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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B303EE it is the complementary color #4CFC11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B303EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B303EE shade: #B803E9, #C915FC, #DA27FF, #EB39FF and #FC4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B303EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B303EE shade: #B303EE, #A200DB, #9100C8, #8000B5 and #6F00A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B303EE shade: #B202ED, #ED02E9, #ED02AA, #ED026A and #ED022B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B303EE shade: #B202ED, #7302ED, #3402ED and #0202ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B303EE shade matches the following richer shades: #B202ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B303EE shade: #B202ED, #A916DA, #9F29C7, #953DB3 and #8C50A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B303EE shade: #3102ED, #7002ED, #AF02ED, #ED02ED and #ED02AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B303EE shade: #75029C, #9402C4, #B202ED, #C41CFD and #CF45FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B303EE shade: #B303EE, #ED0212 and #02ED51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B303EE shade: #B303EE, #EDAF02 and #02EDAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B303EE shade: #B303EE, #ED0212, #41ED02 and #02EDDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B303EE shade: #B303EE, #ED3902, #41ED02 and #02B6ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 99 / 0 / 7

HEX #B303EE

RGB 179 3 238

HSL 284.94, 0.98%, 0.47%

LAB 46.74, 84.7, -73.9

 

Complementary color

CMYK 70 / 0 / 93 / 1

HEX #4CFC11

RGB 76 252 17

HSL 104.94, 0.98%, 0.53%

LAB 87.58, -78.48, 81.97

 

CMYK 21 / 99 / 0 / 9

HEX #B803E9

RGB 184 3 233

HSL 287.22, 0.97%, 0.46%

LAB 47.16, 84.47, -70.36

 

CMYK 20 / 92 / 0 / 1

HEX #C915FC

RGB 201 21 252

HSL 286.75, 0.97%, 0.54%

LAB 51.82, 88.3, -73.34

 

CMYK 15 / 85 / 0 / 0

HEX #DA27FF

RGB 218 39 255

HSL 289.72, 1%, 0.58%

LAB 55.66, 88.43, -68.65

 

CMYK 8 / 78 / 0 / 0

HEX #EB39FF

RGB 235 57 255

HSL 293.94, 1%, 0.61%

LAB 59.72, 87.18, -61.99

 

CMYK 1 / 71 / 0 / 0

HEX #FC4BFF

RGB 252 75 255

HSL 299, 1%, 0.65%

LAB 64.12, 85.27, -54.81

 

CMYK 25 / 99 / 0 / 7

HEX #B303EE

RGB 179 3 238

HSL 284.94, 0.98%, 0.47%

LAB 46.74, 84.7, -73.9

 

CMYK 26 / 100 / 0 / 14

HEX #A200DB

RGB 162 0 219

HSL 284.38, 1%, 0.43%

LAB 42.45, 79.49, -70.2

 

CMYK 28 / 100 / 0 / 22

HEX #9100C8

RGB 145 0 200

HSL 283.5, 1%, 0.39%

LAB 38.18, 73.93, -66.29

 

CMYK 29 / 100 / 0 / 29

HEX #8000B5

RGB 128 0 181

HSL 282.43, 1%, 0.35%

LAB 33.83, 68.27, -62.33

 

CMYK 31 / 100 / 0 / 36

HEX #6F00A2

RGB 111 0 162

HSL 281.11, 1%, 0.32%

LAB 29.38, 62.51, -58.3

 

CMYK 25 / 99 / 0 / 7

HEX #B202ED

RGB 178 2 237

HSL 284.94, 0.98%, 0.47%

LAB 46.48, 84.48, -73.77

 

CMYK 0 / 99 / 2 / 7

HEX #ED02E9

RGB 237 2 233

HSL 301.02, 0.98%, 0.47%

LAB 56.02, 92.27, -55.62

 

CMYK 0 / 99 / 28 / 7

HEX #ED02AA

RGB 237 2 170

HSL 317.11, 0.98%, 0.47%

LAB 52.89, 84.49, -24.28

 

CMYK 0 / 99 / 55 / 7

HEX #ED026A

RGB 237 2 106

HSL 333.45, 0.98%, 0.47%

LAB 50.79, 78.99, 11.09

 

CMYK 0 / 99 / 82 / 7

HEX #ED022B

RGB 237 2 43

HSL 349.53, 0.98%, 0.47%

LAB 49.76, 76.22, 47.25

 

CMYK 25 / 99 / 0 / 7

HEX #B202ED

RGB 178 2 237

HSL 284.94, 0.98%, 0.47%

LAB 46.48, 84.48, -73.77

 

CMYK 51 / 99 / 0 / 7

HEX #7302ED

RGB 115 2 237

HSL 268.85, 0.98%, 0.47%

LAB 37.49, 78.2, -88.88

 

CMYK 78 / 99 / 0 / 7

HEX #3402ED

RGB 52 2 237

HSL 252.77, 0.98%, 0.47%

LAB 31.55, 75.22, -98.91

 

CMYK 99 / 99 / 0 / 7

HEX #0202ED

RGB 2 2 237

HSL 240, 0.98%, 0.47%

LAB 29.84, 74.6, -101.82

 

CMYK 25 / 99 / 0 / 7

HEX #B202ED

RGB 178 2 237

HSL 284.94, 0.98%, 0.47%

LAB 46.48, 84.48, -73.77

 

CMYK 25 / 99 / 0 / 7

HEX #B202ED

RGB 178 2 237

HSL 284.94, 0.98%, 0.47%

LAB 46.48, 84.48, -73.77

 

CMYK 22 / 90 / 0 / 15

HEX #A916DA

RGB 169 22 218

HSL 285, 0.82%, 0.47%

LAB 44.33, 77.72, -66.51

 

CMYK 20 / 79 / 0 / 22

HEX #9F29C7

RGB 159 41 199

HSL 284.81, 0.66%, 0.47%

LAB 42.88, 68.25, -57.97

 

CMYK 17 / 66 / 0 / 30

HEX #953DB3

RGB 149 61 179

HSL 284.75, 0.49%, 0.47%

LAB 42.74, 54.75, -46.58

 

CMYK 13 / 50 / 0 / 37

HEX #8C50A0

RGB 140 80 160

HSL 285, 0.33%, 0.47%

LAB 44.02, 38.84, -33.36

 

CMYK 79 / 99 / 0 / 7

HEX #3102ED

RGB 49 2 237

HSL 252, 0.98%, 0.47%

LAB 31.37, 75.15, -99.22

 

CMYK 53 / 99 / 0 / 7

HEX #7002ED

RGB 112 2 237

HSL 268.09, 0.98%, 0.47%

LAB 37.12, 77.98, -89.5

 

CMYK 26 / 99 / 0 / 7

HEX #AF02ED

RGB 175 2 237

HSL 284.17, 0.98%, 0.47%

LAB 46, 84.12, -74.56

 

CMYK 0 / 99 / 0 / 7

HEX #ED02ED

RGB 237 2 237

HSL 300, 0.98%, 0.47%

LAB 56.25, 92.83, -57.49

 

CMYK 0 / 99 / 26 / 7

HEX #ED02AF

RGB 237 2 175

HSL 315.83, 0.98%, 0.47%

LAB 53.11, 85.03, -26.89

 

CMYK 25 / 99 / 0 / 39

HEX #75029C

RGB 117 2 156

HSL 284.81, 0.97%, 0.31%

LAB 29.97, 61.8, -53.64

 

CMYK 24 / 99 / 0 / 23

HEX #9402C4

RGB 148 2 196

HSL 285.15, 0.98%, 0.39%

LAB 38.42, 73.35, -63.55

 

CMYK 25 / 99 / 0 / 7

HEX #B202ED

RGB 178 2 237

HSL 284.94, 0.98%, 0.47%

LAB 46.48, 84.48, -73.77

 

CMYK 23 / 89 / 0 / 1

HEX #C41CFD

RGB 196 28 253

HSL 284.8, 0.98%, 0.55%

LAB 51.45, 86.79, -74.53

 

CMYK 18 / 73 / 0 / 1

HEX #CF45FD

RGB 207 69 253

HSL 285, 0.98%, 0.63%

LAB 56.7, 78.04, -65.96

 

CMYK 25 / 99 / 0 / 7

HEX #B303EE

RGB 179 3 238

HSL 284.94, 0.98%, 0.47%

LAB 46.74, 84.7, -73.9

 

CMYK 0 / 99 / 92 / 7

HEX #ED0212

RGB 237 2 18

HSL 355.91, 0.98%, 0.47%

LAB 49.61, 75.78, 58.51

 

CMYK 99 / 0 / 66 / 7

HEX #02ED51

RGB 2 237 81

HSL 140.17, 0.98%, 0.47%

LAB 82.47, -77.36, 60.18

 

CMYK 25 / 99 / 0 / 7

HEX #B303EE

RGB 179 3 238

HSL 284.94, 0.98%, 0.47%

LAB 46.74, 84.7, -73.9

 

CMYK 0 / 26 / 99 / 7

HEX #EDAF02

RGB 237 175 2

HSL 44.17, 0.98%, 0.47%

LAB 75.24, 11.04, 77.96

 

CMYK 99 / 0 / 26 / 7

HEX #02EDAF

RGB 2 237 175

HSL 164.17, 0.98%, 0.47%

LAB 83.8, -61.67, 16.9

 

CMYK 25 / 99 / 0 / 7

HEX #B303EE

RGB 179 3 238

HSL 284.94, 0.98%, 0.47%

LAB 46.74, 84.7, -73.9

 

CMYK 0 / 99 / 92 / 7

HEX #ED0212

RGB 237 2 18

HSL 355.91, 0.98%, 0.47%

LAB 49.61, 75.78, 58.51

 

CMYK 73 / 0 / 99 / 7

HEX #41ED02

RGB 65 237 2

HSL 103.91, 0.98%, 0.47%

LAB 82.75, -76.11, 79.27

 

CMYK 99 / 0 / 6 / 7

HEX #02EDDE

RGB 2 237 222

HSL 176.17, 0.98%, 0.47%

LAB 84.92, -49.71, -6.11

 

CMYK 25 / 99 / 0 / 7

HEX #B303EE

RGB 179 3 238

HSL 284.94, 0.98%, 0.47%

LAB 46.74, 84.7, -73.9

 

CMYK 0 / 76 / 99 / 7

HEX #ED3902

RGB 237 57 2

HSL 14.04, 0.98%, 0.47%

LAB 52.88, 66.21, 64.45

 

CMYK 73 / 0 / 99 / 7

HEX #41ED02

RGB 65 237 2

HSL 103.91, 0.98%, 0.47%

LAB 82.75, -76.11, 79.27

 

CMYK 99 / 23 / 0 / 7

HEX #02B6ED

RGB 2 182 237

HSL 194.04, 0.98%, 0.47%

LAB 69.17, -19.14, -38.08

 

Description

Color code: HEX #B303EE | qconv.com Color code: HEX #B303EE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 3 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 3 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 99 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 99% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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