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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B32E56 it is the complementary color #4CD1A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B32E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B32E56 shade: #B82E51, #C94064, #DA5277, #EB648A and #FC769D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B32E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B32E56 shade: #B32E56, #A21C43, #910A30, #80001D and #6F000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B32E56 shade: #B22E56, #B22E32 and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B32E56 shade: #B22E56, #B22E7A, #B22E9D, #A42EB2 and #802EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B32E56 shade matches the following richer shades: #B22E56, #C51C4F and #D70A47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B32E56 shade: #B22E56, #A0405D, #8E5264, #7C646C and #6A7773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B32E56 shade: #B22E9F, #B22E7B, #B22E58, #B22E35 and #B24B2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B32E56 shade: #711D36, #922646, #B22E56, #CD3D68 and #D55E82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B32E56 shade: #B32E56, #B2A32E and #2E8DB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B32E56 shade: #B32E56, #58B22E and #2E58B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B32E56 shade: #B32E56, #B2A32E, #2EB288 and #2E3DB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B32E56 shade: #B32E56, #9AB22E, #2EB288 and #462EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 52 / 30

HEX #B32E56

RGB 179 46 86

HSL 341.95, 0.59%, 0.44%

LAB 41.55, 55.4, 8.86

 

Complementary color

CMYK 64 / 0 / 19 / 18

HEX #4CD1A9

RGB 76 209 169

HSL 161.95, 0.59%, 0.56%

LAB 76.07, -45.64, 9.27

 

CMYK 0 / 75 / 56 / 28

HEX #B82E51

RGB 184 46 81

HSL 344.78, 0.6%, 0.45%

LAB 42.37, 56.48, 13.28

 

CMYK 0 / 68 / 50 / 21

HEX #C94064

RGB 201 64 100

HSL 344.23, 0.56%, 0.52%

LAB 48.27, 56.56, 10.22

 

CMYK 0 / 62 / 45 / 15

HEX #DA5277

RGB 218 82 119

HSL 343.68, 0.65%, 0.59%

LAB 54.31, 56.19, 7.74

 

CMYK 0 / 57 / 41 / 8

HEX #EB648A

RGB 235 100 138

HSL 343.11, 0.77%, 0.66%

LAB 60.44, 55.57, 5.71

 

CMYK 0 / 53 / 38 / 1

HEX #FC769D

RGB 252 118 157

HSL 342.54, 0.96%, 0.73%

LAB 66.59, 54.81, 3.98

 

CMYK 0 / 74 / 52 / 30

HEX #B32E56

RGB 179 46 86

HSL 341.95, 0.59%, 0.44%

LAB 41.55, 55.4, 8.86

 

CMYK 0 / 83 / 59 / 36

HEX #A21C43

RGB 162 28 67

HSL 342.54, 0.71%, 0.37%

LAB 35.82, 54.57, 12.53

 

CMYK 0 / 93 / 67 / 43

HEX #910A30

RGB 145 10 48

HSL 343.11, 0.87%, 0.3%

LAB 30.52, 52.51, 17.28

 

CMYK 0 / 100 / 77 / 50

HEX #80001D

RGB 128 0 29

HSL 346.41, 1%, 0.25%

LAB 25.8, 48.78, 23.24

 

CMYK 0 / 100 / 91 / 56

HEX #6F000A

RGB 111 0 10

HSL 354.59, 1%, 0.22%

LAB 21.58, 43.62, 28.7

 

CMYK 0 / 74 / 52 / 30

HEX #B22E56

RGB 178 46 86

HSL 341.82, 0.59%, 0.44%

LAB 41.36, 55.11, 8.57

 

CMYK 0 / 74 / 72 / 30

HEX #B22E32

RGB 178 46 50

HSL 358.18, 0.59%, 0.44%

LAB 40.65, 52.77, 30.01

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 74 / 52 / 30

HEX #B22E56

RGB 178 46 86

HSL 341.82, 0.59%, 0.44%

LAB 41.36, 55.11, 8.57

 

CMYK 0 / 74 / 31 / 30

HEX #B22E7A

RGB 178 46 122

HSL 325.45, 0.59%, 0.44%

LAB 42.5, 58.76, -12.23

 

CMYK 0 / 74 / 12 / 30

HEX #B22E9D

RGB 178 46 157

HSL 309.55, 0.59%, 0.44%

LAB 44.02, 63.44, -31.17

 

CMYK 8 / 74 / 0 / 30

HEX #A42EB2

RGB 164 46 178

HSL 293.64, 0.59%, 0.44%

LAB 42.85, 63.76, -45.67

 

CMYK 28 / 74 / 0 / 30

HEX #802EB2

RGB 128 46 178

HSL 277.27, 0.59%, 0.44%

LAB 37.4, 56.49, -54.73

 

CMYK 0 / 74 / 52 / 30

HEX #B22E56

RGB 178 46 86

HSL 341.82, 0.59%, 0.44%

LAB 41.36, 55.11, 8.57

 

CMYK 0 / 86 / 60 / 23

HEX #C51C4F

RGB 197 28 79

HSL 341.89, 0.75%, 0.44%

LAB 43.16, 64.73, 16.03

 

CMYK 0 / 95 / 67 / 16

HEX #D70A47

RGB 215 10 71

HSL 342.15, 0.91%, 0.44%

LAB 45.8, 71.28, 25.16

 

CMYK 0 / 74 / 52 / 30

HEX #B22E56

RGB 178 46 86

HSL 341.82, 0.59%, 0.44%

LAB 41.36, 55.11, 8.57

 

CMYK 0 / 60 / 42 / 37

HEX #A0405D

RGB 160 64 93

HSL 341.88, 0.43%, 0.44%

LAB 41.11, 42.61, 3.39

 

CMYK 0 / 42 / 30 / 44

HEX #8E5264

RGB 142 82 100

HSL 342, 0.27%, 0.44%

LAB 42.32, 27.41, 0.47

 

CMYK 0 / 19 / 13 / 51

HEX #7C646C

RGB 124 100 108

HSL 340, 0.11%, 0.44%

LAB 44.92, 11.05, -0.87

 

CMYK 11 / 0 / 3 / 53

HEX #6A7773

RGB 106 119 115

HSL 161.54, 0.06%, 0.44%

LAB 48.88, -5.69, 0.55

 

CMYK 0 / 74 / 11 / 30

HEX #B22E9F

RGB 178 46 159

HSL 308.64, 0.59%, 0.44%

LAB 44.12, 63.74, -32.21

 

CMYK 0 / 74 / 31 / 30

HEX #B22E7B

RGB 178 46 123

HSL 325, 0.59%, 0.44%

LAB 42.53, 58.88, -12.79

 

CMYK 0 / 74 / 51 / 30

HEX #B22E58

RGB 178 46 88

HSL 340.91, 0.59%, 0.44%

LAB 41.41, 55.28, 7.39

 

CMYK 0 / 74 / 70 / 30

HEX #B22E35

RGB 178 46 53

HSL 356.82, 0.59%, 0.44%

LAB 40.7, 52.91, 28.25

 

CMYK 0 / 58 / 74 / 30

HEX #B24B2E

RGB 178 75 46

HSL 13.18, 0.59%, 0.44%

LAB 45.21, 40.18, 37.46

 

CMYK 0 / 74 / 52 / 56

HEX #711D36

RGB 113 29 54

HSL 342.14, 0.59%, 0.28%

LAB 25.73, 38.47, 5.62

 

CMYK 0 / 74 / 52 / 43

HEX #922646

RGB 146 38 70

HSL 342.22, 0.59%, 0.36%

LAB 33.86, 46.96, 7.37

 

CMYK 0 / 74 / 52 / 30

HEX #B22E56

RGB 178 46 86

HSL 341.82, 0.59%, 0.44%

LAB 41.36, 55.11, 8.57

 

CMYK 0 / 70 / 49 / 20

HEX #CD3D68

RGB 205 61 104

HSL 342.08, 0.59%, 0.52%

LAB 48.66, 59.24, 8.43

 

CMYK 0 / 56 / 39 / 16

HEX #D55E82

RGB 213 94 130

HSL 341.85, 0.59%, 0.6%

LAB 55.85, 50.29, 3.34

 

CMYK 0 / 74 / 52 / 30

HEX #B32E56

RGB 179 46 86

HSL 341.95, 0.59%, 0.44%

LAB 41.55, 55.4, 8.86

 

CMYK 0 / 8 / 74 / 30

HEX #B2A32E

RGB 178 163 46

HSL 53.18, 0.59%, 0.44%

LAB 66.41, -7.56, 58.95

 

CMYK 74 / 21 / 0 / 30

HEX #2E8DB2

RGB 46 141 178

HSL 196.82, 0.59%, 0.44%

LAB 54.91, -14.91, -27.31

 

CMYK 0 / 74 / 52 / 30

HEX #B32E56

RGB 179 46 86

HSL 341.95, 0.59%, 0.44%

LAB 41.55, 55.4, 8.86

 

CMYK 51 / 0 / 74 / 30

HEX #58B22E

RGB 88 178 46

HSL 100.91, 0.59%, 0.44%

LAB 65.05, -49.81, 55.66

 

CMYK 74 / 51 / 0 / 30

HEX #2E58B2

RGB 46 88 178

HSL 220.91, 0.59%, 0.44%

LAB 39.2, 17.37, -52.17

 

CMYK 0 / 74 / 52 / 30

HEX #B32E56

RGB 179 46 86

HSL 341.95, 0.59%, 0.44%

LAB 41.55, 55.4, 8.86

 

CMYK 0 / 8 / 74 / 30

HEX #B2A32E

RGB 178 163 46

HSL 53.18, 0.59%, 0.44%

LAB 66.41, -7.56, 58.95

 

CMYK 74 / 0 / 24 / 30

HEX #2EB288

RGB 46 178 136

HSL 160.91, 0.59%, 0.44%

LAB 65.12, -45.05, 11.54

 

CMYK 74 / 66 / 0 / 30

HEX #2E3DB2

RGB 46 61 178

HSL 233.18, 0.59%, 0.44%

LAB 32.11, 35.05, -63.71

 

CMYK 0 / 74 / 52 / 30

HEX #B32E56

RGB 179 46 86

HSL 341.95, 0.59%, 0.44%

LAB 41.55, 55.4, 8.86

 

CMYK 13 / 0 / 74 / 30

HEX #9AB22E

RGB 154 178 46

HSL 70.91, 0.59%, 0.44%

LAB 68.68, -25.57, 60.44

 

CMYK 74 / 0 / 24 / 30

HEX #2EB288

RGB 46 178 136

HSL 160.91, 0.59%, 0.44%

LAB 65.12, -45.05, 11.54

 

CMYK 61 / 74 / 0 / 30

HEX #462EB2

RGB 70 46 178

HSL 250.91, 0.59%, 0.44%

LAB 30.57, 46.85, -66.17

 

Description

Color code: HEX #B32E56 | qconv.com Color code: HEX #B32E56 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 46 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 46 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 52 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 52% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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