX #716760

RGB 113 103 96

HSL 24.71, 0.08%, 0.41%

LAB 44.31, 2.65, 5.37

 

CMYK 0 / 85 / 72 / 29

HEX #B51C33

RGB 181 28 51

HSL 350.98, 0.73%, 0.41%

LAB 39.4, 58.94, 28.07

 

CMYK 0 / 75 / 85 / 29

HEX #B52E1C

RGB 181 46 28

HSL 7.06, 0.73%, 0.41%

LAB 41, 52.92, 42.81

 

CMYK 0 / 52 / 85 / 29

HEX #B5571C

RGB 181 87 28

HSL 23.14, 0.73%, 0.41%

LAB 47.91, 34.62, 48.91

 

CMYK 0 / 30 / 85 / 29

HEX #B57F1C

RGB 181 127 28

HSL 38.82, 0.73%, 0.41%

LAB 57.16, 12.75, 56.86

 

CMYK 0 / 7 / 85 / 29

HEX #B5A81C

RGB 181 168 28

HSL 54.9, 0.73%, 0.41%

LAB 67.96, -9.51, 65.94

 

CMYK 0 / 51 / 84 / 57

HEX #6D3511

RGB 109 53 17

HSL 23.48, 0.73%, 0.25%

LAB 29, 22.21, 32.44

 

CMYK 0 / 51 / 84 / 43

HEX #914717

RGB 145 71 23

HSL 23.61, 0.73%, 0.33%

LAB 38.88, 28.05, 40.88

 

CMYK 0 / 51 / 85 / 29

HEX #B5581C

RGB 181 88 28

HSL 23.53, 0.73%, 0.41%

LAB 48.12, 34.1, 49.09

 

CMYK 0 / 52 / 84 / 15

HEX #D96922

RGB 217 105 34

HSL 23.28, 0.73%, 0.49%

LAB 57.05, 39.93, 56.57

 

CMYK 0 / 43 / 71 / 11

HEX #E28042

RGB 226 128 66

HSL 23.25, 0.73%, 0.57%

LAB 63.34, 32.91, 48.98

 

CMYK 0 / 51 / 84 / 30

HEX #B3571C

RGB 179 87 28

HSL 23.44, 0.73%, 0.41%

LAB 47.6, 33.81, 48.53

 

CMYK 49 / 0 / 85 / 29

HEX #5CB51C

RGB 92 181 28

HSL 94.9, 0.73%, 0.41%

LAB 66.06, -50.75, 62.07

 

CMYK 85 / 83 / 0 / 29

HEX #1C1FB5

RGB 28 31 181

HSL 238.82, 0.73%, 0.41%

LAB 25.45, 51.81, -76.51

 

CMYK 0 / 51 / 84 / 30

HEX #B3571C

RGB 179 87 28

HSL 23.44, 0.73%, 0.41%

LAB 47.6, 33.81, 48.53

 

CMYK 85 / 0 / 52 / 29

HEX #1CB557

RGB 28 181 87

HSL 143.14, 0.73%, 0.41%

LAB 64.95, -57.99, 37.22

 

CMYK 52 / 85 / 0 / 29

HEX #571CB5

RGB 87 28 181

HSL 263.14, 0.73%, 0.41%

LAB 29.89, 57.71, -69.01

 

CMYK 0 / 51 / 84 / 30

HEX #B3571C

RGB 179 87 28

HSL 23.44, 0.73%, 0.41%

LAB 47.6, 33.81, 48.53

 

CMYK 49 / 0 / 85 / 29

HEX #5CB51C

RGB 92 181 28

HSL 94.9, 0.73%, 0.41%

LAB 66.06, -50.75, 62.07

 

CMYK 85 / 33 / 0 / 29

HEX #1C7AB5

RGB 28 122 181

HSL 203.14, 0.73%, 0.41%

LAB 48.89, -4.88, -38.48

 

CMYK 35 / 85 / 0 / 29

HEX #751CB5

RGB 117 28 181

HSL 274.9, 0.73%, 0.41%

LAB 33.88, 61.62, -62.32

 

CMYK 0 / 51 / 84 / 30

HEX #B3571C

RGB 179 87 28

HSL 23.44, 0.73%, 0.41%

LAB 47.6, 33.81, 48.53

 

CMYK 75 / 0 / 85 / 29

HEX #2EB51C

RGB 46 181 28

HSL 112.94, 0.73%, 0.41%

LAB 64.73, -61.6, 60.38

 

CMYK 85 / 33 / 0 / 29

HEX #1C7AB5

RGB 28 122 181

HSL 203.14, 0.73%, 0.41%

LAB 48.89, -4.88, -38.48

 

CMYK 10 / 85 / 0 / 29

HEX #A31CB5

RGB 163 28 181

HSL 292.94, 0.73%, 0.41%

LAB 41.14, 69.11, -50.2

 

Description

Color code: HEX #B3571C | qconv.com Color code: HEX #B3571C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 87 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 87 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 84 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 84% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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