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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3209E it is the complementary color #4CDF61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3209E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3209E shade: #B82099, #C932AC, #DA44BF, #EB56D2 and #FC68E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3209E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3209E shade: #B3209E, #A20E8B, #910078, #800065 and #6F0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3209E shade: #B21F9D, #B21F75, #B21F4E, #B21F26 and #B21F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3209E shade: #B21F9D, #9F1FB2, #781FB2, #501FB2 and #291FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3209E shade matches the following richer shades: #B21F9D and #C30EA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3209E shade: #B21F9D, #A13091, #904185, #7F5279 and #6E636C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3209E shade: #771FB2, #9E1FB2, #B21F9E, #B21F77 and #B21F50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3209E shade: #6C135F, #8F197E, #B21F9D, #D526BC and #DE45C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3209E shade: #B3209E, #B2501F and #1FB28B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3209E shade: #B3209E, #9EB21F and #1F9EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3209E shade: #B3209E, #B2501F, #1FB233 and #1F81B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3209E shade: #B3209E, #B27C1F, #1FB233 and #1F55B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 12 / 30

HEX #B3209E

RGB 179 32 158

HSL 308.57, 0.7%, 0.41%

LAB 42.89, 67.7, -33.54

 

Complementary color

CMYK 66 / 0 / 57 / 13

HEX #4CDF61

RGB 76 223 97

HSL 128.57, 0.7%, 0.59%

LAB 79.14, -63.99, 49.79

 

CMYK 0 / 83 / 17 / 28

HEX #B82099

RGB 184 32 153

HSL 312.24, 0.7%, 0.42%

LAB 43.54, 68.07, -29.44

 

CMYK 0 / 75 / 14 / 21

HEX #C932AC

RGB 201 50 172

HSL 311.52, 0.6%, 0.49%

LAB 49.1, 69.65, -31.85

 

CMYK 0 / 69 / 12 / 15

HEX #DA44BF

RGB 218 68 191

HSL 310.8, 0.67%, 0.56%

LAB 54.87, 70.43, -33.71

 

CMYK 0 / 63 / 11 / 8

HEX #EB56D2

RGB 235 86 210

HSL 310.07, 0.79%, 0.63%

LAB 60.76, 70.68, -35.17

 

CMYK 0 / 59 / 9 / 1

HEX #FC68E5

RGB 252 104 229

HSL 309.32, 0.96%, 0.7%

LAB 66.71, 70.57, -36.35

 

CMYK 0 / 82 / 12 / 30

HEX #B3209E

RGB 179 32 158

HSL 308.57, 0.7%, 0.41%

LAB 42.89, 67.7, -33.54

 

CMYK 0 / 91 / 14 / 36

HEX #A20E8B

RGB 162 14 139

HSL 309.32, 0.84%, 0.35%

LAB 37.59, 65, -30.54

 

CMYK 0 / 100 / 17 / 43

HEX #910078

RGB 145 0 120

HSL 310.34, 1%, 0.28%

LAB 32.65, 60.92, -26.7

 

CMYK 0 / 100 / 21 / 50

HEX #800065

RGB 128 0 101

HSL 312.66, 1%, 0.25%

LAB 28.19, 55.02, -21.75

 

CMYK 0 / 100 / 26 / 56

HEX #6F0052

RGB 111 0 82

HSL 315.68, 1%, 0.22%

LAB 23.63, 49, -16.56

 

CMYK 0 / 83 / 12 / 30

HEX #B21F9D

RGB 178 31 157

HSL 308.57, 0.7%, 0.41%

LAB 42.58, 67.58, -33.44

 

CMYK 0 / 83 / 34 / 30

HEX #B21F75

RGB 178 31 117

HSL 324.9, 0.7%, 0.41%

LAB 40.78, 62.53, -11.72

 

CMYK 0 / 83 / 56 / 30

HEX #B21F4E

RGB 178 31 78

HSL 340.82, 0.7%, 0.41%

LAB 39.57, 58.97, 11.14

 

CMYK 0 / 83 / 79 / 30

HEX #B21F26

RGB 178 31 38

HSL 357.14, 0.7%, 0.41%

LAB 38.87, 56.86, 35.12

 

CMYK 0 / 83 / 83 / 30

HEX #B21F1F

RGB 178 31 31

HSL 0, 0.7%, 0.41%

LAB 38.8, 56.64, 39

 

CMYK 0 / 83 / 12 / 30

HEX #B21F9D

RGB 178 31 157

HSL 308.57, 0.7%, 0.41%

LAB 42.58, 67.58, -33.44

 

CMYK 11 / 83 / 0 / 30

HEX #9F1FB2

RGB 159 31 178

HSL 292.24, 0.7%, 0.41%

LAB 40.52, 67.17, -49.46

 

CMYK 33 / 83 / 0 / 30

HEX #781FB2

RGB 120 31 178

HSL 276.33, 0.7%, 0.41%

LAB 34.37, 60.52, -59.71

 

CMYK 55 / 83 / 0 / 30

HEX #501FB2

RGB 80 31 178

HSL 260, 0.7%, 0.41%

LAB 29.16, 55.02, -68.46

 

CMYK 77 / 83 / 0 / 30

HEX #291FB2

RGB 41 31 178

HSL 244.08, 0.7%, 0.41%

LAB 25.76, 51.55, -74.19

 

CMYK 0 / 83 / 12 / 30

HEX #B21F9D

RGB 178 31 157

HSL 308.57, 0.7%, 0.41%

LAB 42.58, 67.58, -33.44

 

CMYK 0 / 93 / 13 / 24

HEX #C30EA9

RGB 195 14 169

HSL 308.62, 0.87%, 0.41%

LAB 45.33, 75.4, -36.07

 

CMYK 0 / 83 / 12 / 30

HEX #B21F9D

RGB 178 31 157

HSL 308.57, 0.7%, 0.41%

LAB 42.58, 67.58, -33.44

 

CMYK 0 / 70 / 10 / 37

HEX #A13091

RGB 161 48 145

HSL 308.5, 0.54%, 0.41%

LAB 40.79, 56.83, -29.19

 

CMYK 0 / 55 / 8 / 44

HEX #904185

RGB 144 65 133

HSL 308.35, 0.38%, 0.41%

LAB 40.25, 42.66, -22.92

 

CMYK 0 / 35 / 5 / 50

HEX #7F5279

RGB 127 82 121

HSL 308, 0.22%, 0.41%

LAB 41.1, 25.4, -14.46

 

CMYK 0 / 10 / 2 / 57

HEX #6E636C

RGB 110 99 108

HSL 310.91, 0.05%, 0.41%

LAB 43.24, 6.15, -3.49

 

CMYK 33 / 83 / 0 / 30

HEX #771FB2

RGB 119 31 178

HSL 275.92, 0.7%, 0.41%

LAB 34.22, 60.36, -59.95

 

CMYK 11 / 83 / 0 / 30

HEX #9E1FB2

RGB 158 31 178

HSL 291.84, 0.7%, 0.41%

LAB 40.35, 66.99, -49.74

 

CMYK 0 / 83 / 11 / 30

HEX #B21F9E

RGB 178 31 158

HSL 308.16, 0.7%, 0.41%

LAB 42.63, 67.72, -33.96

 

CMYK 0 / 83 / 33 / 30

HEX #B21F77

RGB 178 31 119

HSL 324.08, 0.7%, 0.41%

LAB 40.86, 62.75, -12.85

 

CMYK 0 / 83 / 55 / 30

HEX #B21F50

RGB 178 31 80

HSL 340, 0.7%, 0.41%

LAB 39.62, 59.12, 9.93

 

CMYK 0 / 82 / 12 / 58

HEX #6C135F

RGB 108 19 95

HSL 308.76, 0.7%, 0.25%

LAB 25.2, 45.86, -22.8

 

CMYK 0 / 83 / 12 / 44

HEX #8F197E

RGB 143 25 126

HSL 308.64, 0.7%, 0.33%

LAB 34.07, 57.01, -28.26

 

CMYK 0 / 83 / 12 / 30

HEX #B21F9D

RGB 178 31 157

HSL 308.57, 0.7%, 0.41%

LAB 42.58, 67.58, -33.44

 

CMYK 0 / 82 / 12 / 16

HEX #D526BC

RGB 213 38 188

HSL 308.57, 0.7%, 0.49%

LAB 50.88, 77.51, -38.29

 

CMYK 0 / 69 / 10 / 13

HEX #DE45C8

RGB 222 69 200

HSL 308.63, 0.7%, 0.57%

LAB 56.04, 72.34, -36.99

 

CMYK 0 / 82 / 12 / 30

HEX #B3209E

RGB 179 32 158

HSL 308.57, 0.7%, 0.41%

LAB 42.89, 67.7, -33.54

 

CMYK 0 / 55 / 83 / 30

HEX #B2501F

RGB 178 80 31

HSL 20, 0.7%, 0.41%

LAB 46.04, 37.11, 45.79

 

CMYK 83 / 0 / 22 / 30

HEX #1FB28B

RGB 31 178 139

HSL 164.08, 0.7%, 0.41%

LAB 64.96, -45.99, 9.63

 

CMYK 0 / 82 / 12 / 30

HEX #B3209E

RGB 179 32 158

HSL 308.57, 0.7%, 0.41%

LAB 42.89, 67.7, -33.54

 

CMYK 11 / 0 / 83 / 30

HEX #9EB21F

RGB 158 178 31

HSL 68.16, 0.7%, 0.41%

LAB 68.9, -24.51, 65.25

 

CMYK 83 / 11 / 0 / 30

HEX #1F9EB2

RGB 31 158 178

HSL 188.16, 0.7%, 0.41%

LAB 59.85, -25.51, -19.75

 

CMYK 0 / 82 / 12 / 30

HEX #B3209E

RGB 179 32 158

HSL 308.57, 0.7%, 0.41%

LAB 42.89, 67.7, -33.54

 

CMYK 0 / 55 / 83 / 30

HEX #B2501F

RGB 178 80 31

HSL 20, 0.7%, 0.41%

LAB 46.04, 37.11, 45.79

 

CMYK 83 / 0 / 71 / 30

HEX #1FB233

RGB 31 178 51

HSL 128.16, 0.7%, 0.41%

LAB 63.65, -61.14, 51.92

 

CMYK 83 / 28 / 0 / 30

HEX #1F81B2

RGB 31 129 178

HSL 200, 0.7%, 0.41%

LAB 50.93, -9.83, -33.54

 

CMYK 0 / 82 / 12 / 30

HEX #B3209E

RGB 179 32 158

HSL 308.57, 0.7%, 0.41%

LAB 42.89, 67.7, -33.54

 

CMYK 0 / 30 / 83 / 30

HEX #B27C1F

RGB 178 124 31

HSL 37.96, 0.7%, 0.41%

LAB 56.07, 13.17, 54.78

 

CMYK 83 / 0 / 71 / 30

HEX #1FB233

RGB 31 178 51

HSL 128.16, 0.7%, 0.41%

LAB 63.65, -61.14, 51.92

 

CMYK 83 / 52 / 0 / 30

HEX #1F55B2

RGB 31 85 178

HSL 217.96, 0.7%, 0.41%

LAB 37.85, 17.68, -54.38

 

Description

Color code: HEX #B3209E | qconv.com Color code: HEX #B3209E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 32 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 32 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 12 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 12% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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