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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B30ECB it is the complementary color #4CF134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B30ECB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B30ECB shade: #B80EC6, #C920D9, #DA32EC, #EB44FF and #FC56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B30ECB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B30ECB shade: #B30ECB, #A200B8, #9100A5, #800092 and #6F007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B30ECB shade: #B50ECD, #CD0EB2, #CD0E7E, #CD0E4B and #CD0E17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B30ECB shade: #B50ECD, #810ECD, #4E0ECD, #1A0ECD and #0E0ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B30ECB shade matches the following richer shades: #B50ECD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B30ECB shade: #B50ECD, #A820BB, #9A32AA, #8D4398 and #805586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B30ECB shade: #4E0ECD, #810ECD, #B40ECD, #CD0EB4 and #CD0E81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B30ECB shade: #710980, #930CA6, #B50ECD, #D316EF and #DA3CF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B30ECB shade: #B30ECB, #CD1B0E and #0ECD67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B30ECB shade: #B30ECB, #CDB40E and #0ECDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B30ECB shade: #B30ECB, #CD1B0E, #28CD0E and #0EC0CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B30ECB shade: #B30ECB, #CD540E, #28CD0E and #0E87CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 93 / 0 / 20

HEX #B30ECB

RGB 179 14 203

HSL 292.38, 0.87%, 0.43%

LAB 44.53, 77.72, -57.47

 

Complementary color

CMYK 68 / 0 / 78 / 5

HEX #4CF134

RGB 76 241 52

HSL 112.38, 0.87%, 0.57%

LAB 84.33, -73.87, 72.3

 

CMYK 7 / 93 / 0 / 22

HEX #B80EC6

RGB 184 14 198

HSL 295.43, 0.87%, 0.42%

LAB 45.06, 77.7, -53.68

 

CMYK 7 / 85 / 0 / 15

HEX #C920D9

RGB 201 32 217

HSL 294.81, 0.74%, 0.49%

LAB 50.05, 80.81, -56.45

 

CMYK 8 / 79 / 0 / 7

HEX #DA32EC

RGB 218 50 236

HSL 294.19, 0.83%, 0.56%

LAB 55.32, 82.84, -58.59

 

CMYK 8 / 73 / 0 / 0

HEX #EB44FF

RGB 235 68 255

HSL 293.58, 1%, 0.63%

LAB 60.8, 84.06, -60.26

 

CMYK 1 / 66 / 0 / 0

HEX #FC56FF

RGB 252 86 255

HSL 298.93, 1%, 0.67%

LAB 65.41, 81.6, -52.76

 

CMYK 12 / 93 / 0 / 20

HEX #B30ECB

RGB 179 14 203

HSL 292.38, 0.87%, 0.43%

LAB 44.53, 77.72, -57.47

 

CMYK 12 / 100 / 0 / 28

HEX #A200B8

RGB 162 0 184

HSL 292.83, 1%, 0.36%

LAB 39.82, 73.45, -54.11

 

CMYK 12 / 100 / 0 / 35

HEX #9100A5

RGB 145 0 165

HSL 292.73, 1%, 0.32%

LAB 35.47, 67.74, -49.95

 

CMYK 12 / 100 / 0 / 43

HEX #800092

RGB 128 0 146

HSL 292.6, 1%, 0.29%

LAB 31.03, 61.91, -45.7

 

CMYK 13 / 100 / 0 / 50

HEX #6F007F

RGB 111 0 127

HSL 292.44, 1%, 0.25%

LAB 26.48, 55.93, -41.35

 

CMYK 12 / 93 / 0 / 20

HEX #B50ECD

RGB 181 14 205

HSL 292.46, 0.87%, 0.43%

LAB 45.01, 78.36, -57.84

 

CMYK 0 / 93 / 13 / 20

HEX #CD0EB2

RGB 205 14 178

HSL 308.48, 0.87%, 0.43%

LAB 47.63, 78.45, -37.64

 

CMYK 0 / 93 / 39 / 20

HEX #CD0E7E

RGB 205 14 126

HSL 324.82, 0.87%, 0.43%

LAB 45.36, 72.52, -9.88

 

CMYK 0 / 93 / 63 / 20

HEX #CD0E4B

RGB 205 14 75

HSL 340.84, 0.87%, 0.43%

LAB 43.95, 68.68, 19.87

 

CMYK 0 / 93 / 89 / 20

HEX #CD0E17

RGB 205 14 23

HSL 357.17, 0.87%, 0.43%

LAB 43.29, 66.86, 49.07

 

CMYK 12 / 93 / 0 / 20

HEX #B50ECD

RGB 181 14 205

HSL 292.46, 0.87%, 0.43%

LAB 45.01, 78.36, -57.84

 

CMYK 37 / 93 / 0 / 20

HEX #810ECD

RGB 129 14 205

HSL 276.13, 0.87%, 0.43%

LAB 36.72, 71.28, -71.69

 

CMYK 62 / 93 / 0 / 20

HEX #4E0ECD

RGB 78 14 205

HSL 260.1, 0.87%, 0.43%

LAB 30.26, 66.66, -82.58

 

CMYK 87 / 93 / 0 / 20

HEX #1A0ECD

RGB 26 14 205

HSL 243.77, 0.87%, 0.43%

LAB 26.57, 64.55, -88.83

 

CMYK 93 / 93 / 0 / 20

HEX #0E0ECD

RGB 14 14 205

HSL 240, 0.87%, 0.43%

LAB 26.2, 64.37, -89.45

 

CMYK 12 / 93 / 0 / 20

HEX #B50ECD

RGB 181 14 205

HSL 292.46, 0.87%, 0.43%

LAB 45.01, 78.36, -57.84

 

CMYK 12 / 93 / 0 / 20

HEX #B50ECD

RGB 181 14 205

HSL 292.46, 0.87%, 0.43%

LAB 45.01, 78.36, -57.84

 

CMYK 10 / 83 / 0 / 27

HEX #A820BB

RGB 168 32 187

HSL 292.65, 0.71%, 0.43%

LAB 42.68, 70.11, -51.21

 

CMYK 9 / 71 / 0 / 33

HEX #9A32AA

RGB 154 50 170

HSL 292, 0.55%, 0.43%

LAB 41.3, 58.71, -43.5

 

CMYK 7 / 56 / 0 / 40

HEX #8D4398

RGB 141 67 152

HSL 292.24, 0.39%, 0.43%

LAB 41.13, 44.36, -33.12

 

CMYK 4 / 37 / 0 / 47

HEX #805586

RGB 128 85 134

HSL 292.65, 0.22%, 0.43%

LAB 42.47, 26.63, -20.27

 

CMYK 62 / 93 / 0 / 20

HEX #4E0ECD

RGB 78 14 205

HSL 260.1, 0.87%, 0.43%

LAB 30.26, 66.66, -82.58

 

CMYK 37 / 93 / 0 / 20

HEX #810ECD

RGB 129 14 205

HSL 276.13, 0.87%, 0.43%

LAB 36.72, 71.28, -71.69

 

CMYK 12 / 93 / 0 / 20

HEX #B40ECD

RGB 180 14 205

HSL 292.15, 0.87%, 0.43%

LAB 44.84, 78.2, -58.13

 

CMYK 0 / 93 / 12 / 20

HEX #CD0EB4

RGB 205 14 180

HSL 307.85, 0.87%, 0.43%

LAB 47.74, 78.71, -38.65

 

CMYK 0 / 93 / 37 / 20

HEX #CD0E81

RGB 205 14 129

HSL 323.87, 0.87%, 0.43%

LAB 45.47, 72.81, -11.55

 

CMYK 12 / 93 / 0 / 50

HEX #710980

RGB 113 9 128

HSL 292.44, 0.87%, 0.27%

LAB 27.48, 54.81, -40.35

 

CMYK 11 / 93 / 0 / 35

HEX #930CA6

RGB 147 12 166

HSL 292.6, 0.87%, 0.35%

LAB 36.4, 66.72, -49.03

 

CMYK 12 / 93 / 0 / 20

HEX #B50ECD

RGB 181 14 205

HSL 292.46, 0.87%, 0.43%

LAB 45.01, 78.36, -57.84

 

CMYK 12 / 91 / 0 / 6

HEX #D316EF

RGB 211 22 239

HSL 292.26, 0.87%, 0.51%

LAB 52.57, 87.48, -64.77

 

CMYK 10 / 75 / 0 / 5

HEX #DA3CF1

RGB 218 60 241

HSL 292.38, 0.87%, 0.59%

LAB 56.57, 80.9, -59.39

 

CMYK 12 / 93 / 0 / 20

HEX #B30ECB

RGB 179 14 203

HSL 292.38, 0.87%, 0.43%

LAB 44.53, 77.72, -57.47

 

CMYK 0 / 87 / 93 / 20

HEX #CD1B0E

RGB 205 27 14

HSL 4.08, 0.87%, 0.43%

LAB 43.94, 64.75, 53.1

 

CMYK 93 / 0 / 50 / 20

HEX #0ECD67

RGB 14 205 103

HSL 147.96, 0.87%, 0.43%

LAB 72.72, -64.36, 38.94

 

CMYK 12 / 93 / 0 / 20

HEX #B30ECB

RGB 179 14 203

HSL 292.38, 0.87%, 0.43%

LAB 44.53, 77.72, -57.47

 

CMYK 0 / 12 / 93 / 20

HEX #CDB40E

RGB 205 180 14

HSL 52.15, 0.87%, 0.43%

LAB 73.32, -5.44, 73.74

 

CMYK 93 / 0 / 12 / 20

HEX #0ECDB4

RGB 14 205 180

HSL 172.15, 0.87%, 0.43%

LAB 74.22, -47.51, 0.57

 

CMYK 12 / 93 / 0 / 20

HEX #B30ECB

RGB 179 14 203

HSL 292.38, 0.87%, 0.43%

LAB 44.53, 77.72, -57.47

 

CMYK 0 / 87 / 93 / 20

HEX #CD1B0E

RGB 205 27 14

HSL 4.08, 0.87%, 0.43%

LAB 43.94, 64.75, 53.1

 

CMYK 80 / 0 / 93 / 20

HEX #28CD0E

RGB 40 205 14

HSL 111.83, 0.87%, 0.43%

LAB 72.33, -70.11, 69.45

 

CMYK 93 / 6 / 0 / 20

HEX #0EC0CD

RGB 14 192 205

HSL 184.08, 0.87%, 0.43%

LAB 71.01, -34.42, -17.8

 

CMYK 12 / 93 / 0 / 20

HEX #B30ECB

RGB 179 14 203

HSL 292.38, 0.87%, 0.43%

LAB 44.53, 77.72, -57.47

 

CMYK 0 / 59 / 93 / 20

HEX #CD540E

RGB 205 84 14

HSL 21.99, 0.87%, 0.43%

LAB 51.1, 45.17, 57.71

 

CMYK 80 / 0 / 93 / 20

HEX #28CD0E

RGB 40 205 14

HSL 111.83, 0.87%, 0.43%

LAB 72.33, -70.11, 69.45

 

CMYK 93 / 34 / 0 / 20

HEX #0E87CD

RGB 14 135 205

HSL 201.99, 0.87%, 0.43%

LAB 53.85, -4.33, -44.38

 

Description

Color code: HEX #B30ECB | qconv.com Color code: HEX #B30ECB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 14 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 14 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 93 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 93% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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