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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2F804 it is the complementary color #4D07FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2F804. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2F804 shade: #B7F800, #C8FF12, #D9FF25, #EAFF38 and #FBFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2F804. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2F804 shade: #B2F804, #A1E600, #90D400, #7FC200 and #6EB000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2F804 shade: #B1F604, #F2F604, #F6B904, #F67804 and #F63604

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2F804 shade: #B1F604, #6FF604, #2EF604, #04F61B and #04F65C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2F804 shade matches the following richer shades: #B1F604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2F804 shade: #B1F604, #A8E218, #9FCE2C, #97BA40 and #8EA555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2F804 shade: #F6BA04, #F2F604, #B1F604, #71F604 and #30F604

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2F804 shade: #76A503, #93CE03, #B1F604, #BFFC27 and #CBFC50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2F804 shade: #B2F804, #04F679 and #DA04F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2F804 shade: #B2F804, #04B1F6 and #F604B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2F804 shade: #B2F804, #04F679, #4804F6 and #F60481

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2F804 shade: #B2F804, #04F6C2, #4804F6 and #F60438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 98 / 3

HEX #B2F804

RGB 178 248 4

HSL 77.21, 0.97%, 0.49%

LAB 90.14, -48.7, 86.68

 

Complementary color

CMYK 69 / 97 / 0 / 2

HEX #4D07FB

RGB 77 7 251

HSL 257.21, 0.97%, 0.51%

LAB 35.39, 78.58, -100.38

 

CMYK 26 / 0 / 100 / 3

HEX #B7F800

RGB 183 248 0

HSL 75.73, 1%, 0.49%

LAB 90.41, -46.89, 87.31

 

CMYK 22 / 0 / 93 / 0

HEX #C8FF12

RGB 200 255 18

HSL 73.92, 1%, 0.54%

LAB 93.38, -43.3, 88.59

 

CMYK 15 / 0 / 85 / 0

HEX #D9FF25

RGB 217 255 37

HSL 70.46, 1%, 0.57%

LAB 94.49, -36.37, 87.16

 

CMYK 8 / 0 / 78 / 0

HEX #EAFF38

RGB 234 255 56

HSL 66.33, 1%, 0.61%

LAB 95.7, -29.08, 84.34

 

CMYK 2 / 0 / 71 / 0

HEX #FBFF4B

RGB 251 255 75

HSL 61.33, 1%, 0.65%

LAB 97.04, -21.51, 80.32

 

CMYK 28 / 0 / 98 / 3

HEX #B2F804

RGB 178 248 4

HSL 77.21, 0.97%, 0.49%

LAB 90.14, -48.7, 86.68

 

CMYK 30 / 0 / 100 / 10

HEX #A1E600

RGB 161 230 0

HSL 78, 1%, 0.45%

LAB 84.05, -47.45, 81.91

 

CMYK 32 / 0 / 100 / 17

HEX #90D400

RGB 144 212 0

HSL 79.25, 1%, 0.42%

LAB 77.88, -46.14, 76.78

 

CMYK 35 / 0 / 100 / 24

HEX #7FC200

RGB 127 194 0

HSL 80.72, 1%, 0.38%

LAB 71.62, -44.8, 71.56

 

CMYK 38 / 0 / 100 / 31

HEX #6EB000

RGB 110 176 0

HSL 82.5, 1%, 0.35%

LAB 65.25, -43.43, 66.27

 

CMYK 28 / 0 / 98 / 4

HEX #B1F604

RGB 177 246 4

HSL 77.11, 0.97%, 0.49%

LAB 89.52, -48.23, 86.17

 

CMYK 2 / 0 / 98 / 4

HEX #F2F604

RGB 242 246 4

HSL 60.99, 0.97%, 0.49%

LAB 93.8, -22.6, 91.29

 

CMYK 0 / 25 / 98 / 4

HEX #F6B904

RGB 246 185 4

HSL 44.88, 0.97%, 0.49%

LAB 78.64, 9.69, 80.54

 

CMYK 0 / 51 / 98 / 4

HEX #F67804

RGB 246 120 4

HSL 28.76, 0.97%, 0.49%

LAB 64.19, 43.32, 71.04

 

CMYK 0 / 78 / 98 / 4

HEX #F63604

RGB 246 54 4

HSL 12.4, 0.97%, 0.49%

LAB 54.28, 69.71, 65.62

 

CMYK 28 / 0 / 98 / 4

HEX #B1F604

RGB 177 246 4

HSL 77.11, 0.97%, 0.49%

LAB 89.52, -48.23, 86.17

 

CMYK 55 / 0 / 98 / 4

HEX #6FF604

RGB 111 246 4

HSL 93.47, 0.97%, 0.49%

LAB 86.65, -69.24, 82.7

 

CMYK 81 / 0 / 98 / 4

HEX #2EF604

RGB 46 246 4

HSL 109.59, 0.97%, 0.49%

LAB 85.25, -81.13, 80.99

 

CMYK 98 / 0 / 89 / 4

HEX #04F61B

RGB 4 246 27

HSL 125.7, 0.97%, 0.49%

LAB 85, -83.22, 78.18

 

CMYK 98 / 0 / 63 / 4

HEX #04F65C

RGB 4 246 92

HSL 141.82, 0.97%, 0.49%

LAB 85.36, -78.72, 58.91

 

CMYK 28 / 0 / 98 / 4

HEX #B1F604

RGB 177 246 4

HSL 77.11, 0.97%, 0.49%

LAB 89.52, -48.23, 86.17

 

CMYK 28 / 0 / 98 / 4

HEX #B1F604

RGB 177 246 4

HSL 77.11, 0.97%, 0.49%

LAB 89.52, -48.23, 86.17

 

CMYK 26 / 0 / 89 / 11

HEX #A8E218

RGB 168 226 24

HSL 77.23, 0.81%, 0.49%

LAB 83.33, -42.79, 78.99

 

CMYK 23 / 0 / 79 / 19

HEX #9FCE2C

RGB 159 206 44

HSL 77.41, 0.65%, 0.49%

LAB 77.1, -36.78, 69.03

 

CMYK 19 / 0 / 66 / 27

HEX #97BA40

RGB 151 186 64

HSL 77.21, 0.49%, 0.49%

LAB 70.92, -29.56, 55.81

 

CMYK 14 / 0 / 48 / 35

HEX #8EA555

RGB 142 165 85

HSL 77.25, 0.32%, 0.49%

LAB 64.42, -21.01, 38.57

 

CMYK 0 / 24 / 98 / 4

HEX #F6BA04

RGB 246 186 4

HSL 45.12, 0.97%, 0.49%

LAB 78.88, 9.17, 80.71

 

CMYK 2 / 0 / 98 / 4

HEX #F2F604

RGB 242 246 4

HSL 60.99, 0.97%, 0.49%

LAB 93.8, -22.6, 91.29

 

CMYK 28 / 0 / 98 / 4

HEX #B1F604

RGB 177 246 4

HSL 77.11, 0.97%, 0.49%

LAB 89.52, -48.23, 86.17

 

CMYK 54 / 0 / 98 / 4

HEX #71F604

RGB 113 246 4

HSL 92.98, 0.97%, 0.49%

LAB 86.72, -68.72, 82.78

 

CMYK 80 / 0 / 98 / 4

HEX #30F604

RGB 48 246 4

HSL 109.09, 0.97%, 0.49%

LAB 85.28, -80.91, 81.02

 

CMYK 28 / 0 / 98 / 35

HEX #76A503

RGB 118 165 3

HSL 77.41, 0.96%, 0.33%

LAB 62.31, -35.55, 63.78

 

CMYK 29 / 0 / 99 / 19

HEX #93CE03

RGB 147 206 3

HSL 77.44, 0.97%, 0.41%

LAB 76.28, -42.43, 75.32

 

CMYK 28 / 0 / 98 / 4

HEX #B1F604

RGB 177 246 4

HSL 77.11, 0.97%, 0.49%

LAB 89.52, -48.23, 86.17

 

CMYK 24 / 0 / 85 / 1

HEX #BFFC27

RGB 191 252 39

HSL 77.18, 0.97%, 0.57%

LAB 92.06, -44.97, 84.09

 

CMYK 19 / 0 / 68 / 1

HEX #CBFC50

RGB 203 252 80

HSL 77.09, 0.97%, 0.65%

LAB 92.97, -38.67, 73.47

 

CMYK 28 / 0 / 98 / 3

HEX #B2F804

RGB 178 248 4

HSL 77.21, 0.97%, 0.49%

LAB 90.14, -48.7, 86.68

 

CMYK 98 / 0 / 51 / 4

HEX #04F679

RGB 4 246 121

HSL 149.01, 0.97%, 0.49%

LAB 85.66, -74.92, 46.37

 

CMYK 11 / 98 / 0 / 4

HEX #DA04F6

RGB 218 4 246

HSL 293.06, 0.97%, 0.49%

LAB 53.65, 91.18, -66.89

 

CMYK 28 / 0 / 98 / 3

HEX #B2F804

RGB 178 248 4

HSL 77.21, 0.97%, 0.49%

LAB 90.14, -48.7, 86.68

 

CMYK 98 / 28 / 0 / 4

HEX #04B1F6

RGB 4 177 246

HSL 197.11, 0.97%, 0.49%

LAB 68.11, -13.25, -44.63

 

CMYK 0 / 98 / 28 / 4

HEX #F604B1

RGB 246 4 177

HSL 317.11, 0.97%, 0.49%

LAB 54.92, 86.82, -25.12

 

CMYK 28 / 0 / 98 / 3

HEX #B2F804

RGB 178 248 4

HSL 77.21, 0.97%, 0.49%

LAB 90.14, -48.7, 86.68

 

CMYK 98 / 0 / 51 / 4

HEX #04F679

RGB 4 246 121

HSL 149.01, 0.97%, 0.49%

LAB 85.66, -74.92, 46.37

 

CMYK 71 / 98 / 0 / 4

HEX #4804F6

RGB 72 4 246

HSL 256.86, 0.97%, 0.49%

LAB 34.23, 77.64, -99.51

 

CMYK 0 / 98 / 48 / 4

HEX #F60481

RGB 246 4 129

HSL 329.01, 0.97%, 0.49%

LAB 53.24, 82.43, 0.86

 

CMYK 28 / 0 / 98 / 3

HEX #B2F804

RGB 178 248 4

HSL 77.21, 0.97%, 0.49%

LAB 90.14, -48.7, 86.68

 

CMYK 98 / 0 / 21 / 4

HEX #04F6C2

RGB 4 246 194

HSL 167.11, 0.97%, 0.49%

LAB 86.91, -60.53, 11.43

 

CMYK 71 / 98 / 0 / 4

HEX #4804F6

RGB 72 4 246

HSL 256.86, 0.97%, 0.49%

LAB 34.23, 77.64, -99.51

 

CMYK 0 / 98 / 77 / 4

HEX #F60438

RGB 246 4 56

HSL 347.11, 0.97%, 0.49%

LAB 51.8, 78.56, 42.73

 

Description

Color code: HEX #B2F804 | qconv.com Color code: HEX #B2F804 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 248 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 248 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 98 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 98% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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