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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B313C0 it is the complementary color #4CEC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B313C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B313C0 shade: #B813BB, #C925CE, #DA37E1, #EB49F4 and #FC5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B313C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B313C0 shade: #B313C0, #A201AD, #91009A, #800087 and #6F0074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B313C0 shade: #B113BE, #BE139D, #BE136F, #BE1340 and #BE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B313C0 shade: #B113BE, #8313BE, #5513BE, #2713BE and #1313BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B313C0 shade matches the following richer shades: #B113BE and #C002CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B313C0 shade: #B113BE, #A324AD, #95359C, #86468C and #78567B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B313C0 shade: #5513BE, #8213BE, #B013BE, #BE139F and #BE1371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B313C0 shade: #6B0B73, #8E0F99, #B113BE, #D417E4 and #DE38EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B313C0 shade: #B313C0, #BE2713 and #13BE6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B313C0 shade: #B313C0, #BEB013 and #13BEB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B313C0 shade: #B313C0, #BE2713, #21BE13 and #13AABE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B313C0 shade: #B313C0, #BE5A13, #21BE13 and #1377BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 90 / 0 / 25

HEX #B313C0

RGB 179 19 192

HSL 295.49, 0.82%, 0.41%

LAB 44.02, 75.3, -51.88

 

Complementary color

CMYK 68 / 0 / 73 / 7

HEX #4CEC3F

RGB 76 236 63

HSL 115.49, 0.82%, 0.59%

LAB 82.85, -71.6, 67.46

 

CMYK 2 / 90 / 0 / 27

HEX #B813BB

RGB 184 19 187

HSL 298.93, 0.82%, 0.4%

LAB 44.58, 75.37, -48.01

 

CMYK 2 / 82 / 0 / 19

HEX #C925CE

RGB 201 37 206

HSL 298.22, 0.7%, 0.48%

LAB 49.73, 78.06, -50.65

 

CMYK 3 / 76 / 0 / 12

HEX #DA37E1

RGB 218 55 225

HSL 297.53, 0.74%, 0.55%

LAB 55.15, 79.73, -52.68

 

CMYK 4 / 70 / 0 / 4

HEX #EB49F4

RGB 235 73 244

HSL 296.84, 0.89%, 0.62%

LAB 60.75, 80.67, -54.25

 

CMYK 1 / 64 / 0 / 0

HEX #FC5BFF

RGB 252 91 255

HSL 298.9, 1%, 0.68%

LAB 66.06, 79.79, -51.74

 

CMYK 7 / 90 / 0 / 25

HEX #B313C0

RGB 179 19 192

HSL 295.49, 0.82%, 0.41%

LAB 44.02, 75.3, -51.88

 

CMYK 6 / 99 / 0 / 32

HEX #A201AD

RGB 162 1 173

HSL 296.16, 0.99%, 0.34%

LAB 39.11, 71.57, -48.73

 

CMYK 6 / 100 / 0 / 40

HEX #91009A

RGB 145 0 154

HSL 296.49, 1%, 0.3%

LAB 34.71, 65.94, -44.51

 

CMYK 5 / 100 / 0 / 47

HEX #800087

RGB 128 0 135

HSL 296.89, 1%, 0.26%

LAB 30.25, 60.06, -40.13

 

CMYK 4 / 100 / 0 / 55

HEX #6F0074

RGB 111 0 116

HSL 297.41, 1%, 0.23%

LAB 25.68, 54.05, -35.63

 

CMYK 7 / 90 / 0 / 25

HEX #B113BE

RGB 177 19 190

HSL 295.44, 0.82%, 0.41%

LAB 43.55, 74.65, -51.49

 

CMYK 0 / 90 / 17 / 25

HEX #BE139D

RGB 190 19 157

HSL 311.58, 0.82%, 0.41%

LAB 44.01, 72.24, -31.03

 

CMYK 0 / 90 / 42 / 25

HEX #BE136F

RGB 190 19 111

HSL 327.72, 0.82%, 0.41%

LAB 42.09, 67.1, -5.77

 

CMYK 0 / 90 / 66 / 25

HEX #BE1340

RGB 190 19 64

HSL 344.21, 0.82%, 0.41%

LAB 40.87, 63.69, 22.18

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 7 / 90 / 0 / 25

HEX #B113BE

RGB 177 19 190

HSL 295.44, 0.82%, 0.41%

LAB 43.55, 74.65, -51.49

 

CMYK 31 / 90 / 0 / 25

HEX #8313BE

RGB 131 19 190

HSL 279.3, 0.82%, 0.41%

LAB 36, 67.63, -64.08

 

CMYK 55 / 90 / 0 / 25

HEX #5513BE

RGB 85 19 190

HSL 263.16, 0.82%, 0.41%

LAB 29.7, 62.43, -74.68

 

CMYK 79 / 90 / 0 / 25

HEX #2713BE

RGB 39 19 190

HSL 247.02, 0.82%, 0.41%

LAB 25.61, 59.53, -81.59

 

CMYK 90 / 90 / 0 / 25

HEX #1313BE

RGB 19 19 190

HSL 240, 0.82%, 0.41%

LAB 24.71, 58.96, -83.11

 

CMYK 7 / 90 / 0 / 25

HEX #B113BE

RGB 177 19 190

HSL 295.44, 0.82%, 0.41%

LAB 43.55, 74.65, -51.49

 

CMYK 7 / 99 / 0 / 19

HEX #C002CF

RGB 192 2 207

HSL 295.61, 0.98%, 0.41%

LAB 46.65, 81.45, -56.25

 

CMYK 7 / 90 / 0 / 25

HEX #B113BE

RGB 177 19 190

HSL 295.44, 0.82%, 0.41%

LAB 43.55, 74.65, -51.49

 

CMYK 6 / 79 / 0 / 32

HEX #A324AD

RGB 163 36 173

HSL 295.62, 0.66%, 0.41%

LAB 41.32, 65.76, -45.17

 

CMYK 4 / 66 / 0 / 39

HEX #95359C

RGB 149 53 156

HSL 295.92, 0.49%, 0.41%

LAB 40.14, 53.76, -37.01

 

CMYK 4 / 50 / 0 / 45

HEX #86468C

RGB 134 70 140

HSL 294.86, 0.33%, 0.41%

LAB 40.15, 38.33, -27.45

 

CMYK 2 / 30 / 0 / 52

HEX #78567B

RGB 120 86 123

HSL 295.14, 0.18%, 0.41%

LAB 41.34, 20.92, -15.39

 

CMYK 55 / 90 / 0 / 25

HEX #5513BE

RGB 85 19 190

HSL 263.16, 0.82%, 0.41%

LAB 29.7, 62.43, -74.68

 

CMYK 32 / 90 / 0 / 25

HEX #8213BE

RGB 130 19 190

HSL 278.95, 0.82%, 0.41%

LAB 35.85, 67.5, -64.34

 

CMYK 7 / 90 / 0 / 25

HEX #B013BE

RGB 176 19 190

HSL 295.09, 0.82%, 0.41%

LAB 43.38, 74.48, -51.78

 

CMYK 0 / 90 / 16 / 25

HEX #BE139F

RGB 190 19 159

HSL 310.88, 0.82%, 0.41%

LAB 44.11, 72.5, -32.08

 

CMYK 0 / 90 / 41 / 25

HEX #BE1371

RGB 190 19 113

HSL 327.02, 0.82%, 0.41%

LAB 42.16, 67.29, -6.92

 

CMYK 7 / 90 / 0 / 55

HEX #6B0B73

RGB 107 11 115

HSL 295.38, 0.83%, 0.25%

LAB 25.57, 51.03, -35.21

 

CMYK 7 / 90 / 0 / 40

HEX #8E0F99

RGB 142 15 153

HSL 295.22, 0.82%, 0.33%

LAB 34.79, 63.22, -43.81

 

CMYK 7 / 90 / 0 / 25

HEX #B113BE

RGB 177 19 190

HSL 295.44, 0.82%, 0.41%

LAB 43.55, 74.65, -51.49

 

CMYK 7 / 90 / 0 / 11

HEX #D417E4

RGB 212 23 228

HSL 295.32, 0.82%, 0.49%

LAB 52.08, 85.78, -59.35

 

CMYK 6 / 76 / 0 / 8

HEX #DE38EB

RGB 222 56 235

HSL 295.64, 0.82%, 0.57%

LAB 56.44, 81.82, -56.2

 

CMYK 7 / 90 / 0 / 25

HEX #B313C0

RGB 179 19 192

HSL 295.49, 0.82%, 0.41%

LAB 44.02, 75.3, -51.88

 

CMYK 0 / 79 / 90 / 25

HEX #BE2713

RGB 190 39 19

HSL 7.02, 0.82%, 0.41%

LAB 41.92, 57.72, 48.39

 

CMYK 90 / 0 / 44 / 25

HEX #13BE6B

RGB 19 190 107

HSL 150.88, 0.82%, 0.41%

LAB 68.04, -58.37, 30.97

 

CMYK 7 / 90 / 0 / 25

HEX #B313C0

RGB 179 19 192

HSL 295.49, 0.82%, 0.41%

LAB 44.02, 75.3, -51.88

 

CMYK 0 / 7 / 90 / 25

HEX #BEB013

RGB 190 176 19

HSL 55.09, 0.82%, 0.41%

LAB 70.9, -9.9, 70.53

 

CMYK 90 / 0 / 7 / 25

HEX #13BEB0

RGB 19 190 176

HSL 175.09, 0.82%, 0.41%

LAB 69.54, -41.99, -4.11

 

CMYK 7 / 90 / 0 / 25

HEX #B313C0

RGB 179 19 192

HSL 295.49, 0.82%, 0.41%

LAB 44.02, 75.3, -51.88

 

CMYK 0 / 79 / 90 / 25

HEX #BE2713

RGB 190 39 19

HSL 7.02, 0.82%, 0.41%

LAB 41.92, 57.72, 48.39

 

CMYK 83 / 0 / 90 / 25

HEX #21BE13

RGB 33 190 19

HSL 115.09, 0.82%, 0.41%

LAB 67.42, -66.43, 64.54

 

CMYK 90 / 11 / 0 / 25

HEX #13AABE

RGB 19 170 190

HSL 187.02, 0.82%, 0.41%

LAB 63.84, -28.38, -20.41

 

CMYK 7 / 90 / 0 / 25

HEX #B313C0

RGB 179 19 192

HSL 295.49, 0.82%, 0.41%

LAB 44.02, 75.3, -51.88

 

CMYK 0 / 53 / 90 / 25

HEX #BE5A13

RGB 190 90 19

HSL 24.91, 0.82%, 0.41%

LAB 49.87, 36.49, 54.31

 

CMYK 83 / 0 / 90 / 25

HEX #21BE13

RGB 33 190 19

HSL 115.09, 0.82%, 0.41%

LAB 67.42, -66.43, 64.54

 

CMYK 90 / 37 / 0 / 25

HEX #1377BE

RGB 19 119 190

HSL 204.91, 0.82%, 0.41%

LAB 48.32, -0.26, -44.58

 

Description

Color code: HEX #B313C0 | qconv.com Color code: HEX #B313C0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 19 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 19 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 90 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 90% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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