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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2EEBA it is the complementary color #4D1145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2EEBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2EEBA shade: #B7EEB5, #C8FFC8, #D9FFDB, #EAFFEE and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2EEBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2EEBA shade: #B2EEBA, #A1DCA7, #90CA94, #7FB881 and #6EA66E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2EEBA shade: #B4EEBC, #BCEEB4, #CCEEB4, #DBEEB4 and #EBEEB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2EEBA shade: #B4EEBC, #B4EECB, #B4EEDB, #B4EEEB and #B4E2EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2EEBA shade matches the following richer shades: #B4EEBC, #ACF6B6 and #A5FDB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2EEBA shade: #B4EEBC, #BBE7C1, #C3E0C6, #CAD8CC and #D1D1D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2EEBA shade: #CBEEB4, #BCEEB4, #B4EEBC, #B4EECB and #B4EEDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2EEBA shade: #70E07F, #92E79D, #B4EEBC, #D6F6DA and #F7FDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2EEBA shade: #B2EEBA, #B4DBEE and #EEB4C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2EEBA shade: #B2EEBA, #BCB4EE and #EEBCB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2EEBA shade: #B2EEBA, #B4DBEE, #EEB4E7 and #EEC7B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2EEBA shade: #B2EEBA, #B4C9EE, #EEB4E7 and #EED9B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 22 / 7

HEX #B2EEBA

RGB 178 238 186

HSL 128, 0.64%, 0.82%

LAB 89, -28.97, 19.16

 

Complementary color

CMYK 0 / 78 / 10 / 70

HEX #4D1145

RGB 77 17 69

HSL 308, 0.64%, 0.18%

LAB 17.5, 34.25, -17.78

 

CMYK 23 / 0 / 24 / 7

HEX #B7EEB5

RGB 183 238 181

HSL 117.89, 0.63%, 0.82%

LAB 89.18, -28.2, 22.04

 

CMYK 22 / 0 / 22 / 0

HEX #C8FFC8

RGB 200 255 200

HSL 120, 1%, 0.89%

LAB 95.15, -27.54, 20.74

 

CMYK 15 / 0 / 14 / 0

HEX #D9FFDB

RGB 217 255 219

HSL 123.16, 1%, 0.93%

LAB 96.57, -18.78, 13.17

 

CMYK 8 / 0 / 7 / 0

HEX #EAFFEE

RGB 234 255 238

HSL 131.43, 1%, 0.96%

LAB 98.11, -9.89, 5.78

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 25 / 0 / 22 / 7

HEX #B2EEBA

RGB 178 238 186

HSL 128, 0.64%, 0.82%

LAB 89, -28.97, 19.16

 

CMYK 27 / 0 / 24 / 14

HEX #A1DCA7

RGB 161 220 167

HSL 126.1, 0.46%, 0.75%

LAB 82.68, -29.19, 20.11

 

CMYK 29 / 0 / 27 / 21

HEX #90CA94

RGB 144 202 148

HSL 124.14, 0.35%, 0.68%

LAB 76.26, -29.43, 21.12

 

CMYK 31 / 0 / 30 / 28

HEX #7FB881

RGB 127 184 129

HSL 122.11, 0.29%, 0.61%

LAB 69.74, -29.68, 22.19

 

CMYK 34 / 0 / 34 / 35

HEX #6EA66E

RGB 110 166 110

HSL 120, 0.24%, 0.54%

LAB 63.11, -29.93, 23.33

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 21 / 0 / 24 / 7

HEX #BCEEB4

RGB 188 238 180

HSL 111.72, 0.63%, 0.82%

LAB 89.46, -26.71, 22.98

 

CMYK 14 / 0 / 24 / 7

HEX #CCEEB4

RGB 204 238 180

HSL 95.17, 0.63%, 0.82%

LAB 90.45, -21.25, 24.51

 

CMYK 8 / 0 / 24 / 7

HEX #DBEEB4

RGB 219 238 180

HSL 79.66, 0.63%, 0.82%

LAB 91.46, -15.95, 26.06

 

CMYK 1 / 0 / 24 / 7

HEX #EBEEB4

RGB 235 238 180

HSL 63.1, 0.63%, 0.82%

LAB 92.62, -10.15, 27.83

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 24 / 0 / 15 / 7

HEX #B4EECB

RGB 180 238 203

HSL 143.79, 0.63%, 0.82%

LAB 89.47, -25.27, 11.03

 

CMYK 24 / 0 / 8 / 7

HEX #B4EEDB

RGB 180 238 219

HSL 160.34, 0.63%, 0.82%

LAB 89.84, -22.17, 3.23

 

CMYK 24 / 0 / 1 / 7

HEX #B4EEEB

RGB 180 238 235

HSL 176.9, 0.63%, 0.82%

LAB 90.25, -18.85, -4.53

 

CMYK 24 / 5 / 0 / 7

HEX #B4E2EE

RGB 180 226 238

HSL 192.41, 0.63%, 0.82%

LAB 87.13, -12.17, -10.73

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 30 / 0 / 26 / 4

HEX #ACF6B6

RGB 172 246 182

HSL 128.11, 0.8%, 0.82%

LAB 90.81, -35.27, 23.68

 

CMYK 35 / 0 / 30 / 1

HEX #A5FDB1

RGB 165 253 177

HSL 128.18, 0.96%, 0.82%

LAB 92.32, -41.39, 28.23

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 19 / 0 / 16 / 9

HEX #BBE7C1

RGB 187 231 193

HSL 128.18, 0.48%, 0.82%

LAB 87.76, -21.45, 13.87

 

CMYK 13 / 0 / 12 / 12

HEX #C3E0C6

RGB 195 224 198

HSL 126.21, 0.32%, 0.82%

LAB 86.5, -14.43, 9.53

 

CMYK 6 / 0 / 6 / 15

HEX #CAD8CC

RGB 202 216 204

HSL 128.57, 0.15%, 0.82%

LAB 85.01, -6.92, 4.28

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 15 / 0 / 24 / 7

HEX #CBEEB4

RGB 203 238 180

HSL 96.21, 0.63%, 0.82%

LAB 90.39, -21.6, 24.41

 

CMYK 21 / 0 / 24 / 7

HEX #BCEEB4

RGB 188 238 180

HSL 111.72, 0.63%, 0.82%

LAB 89.46, -26.71, 22.98

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 24 / 0 / 15 / 7

HEX #B4EECB

RGB 180 238 203

HSL 143.79, 0.63%, 0.82%

LAB 89.47, -25.27, 11.03

 

CMYK 24 / 0 / 8 / 7

HEX #B4EEDB

RGB 180 238 219

HSL 160.34, 0.63%, 0.82%

LAB 89.84, -22.17, 3.23

 

CMYK 50 / 0 / 43 / 12

HEX #70E07F

RGB 112 224 127

HSL 128.04, 0.64%, 0.66%

LAB 80.9, -52.03, 37.84

 

CMYK 37 / 0 / 32 / 9

HEX #92E79D

RGB 146 231 157

HSL 127.76, 0.64%, 0.74%

LAB 84.84, -40.64, 28.13

 

CMYK 24 / 0 / 21 / 7

HEX #B4EEBC

RGB 180 238 188

HSL 128.28, 0.63%, 0.82%

LAB 89.15, -27.98, 18.36

 

CMYK 13 / 0 / 11 / 4

HEX #D6F6DA

RGB 214 246 218

HSL 127.5, 0.64%, 0.9%

LAB 94, -15.53, 10

 

CMYK 2 / 0 / 2 / 1

HEX #F7FDF8

RGB 247 253 248

HSL 130, 0.6%, 0.98%

LAB 98.75, -2.85, 1.69

 

CMYK 25 / 0 / 22 / 7

HEX #B2EEBA

RGB 178 238 186

HSL 128, 0.64%, 0.82%

LAB 89, -28.97, 19.16

 

CMYK 24 / 8 / 0 / 7

HEX #B4DBEE

RGB 180 219 238

HSL 199.66, 0.63%, 0.82%

LAB 85.27, -8.58, -13.5

 

CMYK 0 / 24 / 18 / 7

HEX #EEB4C3

RGB 238 180 195

HSL 344.48, 0.63%, 0.82%

LAB 78.9, 23.24, 0.61

 

CMYK 25 / 0 / 22 / 7

HEX #B2EEBA

RGB 178 238 186

HSL 128, 0.64%, 0.82%

LAB 89, -28.97, 19.16

 

CMYK 21 / 24 / 0 / 7

HEX #BCB4EE

RGB 188 180 238

HSL 248.28, 0.63%, 0.82%

LAB 75.77, 14.69, -27.85

 

CMYK 0 / 21 / 24 / 7

HEX #EEBCB4

RGB 238 188 180

HSL 8.28, 0.63%, 0.82%

LAB 80.43, 16.79, 10.9

 

CMYK 25 / 0 / 22 / 7

HEX #B2EEBA

RGB 178 238 186

HSL 128, 0.64%, 0.82%

LAB 89, -28.97, 19.16

 

CMYK 24 / 8 / 0 / 7

HEX #B4DBEE

RGB 180 219 238

HSL 199.66, 0.63%, 0.82%

LAB 85.27, -8.58, -13.5

 

CMYK 0 / 24 / 3 / 7

HEX #EEB4E7

RGB 238 180 231

HSL 307.24, 0.63%, 0.82%

LAB 79.95, 29.21, -17.3

 

CMYK 0 / 16 / 24 / 7

HEX #EEC7B4

RGB 238 199 180

HSL 19.66, 0.63%, 0.82%

LAB 83.08, 10.98, 14.66

 

CMYK 25 / 0 / 22 / 7

HEX #B2EEBA

RGB 178 238 186

HSL 128, 0.64%, 0.82%

LAB 89, -28.97, 19.16

 

CMYK 24 / 16 / 0 / 7

HEX #B4C9EE

RGB 180 201 238

HSL 218.28, 0.63%, 0.82%

LAB 80.54, 0.88, -20.62

 

CMYK 0 / 24 / 3 / 7

HEX #EEB4E7

RGB 238 180 231

HSL 307.24, 0.63%, 0.82%

LAB 79.95, 29.21, -17.3

 

CMYK 0 / 9 / 24 / 7

HEX #EED9B4

RGB 238 217 180

HSL 38.28, 0.63%, 0.82%

LAB 87.53, 1.61, 20.88

 

Description

Color code: HEX #B2EEBA | qconv.com Color code: HEX #B2EEBA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 238 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 238 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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