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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3340F it is the complementary color #4CCBF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3340F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3340F shade: #B8340A, #C9461D, #DA5830, #EB6A43 and #FC7C56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3340F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3340F shade: #B3340F, #A22200, #911000, #800000 and #6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3340F shade: #B3340F and #B30F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3340F shade: #B3340F, #B3600F, #B38D0F, #AEB30F and #81B30F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3340F shade matches the following richer shades: #B3340F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3340F shade: #B3340F, #A43C1E, #94452E, #844E3E and #75564D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3340F shade: #B30F43, #B30F17, #B3320F, #B35E0F and #B38A0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3340F shade: #671E08, #8D290B, #B3340F, #D93F12 and #ED5427

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3340F shade: #B3340F, #6FB30F and #0F2DB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3340F shade: #B3340F, #0FB332 and #320FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3340F shade: #B3340F, #6FB30F, #0F90B3 and #530FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3340F shade: #B3340F, #3DB30F, #0F90B3 and #850FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

Complementary color

CMYK 68 / 15 / 0 / 6

HEX #4CCBF0

RGB 76 203 240

HSL 193.54, 0.85%, 0.62%

LAB 76.4, -23.38, -28.44

 

CMYK 0 / 72 / 95 / 28

HEX #B8340A

RGB 184 52 10

HSL 14.48, 0.9%, 0.38%

LAB 42.26, 51.39, 51.23

 

CMYK 0 / 65 / 86 / 21

HEX #C9461D

RGB 201 70 29

HSL 14.3, 0.75%, 0.45%

LAB 48.12, 50.27, 49.97

 

CMYK 0 / 60 / 78 / 15

HEX #DA5830

RGB 218 88 48

HSL 14.12, 0.7%, 0.52%

LAB 54.13, 48.91, 47.77

 

CMYK 0 / 55 / 71 / 8

HEX #EB6A43

RGB 235 106 67

HSL 13.93, 0.81%, 0.59%

LAB 60.23, 47.46, 45.43

 

CMYK 0 / 51 / 66 / 1

HEX #FC7C56

RGB 252 124 86

HSL 13.73, 0.97%, 0.66%

LAB 66.35, 46.03, 43.19

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 0 / 79 / 100 / 36

HEX #A22200

RGB 162 34 0

HSL 12.59, 1%, 0.32%

LAB 35.65, 50.4, 48.76

 

CMYK 0 / 89 / 100 / 43

HEX #911000

RGB 145 16 0

HSL 6.62, 1%, 0.28%

LAB 30.38, 49.97, 43.67

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 0 / 92 / 92 / 30

HEX #B30F0F

RGB 179 15 15

HSL 0, 0.85%, 0.38%

LAB 37.77, 59.8, 46.07

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 0 / 46 / 92 / 30

HEX #B3600F

RGB 179 96 15

HSL 29.63, 0.85%, 0.38%

LAB 49.48, 28.72, 54.44

 

CMYK 0 / 21 / 92 / 30

HEX #B38D0F

RGB 179 141 15

HSL 46.1, 0.85%, 0.38%

LAB 60.49, 3.8, 62.73

 

CMYK 3 / 0 / 92 / 30

HEX #AEB30F

RGB 174 179 15

HSL 61.83, 0.85%, 0.38%

LAB 70.37, -18.52, 70.17

 

CMYK 28 / 0 / 92 / 30

HEX #81B30F

RGB 129 179 15

HSL 78.29, 0.85%, 0.38%

LAB 67.23, -37.3, 66.35

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 0 / 63 / 82 / 36

HEX #A43C1E

RGB 164 60 30

HSL 13.43, 0.69%, 0.38%

LAB 39.95, 41.45, 39.69

 

CMYK 0 / 53 / 69 / 42

HEX #94452E

RGB 148 69 46

HSL 13.53, 0.53%, 0.38%

LAB 39.16, 31.46, 29.29

 

CMYK 0 / 41 / 53 / 48

HEX #844E3E

RGB 132 78 62

HSL 13.71, 0.36%, 0.38%

LAB 39.07, 20.95, 19.14

 

CMYK 0 / 26 / 34 / 54

HEX #75564D

RGB 117 86 77

HSL 13.5, 0.21%, 0.38%

LAB 39.54, 11.48, 10.25

 

CMYK 0 / 92 / 63 / 30

HEX #B30F43

RGB 179 15 67

HSL 340.98, 0.85%, 0.38%

LAB 38.43, 61.66, 16.64

 

CMYK 0 / 92 / 87 / 30

HEX #B30F17

RGB 179 15 23

HSL 357.07, 0.85%, 0.38%

LAB 37.82, 59.94, 42.4

 

CMYK 0 / 72 / 92 / 30

HEX #B3320F

RGB 179 50 15

HSL 12.8, 0.85%, 0.38%

LAB 41.06, 50.56, 48.34

 

CMYK 0 / 47 / 92 / 30

HEX #B35E0F

RGB 179 94 15

HSL 28.9, 0.85%, 0.38%

LAB 49.04, 29.79, 54.11

 

CMYK 0 / 23 / 92 / 30

HEX #B38A0F

RGB 179 138 15

HSL 45, 0.85%, 0.38%

LAB 59.7, 5.45, 62.13

 

CMYK 0 / 71 / 92 / 60

HEX #671E08

RGB 103 30 8

HSL 13.89, 0.86%, 0.22%

LAB 23.1, 31.67, 30.57

 

CMYK 0 / 71 / 92 / 45

HEX #8D290B

RGB 141 41 11

HSL 13.85, 0.86%, 0.3%

LAB 32.42, 40.99, 40.29

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 0 / 71 / 92 / 15

HEX #D93F12

RGB 217 63 18

HSL 13.57, 0.85%, 0.46%

LAB 49.92, 58.19, 56.76

 

CMYK 0 / 65 / 84 / 7

HEX #ED5427

RGB 237 84 39

HSL 13.64, 0.85%, 0.54%

LAB 56.58, 57, 55.38

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 38 / 0 / 92 / 30

HEX #6FB30F

RGB 111 179 15

HSL 84.88, 0.85%, 0.38%

LAB 66.25, -44.05, 65.15

 

CMYK 92 / 75 / 0 / 30

HEX #0F2DB3

RGB 15 45 179

HSL 229.02, 0.85%, 0.38%

LAB 27.39, 43.15, -72.12

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 92 / 0 / 72 / 30

HEX #0FB332

RGB 15 179 50

HSL 132.8, 0.85%, 0.38%

LAB 63.81, -62.9, 52.42

 

CMYK 72 / 92 / 0 / 30

HEX #320FB3

RGB 50 15 179

HSL 252.8, 0.85%, 0.38%

LAB 24.56, 58.22, -76.77

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 38 / 0 / 92 / 30

HEX #6FB30F

RGB 111 179 15

HSL 84.88, 0.85%, 0.38%

LAB 66.25, -44.05, 65.15

 

CMYK 92 / 20 / 0 / 30

HEX #0F90B3

RGB 15 144 179

HSL 192.8, 0.85%, 0.38%

LAB 55.38, -18.93, -27.19

 

CMYK 54 / 92 / 0 / 30

HEX #530FB3

RGB 83 15 179

HSL 264.88, 0.85%, 0.38%

LAB 27.94, 60.56, -71.06

 

CMYK 0 / 71 / 92 / 30

HEX #B3340F

RGB 179 52 15

HSL 13.54, 0.85%, 0.38%

LAB 41.33, 49.79, 48.54

 

CMYK 66 / 0 / 92 / 30

HEX #3DB30F

RGB 61 179 15

HSL 103.17, 0.85%, 0.38%

LAB 64.38, -58.62, 62.82

 

CMYK 92 / 20 / 0 / 30

HEX #0F90B3

RGB 15 144 179

HSL 192.8, 0.85%, 0.38%

LAB 55.38, -18.93, -27.19

 

CMYK 26 / 92 / 0 / 30

HEX #850FB3

RGB 133 15 179

HSL 283.17, 0.85%, 0.38%

LAB 35.17, 66.47, -58.92

 

Description

Color code: HEX #B3340F | qconv.com Color code: HEX #B3340F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 52 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 52 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 92 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 92% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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