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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3335B it is the complementary color #4CCCA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3335B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3335B shade: #B83356, #C94569, #DA577C, #EB698F and #FC7BA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3335B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3335B shade: #B3335B, #A22148, #910F35, #800022 and #6F000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3335B shade: #B3325B, #B33238 and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3335B shade: #B3325B, #B3327D, #B332A0, #A332B3 and #8132B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3335B shade matches the following richer shades: #B3325B, #C62054 and #D80D4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3335B shade: #B3325B, #A04562, #8E5869, #7B6A70 and #697D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3335B shade: #B332A0, #B3327D, #B3325B, #B33239 and #B34E32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3335B shade: #73203A, #93294A, #B3325B, #CA446E and #D36587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3335B shade: #B3335B, #B3A432 and #328FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3335B shade: #B3335B, #5BB332 and #325BB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3335B shade: #B3335B, #B3A432, #32B38A and #3241B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3335B shade: #B3335B, #9BB332, #32B38A and #4A32B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 49 / 30

HEX #B3335B

RGB 179 51 91

HSL 341.25, 0.56%, 0.45%

LAB 42.32, 54.05, 6.82

 

Complementary color

CMYK 63 / 0 / 20 / 20

HEX #4CCCA4

RGB 76 204 164

HSL 161.25, 0.56%, 0.55%

LAB 74.45, -44.67, 9.64

 

CMYK 0 / 72 / 53 / 28

HEX #B83356

RGB 184 51 86

HSL 344.21, 0.57%, 0.46%

LAB 43.11, 55.13, 11.18

 

CMYK 0 / 66 / 48 / 21

HEX #C94569

RGB 201 69 105

HSL 343.64, 0.55%, 0.53%

LAB 49.12, 55, 8.38

 

CMYK 0 / 60 / 43 / 15

HEX #DA577C

RGB 218 87 124

HSL 343.05, 0.64%, 0.6%

LAB 55.25, 54.5, 6.12

 

CMYK 0 / 55 / 39 / 8

HEX #EB698F

RGB 235 105 143

HSL 342.46, 0.76%, 0.67%

LAB 61.44, 53.8, 4.25

 

CMYK 0 / 51 / 36 / 1

HEX #FC7BA2

RGB 252 123 162

HSL 341.86, 0.96%, 0.74%

LAB 67.63, 53.01, 2.66

 

CMYK 0 / 72 / 49 / 30

HEX #B3335B

RGB 179 51 91

HSL 341.25, 0.56%, 0.45%

LAB 42.32, 54.05, 6.82

 

CMYK 0 / 80 / 56 / 36

HEX #A22148

RGB 162 33 72

HSL 341.86, 0.66%, 0.38%

LAB 36.44, 53.54, 10.14

 

CMYK 0 / 90 / 63 / 43

HEX #910F35

RGB 145 15 53

HSL 342.46, 0.81%, 0.31%

LAB 30.92, 51.95, 14.48

 

CMYK 0 / 100 / 73 / 50

HEX #800022

RGB 128 0 34

HSL 344.06, 1%, 0.25%

LAB 25.88, 48.99, 19.99

 

CMYK 0 / 100 / 86 / 56

HEX #6F000F

RGB 111 0 15

HSL 351.89, 1%, 0.22%

LAB 21.63, 43.74, 26.41

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 72 / 69 / 30

HEX #B33238

RGB 179 50 56

HSL 357.21, 0.56%, 0.45%

LAB 41.45, 51.94, 27.4

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 72 / 30 / 30

HEX #B3327D

RGB 179 50 125

HSL 325.12, 0.56%, 0.45%

LAB 43.28, 58, -12.87

 

CMYK 0 / 72 / 11 / 30

HEX #B332A0

RGB 179 50 160

HSL 308.84, 0.56%, 0.45%

LAB 44.81, 62.8, -31.73

 

CMYK 9 / 72 / 0 / 30

HEX #A332B3

RGB 163 50 179

HSL 292.56, 0.56%, 0.45%

LAB 43.25, 62.33, -45.64

 

CMYK 28 / 72 / 0 / 30

HEX #8132B3

RGB 129 50 179

HSL 276.74, 0.56%, 0.45%

LAB 38.2, 55.24, -54.02

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 84 / 58 / 22

HEX #C62054

RGB 198 32 84

HSL 341.2, 0.72%, 0.45%

LAB 43.77, 64.46, 13.76

 

CMYK 0 / 94 / 64 / 15

HEX #D80D4D

RGB 216 13 77

HSL 341.08, 0.89%, 0.45%

LAB 46.21, 71.55, 22.02

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 57 / 39 / 37

HEX #A04562

RGB 160 69 98

HSL 340.88, 0.4%, 0.45%

LAB 42.17, 40.74, 1.82

 

CMYK 0 / 38 / 26 / 44

HEX #8E5869

RGB 142 88 105

HSL 341.11, 0.23%, 0.45%

LAB 43.87, 24.71, -0.32

 

CMYK 0 / 14 / 9 / 52

HEX #7B6A70

RGB 123 106 112

HSL 338.82, 0.07%, 0.45%

LAB 46.56, 7.82, -0.87

 

CMYK 16 / 0 / 5 / 51

HEX #697D77

RGB 105 125 119

HSL 162, 0.09%, 0.45%

LAB 50.69, -8.59, 0.82

 

CMYK 0 / 72 / 11 / 30

HEX #B332A0

RGB 179 50 160

HSL 308.84, 0.56%, 0.45%

LAB 44.81, 62.8, -31.73

 

CMYK 0 / 72 / 30 / 30

HEX #B3327D

RGB 179 50 125

HSL 325.12, 0.56%, 0.45%

LAB 43.28, 58, -12.87

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 72 / 68 / 30

HEX #B33239

RGB 179 50 57

HSL 356.74, 0.56%, 0.45%

LAB 41.47, 51.99, 26.81

 

CMYK 0 / 56 / 72 / 30

HEX #B34E32

RGB 179 78 50

HSL 13.02, 0.56%, 0.45%

LAB 45.99, 39.28, 36.18

 

CMYK 0 / 72 / 50 / 55

HEX #73203A

RGB 115 32 58

HSL 341.2, 0.56%, 0.29%

LAB 26.69, 38.28, 4.32

 

CMYK 0 / 72 / 50 / 42

HEX #93294A

RGB 147 41 74

HSL 341.32, 0.56%, 0.37%

LAB 34.57, 46.49, 5.8

 

CMYK 0 / 72 / 49 / 30

HEX #B3325B

RGB 179 50 91

HSL 340.93, 0.56%, 0.45%

LAB 42.19, 54.42, 6.63

 

CMYK 0 / 66 / 46 / 21

HEX #CA446E

RGB 202 68 110

HSL 341.19, 0.56%, 0.53%

LAB 49.27, 56.18, 5.59

 

CMYK 0 / 52 / 36 / 17

HEX #D36587

RGB 211 101 135

HSL 341.45, 0.56%, 0.61%

LAB 56.98, 46.81, 2.01

 

CMYK 0 / 72 / 49 / 30

HEX #B3335B

RGB 179 51 91

HSL 341.25, 0.56%, 0.45%

LAB 42.32, 54.05, 6.82

 

CMYK 0 / 8 / 72 / 30

HEX #B3A432

RGB 179 164 50

HSL 53.02, 0.56%, 0.45%

LAB 66.8, -7.46, 57.86

 

CMYK 72 / 20 / 0 / 30

HEX #328FB3

RGB 50 143 179

HSL 196.74, 0.56%, 0.45%

LAB 55.66, -15.14, -26.71

 

CMYK 0 / 72 / 49 / 30

HEX #B3335B

RGB 179 51 91

HSL 341.25, 0.56%, 0.45%

LAB 42.32, 54.05, 6.82

 

CMYK 49 / 0 / 72 / 30

HEX #5BB332

RGB 91 179 50

HSL 100.93, 0.56%, 0.45%

LAB 65.51, -49.02, 54.7

 

CMYK 72 / 49 / 0 / 30

HEX #325BB3

RGB 50 91 179

HSL 220.93, 0.56%, 0.45%

LAB 40.27, 16.34, -51.02

 

CMYK 0 / 72 / 49 / 30

HEX #B3335B

RGB 179 51 91

HSL 341.25, 0.56%, 0.45%

LAB 42.32, 54.05, 6.82

 

CMYK 0 / 8 / 72 / 30

HEX #B3A432

RGB 179 164 50

HSL 53.02, 0.56%, 0.45%

LAB 66.8, -7.46, 57.86

 

CMYK 72 / 0 / 23 / 30

HEX #32B38A

RGB 50 179 138

HSL 160.93, 0.56%, 0.45%

LAB 65.56, -44.43, 11.06

 

CMYK 72 / 64 / 0 / 30

HEX #3241B3

RGB 50 65 179

HSL 233.02, 0.56%, 0.45%

LAB 33.38, 33.33, -62.21

 

CMYK 0 / 72 / 49 / 30

HEX #B3335B

RGB 179 51 91

HSL 341.25, 0.56%, 0.45%

LAB 42.32, 54.05, 6.82

 

CMYK 13 / 0 / 72 / 30

HEX #9BB332

RGB 155 179 50

HSL 71.16, 0.56%, 0.45%

LAB 69.07, -25.44, 59.43

 

CMYK 72 / 0 / 23 / 30

HEX #32B38A

RGB 50 179 138

HSL 160.93, 0.56%, 0.45%

LAB 65.56, -44.43, 11.06

 

CMYK 59 / 72 / 0 / 30

HEX #4A32B3

RGB 74 50 179

HSL 251.16, 0.56%, 0.45%

LAB 31.79, 45.55, -64.75

 

Description

Color code: HEX #B3335B | qconv.com Color code: HEX #B3335B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 51 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 51 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 49 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 49% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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