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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2F819 it is the complementary color #4D07E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2F819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2F819 shade: #B7F814, #C8FF27, #D9FF3A, #EAFF4D and #FBFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2F819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2F819 shade: #B2F819, #A1E606, #90D400, #7FC200 and #6EB000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2F819 shade: #B3F81B, #EEF81B, #F8C61B, #F88B1B and #F84F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2F819 shade: #B3F81B, #77F81B, #3CF81B, #1BF837 and #1BF872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2F819 shade matches the following richer shades: #B3F81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2F819 shade: #B3F81B, #ACE52E, #A5D241, #9EBF54 and #96AC67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2F819 shade: #F8C51B, #F1F81B, #B6F81B, #7BF81B and #40F81B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2F819 shade: #82BB06, #9EE307, #B3F81B, #C0F943 and #CEFA6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2F819 shade: #B2F819, #1BF88A and #E21BF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2F819 shade: #B2F819, #1BB6F8 and #F81BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2F819 shade: #B2F819, #1BF88A, #5E1BF8 and #F81B8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2F819 shade: #B2F819, #1BF8CC, #5E1BF8 and #F81B48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 90 / 3

HEX #B2F819

RGB 178 248 25

HSL 78.83, 0.94%, 0.54%

LAB 90.17, -48.42, 84.64

 

Complementary color

CMYK 67 / 97 / 0 / 10

HEX #4D07E6

RGB 77 7 230

HSL 258.83, 0.94%, 0.46%

LAB 32.79, 73.69, -92.8

 

CMYK 26 / 0 / 92 / 3

HEX #B7F814

RGB 183 248 20

HSL 77.11, 0.94%, 0.53%

LAB 90.44, -46.67, 85.62

 

CMYK 22 / 0 / 85 / 0

HEX #C8FF27

RGB 200 255 39

HSL 75.28, 1%, 0.58%

LAB 93.43, -42.88, 85.46

 

CMYK 15 / 0 / 77 / 0

HEX #D9FF3A

RGB 217 255 58

HSL 71.57, 1%, 0.61%

LAB 94.56, -35.72, 82.33

 

CMYK 8 / 0 / 70 / 0

HEX #EAFF4D

RGB 234 255 77

HSL 67.08, 1%, 0.65%

LAB 95.81, -28.2, 78.03

 

CMYK 2 / 0 / 62 / 0

HEX #FBFF60

RGB 251 255 96

HSL 61.51, 1%, 0.69%

LAB 97.18, -20.4, 72.83

 

CMYK 28 / 0 / 90 / 3

HEX #B2F819

RGB 178 248 25

HSL 78.83, 0.94%, 0.54%

LAB 90.17, -48.42, 84.64

 

CMYK 30 / 0 / 97 / 10

HEX #A1E606

RGB 161 230 6

HSL 78.48, 0.95%, 0.46%

LAB 84.06, -47.38, 81.41

 

CMYK 32 / 0 / 100 / 17

HEX #90D400

RGB 144 212 0

HSL 79.25, 1%, 0.42%

LAB 77.88, -46.14, 76.78

 

CMYK 35 / 0 / 100 / 24

HEX #7FC200

RGB 127 194 0

HSL 80.72, 1%, 0.38%

LAB 71.62, -44.8, 71.56

 

CMYK 38 / 0 / 100 / 31

HEX #6EB000

RGB 110 176 0

HSL 82.5, 1%, 0.35%

LAB 65.25, -43.43, 66.27

 

CMYK 28 / 0 / 89 / 3

HEX #B3F81B

RGB 179 248 27

HSL 78.73, 0.94%, 0.54%

LAB 90.23, -48.01, 84.42

 

CMYK 4 / 0 / 89 / 3

HEX #EEF81B

RGB 238 248 27

HSL 62.71, 0.94%, 0.54%

LAB 94.05, -24.93, 89.09

 

CMYK 0 / 20 / 89 / 3

HEX #F8C61B

RGB 248 198 27

HSL 46.43, 0.94%, 0.54%

LAB 82.07, 4.06, 80.11

 

CMYK 0 / 44 / 89 / 3

HEX #F88B1B

RGB 248 139 27

HSL 30.41, 0.94%, 0.54%

LAB 68.39, 34.82, 69.68

 

CMYK 0 / 68 / 89 / 3

HEX #F84F1B

RGB 248 79 27

HSL 14.12, 0.94%, 0.54%

LAB 57.68, 62.35, 61.76

 

CMYK 28 / 0 / 89 / 3

HEX #B3F81B

RGB 179 248 27

HSL 78.73, 0.94%, 0.54%

LAB 90.23, -48.01, 84.42

 

CMYK 52 / 0 / 89 / 3

HEX #77F81B

RGB 119 248 27

HSL 95.02, 0.94%, 0.54%

LAB 87.55, -67.41, 81.11

 

CMYK 76 / 0 / 89 / 3

HEX #3CF81B

RGB 60 248 27

HSL 111.04, 0.94%, 0.54%

LAB 86.09, -79.54, 79.29

 

CMYK 89 / 0 / 78 / 3

HEX #1BF837

RGB 27 248 55

HSL 127.6, 0.94%, 0.54%

LAB 85.83, -81.53, 72.64

 

CMYK 89 / 0 / 54 / 3

HEX #1BF872

RGB 27 248 114

HSL 143.62, 0.94%, 0.54%

LAB 86.3, -75.67, 50.41

 

CMYK 28 / 0 / 89 / 3

HEX #B3F81B

RGB 179 248 27

HSL 78.73, 0.94%, 0.54%

LAB 90.23, -48.01, 84.42

 

CMYK 28 / 0 / 89 / 3

HEX #B3F81B

RGB 179 248 27

HSL 78.73, 0.94%, 0.54%

LAB 90.23, -48.01, 84.42

 

CMYK 25 / 0 / 80 / 10

HEX #ACE52E

RGB 172 229 46

HSL 78.69, 0.78%, 0.54%

LAB 84.49, -41.92, 75.45

 

CMYK 21 / 0 / 69 / 18

HEX #A5D241

RGB 165 210 65

HSL 78.62, 0.62%, 0.54%

LAB 78.74, -35.17, 63.78

 

CMYK 17 / 0 / 56 / 25

HEX #9EBF54

RGB 158 191 84

HSL 78.5, 0.46%, 0.54%

LAB 73, -27.55, 49.48

 

CMYK 13 / 0 / 40 / 33

HEX #96AC67

RGB 150 172 103

HSL 79.13, 0.29%, 0.54%

LAB 67.25, -19.26, 32.97

 

CMYK 0 / 21 / 89 / 3

HEX #F8C51B

RGB 248 197 27

HSL 46.15, 0.94%, 0.54%

LAB 81.82, 4.58, 79.92

 

CMYK 3 / 0 / 89 / 3

HEX #F1F81B

RGB 241 248 27

HSL 61.9, 0.94%, 0.54%

LAB 94.28, -23.71, 89.36

 

CMYK 27 / 0 / 89 / 3

HEX #B6F81B

RGB 182 248 27

HSL 77.92, 0.94%, 0.54%

LAB 90.39, -46.91, 84.62

 

CMYK 50 / 0 / 89 / 3

HEX #7BF81B

RGB 123 248 27

HSL 93.94, 0.94%, 0.54%

LAB 87.69, -66.31, 81.28

 

CMYK 74 / 0 / 89 / 3

HEX #40F81B

RGB 64 248 27

HSL 109.95, 0.94%, 0.54%

LAB 86.16, -78.98, 79.37

 

CMYK 30 / 0 / 97 / 27

HEX #82BB06

RGB 130 187 6

HSL 78.9, 0.94%, 0.38%

LAB 69.68, -40.6, 69.45

 

CMYK 30 / 0 / 97 / 11

HEX #9EE307

RGB 158 227 7

HSL 78.82, 0.94%, 0.46%

LAB 83.03, -47.21, 80.45

 

CMYK 28 / 0 / 89 / 3

HEX #B3F81B

RGB 179 248 27

HSL 78.73, 0.94%, 0.54%

LAB 90.23, -48.01, 84.42

 

CMYK 23 / 0 / 73 / 2

HEX #C0F943

RGB 192 249 67

HSL 78.79, 0.94%, 0.62%

LAB 91.4, -42.2, 76.13

 

CMYK 18 / 0 / 57 / 2

HEX #CEFA6B

RGB 206 250 107

HSL 78.46, 0.93%, 0.7%

LAB 92.82, -34.73, 62.65

 

CMYK 28 / 0 / 90 / 3

HEX #B2F819

RGB 178 248 25

HSL 78.83, 0.94%, 0.54%

LAB 90.17, -48.42, 84.64

 

CMYK 89 / 0 / 44 / 3

HEX #1BF88A

RGB 27 248 138

HSL 150.14, 0.94%, 0.54%

LAB 86.6, -71.97, 39.42

 

CMYK 9 / 89 / 0 / 3

HEX #E21BF8

RGB 226 27 248

HSL 294.03, 0.94%, 0.54%

LAB 55.82, 90.54, -64.44

 

CMYK 28 / 0 / 90 / 3

HEX #B2F819

RGB 178 248 25

HSL 78.83, 0.94%, 0.54%

LAB 90.17, -48.42, 84.64

 

CMYK 89 / 27 / 0 / 3

HEX #1BB6F8

RGB 27 182 248

HSL 197.92, 0.94%, 0.54%

LAB 69.8, -14.46, -43.06

 

CMYK 0 / 89 / 27 / 3

HEX #F81BB6

RGB 248 27 182

HSL 317.92, 0.94%, 0.54%

LAB 56.21, 85.68, -26.02

 

CMYK 28 / 0 / 90 / 3

HEX #B2F819

RGB 178 248 25

HSL 78.83, 0.94%, 0.54%

LAB 90.17, -48.42, 84.64

 

CMYK 89 / 0 / 44 / 3

HEX #1BF88A

RGB 27 248 138

HSL 150.14, 0.94%, 0.54%

LAB 86.6, -71.97, 39.42

 

CMYK 62 / 89 / 0 / 3

HEX #5E1BF8

RGB 94 27 248

HSL 258.19, 0.94%, 0.54%

LAB 37.74, 75.15, -94.75

 

CMYK 0 / 89 / 44 / 3

HEX #F81B8A

RGB 248 27 138

HSL 329.86, 0.94%, 0.54%

LAB 54.63, 81.43, -2.46

 

CMYK 28 / 0 / 90 / 3

HEX #B2F819

RGB 178 248 25

HSL 78.83, 0.94%, 0.54%

LAB 90.17, -48.42, 84.64

 

CMYK 89 / 0 / 18 / 3

HEX #1BF8CC

RGB 27 248 204

HSL 168.05, 0.94%, 0.54%

LAB 87.84, -58.11, 7.57

 

CMYK 62 / 89 / 0 / 3

HEX #5E1BF8

RGB 94 27 248

HSL 258.19, 0.94%, 0.54%

LAB 37.74, 75.15, -94.75

 

CMYK 0 / 89 / 71 / 3

HEX #F81B48

RGB 248 27 72

HSL 347.78, 0.94%, 0.54%

LAB 53.18, 77.37, 35.15

 

Description

Color code: HEX #B2F819 | qconv.com Color code: HEX #B2F819 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 248 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 248 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 90 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 90% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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