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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3399A it is the complementary color #4CC665. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3399A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3399A shade: #B83995, #C94BA8, #DA5DBB, #EB6FCE and #FC81E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3399A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3399A shade: #B3399A, #A22787, #911574, #800361 and #6F004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3399A shade: #B23899, #B23878, #B23857 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3399A shade: #B23899, #AA38B2, #8A38B2, #6938B2 and #4838B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3399A shade matches the following richer shades: #B23899, #C525A4 and #D812B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3399A shade: #B23899, #9F4B8E, #8C5E83, #797178 and #66846C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3399A shade: #8A38B2, #AA38B2, #B2389A, #B23879 and #B23859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3399A shade: #742463, #932E7E, #B23899, #C74DAE and #D16CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3399A shade: #B3399A, #B26938 and #38B29A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3399A shade: #B3399A, #9AB238 and #389AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3399A shade: #B3399A, #B26938, #38B251 and #3881B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3399A shade: #B3399A, #B28E38, #38B251 and #385DB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 14 / 30

HEX #B3399A

RGB 179 57 154

HSL 312.3, 0.52%, 0.46%

LAB 45.42, 59.37, -27.18

 

Complementary color

CMYK 62 / 0 / 49 / 22

HEX #4CC665

RGB 76 198 101

HSL 132.3, 0.52%, 0.54%

LAB 71.46, -54.41, 38.57

 

CMYK 0 / 69 / 19 / 28

HEX #B83995

RGB 184 57 149

HSL 316.54, 0.53%, 0.47%

LAB 46.02, 59.93, -23.17

 

CMYK 0 / 63 / 16 / 21

HEX #C94BA8

RGB 201 75 168

HSL 315.71, 0.54%, 0.54%

LAB 52.15, 60.04, -24.76

 

CMYK 0 / 57 / 14 / 15

HEX #DA5DBB

RGB 218 93 187

HSL 314.88, 0.63%, 0.61%

LAB 58.34, 59.79, -26.01

 

CMYK 0 / 53 / 12 / 8

HEX #EB6FCE

RGB 235 111 206

HSL 314.03, 0.76%, 0.68%

LAB 64.55, 59.32, -27.03

 

CMYK 0 / 49 / 11 / 1

HEX #FC81E1

RGB 252 129 225

HSL 313.17, 0.95%, 0.75%

LAB 70.76, 58.72, -27.88

 

CMYK 0 / 68 / 14 / 30

HEX #B3399A

RGB 179 57 154

HSL 312.3, 0.52%, 0.46%

LAB 45.42, 59.37, -27.18

 

CMYK 0 / 76 / 17 / 36

HEX #A22787

RGB 162 39 135

HSL 313.17, 0.61%, 0.39%

LAB 39.38, 58.68, -25.28

 

CMYK 0 / 86 / 20 / 43

HEX #911574

RGB 145 21 116

HSL 314.03, 0.75%, 0.33%

LAB 33.6, 57, -22.68

 

CMYK 0 / 98 / 24 / 50

HEX #800361

RGB 128 3 97

HSL 314.88, 0.95%, 0.26%

LAB 28.16, 53.99, -19.19

 

CMYK 0 / 100 / 30 / 56

HEX #6F004E

RGB 111 0 78

HSL 317.84, 1%, 0.22%

LAB 23.44, 48.5, -14.16

 

CMYK 0 / 69 / 14 / 30

HEX #B23899

RGB 178 56 153

HSL 312.3, 0.52%, 0.46%

LAB 45.07, 59.34, -27.13

 

CMYK 0 / 69 / 33 / 30

HEX #B23878

RGB 178 56 120

HSL 328.52, 0.52%, 0.46%

LAB 43.73, 54.88, -9.14

 

CMYK 0 / 69 / 51 / 30

HEX #B23857

RGB 178 56 87

HSL 344.75, 0.52%, 0.46%

LAB 42.74, 51.46, 9.88

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 69 / 14 / 30

HEX #B23899

RGB 178 56 153

HSL 312.3, 0.52%, 0.46%

LAB 45.07, 59.34, -27.13

 

CMYK 4 / 69 / 0 / 30

HEX #AA38B2

RGB 170 56 178

HSL 296.07, 0.52%, 0.46%

LAB 45.07, 61.48, -42.09

 

CMYK 22 / 69 / 0 / 30

HEX #8A38B2

RGB 138 56 178

HSL 280.33, 0.52%, 0.46%

LAB 40.32, 54.29, -49.94

 

CMYK 41 / 69 / 0 / 30

HEX #6938B2

RGB 105 56 178

HSL 264.1, 0.52%, 0.46%

LAB 36.07, 47.4, -57.02

 

CMYK 60 / 69 / 0 / 30

HEX #4838B2

RGB 72 56 178

HSL 247.87, 0.52%, 0.46%

LAB 32.75, 41.57, -62.59

 

CMYK 0 / 69 / 14 / 30

HEX #B23899

RGB 178 56 153

HSL 312.3, 0.52%, 0.46%

LAB 45.07, 59.34, -27.13

 

CMYK 0 / 81 / 17 / 23

HEX #C525A4

RGB 197 37 164

HSL 312.38, 0.68%, 0.46%

LAB 46.81, 71.17, -30.75

 

CMYK 0 / 92 / 19 / 15

HEX #D812B0

RGB 216 18 176

HSL 312.12, 0.85%, 0.46%

LAB 49.7, 79.83, -33.08

 

CMYK 0 / 69 / 14 / 30

HEX #B23899

RGB 178 56 153

HSL 312.3, 0.52%, 0.46%

LAB 45.07, 59.34, -27.13

 

CMYK 0 / 53 / 11 / 38

HEX #9F4B8E

RGB 159 75 142

HSL 312.14, 0.36%, 0.46%

LAB 44.74, 43.77, -21.27

 

CMYK 0 / 33 / 6 / 45

HEX #8C5E83

RGB 140 94 131

HSL 311.74, 0.2%, 0.46%

LAB 45.93, 24.96, -13.04

 

CMYK 0 / 7 / 1 / 53

HEX #797178

RGB 121 113 120

HSL 307.5, 0.03%, 0.46%

LAB 48.55, 4.47, -2.75

 

CMYK 23 / 0 / 18 / 48

HEX #66846C

RGB 102 132 108

HSL 132, 0.13%, 0.46%

LAB 52.3, -15.82, 9.51

 

CMYK 22 / 69 / 0 / 30

HEX #8A38B2

RGB 138 56 178

HSL 280.33, 0.52%, 0.46%

LAB 40.32, 54.29, -49.94

 

CMYK 4 / 69 / 0 / 30

HEX #AA38B2

RGB 170 56 178

HSL 296.07, 0.52%, 0.46%

LAB 45.07, 61.48, -42.09

 

CMYK 0 / 69 / 13 / 30

HEX #B2389A

RGB 178 56 154

HSL 311.8, 0.52%, 0.46%

LAB 45.12, 59.49, -27.66

 

CMYK 0 / 69 / 32 / 30

HEX #B23879

RGB 178 56 121

HSL 328.03, 0.52%, 0.46%

LAB 43.76, 55, -9.71

 

CMYK 0 / 69 / 50 / 30

HEX #B23859

RGB 178 56 89

HSL 343.77, 0.52%, 0.46%

LAB 42.79, 51.63, 8.7

 

CMYK 0 / 69 / 15 / 55

HEX #742463

RGB 116 36 99

HSL 312.75, 0.53%, 0.3%

LAB 29.1, 42.33, -19.21

 

CMYK 0 / 69 / 14 / 42

HEX #932E7E

RGB 147 46 126

HSL 312.48, 0.52%, 0.38%

LAB 37.23, 51.02, -23.26

 

CMYK 0 / 69 / 14 / 30

HEX #B23899

RGB 178 56 153

HSL 312.3, 0.52%, 0.46%

LAB 45.07, 59.34, -27.13

 

CMYK 0 / 61 / 13 / 22

HEX #C74DAE

RGB 199 77 174

HSL 312.3, 0.52%, 0.54%

LAB 52.4, 59.56, -27.9

 

CMYK 0 / 48 / 10 / 18

HEX #D16CBC

RGB 209 108 188

HSL 312.48, 0.52%, 0.62%

LAB 59.81, 50.21, -24.43

 

CMYK 0 / 68 / 14 / 30

HEX #B3399A

RGB 179 57 154

HSL 312.3, 0.52%, 0.46%

LAB 45.42, 59.37, -27.18

 

CMYK 0 / 41 / 69 / 30

HEX #B26938

RGB 178 105 56

HSL 24.1, 0.52%, 0.46%

LAB 51.67, 24.89, 39.31

 

CMYK 69 / 0 / 13 / 30

HEX #38B29A

RGB 56 178 154

HSL 168.2, 0.52%, 0.46%

LAB 65.76, -39.11, 2.54

 

CMYK 0 / 68 / 14 / 30

HEX #B3399A

RGB 179 57 154

HSL 312.3, 0.52%, 0.46%

LAB 45.42, 59.37, -27.18

 

CMYK 13 / 0 / 69 / 30

HEX #9AB238

RGB 154 178 56

HSL 71.8, 0.52%, 0.46%

LAB 68.75, -25.01, 56.83

 

CMYK 69 / 13 / 0 / 30

HEX #389AB2

RGB 56 154 178

HSL 191.8, 0.52%, 0.46%

LAB 59.13, -20.49, -20.81

 

CMYK 0 / 68 / 14 / 30

HEX #B3399A

RGB 179 57 154

HSL 312.3, 0.52%, 0.46%

LAB 45.42, 59.37, -27.18

 

CMYK 0 / 41 / 69 / 30

HEX #B26938

RGB 178 105 56

HSL 24.1, 0.52%, 0.46%

LAB 51.67, 24.89, 39.31

 

CMYK 69 / 0 / 54 / 30

HEX #38B251

RGB 56 178 81

HSL 132.3, 0.52%, 0.46%

LAB 64.38, -53.94, 39.6

 

CMYK 69 / 28 / 0 / 30

HEX #3881B2

RGB 56 129 178

HSL 204.1, 0.52%, 0.46%

LAB 51.56, -6.67, -32.5

 

CMYK 0 / 68 / 14 / 30

HEX #B3399A

RGB 179 57 154

HSL 312.3, 0.52%, 0.46%

LAB 45.42, 59.37, -27.18

 

CMYK 0 / 20 / 69 / 30

HEX #B28E38

RGB 178 142 56

HSL 42.3, 0.52%, 0.46%

LAB 60.87, 4.3, 49.32

 

CMYK 69 / 0 / 54 / 30

HEX #38B251

RGB 56 178 81

HSL 132.3, 0.52%, 0.46%

LAB 64.38, -53.94, 39.6

 

CMYK 69 / 48 / 0 / 30

HEX #385DB2

RGB 56 93 178

HSL 221.8, 0.52%, 0.46%

LAB 41.03, 15.58, -49.19

 

Description

Color code: HEX #B3399A | qconv.com Color code: HEX #B3399A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 57 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 57 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 14 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 14% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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