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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2FD12 it is the complementary color #4D02ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2FD12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2FD12 shade: #B7FD0D, #C8FF20, #D9FF33, #EAFF46 and #FBFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2FD12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2FD12 shade: #B2FD12, #A1EB00, #90D900, #7FC700 and #6EB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2FD12 shade: #B2FD12, #F1FD12, #FDC912, #FD8A12 and #FD4A12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2FD12 shade: #B2FD12, #72FD12, #33FD12, #12FD30 and #12FD6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2FD12 shade matches the following richer shades: #B2FD12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2FD12 shade: #B2FD12, #ABE925, #A4D638, #9DC24C and #96AF5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2FD12 shade: #FDCA12, #F1FD12, #B2FD12, #74FD12 and #35FD12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2FD12 shade: #7FBA02, #9BE302, #B2FD12, #BFFD3B and #CCFD63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2FD12 shade: #B2FD12, #12FD8B and #E912FD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2FD12 shade: #B2FD12, #12B2FD and #FD12B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2FD12 shade: #B2FD12, #12FD8B, #5C12FD and #FD1283

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2FD12 shade: #B2FD12, #12FDD2, #5C12FD and #FD123D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

Complementary color

CMYK 68 / 99 / 0 / 7

HEX #4D02ED

RGB 77 2 237

HSL 259.15, 0.98%, 0.47%

LAB 33.43, 76.03, -95.74

 

CMYK 28 / 0 / 95 / 1

HEX #B7FD0D

RGB 183 253 13

HSL 77.5, 0.98%, 0.52%

LAB 91.84, -48.86, 87.44

 

CMYK 22 / 0 / 87 / 0

HEX #C8FF20

RGB 200 255 32

HSL 74.8, 1%, 0.56%

LAB 93.41, -43.05, 86.72

 

CMYK 15 / 0 / 80 / 0

HEX #D9FF33

RGB 217 255 51

HSL 71.18, 1%, 0.6%

LAB 94.53, -35.97, 84.14

 

CMYK 8 / 0 / 73 / 0

HEX #EAFF46

RGB 234 255 70

HSL 66.81, 1%, 0.64%

LAB 95.77, -28.53, 80.3

 

CMYK 2 / 0 / 65 / 0

HEX #FBFF59

RGB 251 255 89

HSL 61.45, 1%, 0.67%

LAB 97.13, -20.81, 75.46

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 31 / 0 / 100 / 8

HEX #A1EB00

RGB 161 235 0

HSL 78.89, 1%, 0.46%

LAB 85.5, -49.53, 83.02

 

CMYK 34 / 0 / 100 / 15

HEX #90D900

RGB 144 217 0

HSL 80.18, 1%, 0.43%

LAB 79.36, -48.22, 77.91

 

CMYK 36 / 0 / 100 / 22

HEX #7FC700

RGB 127 199 0

HSL 81.71, 1%, 0.39%

LAB 73.13, -46.88, 72.73

 

CMYK 39 / 0 / 100 / 29

HEX #6EB500

RGB 110 181 0

HSL 83.54, 1%, 0.35%

LAB 66.8, -45.51, 67.46

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 5 / 0 / 93 / 1

HEX #F1FD12

RGB 241 253 18

HSL 63.06, 0.98%, 0.53%

LAB 95.58, -26.18, 91.48

 

CMYK 0 / 21 / 93 / 1

HEX #FDC912

RGB 253 201 18

HSL 46.72, 0.98%, 0.53%

LAB 83.28, 4.52, 82.68

 

CMYK 0 / 45 / 93 / 1

HEX #FD8A12

RGB 253 138 18

HSL 30.64, 0.98%, 0.53%

LAB 68.83, 37.2, 72.32

 

CMYK 0 / 71 / 93 / 1

HEX #FD4A12

RGB 253 74 18

HSL 14.3, 0.98%, 0.53%

LAB 57.87, 65.63, 65.09

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 55 / 0 / 93 / 1

HEX #72FD12

RGB 114 253 18

HSL 95.49, 0.98%, 0.53%

LAB 88.86, -70.63, 83.31

 

CMYK 80 / 0 / 93 / 1

HEX #33FD12

RGB 51 253 18

HSL 111.57, 0.98%, 0.53%

LAB 87.48, -82.29, 81.62

 

CMYK 93 / 0 / 81 / 1

HEX #12FD30

RGB 18 253 48

HSL 127.66, 0.98%, 0.53%

LAB 87.29, -83.75, 75.88

 

CMYK 93 / 0 / 56 / 1

HEX #12FD6F

RGB 18 253 111

HSL 143.74, 0.98%, 0.53%

LAB 87.74, -78.03, 53.48

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 27 / 0 / 84 / 9

HEX #ABE925

RGB 171 233 37

HSL 78.98, 0.82%, 0.53%

LAB 85.54, -44.35, 78.5

 

CMYK 23 / 0 / 74 / 16

HEX #A4D638

RGB 164 214 56

HSL 78.99, 0.66%, 0.53%

LAB 79.77, -37.88, 67.94

 

CMYK 19 / 0 / 61 / 24

HEX #9DC24C

RGB 157 194 76

HSL 78.81, 0.49%, 0.53%

LAB 73.72, -30.06, 53.87

 

CMYK 14 / 0 / 46 / 31

HEX #96AF5F

RGB 150 175 95

HSL 78.75, 0.33%, 0.53%

LAB 68, -21.73, 38.03

 

CMYK 0 / 20 / 93 / 1

HEX #FDCA12

RGB 253 202 18

HSL 46.98, 0.98%, 0.53%

LAB 83.53, 4.01, 82.86

 

CMYK 5 / 0 / 93 / 1

HEX #F1FD12

RGB 241 253 18

HSL 63.06, 0.98%, 0.53%

LAB 95.58, -26.18, 91.48

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 54 / 0 / 93 / 1

HEX #74FD12

RGB 116 253 18

HSL 94.98, 0.98%, 0.53%

LAB 88.93, -70.11, 83.39

 

CMYK 79 / 0 / 93 / 1

HEX #35FD12

RGB 53 253 18

HSL 111.06, 0.98%, 0.53%

LAB 87.51, -82.06, 81.65

 

CMYK 32 / 0 / 99 / 27

HEX #7FBA02

RGB 127 186 2

HSL 79.24, 0.98%, 0.37%

LAB 69.21, -41.37, 69.47

 

CMYK 32 / 0 / 99 / 11

HEX #9BE302

RGB 155 227 2

HSL 79.2, 0.98%, 0.45%

LAB 82.87, -48.36, 80.69

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 25 / 0 / 77 / 1

HEX #BFFD3B

RGB 191 253 59

HSL 79.18, 0.98%, 0.61%

LAB 92.42, -44.68, 79.5

 

CMYK 19 / 0 / 61 / 1

HEX #CCFD63

RGB 204 253 99

HSL 79.09, 0.97%, 0.69%

LAB 93.45, -37.47, 66.67

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 93 / 0 / 45 / 1

HEX #12FD8B

RGB 18 253 139

HSL 150.89, 0.98%, 0.53%

LAB 88.09, -73.84, 40.83

 

CMYK 8 / 93 / 0 / 1

HEX #E912FD

RGB 233 18 253

HSL 294.89, 0.98%, 0.53%

LAB 56.93, 93.42, -65.38

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 93 / 30 / 0 / 1

HEX #12B2FD

RGB 18 178 253

HSL 199.15, 0.98%, 0.53%

LAB 68.8, -10.91, -47.35

 

CMYK 0 / 93 / 30 / 1

HEX #FD12B2

RGB 253 18 178

HSL 319.15, 0.98%, 0.53%

LAB 56.61, 87.27, -22.98

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 93 / 0 / 45 / 1

HEX #12FD8B

RGB 18 253 139

HSL 150.89, 0.98%, 0.53%

LAB 88.09, -73.84, 40.83

 

CMYK 64 / 93 / 0 / 1

HEX #5C12FD

RGB 92 18 253

HSL 258.89, 0.98%, 0.53%

LAB 37.48, 78.14, -97.99

 

CMYK 0 / 93 / 48 / 1

HEX #FD1283

RGB 253 18 131

HSL 331.15, 0.98%, 0.53%

LAB 55.02, 83.04, 2.42

 

CMYK 30 / 0 / 93 / 1

HEX #B2FD12

RGB 178 253 18

HSL 79.15, 0.98%, 0.53%

LAB 91.58, -50.62, 86.64

 

CMYK 93 / 0 / 17 / 1

HEX #12FDD2

RGB 18 253 210

HSL 169.02, 0.98%, 0.53%

LAB 89.41, -58.94, 6.71

 

CMYK 64 / 93 / 0 / 1

HEX #5C12FD

RGB 92 18 253

HSL 258.89, 0.98%, 0.53%

LAB 37.48, 78.14, -97.99

 

CMYK 0 / 93 / 76 / 1

HEX #FD123D

RGB 253 18 61

HSL 349.02, 0.98%, 0.53%

LAB 53.66, 79.28, 42.32

 

Description

Color code: HEX #B2FD12 | qconv.com Color code: HEX #B2FD12 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 253 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 253 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 93 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 93% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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