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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B31F7D it is the complementary color #4CE082. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B31F7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B31F7D shade: #B81F78, #C9318B, #DA439E, #EB55B1 and #FC67C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B31F7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B31F7D shade: #B31F7D, #A20D6A, #910057, #800044 and #6F0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B31F7D shade: #B21F7C, #B21F55, #B21F2D and #B21F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B31F7D shade: #B21F7C, #B21FA4, #981FB2, #711FB2 and #491FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B31F7D shade matches the following richer shades: #B21F7C and #C30E81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B31F7D shade: #B21F7C, #A13078, #904173, #7F526F and #6E636A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B31F7D shade: #971FB2, #B21FA6, #B21F7F, #B21F57 and #B21F30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B31F7D shade: #6C134B, #8F1964, #B21F7C, #D52695 and #DE45A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B31F7D shade: #B31F7D, #B2701F and #1FB2AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B31F7D shade: #B31F7D, #7FB21F and #1F7FB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B31F7D shade: #B31F7D, #B2701F, #1FB253 and #1F61B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B31F7D shade: #B31F7D, #B29C1F, #1FB253 and #1F35B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 30 / 30

HEX #B31F7D

RGB 179 31 125

HSL 321.89, 0.7%, 0.41%

LAB 41.29, 63.67, -15.91

 

Complementary color

CMYK 66 / 0 / 42 / 12

HEX #4CE082

RGB 76 224 130

HSL 141.89, 0.7%, 0.59%

LAB 79.87, -59.48, 34.81

 

CMYK 0 / 83 / 35 / 28

HEX #B81F78

RGB 184 31 120

HSL 325.1, 0.71%, 0.42%

LAB 42.04, 64.3, -11.58

 

CMYK 0 / 76 / 31 / 21

HEX #C9318B

RGB 201 49 139

HSL 324.47, 0.61%, 0.49%

LAB 47.6, 65.73, -14.49

 

CMYK 0 / 69 / 28 / 15

HEX #DA439E

RGB 218 67 158

HSL 323.84, 0.67%, 0.56%

LAB 53.37, 66.37, -16.77

 

CMYK 0 / 64 / 25 / 8

HEX #EB55B1

RGB 235 85 177

HSL 323.2, 0.79%, 0.63%

LAB 59.28, 66.49, -18.6

 

CMYK 0 / 59 / 22 / 1

HEX #FC67C4

RGB 252 103 196

HSL 322.55, 0.96%, 0.7%

LAB 65.26, 66.28, -20.1

 

CMYK 0 / 83 / 30 / 30

HEX #B31F7D

RGB 179 31 125

HSL 321.89, 0.7%, 0.41%

LAB 41.29, 63.67, -15.91

 

CMYK 0 / 92 / 35 / 36

HEX #A20D6A

RGB 162 13 106

HSL 322.55, 0.85%, 0.34%

LAB 36, 61.08, -12.34

 

CMYK 0 / 100 / 40 / 43

HEX #910057

RGB 145 0 87

HSL 324, 1%, 0.28%

LAB 31.13, 57.06, -7.77

 

CMYK 0 / 100 / 47 / 50

HEX #800044

RGB 128 0 68

HSL 328.13, 1%, 0.25%

LAB 26.75, 51.33, -2.02

 

CMYK 0 / 100 / 56 / 56

HEX #6F0031

RGB 111 0 49

HSL 333.51, 1%, 0.22%

LAB 22.31, 45.56, 4.16

 

CMYK 0 / 83 / 30 / 30

HEX #B21F7C

RGB 178 31 124

HSL 322.04, 0.7%, 0.41%

LAB 41.06, 63.31, -15.66

 

CMYK 0 / 83 / 52 / 30

HEX #B21F55

RGB 178 31 85

HSL 337.96, 0.7%, 0.41%

LAB 39.75, 59.5, 6.93

 

CMYK 0 / 83 / 75 / 30

HEX #B21F2D

RGB 178 31 45

HSL 354.29, 0.7%, 0.41%

LAB 38.96, 57.12, 31.06

 

CMYK 0 / 83 / 83 / 30

HEX #B21F1F

RGB 178 31 31

HSL 0, 0.7%, 0.41%

LAB 38.8, 56.64, 39

 

CMYK 0 / 83 / 30 / 30

HEX #B21F7C

RGB 178 31 124

HSL 322.04, 0.7%, 0.41%

LAB 41.06, 63.31, -15.66

 

CMYK 0 / 83 / 8 / 30

HEX #B21FA4

RGB 178 31 164

HSL 305.71, 0.7%, 0.41%

LAB 42.95, 68.59, -37.05

 

CMYK 15 / 83 / 0 / 30

HEX #981FB2

RGB 152 31 178

HSL 289.39, 0.7%, 0.41%

LAB 39.36, 65.91, -51.38

 

CMYK 37 / 83 / 0 / 30

HEX #711FB2

RGB 113 31 178

HSL 273.47, 0.7%, 0.41%

LAB 33.36, 59.44, -61.4

 

CMYK 59 / 83 / 0 / 30

HEX #491FB2

RGB 73 31 178

HSL 257.14, 0.7%, 0.41%

LAB 28.41, 54.25, -69.72

 

CMYK 0 / 83 / 30 / 30

HEX #B21F7C

RGB 178 31 124

HSL 322.04, 0.7%, 0.41%

LAB 41.06, 63.31, -15.66

 

CMYK 0 / 93 / 34 / 24

HEX #C30E81

RGB 195 14 129

HSL 321.88, 0.87%, 0.41%

LAB 43.51, 70.65, -14.71

 

CMYK 0 / 83 / 30 / 30

HEX #B21F7C

RGB 178 31 124

HSL 322.04, 0.7%, 0.41%

LAB 41.06, 63.31, -15.66

 

CMYK 0 / 70 / 25 / 37

HEX #A13078

RGB 161 48 120

HSL 321.77, 0.54%, 0.41%

LAB 39.66, 53.18, -15.59

 

CMYK 0 / 55 / 20 / 44

HEX #904173

RGB 144 65 115

HSL 322.03, 0.38%, 0.41%

LAB 39.49, 39.66, -12.99

 

CMYK 0 / 35 / 13 / 50

HEX #7F526F

RGB 127 82 111

HSL 321.33, 0.22%, 0.41%

LAB 40.73, 23.51, -8.88

 

CMYK 0 / 10 / 4 / 57

HEX #6E636A

RGB 110 99 106

HSL 321.82, 0.05%, 0.41%

LAB 43.18, 5.75, -2.36

 

CMYK 15 / 83 / 0 / 30

HEX #971FB2

RGB 151 31 178

HSL 288.98, 0.7%, 0.41%

LAB 39.2, 65.73, -51.66

 

CMYK 0 / 83 / 7 / 30

HEX #B21FA6

RGB 178 31 166

HSL 304.9, 0.7%, 0.41%

LAB 43.06, 68.89, -38.07

 

CMYK 0 / 83 / 29 / 30

HEX #B21F7F

RGB 178 31 127

HSL 320.82, 0.7%, 0.41%

LAB 41.18, 63.66, -17.32

 

CMYK 0 / 83 / 51 / 30

HEX #B21F57

RGB 178 31 87

HSL 337.14, 0.7%, 0.41%

LAB 39.8, 59.66, 5.73

 

CMYK 0 / 83 / 73 / 30

HEX #B21F30

RGB 178 31 48

HSL 353.06, 0.7%, 0.41%

LAB 39, 57.24, 29.28

 

CMYK 0 / 82 / 31 / 58

HEX #6C134B

RGB 108 19 75

HSL 322.25, 0.7%, 0.25%

LAB 24.2, 42.95, -11.02

 

CMYK 0 / 83 / 30 / 44

HEX #8F1964

RGB 143 25 100

HSL 321.86, 0.7%, 0.33%

LAB 32.82, 53.47, -13.7

 

CMYK 0 / 83 / 30 / 30

HEX #B21F7C

RGB 178 31 124

HSL 322.04, 0.7%, 0.41%

LAB 41.06, 63.31, -15.66

 

CMYK 0 / 82 / 30 / 16

HEX #D52695

RGB 213 38 149

HSL 321.94, 0.7%, 0.49%

LAB 49.13, 72.65, -17.96

 

CMYK 0 / 69 / 25 / 13

HEX #DE45A6

RGB 222 69 166

HSL 321.96, 0.7%, 0.57%

LAB 54.59, 67.69, -19.55

 

CMYK 0 / 83 / 30 / 30

HEX #B31F7D

RGB 179 31 125

HSL 321.89, 0.7%, 0.41%

LAB 41.29, 63.67, -15.91

 

CMYK 0 / 37 / 83 / 30

HEX #B2701F

RGB 178 112 31

HSL 33.06, 0.7%, 0.41%

LAB 53.12, 19.87, 52.17

 

CMYK 83 / 0 / 4 / 30

HEX #1FB2AA

RGB 31 178 170

HSL 176.73, 0.7%, 0.41%

LAB 65.78, -37.59, -6.36

 

CMYK 0 / 83 / 30 / 30

HEX #B31F7D

RGB 179 31 125

HSL 321.89, 0.7%, 0.41%

LAB 41.29, 63.67, -15.91

 

CMYK 29 / 0 / 83 / 30

HEX #7FB21F

RGB 127 178 31

HSL 80.82, 0.7%, 0.41%

LAB 66.86, -37.15, 62.68

 

CMYK 83 / 29 / 0 / 30

HEX #1F7FB2

RGB 31 127 178

HSL 200.82, 0.7%, 0.41%

LAB 50.32, -8.68, -34.5

 

CMYK 0 / 83 / 30 / 30

HEX #B31F7D

RGB 179 31 125

HSL 321.89, 0.7%, 0.41%

LAB 41.29, 63.67, -15.91

 

CMYK 0 / 37 / 83 / 30

HEX #B2701F

RGB 178 112 31

HSL 33.06, 0.7%, 0.41%

LAB 53.12, 19.87, 52.17

 

CMYK 83 / 0 / 53 / 30

HEX #1FB253

RGB 31 178 83

HSL 141.22, 0.7%, 0.41%

LAB 63.96, -57.29, 38

 

CMYK 83 / 46 / 0 / 30

HEX #1F61B2

RGB 31 97 178

HSL 213.06, 0.7%, 0.41%

LAB 41.3, 9.79, -48.8

 

CMYK 0 / 83 / 30 / 30

HEX #B31F7D

RGB 179 31 125

HSL 321.89, 0.7%, 0.41%

LAB 41.29, 63.67, -15.91

 

CMYK 0 / 12 / 83 / 30

HEX #B29C1F

RGB 178 156 31

HSL 51.02, 0.7%, 0.41%

LAB 64.44, -4.41, 62.05

 

CMYK 83 / 0 / 53 / 30

HEX #1FB253

RGB 31 178 83

HSL 141.22, 0.7%, 0.41%

LAB 63.96, -57.29, 38

 

CMYK 83 / 70 / 0 / 30

HEX #1F35B2

RGB 31 53 178

HSL 231.02, 0.7%, 0.41%

LAB 29.54, 38.74, -67.95

 

Description

Color code: HEX #B31F7D | qconv.com Color code: HEX #B31F7D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 31 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 31 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 30 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 30% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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