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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2DBF8CE it is the complementary color #4D2407CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2DBF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2DBF8CE shade: #B7DBF3CE, #C8EDFFCE, #D9FFFFCE, #EAFFFFCE and #FBFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2DBF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2DBF8CE shade: #B2DBF8CE, #A1C9E5CE, #90B7D2CE, #7FA5BFCE and #6E93ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2DBF8CE shade: #B4DCF8, #B4CAF8, #B4B7F8, #C3B4F8 and #D6B4F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2DBF8CE shade: #B4DCF8, #B4CAF8, #B4B7F8 and #B4B4F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2DBF8CE shade matches the following richer shades: #B4DCF8 and #AEDDFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2DBF8CE shade: #B4DCF8, #BBDBF1, #C2DAEB, #C8D9E4 and #CFD7DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2DBF8CE shade: #B4F8EF, #B4EFF8, #B4DDF8, #B4CBF8 and #B4B9F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2DBF8CE shade: #69B9F1, #8FCAF5, #B4DCF8, #DAEEFC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2DBF8CE shade: #B2DBF8, #DDB4F8 and #F8F8B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2DBF8CE shade: #B2DBF8, #F8B4DD and #DDF8B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2DBF8CE shade: #B2DBF8, #DDB4F8, #F8CFB4 and #CFF8B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2DBF8CE shade: #B2DBF8, #F1B4F8, #F8CFB4 and #BBF8B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 9 / 0 / 2

HEX #B2DBF8CE

RGBA 178 219 248 0.81

HSLA 204.86, 0.83%, 0.84%, 0.81

LABA 85.46, -6.89, -18.52, 0.81

 

Complementary color

CMYK 0 / 43 / 74 / 57

HEX #4D2407CE

RGBA 77 36 7 0.81

HSLA 24.86, 0.83%, 0.16%, 0.81

LABA 19.45, 17.1, 25.59, 0.81

 

CMYK 20 / 8 / 0 / 4

HEX #B7DBF3CE

RGBA 183 219 243 0.81

HSLA 204, 0.71%, 0.84%, 0.81

LABA 85.61, -6.58, -15.63, 0.81

 

CMYK 17 / 6 / 0 / 0

HEX #C8EDFFCE

RGBA 200 237 255 0.81

HSLA 199.64, 1%, 0.89%, 0.81

LABA 91.72, -8.17, -12.66, 0.81

 

CMYK 12 / 0 / 0 / 0

HEX #D9FFFFCE

RGBA 217 255 255 0.81

HSLA 180, 1%, 0.93%, 0.81

LABA 97.43, -12.1, -4.08, 0.81

 

CMYK 7 / 0 / 0 / 0

HEX #EAFFFFCE

RGBA 234 255 255 0.81

HSLA 180, 1%, 0.96%, 0.81

LABA 98.52, -6.79, -2.34, 0.81

 

CMYK 1 / 0 / 0 / 0

HEX #FBFFFFCE

RGBA 251 255 255 0.81

HSLA 180, 1%, 0.99%, 0.81

LABA 99.71, -1.31, -0.47, 0.81

 

CMYK 23 / 9 / 0 / 2

HEX #B2DBF8CE

RGBA 178 219 248 0.81

HSLA 204.86, 0.83%, 0.84%, 0.81

LABA 85.46, -6.89, -18.52, 0.81

 

CMYK 24 / 10 / 0 / 8

HEX #A1C9E5CE

RGBA 161 201 229 0.81

HSLA 204.71, 0.57%, 0.76%, 0.81

LABA 79.05, -6.79, -18.18, 0.81

 

CMYK 25 / 10 / 0 / 14

HEX #90B7D2CE

RGBA 144 183 210 0.81

HSLA 204.55, 0.42%, 0.69%, 0.81

LABA 72.53, -6.68, -17.85, 0.81

 

CMYK 27 / 11 / 0 / 20

HEX #7FA5BFCE

RGBA 127 165 191 0.81

HSLA 204.38, 0.33%, 0.62%, 0.81

LABA 65.89, -6.56, -17.52, 0.81

 

CMYK 29 / 12 / 0 / 26

HEX #6E93ACCE

RGBA 110 147 172 0.81

HSLA 204.19, 0.27%, 0.55%, 0.81

LABA 59.12, -6.42, -17.2, 0.81

 

CMYK 27 / 11 / 0 / 3

HEX #B4DCF8

RGB 180 220 248

HSL 204.71, 0.83%, 0.84%

LAB 85.84, -6.83, -17.93

 

CMYK 27 / 19 / 0 / 3

HEX #B4CAF8

RGB 180 202 248

HSL 220.59, 0.83%, 0.84%

LAB 81.14, 2.67, -25.06

 

CMYK 27 / 26 / 0 / 3

HEX #B4B7F8

RGB 180 183 248

HSL 237.35, 0.83%, 0.84%

LAB 76.28, 13, -32.5

 

CMYK 21 / 27 / 0 / 3

HEX #C3B4F8

RGB 195 180 248

HSL 253.24, 0.83%, 0.84%

LAB 76.69, 19.06, -31.77

 

CMYK 14 / 27 / 0 / 3

HEX #D6B4F8

RGB 214 180 248

HSL 270, 0.83%, 0.84%

LAB 78.3, 24.83, -29.17

 

CMYK 27 / 11 / 0 / 3

HEX #B4DCF8

RGB 180 220 248

HSL 204.71, 0.83%, 0.84%

LAB 85.84, -6.83, -17.93

 

CMYK 27 / 19 / 0 / 3

HEX #B4CAF8

RGB 180 202 248

HSL 220.59, 0.83%, 0.84%

LAB 81.14, 2.67, -25.06

 

CMYK 27 / 26 / 0 / 3

HEX #B4B7F8

RGB 180 183 248

HSL 237.35, 0.83%, 0.84%

LAB 76.28, 13, -32.5

 

CMYK 27 / 27 / 0 / 3

HEX #B4B4F8

RGB 180 180 248

HSL 240, 0.83%, 0.84%

LAB 75.53, 14.65, -33.67

 

CMYK 27 / 11 / 0 / 3

HEX #B4DCF8

RGB 180 220 248

HSL 204.71, 0.83%, 0.84%

LAB 85.84, -6.83, -17.93

 

CMYK 32 / 13 / 0 / 0

HEX #AEDDFF

RGB 174 221 255

HSL 205.19, 1%, 0.84%

LAB 85.97, -7.4, -21.46

 

CMYK 27 / 11 / 0 / 3

HEX #B4DCF8

RGB 180 220 248

HSL 204.71, 0.83%, 0.84%

LAB 85.84, -6.83, -17.93

 

CMYK 22 / 9 / 0 / 5

HEX #BBDBF1

RGB 187 219 241

HSL 204.44, 0.66%, 0.84%

LAB 85.8, -5.84, -14.26

 

CMYK 17 / 7 / 0 / 8

HEX #C2DAEB

RGB 194 218 235

HSL 204.88, 0.51%, 0.84%

LAB 85.81, -4.48, -11.02

 

CMYK 12 / 5 / 0 / 11

HEX #C8D9E4

RGB 200 217 228

HSL 203.57, 0.34%, 0.84%

LAB 85.76, -3.51, -7.35

 

CMYK 7 / 3 / 0 / 13

HEX #CFD7DE

RGB 207 215 222

HSL 208, 0.19%, 0.84%

LAB 85.57, -1.37, -4.39

 

CMYK 27 / 0 / 4 / 3

HEX #B4F8EF

RGB 180 248 239

HSL 172.06, 0.83%, 0.84%

LAB 93.05, -22.9, -2.51

 

CMYK 27 / 4 / 0 / 3

HEX #B4EFF8

RGB 180 239 248

HSL 187.94, 0.83%, 0.84%

LAB 90.88, -16.51, -10.39

 

CMYK 27 / 11 / 0 / 3

HEX #B4DDF8

RGB 180 221 248

HSL 203.82, 0.83%, 0.84%

LAB 86.1, -7.35, -17.53

 

CMYK 27 / 18 / 0 / 3

HEX #B4CBF8

RGB 180 203 248

HSL 219.71, 0.83%, 0.84%

LAB 81.4, 2.13, -24.66

 

CMYK 27 / 25 / 0 / 3

HEX #B4B9F8

RGB 180 185 248

HSL 235.59, 0.83%, 0.84%

LAB 76.79, 11.9, -31.73

 

CMYK 56 / 23 / 0 / 5

HEX #69B9F1

RGB 105 185 241

HSL 204.71, 0.83%, 0.68%

LAB 72.26, -8.74, -35.28

 

CMYK 42 / 18 / 0 / 4

HEX #8FCAF5

RGB 143 202 245

HSL 205.29, 0.84%, 0.76%

LAB 78.85, -8.12, -27.14

 

CMYK 27 / 11 / 0 / 3

HEX #B4DCF8

RGB 180 220 248

HSL 204.71, 0.83%, 0.84%

LAB 85.84, -6.83, -17.93

 

CMYK 13 / 6 / 0 / 1

HEX #DAEEFC

RGB 218 238 252

HSL 204.71, 0.85%, 0.92%

LAB 93.05, -3.82, -8.99

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 28 / 12 / 0 / 3

HEX #B2DBF8

RGB 178 219 248

HSL 204.86, 0.83%, 0.84%

LAB 85.46, -6.89, -18.52

 

CMYK 11 / 27 / 0 / 3

HEX #DDB4F8

RGB 221 180 248

HSL 276.18, 0.83%, 0.84%

LAB 78.92, 27, -28.16

 

CMYK 0 / 0 / 27 / 3

HEX #F8F8B4

RGB 248 248 180

HSL 60, 0.83%, 0.84%

LAB 96.16, -10.33, 32.77

 

CMYK 28 / 12 / 0 / 3

HEX #B2DBF8

RGB 178 219 248

HSL 204.86, 0.83%, 0.84%

LAB 85.46, -6.89, -18.52

 

CMYK 0 / 27 / 11 / 3

HEX #F8B4DD

RGB 248 180 221

HSL 323.82, 0.83%, 0.84%

LAB 80.64, 30.83, -10.78

 

CMYK 11 / 0 / 27 / 3

HEX #DDF8B4

RGB 221 248 180

HSL 83.82, 0.83%, 0.84%

LAB 94.23, -20.12, 29.84

 

CMYK 28 / 12 / 0 / 3

HEX #B2DBF8

RGB 178 219 248

HSL 204.86, 0.83%, 0.84%

LAB 85.46, -6.89, -18.52

 

CMYK 11 / 27 / 0 / 3

HEX #DDB4F8

RGB 221 180 248

HSL 276.18, 0.83%, 0.84%

LAB 78.92, 27, -28.16

 

CMYK 0 / 17 / 27 / 3

HEX #F8CFB4

RGB 248 207 180

HSL 23.82, 0.83%, 0.84%

LAB 85.95, 10.52, 18.81

 

CMYK 17 / 0 / 27 / 3

HEX #CFF8B4

RGB 207 248 180

HSL 96.18, 0.83%, 0.84%

LAB 93.32, -25.02, 28.45

 

CMYK 28 / 12 / 0 / 3

HEX #B2DBF8

RGB 178 219 248

HSL 204.86, 0.83%, 0.84%

LAB 85.46, -6.89, -18.52

 

CMYK 3 / 27 / 0 / 3

HEX #F1B4F8

RGB 241 180 248

HSL 293.82, 0.83%, 0.84%

LAB 80.81, 33.28, -25.11

 

CMYK 0 / 17 / 27 / 3

HEX #F8CFB4

RGB 248 207 180

HSL 23.82, 0.83%, 0.84%

LAB 85.95, 10.52, 18.81

 

CMYK 25 / 0 / 27 / 3

HEX #BBF8B4

RGB 187 248 180

HSL 113.82, 0.83%, 0.84%

LAB 92.13, -31.75, 26.64

 

Description

Color code: HEX #B2DBF8CE | qconv.com Color code: HEX #B2DBF8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 219 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 219 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 9 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 9% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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