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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2DBC500 it is the complementary color #4D243A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2DBC500. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2DBC500 shade: #B7DBC000, #C8EDD300, #D9FFE600, #EAFFF900 and #FBFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2DBC500. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2DBC500 shade: #B2DBC500, #A1C9B200, #90B79F00, #7FA58C00 and #6E937900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2DBC500 shade: #B3DBC5, #B3DBBB, #B6DBB3, #C1DBB3 and #CCDBB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2DBC500 shade: #B3DBC5, #B3DBD0, #B3DBDB, #B3D0DB and #B3C5DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2DBC500 shade matches the following richer shades: #B3DBC5, #AAE4C5, #A1EDC4 and #97F6C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2DBC500 shade: #B3DBC5, #BCD2C6, #C5C9C7, #CEC0C7 and #D7B7C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2DBC500 shade: #B6DBB3, #B3DBBA, #B3DBC5, #B3DBD0 and #B3DBDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2DBC500 shade: #7BC19B, #97CEB0, #B3DBC5, #CFE8DB and #EBF6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2DBC500 shade: #B2DBC5, #B3C1DB and #DBB5B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2DBC500 shade: #B2DBC5, #C5B3DB and #DBC5B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2DBC500 shade: #B2DBC5, #B3C1DB, #DBB3C9 and #DBCDB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2DBC500 shade: #B2DBC5, #B3B5DB, #DBB3C9 and #DBD9B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #B2DBC500

RGBA 178 219 197 0

HSLA 147.8, 0.36%, 0.78%, 0

LABA 84.05, -17.72, 6.4, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #4D243A00

RGBA 77 36 58 0

HSLA 327.8, 0.36%, 0.22%, 0

LABA 20.62, 22.45, -5.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B7DBC000

RGBA 183 219 192 0

HSLA 135, 0.33%, 0.79%, 0

LABA 84.24, -17.02, 9.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C8EDD300

RGBA 200 237 211 0

HSLA 137.84, 0.51%, 0.86%, 0

LABA 90.57, -16.92, 8.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D9FFE600

RGBA 217 255 230 0

HSLA 140.53, 1%, 0.93%, 0

LABA 96.81, -16.84, 7.88, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EAFFF900

RGBA 234 255 249 0

HSLA 162.86, 1%, 0.96%, 0

LABA 98.37, -7.91, 0.52, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFF00

RGBA 251 255 255 0

HSLA 180, 1%, 0.99%, 0

LABA 99.71, -1.31, -0.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B2DBC500

RGBA 178 219 197 0

HSLA 147.8, 0.36%, 0.78%, 0

LABA 84.05, -17.72, 6.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A1C9B200

RGBA 161 201 178 0

HSLA 145.5, 0.27%, 0.71%, 0

LABA 77.62, -17.85, 7.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #90B79F00

RGBA 144 183 159 0

HSLA 143.08, 0.21%, 0.64%, 0

LABA 71.08, -18, 7.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7FA58C00

RGBA 127 165 140 0

HSLA 140.53, 0.17%, 0.57%, 0

LABA 64.42, -18.17, 8.76, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6E937900

RGBA 110 147 121 0

HSLA 137.84, 0.15%, 0.5%, 0

LABA 57.62, -18.38, 9.66, 0

 

CMYK 18 / 0 / 10 / 14

HEX #B3DBC5

RGB 179 219 197

HSL 147, 0.36%, 0.78%

LAB 84.11, -17.39, 6.49

 

CMYK 18 / 0 / 15 / 14

HEX #B3DBBB

RGB 179 219 187

HSL 132, 0.36%, 0.78%

LAB 83.88, -19.25, 11.45

 

CMYK 17 / 0 / 18 / 14

HEX #B6DBB3

RGB 182 219 179

HSL 115.5, 0.36%, 0.78%

LAB 83.89, -19.66, 15.71

 

CMYK 12 / 0 / 18 / 14

HEX #C1DBB3

RGB 193 219 179

HSL 99, 0.36%, 0.78%

LAB 84.62, -15.87, 16.82

 

CMYK 7 / 0 / 18 / 14

HEX #CCDBB3

RGB 204 219 179

HSL 82.5, 0.36%, 0.78%

LAB 85.38, -11.98, 18.01

 

CMYK 18 / 0 / 10 / 14

HEX #B3DBC5

RGB 179 219 197

HSL 147, 0.36%, 0.78%

LAB 84.11, -17.39, 6.49

 

CMYK 18 / 0 / 5 / 14

HEX #B3DBD0

RGB 179 219 208

HSL 163.5, 0.36%, 0.78%

LAB 84.38, -15.25, 1.06

 

CMYK 18 / 0 / 0 / 14

HEX #B3DBDB

RGB 179 219 219

HSL 180, 0.36%, 0.78%

LAB 84.67, -12.99, -4.34

 

CMYK 18 / 5 / 0 / 14

HEX #B3D0DB

RGB 179 208 219

HSL 196.5, 0.36%, 0.78%

LAB 81.73, -7.33, -8.68

 

CMYK 18 / 10 / 0 / 14

HEX #B3C5DB

RGB 179 197 219

HSL 213, 0.36%, 0.78%

LAB 78.83, -1.53, -13.02

 

CMYK 18 / 0 / 10 / 14

HEX #B3DBC5

RGB 179 219 197

HSL 147, 0.36%, 0.78%

LAB 84.11, -17.39, 6.49

 

CMYK 25 / 0 / 14 / 11

HEX #AAE4C5

RGB 170 228 197

HSL 147.93, 0.52%, 0.78%

LAB 86.04, -24.69, 9.19

 

CMYK 32 / 0 / 17 / 7

HEX #A1EDC4

RGB 161 237 196

HSL 147.63, 0.68%, 0.78%

LAB 88.03, -31.89, 12.49

 

CMYK 39 / 0 / 21 / 4

HEX #97F6C3

RGB 151 246 195

HSL 147.79, 0.84%, 0.78%

LAB 90.06, -39.06, 15.8

 

CMYK 18 / 0 / 10 / 14

HEX #B3DBC5

RGB 179 219 197

HSL 147, 0.36%, 0.78%

LAB 84.11, -17.39, 6.49

 

CMYK 10 / 0 / 6 / 18

HEX #BCD2C6

RGB 188 210 198

HSL 147.27, 0.2%, 0.78%

LAB 82.3, -9.66, 3.43

 

CMYK 2 / 0 / 1 / 21

HEX #C5C9C7

RGB 197 201 199

HSL 150, 0.04%, 0.78%

LAB 80.61, -1.74, 0.51

 

CMYK 0 / 7 / 3 / 19

HEX #CEC0C7

RGB 206 192 199

HSL 330, 0.13%, 0.78%

LAB 79.01, 6.15, -1.75

 

CMYK 0 / 15 / 7 / 16

HEX #D7B7C8

RGB 215 183 200

HSL 328.13, 0.29%, 0.78%

LAB 77.57, 14.31, -4.31

 

CMYK 17 / 0 / 18 / 14

HEX #B6DBB3

RGB 182 219 179

HSL 115.5, 0.36%, 0.78%

LAB 83.89, -19.66, 15.71

 

CMYK 18 / 0 / 15 / 14

HEX #B3DBBA

RGB 179 219 186

HSL 130.5, 0.36%, 0.78%

LAB 83.86, -19.43, 11.94

 

CMYK 18 / 0 / 10 / 14

HEX #B3DBC5

RGB 179 219 197

HSL 147, 0.36%, 0.78%

LAB 84.11, -17.39, 6.49

 

CMYK 18 / 0 / 5 / 14

HEX #B3DBD0

RGB 179 219 208

HSL 163.5, 0.36%, 0.78%

LAB 84.38, -15.25, 1.06

 

CMYK 18 / 0 / 0 / 14

HEX #B3DBDA

RGB 179 219 218

HSL 178.5, 0.36%, 0.78%

LAB 84.64, -13.2, -3.85

 

CMYK 36 / 0 / 20 / 24

HEX #7BC19B

RGB 123 193 155

HSL 147.43, 0.36%, 0.62%

LAB 72.71, -30.38, 12.26

 

CMYK 27 / 0 / 15 / 19

HEX #97CEB0

RGB 151 206 176

HSL 147.27, 0.36%, 0.7%

LAB 78.38, -23.95, 9.23

 

CMYK 18 / 0 / 10 / 14

HEX #B3DBC5

RGB 179 219 197

HSL 147, 0.36%, 0.78%

LAB 84.11, -17.39, 6.49

 

CMYK 11 / 0 / 6 / 9

HEX #CFE8DB

RGB 207 232 219

HSL 148.8, 0.35%, 0.86%

LAB 89.9, -10.66, 3.52

 

CMYK 4 / 0 / 2 / 4

HEX #EBF6F0

RGB 235 246 240

HSL 147.27, 0.38%, 0.94%

LAB 95.94, -4.69, 1.61

 

CMYK 19 / 0 / 10 / 14

HEX #B2DBC5

RGB 178 219 197

HSL 147.8, 0.36%, 0.78%

LAB 84.05, -17.72, 6.4

 

CMYK 18 / 12 / 0 / 14

HEX #B3C1DB

RGB 179 193 219

HSL 219, 0.36%, 0.78%

LAB 77.78, 0.6, -14.59

 

CMYK 0 / 17 / 18 / 14

HEX #DBB5B3

RGB 219 181 179

HSL 3, 0.36%, 0.78%

LAB 76.9, 13.37, 6.16

 

CMYK 19 / 0 / 10 / 14

HEX #B2DBC5

RGB 178 219 197

HSL 147.8, 0.36%, 0.78%

LAB 84.05, -17.72, 6.4

 

CMYK 10 / 18 / 0 / 14

HEX #C5B3DB

RGB 197 179 219

HSL 267, 0.36%, 0.78%

LAB 75.59, 13.97, -17.75

 

CMYK 0 / 10 / 18 / 14

HEX #DBC5B3

RGB 219 197 179

HSL 27, 0.36%, 0.78%

LAB 80.88, 4.86, 11.84

 

CMYK 19 / 0 / 10 / 14

HEX #B2DBC5

RGB 178 219 197

HSL 147.8, 0.36%, 0.78%

LAB 84.05, -17.72, 6.4

 

CMYK 18 / 12 / 0 / 14

HEX #B3C1DB

RGB 179 193 219

HSL 219, 0.36%, 0.78%

LAB 77.78, 0.6, -14.59

 

CMYK 0 / 18 / 8 / 14

HEX #DBB3C9

RGB 219 179 201

HSL 327, 0.36%, 0.78%

LAB 76.99, 18.03, -5.67

 

CMYK 0 / 6 / 18 / 14

HEX #DBCDB3

RGB 219 205 179

HSL 39, 0.36%, 0.78%

LAB 82.9, 0.66, 14.7

 

CMYK 19 / 0 / 10 / 14

HEX #B2DBC5

RGB 178 219 197

HSL 147.8, 0.36%, 0.78%

LAB 84.05, -17.72, 6.4

 

CMYK 18 / 17 / 0 / 14

HEX #B3B5DB

RGB 179 181 219

HSL 237, 0.36%, 0.78%

LAB 74.66, 7.1, -19.29

 

CMYK 0 / 18 / 8 / 14

HEX #DBB3C9

RGB 219 179 201

HSL 327, 0.36%, 0.78%

LAB 76.99, 18.03, -5.67

 

CMYK 0 / 1 / 18 / 14

HEX #DBD9B3

RGB 219 217 179

HSL 57, 0.36%, 0.78%

LAB 85.98, -5.54, 19.01

 

Description

Color code: HEX #B2DBC500 | qconv.com Color code: HEX #B2DBC500 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 219 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 219 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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