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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2DF65 it is the complementary color #4D209A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2DF65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2DF65 shade: #B7DF60, #C8F173, #D9FF86, #EAFF99 and #FBFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2DF65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2DF65 shade: #B2DF65, #A1CD52, #90BB3F, #7FA92C and #6E9719

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2DF65 shade: #B3E067, #D4E067, #E0CB67, #E0AA67 and #E08A67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2DF65 shade: #B3E067, #92E067, #72E067, #67E07C and #67E09D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2DF65 shade matches the following richer shades: #B3E067, #B7EF58 and #BBFD49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2DF65 shade: #B3E067, #AFD175, #ABC284, #A7B393 and #A4A4A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2DF65 shade: #E0CC67, #D4E067, #B3E067, #93E067 and #73E067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2DF65 shade: #8FCA29, #A2D944, #B3E067, #C4E789 and #D5EEAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2DF65 shade: #B2DF65, #67E0AB and #DC67E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2DF65 shade: #B2DF65, #67B3E0 and #E067B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2DF65 shade: #B2DF65, #67E0AB, #9367E0 and #E0679B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2DF65 shade: #B2DF65, #67E0D0, #9367E0 and #E06777

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 55 / 13

HEX #B2DF65

RGB 178 223 101

HSL 82.13, 0.66%, 0.64%

LAB 83.54, -33.38, 54.21

 

Complementary color

CMYK 50 / 79 / 0 / 40

HEX #4D209A

RGB 77 32 154

HSL 262.13, 0.66%, 0.36%

LAB 26.57, 47.79, -58.21

 

CMYK 18 / 0 / 57 / 13

HEX #B7DF60

RGB 183 223 96

HSL 78.9, 0.66%, 0.63%

LAB 83.8, -31.94, 56.84

 

CMYK 17 / 0 / 52 / 5

HEX #C8F173

RGB 200 241 115

HSL 79.52, 0.82%, 0.7%

LAB 90.06, -32.15, 55.83

 

CMYK 15 / 0 / 47 / 0

HEX #D9FF86

RGB 217 255 134

HSL 78.84, 1%, 0.76%

LAB 95.16, -30.46, 53.46

 

CMYK 8 / 0 / 40 / 0

HEX #EAFF99

RGB 234 255 153

HSL 72.35, 1%, 0.8%

LAB 96.54, -22.14, 46.41

 

CMYK 2 / 0 / 33 / 0

HEX #FBFFAC

RGB 251 255 172

HSL 62.89, 1%, 0.84%

LAB 98.04, -13.64, 39.29

 

CMYK 20 / 0 / 55 / 13

HEX #B2DF65

RGB 178 223 101

HSL 82.13, 0.66%, 0.64%

LAB 83.54, -33.38, 54.21

 

CMYK 21 / 0 / 60 / 20

HEX #A1CD52

RGB 161 205 82

HSL 81.46, 0.55%, 0.56%

LAB 77.19, -33.17, 55.17

 

CMYK 23 / 0 / 66 / 27

HEX #90BB3F

RGB 144 187 63

HSL 80.81, 0.5%, 0.49%

LAB 70.75, -32.86, 55.9

 

CMYK 25 / 0 / 74 / 34

HEX #7FA92C

RGB 127 169 44

HSL 80.16, 0.59%, 0.42%

LAB 64.22, -32.41, 56.2

 

CMYK 27 / 0 / 83 / 41

HEX #6E9719

RGB 110 151 25

HSL 79.52, 0.72%, 0.35%

LAB 57.58, -31.76, 55.65

 

CMYK 20 / 0 / 54 / 12

HEX #B3E067

RGB 179 224 103

HSL 82.31, 0.66%, 0.64%

LAB 83.9, -33.28, 53.74

 

CMYK 5 / 0 / 54 / 12

HEX #D4E067

RGB 212 224 103

HSL 65.95, 0.66%, 0.64%

LAB 86.15, -20.5, 56.93

 

CMYK 0 / 9 / 54 / 12

HEX #E0CB67

RGB 224 203 103

HSL 49.59, 0.66%, 0.64%

LAB 81.59, -5.13, 51.88

 

CMYK 0 / 24 / 54 / 12

HEX #E0AA67

RGB 224 170 103

HSL 33.22, 0.66%, 0.64%

LAB 73.27, 12.18, 41.91

 

CMYK 0 / 38 / 54 / 12

HEX #E08A67

RGB 224 138 103

HSL 17.36, 0.66%, 0.64%

LAB 65.75, 29.3, 32.5

 

CMYK 20 / 0 / 54 / 12

HEX #B3E067

RGB 179 224 103

HSL 82.31, 0.66%, 0.64%

LAB 83.9, -33.28, 53.74

 

CMYK 35 / 0 / 54 / 12

HEX #92E067

RGB 146 224 103

HSL 98.68, 0.66%, 0.64%

LAB 82.06, -44.99, 51.12

 

CMYK 49 / 0 / 54 / 12

HEX #72E067

RGB 114 224 103

HSL 114.55, 0.66%, 0.64%

LAB 80.67, -54.75, 49.12

 

CMYK 54 / 0 / 45 / 12

HEX #67E07C

RGB 103 224 124

HSL 130.41, 0.66%, 0.64%

LAB 80.54, -54.75, 38.81

 

CMYK 54 / 0 / 30 / 12

HEX #67E09D

RGB 103 224 157

HSL 146.78, 0.66%, 0.64%

LAB 81.09, -49.06, 22.74

 

CMYK 20 / 0 / 54 / 12

HEX #B3E067

RGB 179 224 103

HSL 82.31, 0.66%, 0.64%

LAB 83.9, -33.28, 53.74

 

CMYK 23 / 0 / 63 / 6

HEX #B7EF58

RGB 183 239 88

HSL 82.25, 0.83%, 0.64%

LAB 88.21, -39.84, 65.09

 

CMYK 26 / 0 / 71 / 1

HEX #BBFD49

RGB 187 253 73

HSL 82, 0.98%, 0.64%

LAB 92.26, -45.45, 74.9

 

CMYK 20 / 0 / 54 / 12

HEX #B3E067

RGB 179 224 103

HSL 82.31, 0.66%, 0.64%

LAB 83.9, -33.28, 53.74

 

CMYK 16 / 0 / 44 / 18

HEX #AFD175

RGB 175 209 117

HSL 82.17, 0.5%, 0.64%

LAB 79.61, -26.25, 41.84

 

CMYK 12 / 0 / 32 / 24

HEX #ABC284

RGB 171 194 132

HSL 82.26, 0.34%, 0.64%

LAB 75.39, -18.46, 28.68

 

CMYK 7 / 0 / 18 / 30

HEX #A7B393

RGB 167 179 147

HSL 82.5, 0.17%, 0.64%

LAB 71.26, -9.97, 14.95

 

CMYK 0 / 0 / 1 / 36

HEX #A4A4A2

RGB 164 164 162

HSL 60, 0.01%, 0.64%

LAB 67.32, -0.37, 1.03

 

CMYK 0 / 9 / 54 / 12

HEX #E0CC67

RGB 224 204 103

HSL 50.08, 0.66%, 0.64%

LAB 81.84, -5.64, 52.18

 

CMYK 5 / 0 / 54 / 12

HEX #D4E067

RGB 212 224 103

HSL 65.95, 0.66%, 0.64%

LAB 86.15, -20.5, 56.93

 

CMYK 20 / 0 / 54 / 12

HEX #B3E067

RGB 179 224 103

HSL 82.31, 0.66%, 0.64%

LAB 83.9, -33.28, 53.74

 

CMYK 34 / 0 / 54 / 12

HEX #93E067

RGB 147 224 103

HSL 98.18, 0.66%, 0.64%

LAB 82.11, -44.66, 51.19

 

CMYK 49 / 0 / 54 / 12

HEX #73E067

RGB 115 224 103

HSL 114.05, 0.66%, 0.64%

LAB 80.7, -54.48, 49.18

 

CMYK 29 / 0 / 80 / 21

HEX #8FCA29

RGB 143 202 41

HSL 81.99, 0.66%, 0.48%

LAB 74.98, -41.26, 67.6

 

CMYK 25 / 0 / 69 / 15

HEX #A2D944

RGB 162 217 68

HSL 82.15, 0.66%, 0.56%

LAB 80.59, -39.27, 64.48

 

CMYK 20 / 0 / 54 / 12

HEX #B3E067

RGB 179 224 103

HSL 82.31, 0.66%, 0.64%

LAB 83.9, -33.28, 53.74

 

CMYK 15 / 0 / 41 / 9

HEX #C4E789

RGB 196 231 137

HSL 82.34, 0.66%, 0.72%

LAB 87.34, -26.61, 41.99

 

CMYK 11 / 0 / 28 / 7

HEX #D5EEAB

RGB 213 238 171

HSL 82.39, 0.66%, 0.8%

LAB 90.89, -19.38, 29.8

 

CMYK 20 / 0 / 55 / 13

HEX #B2DF65

RGB 178 223 101

HSL 82.13, 0.66%, 0.64%

LAB 83.54, -33.38, 54.21

 

CMYK 54 / 0 / 24 / 12

HEX #67E0AB

RGB 103 224 171

HSL 153.72, 0.66%, 0.64%

LAB 81.37, -46.24, 15.81

 

CMYK 2 / 54 / 0 / 12

HEX #DC67E0

RGB 220 103 224

HSL 298.02, 0.66%, 0.64%

LAB 61.91, 61.85, -41.39

 

CMYK 20 / 0 / 55 / 13

HEX #B2DF65

RGB 178 223 101

HSL 82.13, 0.66%, 0.64%

LAB 83.54, -33.38, 54.21

 

CMYK 54 / 20 / 0 / 12

HEX #67B3E0

RGB 103 179 224

HSL 202.31, 0.66%, 0.64%

LAB 69.83, -10.99, -29.81

 

CMYK 0 / 54 / 20 / 12

HEX #E067B3

RGB 224 103 179

HSL 322.31, 0.66%, 0.64%

LAB 60.61, 55.79, -17.88

 

CMYK 20 / 0 / 55 / 13

HEX #B2DF65

RGB 178 223 101

HSL 82.13, 0.66%, 0.64%

LAB 83.54, -33.38, 54.21

 

CMYK 54 / 0 / 24 / 12

HEX #67E0AB

RGB 103 224 171

HSL 153.72, 0.66%, 0.64%

LAB 81.37, -46.24, 15.81

 

CMYK 34 / 54 / 0 / 12

HEX #9367E0

RGB 147 103 224

HSL 261.82, 0.66%, 0.64%

LAB 53.26, 43.17, -55.66

 

CMYK 0 / 54 / 31 / 12

HEX #E0679B

RGB 224 103 155

HSL 334.21, 0.66%, 0.64%

LAB 59.81, 52.57, -5.26

 

CMYK 20 / 0 / 55 / 13

HEX #B2DF65

RGB 178 223 101

HSL 82.13, 0.66%, 0.64%

LAB 83.54, -33.38, 54.21

 

CMYK 54 / 0 / 7 / 12

HEX #67E0D0

RGB 103 224 208

HSL 172.07, 0.66%, 0.64%

LAB 82.24, -37.75, -2.49

 

CMYK 34 / 54 / 0 / 12

HEX #9367E0

RGB 147 103 224

HSL 261.82, 0.66%, 0.64%

LAB 53.26, 43.17, -55.66

 

CMYK 0 / 54 / 47 / 12

HEX #E06777

RGB 224 103 119

HSL 352.07, 0.66%, 0.64%

LAB 58.86, 48.61, 14.28

 

Description

Color code: HEX #B2DF65 | qconv.com Color code: HEX #B2DF65 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 223 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 223 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 55 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 55% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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