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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B312C5 it is the complementary color #4CED3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B312C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B312C5 shade: #B812C0, #C924D3, #DA36E6, #EB48F9 and #FC5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B312C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B312C5 shade: #B312C5, #A200B2, #91009F, #80008C and #6F0079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B312C5 shade: #B212C4, #C412A6, #C41276, #C41246 and #C41216

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B312C5 shade: #B212C4, #8212C4, #5212C4, #2212C4 and #1212C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B312C5 shade matches the following richer shades: #B212C4 and #C001D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B312C5 shade: #B212C4, #A424B3, #9635A1, #894690 and #7B587F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B312C5 shade: #5012C4, #8012C4, #AF12C4, #C412A9 and #C4127A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B312C5 shade: #6E0B78, #900F9E, #B212C4, #D416E9 and #DB3CED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B312C5 shade: #B312C5, #C42112 and #12C468

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B312C5 shade: #B312C5, #C4AF12 and #12C4AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B312C5 shade: #B312C5, #C42112, #27C412 and #12B5C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B312C5 shade: #B312C5, #C45612, #27C412 and #1280C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 91 / 0 / 23

HEX #B312C5

RGB 179 18 197

HSL 293.97, 0.83%, 0.42%

LAB 44.3, 76.24, -54.35

 

Complementary color

CMYK 68 / 0 / 76 / 7

HEX #4CED3A

RGB 76 237 58

HSL 113.97, 0.83%, 0.58%

LAB 83.13, -72.25, 69.36

 

CMYK 4 / 91 / 0 / 25

HEX #B812C0

RGB 184 18 192

HSL 297.24, 0.83%, 0.41%

LAB 44.84, 76.27, -50.52

 

CMYK 5 / 83 / 0 / 17

HEX #C924D3

RGB 201 36 211

HSL 296.57, 0.71%, 0.48%

LAB 49.96, 79.06, -53.16

 

CMYK 5 / 77 / 0 / 10

HEX #DA36E6

RGB 218 54 230

HSL 295.91, 0.78%, 0.56%

LAB 55.34, 80.81, -55.2

 

CMYK 6 / 71 / 0 / 2

HEX #EB48F9

RGB 235 72 249

HSL 295.25, 0.94%, 0.63%

LAB 60.9, 81.82, -56.77

 

CMYK 1 / 65 / 0 / 0

HEX #FC5AFF

RGB 252 90 255

HSL 298.91, 1%, 0.68%

LAB 65.93, 80.16, -51.95

 

CMYK 9 / 91 / 0 / 23

HEX #B312C5

RGB 179 18 197

HSL 293.97, 0.83%, 0.42%

LAB 44.3, 76.24, -54.35

 

CMYK 9 / 100 / 0 / 30

HEX #A200B2

RGB 162 0 178

HSL 294.61, 1%, 0.35%

LAB 39.4, 72.48, -51.23

 

CMYK 9 / 100 / 0 / 38

HEX #91009F

RGB 145 0 159

HSL 294.72, 1%, 0.31%

LAB 35.05, 66.75, -47

 

CMYK 9 / 100 / 0 / 45

HEX #80008C

RGB 128 0 140

HSL 294.86, 1%, 0.27%

LAB 30.6, 60.89, -42.68

 

CMYK 8 / 100 / 0 / 53

HEX #6F0079

RGB 111 0 121

HSL 295.04, 1%, 0.24%

LAB 26.04, 54.89, -38.25

 

CMYK 9 / 91 / 0 / 23

HEX #B212C4

RGB 178 18 196

HSL 293.93, 0.83%, 0.42%

LAB 44.06, 75.92, -54.16

 

CMYK 0 / 91 / 15 / 23

HEX #C412A6

RGB 196 18 166

HSL 310.11, 0.83%, 0.42%

LAB 45.53, 74.72, -33.96

 

CMYK 0 / 91 / 40 / 23

HEX #C41276

RGB 196 18 118

HSL 326.29, 0.83%, 0.42%

LAB 43.47, 69.27, -7.95

 

CMYK 0 / 91 / 64 / 23

HEX #C41246

RGB 196 18 70

HSL 342.47, 0.83%, 0.42%

LAB 42.17, 65.67, 20.33

 

CMYK 0 / 91 / 89 / 23

HEX #C41216

RGB 196 18 22

HSL 358.65, 0.83%, 0.42%

LAB 41.57, 63.98, 47.39

 

CMYK 9 / 91 / 0 / 23

HEX #B212C4

RGB 178 18 196

HSL 293.93, 0.83%, 0.42%

LAB 44.06, 75.92, -54.16

 

CMYK 34 / 91 / 0 / 23

HEX #8212C4

RGB 130 18 196

HSL 277.75, 0.83%, 0.42%

LAB 36.3, 68.9, -67.13

 

CMYK 58 / 91 / 0 / 23

HEX #5212C4

RGB 82 18 196

HSL 261.57, 0.83%, 0.42%

LAB 29.94, 63.88, -77.82

 

CMYK 83 / 91 / 0 / 23

HEX #2212C4

RGB 34 18 196

HSL 245.39, 0.83%, 0.42%

LAB 26.03, 61.29, -84.43

 

CMYK 91 / 91 / 0 / 23

HEX #1212C4

RGB 18 18 196

HSL 240, 0.83%, 0.42%

LAB 25.4, 60.92, -85.5

 

CMYK 9 / 91 / 0 / 23

HEX #B212C4

RGB 178 18 196

HSL 293.93, 0.83%, 0.42%

LAB 44.06, 75.92, -54.16

 

CMYK 10 / 100 / 0 / 16

HEX #C001D5

RGB 192 1 213

HSL 294.06, 0.99%, 0.42%

LAB 47.02, 82.47, -59.12

 

CMYK 9 / 91 / 0 / 23

HEX #B212C4

RGB 178 18 196

HSL 293.93, 0.83%, 0.42%

LAB 44.06, 75.92, -54.16

 

CMYK 8 / 80 / 0 / 30

HEX #A424B3

RGB 164 36 179

HSL 293.71, 0.67%, 0.42%

LAB 41.86, 66.98, -47.85

 

CMYK 7 / 67 / 0 / 37

HEX #9635A1

RGB 150 53 161

HSL 293.89, 0.5%, 0.42%

LAB 40.58, 54.92, -39.31

 

CMYK 5 / 51 / 0 / 44

HEX #894690

RGB 137 70 144

HSL 294.32, 0.35%, 0.42%

LAB 40.76, 40.03, -28.91

 

CMYK 3 / 31 / 0 / 50

HEX #7B587F

RGB 123 88 127

HSL 293.85, 0.18%, 0.42%

LAB 42.34, 21.63, -16.27

 

CMYK 59 / 91 / 0 / 23

HEX #5012C4

RGB 80 18 196

HSL 260.9, 0.83%, 0.42%

LAB 29.72, 63.72, -78.19

 

CMYK 35 / 91 / 0 / 23

HEX #8012C4

RGB 128 18 196

HSL 277.08, 0.83%, 0.42%

LAB 36, 68.64, -67.63

 

CMYK 11 / 91 / 0 / 23

HEX #AF12C4

RGB 175 18 196

HSL 292.92, 0.83%, 0.42%

LAB 43.55, 75.43, -55.01

 

CMYK 0 / 91 / 14 / 23

HEX #C412A9

RGB 196 18 169

HSL 309.1, 0.83%, 0.42%

LAB 45.68, 75.11, -35.51

 

CMYK 0 / 91 / 38 / 23

HEX #C4127A

RGB 196 18 122

HSL 324.94, 0.83%, 0.42%

LAB 43.61, 69.66, -10.21

 

CMYK 8 / 91 / 0 / 53

HEX #6E0B78

RGB 110 11 120

HSL 294.5, 0.83%, 0.26%

LAB 26.48, 52.48, -36.92

 

CMYK 9 / 91 / 0 / 38

HEX #900F9E

RGB 144 15 158

HSL 294.13, 0.83%, 0.34%

LAB 35.48, 64.41, -45.72

 

CMYK 9 / 91 / 0 / 23

HEX #B212C4

RGB 178 18 196

HSL 293.93, 0.83%, 0.42%

LAB 44.06, 75.92, -54.16

 

CMYK 9 / 91 / 0 / 9

HEX #D416E9

RGB 212 22 233

HSL 294.03, 0.83%, 0.5%

LAB 52.35, 86.68, -61.74

 

CMYK 8 / 75 / 0 / 7

HEX #DB3CED

RGB 219 60 237

HSL 293.9, 0.83%, 0.58%

LAB 56.49, 80.42, -57.27

 

CMYK 9 / 91 / 0 / 23

HEX #B312C5

RGB 179 18 197

HSL 293.97, 0.83%, 0.42%

LAB 44.3, 76.24, -54.35

 

CMYK 0 / 83 / 91 / 23

HEX #C42112

RGB 196 33 18

HSL 5.06, 0.83%, 0.42%

LAB 42.56, 61.03, 49.82

 

CMYK 91 / 0 / 47 / 23

HEX #12C468

RGB 18 196 104

HSL 148.99, 0.83%, 0.42%

LAB 69.9, -61.01, 34.89

 

CMYK 9 / 91 / 0 / 23

HEX #B312C5

RGB 179 18 197

HSL 293.97, 0.83%, 0.42%

LAB 44.3, 76.24, -54.35

 

CMYK 0 / 11 / 91 / 23

HEX #C4AF12

RGB 196 175 18

HSL 52.92, 0.83%, 0.42%

LAB 71.17, -6.74, 71.14

 

CMYK 91 / 0 / 11 / 23

HEX #12C4AF

RGB 18 196 175

HSL 172.92, 0.83%, 0.42%

LAB 71.35, -44.91, -0.9

 

CMYK 9 / 91 / 0 / 23

HEX #B312C5

RGB 179 18 197

HSL 293.97, 0.83%, 0.42%

LAB 44.3, 76.24, -54.35

 

CMYK 0 / 83 / 91 / 23

HEX #C42112

RGB 196 33 18

HSL 5.06, 0.83%, 0.42%

LAB 42.56, 61.03, 49.82

 

CMYK 80 / 0 / 91 / 23

HEX #27C412

RGB 39 196 18

HSL 112.92, 0.83%, 0.42%

LAB 69.44, -67.51, 66.45

 

CMYK 91 / 8 / 0 / 23

HEX #12B5C4

RGB 18 181 196

HSL 185.06, 0.83%, 0.42%

LAB 67.4, -31.86, -18.32

 

CMYK 9 / 91 / 0 / 23

HEX #B312C5

RGB 179 18 197

HSL 293.97, 0.83%, 0.42%

LAB 44.3, 76.24, -54.35

 

CMYK 0 / 56 / 91 / 23

HEX #C45612

RGB 196 86 18

HSL 22.92, 0.83%, 0.42%

LAB 50.02, 40.85, 55.15

 

CMYK 80 / 0 / 91 / 23

HEX #27C412

RGB 39 196 18

HSL 112.92, 0.83%, 0.42%

LAB 69.44, -67.51, 66.45

 

CMYK 91 / 35 / 0 / 23

HEX #1280C4

RGB 18 128 196

HSL 202.92, 0.83%, 0.42%

LAB 51.33, -3.43, -43.25

 

Description

Color code: HEX #B312C5 | qconv.com Color code: HEX #B312C5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 18 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 18 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 91 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 91% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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