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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B32EEE it is the complementary color #4CD111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B32EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B32EEE shade: #B82EE9, #C940FC, #DA52FF, #EB64FF and #FC76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B32EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B32EEE shade: #B32EEE, #A21CDB, #910AC8, #8000B5 and #6F00A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B32EEE shade: #B42FEE, #E72FEE, #EE2FC2, #EE2F8E and #EE2F5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B32EEE shade: #B42FEE, #802FEE, #4D2FEE and #2F2FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B32EEE shade matches the following richer shades: #B42FEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B32EEE shade: #B42FEE, #AD42DC, #A654CA, #9F66B8 and #9878A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B32EEE shade: #4C2FEE, #7F2FEE, #B22FEE, #E52FEE and #EE2FC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B32EEE shade: #870FBC, #A212E2, #B42FEE, #C156F1 and #CF7CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B32EEE shade: #B32EEE, #EE2F46 and #2FEE65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B32EEE shade: #B32EEE, #EEB22F and #2FEEB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B32EEE shade: #B32EEE, #EE2F46, #6CEE2F and #2FEED8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B32EEE shade: #B32EEE, #EE522F, #6CEE2F and #2FCBEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 81 / 0 / 7

HEX #B32EEE

RGB 179 46 238

HSL 281.56, 0.85%, 0.56%

LAB 49.14, 77.59, -69.99

 

Complementary color

CMYK 64 / 0 / 92 / 18

HEX #4CD111

RGB 76 209 17

HSL 101.56, 0.85%, 0.44%

LAB 74.3, -65.16, 70.99

 

CMYK 21 / 80 / 0 / 9

HEX #B82EE9

RGB 184 46 233

HSL 284.28, 0.81%, 0.55%

LAB 49.53, 77.46, -66.51

 

CMYK 20 / 75 / 0 / 1

HEX #C940FC

RGB 201 64 252

HSL 283.72, 0.97%, 0.62%

LAB 55.19, 78.45, -67.88

 

CMYK 15 / 68 / 0 / 0

HEX #DA52FF

RGB 218 82 255

HSL 287.17, 1%, 0.66%

LAB 60.03, 75.85, -61.62

 

CMYK 8 / 61 / 0 / 0

HEX #EB64FF

RGB 235 100 255

HSL 292.26, 1%, 0.7%

LAB 64.96, 72.36, -53.63

 

CMYK 1 / 54 / 0 / 0

HEX #FC76FF

RGB 252 118 255

HSL 298.69, 1%, 0.73%

LAB 70.09, 68.71, -45.39

 

CMYK 25 / 81 / 0 / 7

HEX #B32EEE

RGB 179 46 238

HSL 281.56, 0.85%, 0.56%

LAB 49.14, 77.59, -69.99

 

CMYK 26 / 87 / 0 / 14

HEX #A21CDB

RGB 162 28 219

HSL 282.09, 0.77%, 0.48%

LAB 43.69, 75.8, -68.18

 

CMYK 28 / 95 / 0 / 22

HEX #910AC8

RGB 145 10 200

HSL 282.63, 0.9%, 0.41%

LAB 38.56, 72.79, -65.67

 

CMYK 29 / 100 / 0 / 29

HEX #8000B5

RGB 128 0 181

HSL 282.43, 1%, 0.35%

LAB 33.83, 68.27, -62.33

 

CMYK 31 / 100 / 0 / 36

HEX #6F00A2

RGB 111 0 162

HSL 281.11, 1%, 0.32%

LAB 29.38, 62.51, -58.3

 

CMYK 24 / 80 / 0 / 7

HEX #B42FEE

RGB 180 47 238

HSL 281.78, 0.85%, 0.56%

LAB 49.39, 77.47, -69.59

 

CMYK 3 / 80 / 0 / 7

HEX #E72FEE

RGB 231 47 238

HSL 297.8, 0.85%, 0.56%

LAB 57.26, 86.22, -56.49

 

CMYK 0 / 80 / 18 / 7

HEX #EE2FC2

RGB 238 47 194

HSL 313.82, 0.85%, 0.56%

LAB 56.19, 81.43, -33.12

 

CMYK 0 / 80 / 40 / 7

HEX #EE2F8E

RGB 238 47 142

HSL 330.16, 0.85%, 0.56%

LAB 54.2, 75.69, -5.69

 

CMYK 0 / 80 / 62 / 7

HEX #EE2F5B

RGB 238 47 91

HSL 346.18, 0.85%, 0.56%

LAB 52.91, 71.84, 23.1

 

CMYK 24 / 80 / 0 / 7

HEX #B42FEE

RGB 180 47 238

HSL 281.78, 0.85%, 0.56%

LAB 49.39, 77.47, -69.59

 

CMYK 46 / 80 / 0 / 7

HEX #802FEE

RGB 128 47 238

HSL 265.45, 0.85%, 0.56%

LAB 42.45, 69.9, -81.2

 

CMYK 68 / 80 / 0 / 7

HEX #4D2FEE

RGB 77 47 238

HSL 249.42, 0.85%, 0.56%

LAB 37.45, 64.55, -89.62

 

CMYK 80 / 80 / 0 / 7

HEX #2F2FEE

RGB 47 47 238

HSL 240, 0.85%, 0.56%

LAB 35.62, 62.62, -92.72

 

CMYK 24 / 80 / 0 / 7

HEX #B42FEE

RGB 180 47 238

HSL 281.78, 0.85%, 0.56%

LAB 49.39, 77.47, -69.59

 

CMYK 24 / 80 / 0 / 7

HEX #B42FEE

RGB 180 47 238

HSL 281.78, 0.85%, 0.56%

LAB 49.39, 77.47, -69.59

 

CMYK 21 / 70 / 0 / 14

HEX #AD42DC

RGB 173 66 220

HSL 281.69, 0.69%, 0.56%

LAB 49.43, 66.16, -59.37

 

CMYK 18 / 58 / 0 / 21

HEX #A654CA

RGB 166 84 202

HSL 281.69, 0.53%, 0.56%

LAB 50.35, 52.76, -47.67

 

CMYK 14 / 45 / 0 / 28

HEX #9F66B8

RGB 159 102 184

HSL 281.71, 0.37%, 0.56%

LAB 52.21, 37.48, -34.41

 

CMYK 8 / 28 / 0 / 35

HEX #9878A6

RGB 152 120 166

HSL 281.74, 0.21%, 0.56%

LAB 54.93, 21.11, -19.85

 

CMYK 68 / 80 / 0 / 7

HEX #4C2FEE

RGB 76 47 238

HSL 249.11, 0.85%, 0.56%

LAB 37.38, 64.47, -89.75

 

CMYK 47 / 80 / 0 / 7

HEX #7F2FEE

RGB 127 47 238

HSL 265.13, 0.85%, 0.56%

LAB 42.34, 69.77, -81.4

 

CMYK 25 / 80 / 0 / 7

HEX #B22FEE

RGB 178 47 238

HSL 281.15, 0.85%, 0.56%

LAB 49.09, 77.15, -70.07

 

CMYK 4 / 80 / 0 / 7

HEX #E52FEE

RGB 229 47 238

HSL 297.17, 0.85%, 0.56%

LAB 56.94, 85.86, -57.02

 

CMYK 0 / 80 / 17 / 7

HEX #EE2FC5

RGB 238 47 197

HSL 312.88, 0.85%, 0.56%

LAB 56.33, 81.81, -34.63

 

CMYK 28 / 92 / 0 / 26

HEX #870FBC

RGB 135 15 188

HSL 281.62, 0.85%, 0.4%

LAB 36.22, 68.49, -62.52

 

CMYK 28 / 92 / 0 / 11

HEX #A212E2

RGB 162 18 226

HSL 281.54, 0.85%, 0.48%

LAB 43.66, 78.84, -72.23

 

CMYK 24 / 80 / 0 / 7

HEX #B42FEE

RGB 180 47 238

HSL 281.78, 0.85%, 0.56%

LAB 49.39, 77.47, -69.59

 

CMYK 20 / 64 / 0 / 5

HEX #C156F1

RGB 193 86 241

HSL 281.42, 0.85%, 0.64%

LAB 56.43, 66.2, -59.81

 

CMYK 15 / 49 / 0 / 4

HEX #CF7CF4

RGB 207 124 244

HSL 281.5, 0.85%, 0.72%

LAB 65.13, 51.95, -47.53

 

CMYK 25 / 81 / 0 / 7

HEX #B32EEE

RGB 179 46 238

HSL 281.56, 0.85%, 0.56%

LAB 49.14, 77.59, -69.99

 

CMYK 0 / 80 / 71 / 7

HEX #EE2F46

RGB 238 47 70

HSL 352.77, 0.85%, 0.56%

LAB 52.57, 70.79, 35.12

 

CMYK 80 / 0 / 58 / 7

HEX #2FEE65

RGB 47 238 101

HSL 136.96, 0.85%, 0.56%

LAB 83.28, -72.66, 52.73

 

CMYK 25 / 81 / 0 / 7

HEX #B32EEE

RGB 179 46 238

HSL 281.56, 0.85%, 0.56%

LAB 49.14, 77.59, -69.99

 

CMYK 0 / 25 / 80 / 7

HEX #EEB22F

RGB 238 178 47

HSL 41.15, 0.85%, 0.56%

LAB 76.21, 10.69, 69.78

 

CMYK 80 / 0 / 25 / 7

HEX #2FEEB2

RGB 47 238 178

HSL 161.15, 0.85%, 0.56%

LAB 84.47, -59.03, 16.33

 

CMYK 25 / 81 / 0 / 7

HEX #B32EEE

RGB 179 46 238

HSL 281.56, 0.85%, 0.56%

LAB 49.14, 77.59, -69.99

 

CMYK 0 / 80 / 71 / 7

HEX #EE2F46

RGB 238 47 70

HSL 352.77, 0.85%, 0.56%

LAB 52.57, 70.79, 35.12

 

CMYK 55 / 0 / 80 / 7

HEX #6CEE2F

RGB 108 238 47

HSL 100.84, 0.85%, 0.56%

LAB 84.25, -66.13, 73.9

 

CMYK 80 / 0 / 9 / 7

HEX #2FEED8

RGB 47 238 216

HSL 173.09, 0.85%, 0.56%

LAB 85.36, -49.68, -2.28

 

CMYK 25 / 81 / 0 / 7

HEX #B32EEE

RGB 179 46 238

HSL 281.56, 0.85%, 0.56%

LAB 49.14, 77.59, -69.99

 

CMYK 0 / 66 / 80 / 7

HEX #EE522F

RGB 238 82 47

HSL 10.99, 0.85%, 0.56%

LAB 56.5, 58.37, 51.72

 

CMYK 55 / 0 / 80 / 7

HEX #6CEE2F

RGB 108 238 47

HSL 100.84, 0.85%, 0.56%

LAB 84.25, -66.13, 73.9

 

CMYK 80 / 15 / 0 / 7

HEX #2FCBEE

RGB 47 203 238

HSL 190.99, 0.85%, 0.56%

LAB 75.75, -27.28, -28.41

 

Description

Color code: HEX #B32EEE | qconv.com Color code: HEX #B32EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 46 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 46 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 81 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 81% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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