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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B31BC0 it is the complementary color #4CE43F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B31BC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B31BC0 shade: #B81BBB, #C92DCE, #DA3FE1, #EB51F4 and #FC63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B31BC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B31BC0 shade: #B31BC0, #A209AD, #91009A, #800087 and #6F0074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B31BC0 shade: #B31BC0, #C01BA1, #C01B74, #C01B48 and #C01B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B31BC0 shade: #B31BC0, #871BC0, #5A1BC0, #2E1BC0 and #1B1BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B31BC0 shade matches the following richer shades: #B31BC0 and #C20AD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B31BC0 shade: #B31BC0, #A42DAE, #953F9C, #86518B and #776279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B31BC0 shade: #5A1BC0, #861BC0, #B21BC0, #C01BA2 and #C01B76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B31BC0 shade: #701178, #91169C, #B31BC0, #D125E0 and #D949E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B31BC0 shade: #B31BC0, #C02F1B and #1BC070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B31BC0 shade: #B31BC0, #C0B21B and #1BC0B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B31BC0 shade: #B31BC0, #C02F1B, #29C01B and #1BADC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B31BC0 shade: #B31BC0, #C0601B, #29C01B and #1B7BC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

Complementary color

CMYK 67 / 0 / 72 / 11

HEX #4CE43F

RGB 76 228 63

HSL 115.27, 0.75%, 0.57%

LAB 80.39, -69.03, 64.98

 

CMYK 2 / 86 / 0 / 27

HEX #B81BBB

RGB 184 27 187

HSL 298.88, 0.75%, 0.42%

LAB 45.03, 74.05, -47.3

 

CMYK 2 / 78 / 0 / 19

HEX #C92DCE

RGB 201 45 206

HSL 298.14, 0.64%, 0.49%

LAB 50.39, 76.14, -49.59

 

CMYK 3 / 72 / 0 / 12

HEX #DA3FE1

RGB 218 63 225

HSL 297.41, 0.73%, 0.56%

LAB 55.98, 77.34, -51.34

 

CMYK 4 / 67 / 0 / 4

HEX #EB51F4

RGB 235 81 244

HSL 296.69, 0.88%, 0.64%

LAB 61.72, 77.91, -52.7

 

CMYK 1 / 61 / 0 / 0

HEX #FC63FF

RGB 252 99 255

HSL 298.85, 1%, 0.69%

LAB 67.16, 76.73, -50

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 6 / 95 / 0 / 32

HEX #A209AD

RGB 162 9 173

HSL 295.98, 0.9%, 0.36%

LAB 39.4, 70.69, -48.26

 

CMYK 6 / 100 / 0 / 40

HEX #91009A

RGB 145 0 154

HSL 296.49, 1%, 0.3%

LAB 34.71, 65.94, -44.51

 

CMYK 5 / 100 / 0 / 47

HEX #800087

RGB 128 0 135

HSL 296.89, 1%, 0.26%

LAB 30.25, 60.06, -40.13

 

CMYK 4 / 100 / 0 / 55

HEX #6F0074

RGB 111 0 116

HSL 297.41, 1%, 0.23%

LAB 25.68, 54.05, -35.63

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 0 / 86 / 16 / 25

HEX #C01BA1

RGB 192 27 161

HSL 311.27, 0.75%, 0.43%

LAB 45.03, 71.85, -31.81

 

CMYK 0 / 86 / 40 / 25

HEX #C01B74

RGB 192 27 116

HSL 327.64, 0.75%, 0.43%

LAB 43.14, 66.65, -7.29

 

CMYK 0 / 86 / 63 / 25

HEX #C01B48

RGB 192 27 72

HSL 343.64, 0.75%, 0.43%

LAB 41.94, 63.2, 18.61

 

CMYK 0 / 86 / 86 / 25

HEX #C01B1B

RGB 192 27 27

HSL 0, 0.75%, 0.43%

LAB 41.33, 61.42, 44.45

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 30 / 86 / 0 / 25

HEX #871BC0

RGB 135 27 192

HSL 279.27, 0.75%, 0.43%

LAB 37.37, 66.83, -63

 

CMYK 53 / 86 / 0 / 25

HEX #5A1BC0

RGB 90 27 192

HSL 262.91, 0.75%, 0.43%

LAB 31.26, 61.11, -73.26

 

CMYK 76 / 86 / 0 / 25

HEX #2E1BC0

RGB 46 27 192

HSL 246.91, 0.75%, 0.43%

LAB 27.22, 57.63, -80.08

 

CMYK 86 / 86 / 0 / 25

HEX #1B1BC0

RGB 27 27 192

HSL 240, 0.75%, 0.43%

LAB 26.22, 56.83, -81.76

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 8 / 95 / 0 / 18

HEX #C20AD2

RGB 194 10 210

HSL 295.2, 0.91%, 0.43%

LAB 47.42, 81.55, -56.73

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 6 / 74 / 0 / 32

HEX #A42DAE

RGB 164 45 174

HSL 295.35, 0.59%, 0.43%

LAB 42.5, 63.39, -43.87

 

CMYK 4 / 60 / 0 / 39

HEX #953F9C

RGB 149 63 156

HSL 295.48, 0.42%, 0.43%

LAB 41.76, 49.29, -34.45

 

CMYK 4 / 42 / 0 / 45

HEX #86518B

RGB 134 81 139

HSL 294.83, 0.26%, 0.43%

LAB 42.49, 31.99, -23.21

 

CMYK 2 / 19 / 0 / 53

HEX #776279

RGB 119 98 121

HSL 294.78, 0.11%, 0.43%

LAB 44.29, 12.88, -9.72

 

CMYK 53 / 86 / 0 / 25

HEX #5A1BC0

RGB 90 27 192

HSL 262.91, 0.75%, 0.43%

LAB 31.26, 61.11, -73.26

 

CMYK 30 / 86 / 0 / 25

HEX #861BC0

RGB 134 27 192

HSL 278.91, 0.75%, 0.43%

LAB 37.22, 66.69, -63.25

 

CMYK 7 / 86 / 0 / 25

HEX #B21BC0

RGB 178 27 192

HSL 294.91, 0.75%, 0.43%

LAB 44.31, 73.78, -51.43

 

CMYK 0 / 86 / 16 / 25

HEX #C01BA2

RGB 192 27 162

HSL 310.91, 0.75%, 0.43%

LAB 45.08, 71.98, -32.33

 

CMYK 0 / 86 / 39 / 25

HEX #C01B76

RGB 192 27 118

HSL 326.91, 0.75%, 0.43%

LAB 43.21, 66.85, -8.42

 

CMYK 7 / 86 / 0 / 53

HEX #701178

RGB 112 17 120

HSL 295.34, 0.75%, 0.27%

LAB 27.3, 51.52, -35.58

 

CMYK 7 / 86 / 0 / 39

HEX #91169C

RGB 145 22 156

HSL 295.07, 0.75%, 0.35%

LAB 35.97, 62.92, -43.7

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 7 / 83 / 0 / 12

HEX #D125E0

RGB 209 37 224

HSL 295.19, 0.75%, 0.51%

LAB 52.13, 82.31, -57.02

 

CMYK 5 / 68 / 0 / 10

HEX #D949E5

RGB 217 73 229

HSL 295.38, 0.75%, 0.59%

LAB 57.24, 74.39, -51.6

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 0 / 76 / 86 / 25

HEX #C02F1B

RGB 192 47 27

HSL 7.27, 0.75%, 0.43%

LAB 43.24, 56.02, 46.08

 

CMYK 86 / 0 / 42 / 25

HEX #1BC070

RGB 27 192 112

HSL 150.91, 0.75%, 0.43%

LAB 68.83, -57.58, 29.42

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 0 / 7 / 86 / 25

HEX #C0B21B

RGB 192 178 27

HSL 54.91, 0.75%, 0.43%

LAB 71.64, -9.88, 69.61

 

CMYK 86 / 0 / 7 / 25

HEX #1BC0B2

RGB 27 192 178

HSL 174.91, 0.75%, 0.43%

LAB 70.28, -41.84, -4.11

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 0 / 76 / 86 / 25

HEX #C02F1B

RGB 192 47 27

HSL 7.27, 0.75%, 0.43%

LAB 43.24, 56.02, 46.08

 

CMYK 79 / 0 / 86 / 25

HEX #29C01B

RGB 41 192 27

HSL 114.91, 0.75%, 0.43%

LAB 68.2, -65.74, 63.68

 

CMYK 86 / 10 / 0 / 25

HEX #1BADC0

RGB 27 173 192

HSL 186.91, 0.75%, 0.43%

LAB 64.9, -28.75, -19.89

 

CMYK 7 / 86 / 0 / 25

HEX #B31BC0

RGB 179 27 192

HSL 295.27, 0.75%, 0.43%

LAB 44.48, 73.96, -51.15

 

CMYK 0 / 50 / 86 / 25

HEX #C0601B

RGB 192 96 27

HSL 25.09, 0.75%, 0.43%

LAB 51.44, 34.38, 52.97

 

CMYK 79 / 0 / 86 / 25

HEX #29C01B

RGB 41 192 27

HSL 114.91, 0.75%, 0.43%

LAB 68.2, -65.74, 63.68

 

CMYK 86 / 36 / 0 / 25

HEX #1B7BC0

RGB 27 123 192

HSL 205.09, 0.75%, 0.43%

LAB 49.74, -1.39, -43.46

 

Description

Color code: HEX #B31BC0 | qconv.com Color code: HEX #B31BC0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 27 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 27 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 86 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 86% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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