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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B312A0 it is the complementary color #4CED5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B312A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B312A0 shade: #B8129B, #C924AE, #DA36C1, #EB48D4 and #FC5AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B312A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B312A0 shade: #B312A0, #A2008D, #91007A, #800067 and #6F0054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B312A0 shade: #B512A2, #B51276, #B5124A, #B5121E and #B51212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B312A0 shade: #B512A2, #9C12B5, #7012B5, #4412B5 and #1812B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B312A0 shade matches the following richer shades: #B512A2 and #C502AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B312A0 shade: #B512A2, #A52295, #953289, #85427D and #755271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B312A0 shade: #7112B5, #9D12B5, #B512A2, #B51276 and #B5124B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B312A0 shade: #6A0A5F, #8F0E80, #B512A2, #DB16C3 and #EA2FD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B312A0 shade: #B312A0, #B54612 and #12B587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B312A0 shade: #B312A0, #A2B512 and #12A2B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B312A0 shade: #B312A0, #B54612, #12B525 and #1281B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B312A0 shade: #B312A0, #B57612, #12B525 and #1250B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 11 / 30

HEX #B312A0

RGB 179 18 160

HSL 307.08, 0.82%, 0.39%

LAB 42.08, 70.64, -36.01

 

Complementary color

CMYK 68 / 0 / 60 / 7

HEX #4CED5F

RGB 76 237 95

HSL 127.08, 0.82%, 0.61%

LAB 83.41, -68.97, 55.63

 

CMYK 0 / 90 / 16 / 28

HEX #B8129B

RGB 184 18 155

HSL 310.48, 0.82%, 0.4%

LAB 42.75, 70.94, -31.89

 

CMYK 0 / 82 / 13 / 21

HEX #C924AE

RGB 201 36 174

HSL 309.82, 0.7%, 0.46%

LAB 47.92, 73.59, -34.87

 

CMYK 0 / 75 / 11 / 15

HEX #DA36C1

RGB 218 54 193

HSL 309.15, 0.69%, 0.53%

LAB 53.38, 75.21, -37.19

 

CMYK 0 / 69 / 10 / 8

HEX #EB48D4

RGB 235 72 212

HSL 308.47, 0.8%, 0.6%

LAB 59.02, 76.08, -39.02

 

CMYK 0 / 64 / 8 / 1

HEX #FC5AE7

RGB 252 90 231

HSL 307.78, 0.96%, 0.67%

LAB 64.79, 76.43, -40.47

 

CMYK 0 / 90 / 11 / 30

HEX #B312A0

RGB 179 18 160

HSL 307.08, 0.82%, 0.39%

LAB 42.08, 70.64, -36.01

 

CMYK 0 / 100 / 13 / 36

HEX #A2008D

RGB 162 0 141

HSL 307.78, 1%, 0.32%

LAB 37.12, 66.96, -32.51

 

CMYK 0 / 100 / 16 / 43

HEX #91007A

RGB 145 0 122

HSL 309.52, 1%, 0.28%

LAB 32.76, 61.19, -27.79

 

CMYK 0 / 100 / 20 / 50

HEX #800067

RGB 128 0 103

HSL 311.72, 1%, 0.25%

LAB 28.3, 55.29, -22.88

 

CMYK 0 / 100 / 24 / 56

HEX #6F0054

RGB 111 0 84

HSL 314.59, 1%, 0.22%

LAB 23.74, 49.26, -17.74

 

CMYK 0 / 90 / 10 / 29

HEX #B512A2

RGB 181 18 162

HSL 306.99, 0.82%, 0.39%

LAB 42.56, 71.31, -36.44

 

CMYK 0 / 90 / 35 / 29

HEX #B51276

RGB 181 18 118

HSL 323.19, 0.82%, 0.39%

LAB 40.52, 65.9, -12.7

 

CMYK 0 / 90 / 59 / 29

HEX #B5124A

RGB 181 18 74

HSL 339.39, 0.82%, 0.39%

LAB 39.16, 62.15, 13.21

 

CMYK 0 / 90 / 83 / 29

HEX #B5121E

RGB 181 18 30

HSL 355.58, 0.82%, 0.39%

LAB 38.46, 60.17, 39.45

 

CMYK 0 / 90 / 90 / 29

HEX #B51212

RGB 181 18 18

HSL 0, 0.82%, 0.39%

LAB 38.38, 59.92, 45.4

 

CMYK 0 / 90 / 10 / 29

HEX #B512A2

RGB 181 18 162

HSL 306.99, 0.82%, 0.39%

LAB 42.56, 71.31, -36.44

 

CMYK 14 / 90 / 0 / 29

HEX #9C12B5

RGB 156 18 181

HSL 290.8, 0.82%, 0.39%

LAB 39.3, 69.85, -53.22

 

CMYK 38 / 90 / 0 / 29

HEX #7012B5

RGB 112 18 181

HSL 274.6, 0.82%, 0.39%

LAB 32.29, 63.49, -64.95

 

CMYK 62 / 90 / 0 / 29

HEX #4412B5

RGB 68 18 181

HSL 258.4, 0.82%, 0.39%

LAB 26.73, 59.05, -74.31

 

CMYK 87 / 90 / 0 / 29

HEX #1812B5

RGB 24 18 181

HSL 242.21, 0.82%, 0.39%

LAB 23.55, 56.87, -79.69

 

CMYK 0 / 90 / 10 / 29

HEX #B512A2

RGB 181 18 162

HSL 306.99, 0.82%, 0.39%

LAB 42.56, 71.31, -36.44

 

CMYK 0 / 99 / 12 / 23

HEX #C502AE

RGB 197 2 174

HSL 307.08, 0.98%, 0.39%

LAB 45.59, 77.53, -38.6

 

CMYK 0 / 90 / 10 / 29

HEX #B512A2

RGB 181 18 162

HSL 306.99, 0.82%, 0.39%

LAB 42.56, 71.31, -36.44

 

CMYK 0 / 79 / 10 / 35

HEX #A52295

RGB 165 34 149

HSL 307.33, 0.66%, 0.39%

LAB 40.1, 62.89, -32.66

 

CMYK 0 / 66 / 8 / 42

HEX #953289

RGB 149 50 137

HSL 307.27, 0.5%, 0.39%

LAB 38.69, 51.69, -27.75

 

CMYK 0 / 50 / 6 / 48

HEX #85427D

RGB 133 66 125

HSL 307.16, 0.34%, 0.39%

LAB 38.49, 37.27, -20.86

 

CMYK 0 / 30 / 3 / 54

HEX #755271

RGB 117 82 113

HSL 306.86, 0.18%, 0.39%

LAB 39.6, 20.17, -11.94

 

CMYK 38 / 90 / 0 / 29

HEX #7112B5

RGB 113 18 181

HSL 274.97, 0.82%, 0.39%

LAB 32.43, 63.62, -64.7

 

CMYK 13 / 90 / 0 / 29

HEX #9D12B5

RGB 157 18 181

HSL 291.17, 0.82%, 0.39%

LAB 39.47, 70.01, -52.94

 

CMYK 0 / 90 / 10 / 29

HEX #B512A2

RGB 181 18 162

HSL 306.99, 0.82%, 0.39%

LAB 42.56, 71.31, -36.44

 

CMYK 0 / 90 / 35 / 29

HEX #B51276

RGB 181 18 118

HSL 323.19, 0.82%, 0.39%

LAB 40.52, 65.9, -12.7

 

CMYK 0 / 90 / 59 / 29

HEX #B5124B

RGB 181 18 75

HSL 339.02, 0.82%, 0.39%

LAB 39.18, 62.21, 12.61

 

CMYK 0 / 91 / 10 / 58

HEX #6A0A5F

RGB 106 10 95

HSL 306.88, 0.83%, 0.23%

LAB 24.02, 47.68, -24.68

 

CMYK 0 / 90 / 10 / 44

HEX #8F0E80

RGB 143 14 128

HSL 306.98, 0.82%, 0.31%

LAB 33.38, 59.64, -30.61

 

CMYK 0 / 90 / 10 / 29

HEX #B512A2

RGB 181 18 162

HSL 306.99, 0.82%, 0.39%

LAB 42.56, 71.31, -36.44

 

CMYK 0 / 90 / 11 / 14

HEX #DB16C3

RGB 219 22 195

HSL 307.31, 0.82%, 0.47%

LAB 51.35, 82.34, -41.53

 

CMYK 0 / 80 / 9 / 8

HEX #EA2FD4

RGB 234 47 212

HSL 307.06, 0.82%, 0.55%

LAB 56.37, 82.99, -43.2

 

CMYK 0 / 90 / 11 / 30

HEX #B312A0

RGB 179 18 160

HSL 307.08, 0.82%, 0.39%

LAB 42.08, 70.64, -36.01

 

CMYK 0 / 61 / 90 / 29

HEX #B54612

RGB 181 70 18

HSL 19.14, 0.82%, 0.39%

LAB 44.59, 42.82, 50.01

 

CMYK 90 / 0 / 25 / 29

HEX #12B587

RGB 18 181 135

HSL 163.07, 0.82%, 0.39%

LAB 65.69, -49.14, 12.84

 

CMYK 0 / 90 / 11 / 30

HEX #B312A0

RGB 179 18 160

HSL 307.08, 0.82%, 0.39%

LAB 42.08, 70.64, -36.01

 

CMYK 10 / 0 / 90 / 29

HEX #A2B512

RGB 162 181 18

HSL 66.99, 0.82%, 0.39%

LAB 70.02, -24.62, 69.03

 

CMYK 90 / 10 / 0 / 29

HEX #12A2B5

RGB 18 162 181

HSL 186.99, 0.82%, 0.39%

LAB 61.05, -27.41, -19.62

 

CMYK 0 / 90 / 11 / 30

HEX #B312A0

RGB 179 18 160

HSL 307.08, 0.82%, 0.39%

LAB 42.08, 70.64, -36.01

 

CMYK 0 / 61 / 90 / 29

HEX #B54612

RGB 181 70 18

HSL 19.14, 0.82%, 0.39%

LAB 44.59, 42.82, 50.01

 

CMYK 90 / 0 / 80 / 29

HEX #12B525

RGB 18 181 37

HSL 126.99, 0.82%, 0.39%

LAB 64.41, -64.3, 57.47

 

CMYK 90 / 29 / 0 / 29

HEX #1281B5

RGB 18 129 181

HSL 199.14, 0.82%, 0.39%

LAB 50.88, -9.69, -35.35

 

CMYK 0 / 90 / 11 / 30

HEX #B312A0

RGB 179 18 160

HSL 307.08, 0.82%, 0.39%

LAB 42.08, 70.64, -36.01

 

CMYK 0 / 35 / 90 / 29

HEX #B57612

RGB 181 118 18

HSL 36.81, 0.82%, 0.39%

LAB 54.89, 17.52, 57.88

 

CMYK 90 / 0 / 80 / 29

HEX #12B525

RGB 18 181 37

HSL 126.99, 0.82%, 0.39%

LAB 64.41, -64.3, 57.47

 

CMYK 90 / 56 / 0 / 29

HEX #1250B5

RGB 18 80 181

HSL 217.18, 0.82%, 0.39%

LAB 36.37, 21.27, -58.56

 

Description

Color code: HEX #B312A0 | qconv.com Color code: HEX #B312A0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 18 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 18 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 11 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 11% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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