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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B329DF it is the complementary color #4CD620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B329DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B329DF shade: #B829DA, #C93BED, #DA4DFF, #EB5FFF and #FC71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B329DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B329DF shade: #B329DF, #A217CC, #9105B9, #8000A6 and #6F0093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B329DF shade: #B32ADF, #DF2ADA, #DF2AA9, #DF2A78 and #DF2A48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B329DF shade: #B32ADF, #832ADF, #522ADF and #2A2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B329DF shade matches the following richer shades: #B32ADF and #BE16F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B329DF shade: #B32ADF, #A93ECB, #9F52B8, #9565A4 and #8A7990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B329DF shade: #512ADF, #822ADF, #B22ADF, #DF2ADC and #DF2AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B329DF shade: #7E189F, #9B1DC3, #B32ADF, #C04EE5 and #CD72EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B329DF shade: #B329DF, #DF2A33 and #2ADF69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B329DF shade: #B329DF, #DFB22A and #2ADFB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B329DF shade: #B329DF, #DF2A33, #57DF2A and #2ADFD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B329DF shade: #B329DF, #DF572A, #57DF2A and #2AB2DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 82 / 0 / 13

HEX #B329DF

RGB 179 41 223

HSL 285.49, 0.74%, 0.52%

LAB 47.62, 76.14, -63.96

 

Complementary color

CMYK 64 / 0 / 85 / 16

HEX #4CD620

RGB 76 214 32

HSL 105.49, 0.74%, 0.48%

LAB 75.91, -66.3, 69.67

 

CMYK 16 / 81 / 0 / 15

HEX #B829DA

RGB 184 41 218

HSL 288.47, 0.71%, 0.51%

LAB 48.06, 76.08, -60.37

 

CMYK 15 / 75 / 0 / 7

HEX #C93BED

RGB 201 59 237

HSL 287.87, 0.83%, 0.58%

LAB 53.66, 77.32, -61.96

 

CMYK 15 / 70 / 0 / 0

HEX #DA4DFF

RGB 218 77 255

HSL 287.53, 1%, 0.65%

LAB 59.37, 77.71, -62.68

 

CMYK 8 / 63 / 0 / 0

HEX #EB5FFF

RGB 235 95 255

HSL 292.5, 1%, 0.69%

LAB 64.21, 74.42, -54.81

 

CMYK 1 / 56 / 0 / 0

HEX #FC71FF

RGB 252 113 255

HSL 298.73, 1%, 0.72%

LAB 69.27, 70.91, -46.67

 

CMYK 20 / 82 / 0 / 13

HEX #B329DF

RGB 179 41 223

HSL 285.49, 0.74%, 0.52%

LAB 47.62, 76.14, -63.96

 

CMYK 21 / 89 / 0 / 20

HEX #A217CC

RGB 162 23 204

HSL 286.08, 0.8%, 0.45%

LAB 42.24, 73.99, -61.9

 

CMYK 22 / 97 / 0 / 27

HEX #9105B9

RGB 145 5 185

HSL 286.67, 0.95%, 0.37%

LAB 37.17, 70.61, -59.13

 

CMYK 23 / 100 / 0 / 35

HEX #8000A6

RGB 128 0 166

HSL 286.27, 1%, 0.33%

LAB 32.57, 65.46, -55.39

 

CMYK 24 / 100 / 0 / 42

HEX #6F0093

RGB 111 0 147

HSL 285.31, 1%, 0.29%

LAB 28.08, 59.6, -51.25

 

CMYK 20 / 81 / 0 / 13

HEX #B32ADF

RGB 179 42 223

HSL 285.41, 0.74%, 0.52%

LAB 47.71, 75.87, -63.82

 

CMYK 0 / 81 / 2 / 13

HEX #DF2ADA

RGB 223 42 218

HSL 301.66, 0.74%, 0.52%

LAB 54.46, 82.85, -49.76

 

CMYK 0 / 81 / 24 / 13

HEX #DF2AA9

RGB 223 42 169

HSL 317.9, 0.74%, 0.52%

LAB 52.07, 76.28, -25.17

 

CMYK 0 / 81 / 46 / 13

HEX #DF2A78

RGB 223 42 120

HSL 334.14, 0.74%, 0.52%

LAB 50.33, 71.26, 1.53

 

CMYK 0 / 81 / 68 / 13

HEX #DF2A48

RGB 223 42 72

HSL 350.06, 0.74%, 0.52%

LAB 49.27, 68.06, 29.25

 

CMYK 20 / 81 / 0 / 13

HEX #B32ADF

RGB 179 42 223

HSL 285.41, 0.74%, 0.52%

LAB 47.71, 75.87, -63.82

 

CMYK 41 / 81 / 0 / 13

HEX #832ADF

RGB 131 42 223

HSL 269.5, 0.74%, 0.52%

LAB 40.91, 68.55, -75.19

 

CMYK 63 / 81 / 0 / 13

HEX #522ADF

RGB 82 42 223

HSL 253.26, 0.74%, 0.52%

LAB 35.55, 62.93, -84.2

 

CMYK 81 / 81 / 0 / 13

HEX #2A2ADF

RGB 42 42 223

HSL 240, 0.74%, 0.52%

LAB 32.87, 60.18, -88.74

 

CMYK 20 / 81 / 0 / 13

HEX #B32ADF

RGB 179 42 223

HSL 285.41, 0.74%, 0.52%

LAB 47.71, 75.87, -63.82

 

CMYK 22 / 91 / 0 / 5

HEX #BE16F3

RGB 190 22 243

HSL 285.61, 0.9%, 0.52%

LAB 49.49, 85.1, -72.17

 

CMYK 20 / 81 / 0 / 13

HEX #B32ADF

RGB 179 42 223

HSL 285.41, 0.74%, 0.52%

LAB 47.71, 75.87, -63.82

 

CMYK 17 / 69 / 0 / 20

HEX #A93ECB

RGB 169 62 203

HSL 285.53, 0.58%, 0.52%

LAB 47.23, 63.56, -53.21

 

CMYK 14 / 55 / 0 / 28

HEX #9F52B8

RGB 159 82 184

HSL 285.29, 0.42%, 0.52%

LAB 48.09, 48.18, -40.9

 

CMYK 9 / 38 / 0 / 36

HEX #9565A4

RGB 149 101 164

HSL 285.71, 0.26%, 0.52%

LAB 49.95, 30.65, -26.38

 

CMYK 4 / 16 / 0 / 44

HEX #8A7990

RGB 138 121 144

HSL 284.35, 0.09%, 0.52%

LAB 53.05, 11, -10.04

 

CMYK 64 / 81 / 0 / 13

HEX #512ADF

RGB 81 42 223

HSL 252.93, 0.74%, 0.52%

LAB 35.47, 62.84, -84.35

 

CMYK 42 / 81 / 0 / 13

HEX #822ADF

RGB 130 42 223

HSL 269.17, 0.74%, 0.52%

LAB 40.78, 68.41, -75.4

 

CMYK 20 / 81 / 0 / 13

HEX #B22ADF

RGB 178 42 223

HSL 285.08, 0.74%, 0.52%

LAB 47.56, 75.71, -64.07

 

CMYK 0 / 81 / 1 / 13

HEX #DF2ADC

RGB 223 42 220

HSL 300.99, 0.74%, 0.52%

LAB 54.57, 83.15, -50.72

 

CMYK 0 / 81 / 23 / 13

HEX #DF2AAC

RGB 223 42 172

HSL 316.91, 0.74%, 0.52%

LAB 52.2, 76.64, -26.73

 

CMYK 21 / 85 / 0 / 38

HEX #7E189F

RGB 126 24 159

HSL 285.33, 0.74%, 0.36%

LAB 33.12, 59.61, -50.28

 

CMYK 21 / 85 / 0 / 24

HEX #9B1DC3

RGB 155 29 195

HSL 285.54, 0.74%, 0.44%

LAB 40.88, 70.02, -58.92

 

CMYK 20 / 81 / 0 / 13

HEX #B32ADF

RGB 179 42 223

HSL 285.41, 0.74%, 0.52%

LAB 47.71, 75.87, -63.82

 

CMYK 16 / 66 / 0 / 10

HEX #C04EE5

RGB 192 78 229

HSL 285.3, 0.74%, 0.6%

LAB 54.36, 67.03, -56.42

 

CMYK 12 / 51 / 0 / 8

HEX #CD72EA

RGB 205 114 234

HSL 285.5, 0.74%, 0.68%

LAB 62.47, 54.46, -46.22

 

CMYK 20 / 82 / 0 / 13

HEX #B329DF

RGB 179 41 223

HSL 285.49, 0.74%, 0.52%

LAB 47.62, 76.14, -63.96

 

CMYK 0 / 81 / 77 / 13

HEX #DF2A33

RGB 223 42 51

HSL 357.02, 0.74%, 0.52%

LAB 48.99, 67.2, 41.16

 

CMYK 81 / 0 / 53 / 13

HEX #2ADF69

RGB 42 223 105

HSL 140.88, 0.74%, 0.52%

LAB 78.63, -67.86, 45.32

 

CMYK 20 / 82 / 0 / 13

HEX #B329DF

RGB 179 41 223

HSL 285.49, 0.74%, 0.52%

LAB 47.62, 76.14, -63.96

 

CMYK 0 / 20 / 81 / 13

HEX #DFB22A

RGB 223 178 42

HSL 45.08, 0.74%, 0.52%

LAB 74.63, 4.08, 69.36

 

CMYK 81 / 0 / 20 / 13

HEX #2ADFB2

RGB 42 223 178

HSL 165.08, 0.74%, 0.52%

LAB 79.89, -53.64, 9.84

 

CMYK 20 / 82 / 0 / 13

HEX #B329DF

RGB 179 41 223

HSL 285.49, 0.74%, 0.52%

LAB 47.62, 76.14, -63.96

 

CMYK 0 / 81 / 77 / 13

HEX #DF2A33

RGB 223 42 51

HSL 357.02, 0.74%, 0.52%

LAB 48.99, 67.2, 41.16

 

CMYK 61 / 0 / 81 / 13

HEX #57DF2A

RGB 87 223 42

HSL 105.08, 0.74%, 0.52%

LAB 79.02, -66.39, 70.18

 

CMYK 81 / 0 / 4 / 13

HEX #2ADFD6

RGB 42 223 214

HSL 177.02, 0.74%, 0.52%

LAB 80.81, -44.21, -7.94

 

CMYK 20 / 82 / 0 / 13

HEX #B329DF

RGB 179 41 223

HSL 285.49, 0.74%, 0.52%

LAB 47.62, 76.14, -63.96

 

CMYK 0 / 61 / 81 / 13

HEX #DF572A

RGB 223 87 42

HSL 14.92, 0.74%, 0.52%

LAB 54.73, 50.95, 51.49

 

CMYK 61 / 0 / 81 / 13

HEX #57DF2A

RGB 87 223 42

HSL 105.08, 0.74%, 0.52%

LAB 79.02, -66.39, 70.18

 

CMYK 81 / 20 / 0 / 13

HEX #2AB2DF

RGB 42 178 223

HSL 194.92, 0.74%, 0.52%

LAB 67.77, -19.91, -32.58

 

Description

Color code: HEX #B329DF | qconv.com Color code: HEX #B329DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 41 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 41 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 82 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 82% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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