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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2FFF3CE it is the complementary color #4D000CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2FFF3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2FFF3CE shade: #B7FFEECE, #C8FFFFCE, #D9FFFFCE, #EAFFFFCE and #FBFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2FFF3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2FFF3CE shade: #B2FFF3CE, #A1EDE0CE, #90DBCDCE, #7FC9BACE and #6EB7A7CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2FFF3CE shade: #B3FFF3, #B3FFDE, #B3FFCA, #B3FFB5 and #C4FFB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2FFF3CE shade: #B3FFF3, #B3F6FF, #B3E2FF, #B3CDFF and #B3B8FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2FFF3CE shade matches the following richer shades: #B3FFF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2FFF3CE shade: #B3FFF3, #B9F9EF, #BFF3EB, #C5ECE6 and #CBE6E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2FFF3CE shade: #B3FFC9, #B3FFDE, #B3FFF2, #B3F7FF and #B3E3FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2FFF3CE shade: #60FFE6, #89FFED, #B3FFF3, #DCFFFA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2FFF3CE shade: #B2FFF3, #B5B3FF and #FFD4B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2FFF3CE shade: #B2FFF3, #F2B3FF and #FFF2B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2FFF3CE shade: #B2FFF3, #B5B3FF, #FFB3BF and #FCFFB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2FFF3CE shade: #B2FFF3, #CCB3FF, #FFB3BF and #E6FFB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 4 / 0

HEX #B2FFF3CE

RGBA 178 255 243 0.81

HSLA 170.65, 1%, 0.85%, 0.81

LABA 94.93, -25.98, -1.82, 0.81

 

Complementary color

CMYK 0 / 81 / 68 / 57

HEX #4D000CCE

RGBA 77 0 12 0.81

HSLA 350.65, 1%, 0.15%, 0.81

LABA 13.26, 34.11, 15.81, 0.81

 

CMYK 23 / 0 / 5 / 0

HEX #B7FFEECE

RGBA 183 255 238 0.81

HSLA 165.83, 1%, 0.86%, 0.81

LABA 95.06, -25.63, 0.98, 0.81

 

CMYK 17 / 0 / 0 / 0

HEX #C8FFFFCE

RGBA 200 255 255 0.81

HSLA 180, 1%, 0.89%, 0.81

LABA 96.42, -17.18, -5.69, 0.81

 

CMYK 12 / 0 / 0 / 0

HEX #D9FFFFCE

RGBA 217 255 255 0.81

HSLA 180, 1%, 0.93%, 0.81

LABA 97.43, -12.1, -4.08, 0.81

 

CMYK 7 / 0 / 0 / 0

HEX #EAFFFFCE

RGBA 234 255 255 0.81

HSLA 180, 1%, 0.96%, 0.81

LABA 98.52, -6.79, -2.34, 0.81

 

CMYK 1 / 0 / 0 / 0

HEX #FBFFFFCE

RGBA 251 255 255 0.81

HSLA 180, 1%, 0.99%, 0.81

LABA 99.71, -1.31, -0.47, 0.81

 

CMYK 24 / 0 / 4 / 0

HEX #B2FFF3CE

RGBA 178 255 243 0.81

HSLA 170.65, 1%, 0.85%, 0.81

LABA 94.93, -25.98, -1.82, 0.81

 

CMYK 26 / 0 / 4 / 6

HEX #A1EDE0CE

RGBA 161 237 224 0.81

HSLA 169.74, 0.68%, 0.78%, 0.81

LABA 88.7, -26.13, -1.18, 0.81

 

CMYK 28 / 0 / 5 / 11

HEX #90DBCDCE

RGBA 144 219 205 0.81

HSLA 168.8, 0.51%, 0.71%, 0.81

LABA 82.38, -26.28, -0.5, 0.81

 

CMYK 30 / 0 / 6 / 17

HEX #7FC9BACE

RGBA 127 201 186 0.81

HSLA 167.84, 0.41%, 0.64%, 0.81

LABA 75.97, -26.44, 0.21, 0.81

 

CMYK 32 / 0 / 7 / 23

HEX #6EB7A7CE

RGBA 110 183 167 0.81

HSLA 166.85, 0.34%, 0.57%, 0.81

LABA 69.45, -26.61, 0.96, 0.81

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF3

RGB 179 255 243

HSL 170.53, 1%, 0.85%

LAB 94.98, -25.7, -1.74

 

CMYK 30 / 0 / 13 / 0

HEX #B3FFDE

RGB 179 255 222

HSL 153.95, 1%, 0.85%

LAB 94.47, -30.01, 8.35

 

CMYK 30 / 0 / 21 / 0

HEX #B3FFCA

RGB 179 255 202

HSL 138.16, 1%, 0.85%

LAB 94.04, -33.78, 18

 

CMYK 30 / 0 / 29 / 0

HEX #B3FFB5

RGB 179 255 181

HSL 121.58, 1%, 0.85%

LAB 93.64, -37.35, 28.12

 

CMYK 23 / 0 / 30 / 0

HEX #C4FFB3

RGB 196 255 179

HSL 106.58, 1%, 0.85%

LAB 94.53, -32.18, 30.49

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF3

RGB 179 255 243

HSL 170.53, 1%, 0.85%

LAB 94.98, -25.7, -1.74

 

CMYK 30 / 4 / 0 / 0

HEX #B3F6FF

RGB 179 246 255

HSL 187.11, 1%, 0.85%

LAB 92.89, -18.69, -11.04

 

CMYK 30 / 11 / 0 / 0

HEX #B3E2FF

RGB 179 226 255

HSL 202.89, 1%, 0.85%

LAB 87.58, -8.59, -19

 

CMYK 30 / 20 / 0 / 0

HEX #B3CDFF

RGB 179 205 255

HSL 219.47, 1%, 0.85%

LAB 82.09, 2.44, -27.33

 

CMYK 30 / 28 / 0 / 0

HEX #B3B8FF

RGB 179 184 255

HSL 236.05, 1%, 0.85%

LAB 76.73, 13.86, -35.58

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF3

RGB 179 255 243

HSL 170.53, 1%, 0.85%

LAB 94.98, -25.7, -1.74

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF3

RGB 179 255 243

HSL 170.53, 1%, 0.85%

LAB 94.98, -25.7, -1.74

 

CMYK 26 / 0 / 4 / 2

HEX #B9F9EF

RGB 185 249 239

HSL 170.63, 0.84%, 0.85%

LAB 93.58, -21.95, -1.69

 

CMYK 21 / 0 / 3 / 5

HEX #BFF3EB

RGB 191 243 235

HSL 170.77, 0.68%, 0.85%

LAB 92.21, -18.07, -1.58

 

CMYK 17 / 0 / 3 / 7

HEX #C5ECE6

RGB 197 236 230

HSL 170.77, 0.51%, 0.85%

LAB 90.59, -13.76, -1.31

 

CMYK 12 / 0 / 2 / 10

HEX #CBE6E2

RGB 203 230 226

HSL 171.11, 0.35%, 0.85%

LAB 89.29, -9.62, -1.07

 

CMYK 30 / 0 / 21 / 0

HEX #B3FFC9

RGB 179 255 201

HSL 137.37, 1%, 0.85%

LAB 94.02, -33.95, 18.48

 

CMYK 30 / 0 / 13 / 0

HEX #B3FFDE

RGB 179 255 222

HSL 153.95, 1%, 0.85%

LAB 94.47, -30.01, 8.35

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF2

RGB 179 255 242

HSL 169.74, 1%, 0.85%

LAB 94.96, -25.92, -1.26

 

CMYK 30 / 3 / 0 / 0

HEX #B3F7FF

RGB 179 247 255

HSL 186.32, 1%, 0.85%

LAB 93.16, -19.18, -10.64

 

CMYK 30 / 11 / 0 / 0

HEX #B3E3FF

RGB 179 227 255

HSL 202.11, 1%, 0.85%

LAB 87.84, -9.11, -18.6

 

CMYK 62 / 0 / 10 / 0

HEX #60FFE6

RGB 96 255 230

HSL 170.57, 1%, 0.69%

LAB 91.56, -47.3, -0.4

 

CMYK 46 / 0 / 7 / 0

HEX #89FFED

RGB 137 255 237

HSL 170.85, 1%, 0.77%

LAB 92.99, -37.66, -1.77

 

CMYK 30 / 0 / 5 / 0

HEX #B3FFF3

RGB 179 255 243

HSL 170.53, 1%, 0.85%

LAB 94.98, -25.7, -1.74

 

CMYK 14 / 0 / 2 / 0

HEX #DCFFFA

RGB 220 255 250

HSL 171.43, 1%, 0.93%

LAB 97.49, -12.15, -1.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF3

RGB 178 255 243

HSL 170.65, 1%, 0.85%

LAB 94.93, -25.98, -1.82

 

CMYK 29 / 30 / 0 / 0

HEX #B5B3FF

RGB 181 179 255

HSL 241.58, 1%, 0.85%

LAB 75.63, 17.18, -37.28

 

CMYK 0 / 17 / 30 / 0

HEX #FFD4B3

RGB 255 212 179

HSL 26.05, 1%, 0.85%

LAB 87.78, 10.41, 21.97

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF3

RGB 178 255 243

HSL 170.65, 1%, 0.85%

LAB 94.93, -25.98, -1.82

 

CMYK 5 / 30 / 0 / 0

HEX #F2B3FF

RGB 242 179 255

HSL 289.74, 1%, 0.85%

LAB 80.93, 35.44, -28.67

 

CMYK 0 / 5 / 30 / 0

HEX #FFF2B3

RGB 255 242 179

HSL 49.74, 1%, 0.85%

LAB 95.17, -4.88, 32.04

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF3

RGB 178 255 243

HSL 170.65, 1%, 0.85%

LAB 94.93, -25.98, -1.82

 

CMYK 29 / 30 / 0 / 0

HEX #B5B3FF

RGB 181 179 255

HSL 241.58, 1%, 0.85%

LAB 75.63, 17.18, -37.28

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BF

RGB 255 179 191

HSL 350.53, 1%, 0.85%

LAB 80.33, 29.26, 5.06

 

CMYK 1 / 0 / 30 / 0

HEX #FCFFB3

RGB 252 255 179

HSL 62.37, 1%, 0.85%

LAB 98.22, -12.43, 36.08

 

CMYK 30 / 0 / 5 / 0

HEX #B2FFF3

RGB 178 255 243

HSL 170.65, 1%, 0.85%

LAB 94.93, -25.98, -1.82

 

CMYK 20 / 30 / 0 / 0

HEX #CCB3FF

RGB 204 179 255

HSL 259.74, 1%, 0.85%

LAB 77.46, 23.86, -34.3

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BF

RGB 255 179 191

HSL 350.53, 1%, 0.85%

LAB 80.33, 29.26, 5.06

 

CMYK 10 / 0 / 30 / 0

HEX #E6FFB3

RGB 230 255 179

HSL 79.74, 1%, 0.85%

LAB 96.66, -20.43, 33.71

 

Description

Color code: HEX #B2FFF3CE | qconv.com Color code: HEX #B2FFF3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 255 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 255 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 4 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 4% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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