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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3521E it is the complementary color #4CADE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3521E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3521E shade: #B85219, #C9642C, #DA763F, #EB8852 and #FC9A65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3521E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3521E shade: #B3521E, #A2400B, #912E00, #801C00 and #6F0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3521E shade: #B3521E, #B32A1E and #B31E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3521E shade: #B3521E, #B37A1E, #B3A21E, #9BB31E and #73B31E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3521E shade matches the following richer shades: #B3521E and #C44D0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3521E shade: #B3521E, #A2572F, #915C40, #806151 and #6F6762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3521E shade: #B31E3C, #B3281E, #B3501E, #B3771E and #B39F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3521E shade: #6C3212, #904218, #B3521E, #D66224 and #DF7A44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3521E shade: #B3521E, #64B31E and #1E28B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3521E shade: #B3521E, #1EB350 and #501EB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3521E shade: #B3521E, #64B31E, #1E81B3 and #6D1EB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3521E shade: #B3521E, #37B31E, #1E81B3 and #9A1EB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

Complementary color

CMYK 66 / 23 / 0 / 12

HEX #4CADE1

RGB 76 173 225

HSL 200.94, 0.71%, 0.59%

LAB 67.17, -12.43, -34.55

 

CMYK 0 / 55 / 86 / 28

HEX #B85219

RGB 184 82 25

HSL 21.51, 0.76%, 0.41%

LAB 47.36, 38.3, 49.82

 

CMYK 0 / 50 / 78 / 21

HEX #C9642C

RGB 201 100 44

HSL 21.4, 0.64%, 0.48%

LAB 53.72, 36.46, 48.4

 

CMYK 0 / 46 / 71 / 15

HEX #DA763F

RGB 218 118 63

HSL 21.29, 0.68%, 0.55%

LAB 60.09, 34.76, 46.6

 

CMYK 0 / 42 / 65 / 8

HEX #EB8852

RGB 235 136 82

HSL 21.18, 0.79%, 0.62%

LAB 66.43, 33.21, 44.76

 

CMYK 0 / 39 / 60 / 1

HEX #FC9A65

RGB 252 154 101

HSL 21.06, 0.96%, 0.69%

LAB 72.72, 31.81, 43

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 0 / 60 / 93 / 36

HEX #A2400B

RGB 162 64 11

HSL 21.06, 0.87%, 0.34%

LAB 40.2, 38.33, 47.64

 

CMYK 0 / 68 / 100 / 43

HEX #912E00

RGB 145 46 0

HSL 19.03, 1%, 0.28%

LAB 33.93, 40.1, 46.02

 

CMYK 0 / 78 / 100 / 50

HEX #801C00

RGB 128 28 0

HSL 13.13, 1%, 0.25%

LAB 27.9, 41.33, 40.16

 

CMYK 0 / 91 / 100 / 56

HEX #6F0A00

RGB 111 10 0

HSL 5.41, 1%, 0.22%

LAB 22.29, 41.13, 33.53

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 0 / 77 / 83 / 30

HEX #B32A1E

RGB 179 42 30

HSL 4.83, 0.71%, 0.41%

LAB 40.14, 53.7, 40.87

 

CMYK 0 / 83 / 83 / 30

HEX #B31E1E

RGB 179 30 30

HSL 0, 0.71%, 0.41%

LAB 38.91, 57.15, 39.72

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 0 / 32 / 83 / 30

HEX #B37A1E

RGB 179 122 30

HSL 37.05, 0.71%, 0.41%

LAB 55.68, 14.7, 54.83

 

CMYK 0 / 9 / 83 / 30

HEX #B3A21E

RGB 179 162 30

HSL 53.15, 0.71%, 0.41%

LAB 66.15, -7.19, 63.83

 

CMYK 13 / 0 / 83 / 30

HEX #9BB31E

RGB 155 179 30

HSL 69.66, 0.71%, 0.41%

LAB 68.97, -26.3, 65.47

 

CMYK 36 / 0 / 83 / 30

HEX #73B31E

RGB 115 179 30

HSL 85.77, 0.71%, 0.41%

LAB 66.5, -42.14, 62.36

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 0 / 61 / 93 / 23

HEX #C44D0D

RGB 196 77 13

HSL 20.98, 0.88%, 0.41%

LAB 48.35, 45.07, 55.4

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 0 / 46 / 71 / 36

HEX #A2572F

RGB 162 87 47

HSL 20.87, 0.55%, 0.41%

LAB 45.22, 27.54, 36.23

 

CMYK 0 / 37 / 56 / 43

HEX #915C40

RGB 145 92 64

HSL 20.74, 0.39%, 0.41%

LAB 44.3, 18.63, 25.02

 

CMYK 0 / 24 / 37 / 50

HEX #806151

RGB 128 97 81

HSL 20.43, 0.22%, 0.41%

LAB 43.85, 10.19, 13.98

 

CMYK 0 / 7 / 12 / 56

HEX #6F6762

RGB 111 103 98

HSL 23.08, 0.06%, 0.41%

LAB 44.18, 2.2, 3.95

 

CMYK 0 / 83 / 66 / 30

HEX #B31E3C

RGB 179 30 60

HSL 347.92, 0.71%, 0.41%

LAB 39.31, 58.36, 22.24

 

CMYK 0 / 78 / 83 / 30

HEX #B3281E

RGB 179 40 30

HSL 4.03, 0.71%, 0.41%

LAB 39.91, 54.34, 40.65

 

CMYK 0 / 55 / 83 / 30

HEX #B3501E

RGB 179 80 30

HSL 20.13, 0.71%, 0.41%

LAB 46.2, 37.47, 46.43

 

CMYK 0 / 34 / 83 / 30

HEX #B3771E

RGB 179 119 30

HSL 35.84, 0.71%, 0.41%

LAB 54.94, 16.38, 54.19

 

CMYK 0 / 11 / 83 / 30

HEX #B39F1E

RGB 179 159 30

HSL 51.95, 0.71%, 0.41%

LAB 65.34, -5.59, 63.14

 

CMYK 0 / 54 / 83 / 58

HEX #6C3212

RGB 108 50 18

HSL 21.33, 0.71%, 0.25%

LAB 28.15, 23.53, 31.07

 

CMYK 0 / 54 / 83 / 44

HEX #904218

RGB 144 66 24

HSL 21, 0.71%, 0.33%

LAB 37.65, 30.37, 39.24

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 0 / 54 / 83 / 16

HEX #D66224

RGB 214 98 36

HSL 20.9, 0.71%, 0.49%

LAB 55.24, 42.29, 54.03

 

CMYK 0 / 45 / 70 / 13

HEX #DF7A44

RGB 223 122 68

HSL 20.9, 0.71%, 0.57%

LAB 61.68, 34.93, 46.04

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 44 / 0 / 83 / 30

HEX #64B31E

RGB 100 179 30

HSL 91.81, 0.71%, 0.41%

LAB 65.78, -47.34, 61.45

 

CMYK 83 / 78 / 0 / 30

HEX #1E28B3

RGB 30 40 179

HSL 235.97, 0.71%, 0.41%

LAB 26.87, 46.68, -72.96

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 83 / 0 / 55 / 30

HEX #1EB350

RGB 30 179 80

HSL 140.13, 0.71%, 0.41%

LAB 64.24, -58.17, 39.8

 

CMYK 55 / 83 / 0 / 30

HEX #501EB3

RGB 80 30 179

HSL 260.13, 0.71%, 0.41%

LAB 29.13, 55.67, -69.1

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 44 / 0 / 83 / 30

HEX #64B31E

RGB 100 179 30

HSL 91.81, 0.71%, 0.41%

LAB 65.78, -47.34, 61.45

 

CMYK 83 / 28 / 0 / 30

HEX #1E81B3

RGB 30 129 179

HSL 200.13, 0.71%, 0.41%

LAB 50.96, -9.56, -34.07

 

CMYK 39 / 83 / 0 / 30

HEX #6D1EB3

RGB 109 30 179

HSL 271.81, 0.71%, 0.41%

LAB 32.78, 59.4, -62.98

 

CMYK 0 / 54 / 83 / 30

HEX #B3521E

RGB 179 82 30

HSL 20.94, 0.71%, 0.41%

LAB 46.59, 36.46, 46.79

 

CMYK 69 / 0 / 83 / 30

HEX #37B31E

RGB 55 179 30

HSL 109.93, 0.71%, 0.41%

LAB 64.28, -59.27, 59.53

 

CMYK 83 / 28 / 0 / 30

HEX #1E81B3

RGB 30 129 179

HSL 200.13, 0.71%, 0.41%

LAB 50.96, -9.56, -34.07

 

CMYK 14 / 83 / 0 / 30

HEX #9A1EB3

RGB 154 30 179

HSL 289.93, 0.71%, 0.41%

LAB 39.67, 66.7, -51.46

 

Description

Color code: HEX #B3521E | qconv.com Color code: HEX #B3521E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 82 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 82 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 83 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 83% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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