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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D939 it is the complementary color #4D26C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D939. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D939 shade: #B7D934, #C8EB47, #D9FD5A, #EAFF6D and #FBFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D939. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D939 shade: #B2D939, #A1C726, #90B513, #7FA300 and #6E9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D939 shade: #B3D93A, #D9D53A, #D9AA3A, #D97F3A and #D9543A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D939 shade: #B3D93A, #88D93A, #5DD93A, #3AD942 and #3AD96D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D939 shade matches the following richer shades: #B3D93A and #BCEC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D939 shade: #B3D93A, #A9C64D, #9FB460, #95A173 and #8C8E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D939 shade: #D9AA3A, #D9D43A, #B4D93A, #8AD93A and #5FD93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D939 shade: #82A21F, #9EC525, #B3D93A, #C0E05D and #CDE77F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D939 shade: #B2D939, #3AD97F and #BF3AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D939 shade: #B2D939, #3AB4D9 and #D93AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D939 shade: #B2D939, #3AD97F, #5F3AD9 and #D93A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D939 shade: #B2D939, #3AD9AF, #5F3AD9 and #D93A64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 74 / 15

HEX #B2D939

RGB 178 217 57

HSL 74.63, 0.68%, 0.54%

LAB 81.5, -33.74, 69.58

 

Complementary color

CMYK 61 / 81 / 0 / 22

HEX #4D26C6

RGB 77 38 198

HSL 254.63, 0.68%, 0.46%

LAB 31.9, 57.25, -75.77

 

CMYK 16 / 0 / 76 / 15

HEX #B7D934

RGB 183 217 52

HSL 72.36, 0.68%, 0.53%

LAB 81.81, -31.99, 71.56

 

CMYK 15 / 0 / 70 / 8

HEX #C8EB47

RGB 200 235 71

HSL 72.8, 0.8%, 0.6%

LAB 88.04, -32.64, 71.67

 

CMYK 14 / 0 / 64 / 1

HEX #D9FD5A

RGB 217 253 90

HSL 73.25, 0.98%, 0.67%

LAB 94.2, -33.17, 71.3

 

CMYK 8 / 0 / 57 / 0

HEX #EAFF6D

RGB 234 255 109

HSL 68.63, 1%, 0.71%

LAB 96.05, -26.21, 65.93

 

CMYK 2 / 0 / 50 / 0

HEX #FBFF80

RGB 251 255 128

HSL 61.89, 1%, 0.75%

LAB 97.47, -18.09, 59.55

 

CMYK 18 / 0 / 74 / 15

HEX #B2D939

RGB 178 217 57

HSL 74.63, 0.68%, 0.54%

LAB 81.5, -33.74, 69.58

 

CMYK 19 / 0 / 81 / 22

HEX #A1C726

RGB 161 199 38

HSL 74.16, 0.68%, 0.46%

LAB 75.18, -33.03, 69.01

 

CMYK 20 / 0 / 90 / 29

HEX #90B513

RGB 144 181 19

HSL 73.7, 0.81%, 0.39%

LAB 68.77, -32.12, 67.33

 

CMYK 22 / 0 / 100 / 36

HEX #7FA300

RGB 127 163 0

HSL 73.25, 1%, 0.32%

LAB 62.26, -31.03, 64.4

 

CMYK 24 / 0 / 100 / 43

HEX #6E9100

RGB 110 145 0

HSL 74.48, 1%, 0.28%

LAB 55.65, -29.6, 58.89

 

CMYK 18 / 0 / 73 / 15

HEX #B3D93A

RGB 179 217 58

HSL 74.34, 0.68%, 0.54%

LAB 81.57, -33.3, 69.34

 

CMYK 0 / 2 / 73 / 15

HEX #D9D53A

RGB 217 213 58

HSL 58.49, 0.68%, 0.54%

LAB 83.26, -15.83, 71.92

 

CMYK 0 / 22 / 73 / 15

HEX #D9AA3A

RGB 217 170 58

HSL 42.26, 0.68%, 0.54%

LAB 72.1, 6.33, 61.2

 

CMYK 0 / 41 / 73 / 15

HEX #D97F3A

RGB 217 127 58

HSL 26.04, 0.68%, 0.54%

LAB 61.86, 29.39, 50.85

 

CMYK 0 / 61 / 73 / 15

HEX #D9543A

RGB 217 84 58

HSL 9.81, 0.68%, 0.54%

LAB 53.38, 50.75, 41.79

 

CMYK 18 / 0 / 73 / 15

HEX #B3D93A

RGB 179 217 58

HSL 74.34, 0.68%, 0.54%

LAB 81.57, -33.3, 69.34

 

CMYK 37 / 0 / 73 / 15

HEX #88D93A

RGB 136 217 58

HSL 90.57, 0.68%, 0.54%

LAB 79.14, -49.21, 66.14

 

CMYK 57 / 0 / 73 / 15

HEX #5DD93A

RGB 93 217 58

HSL 106.79, 0.68%, 0.54%

LAB 77.44, -61.96, 63.88

 

CMYK 73 / 0 / 70 / 15

HEX #3AD942

RGB 58 217 66

HSL 123.02, 0.68%, 0.54%

LAB 76.63, -68.4, 59.9

 

CMYK 73 / 0 / 50 / 15

HEX #3AD96D

RGB 58 217 109

HSL 139.25, 0.68%, 0.54%

LAB 77.06, -63.28, 41.53

 

CMYK 18 / 0 / 73 / 15

HEX #B3D93A

RGB 179 217 58

HSL 74.34, 0.68%, 0.54%

LAB 81.57, -33.3, 69.34

 

CMYK 20 / 0 / 83 / 7

HEX #BCEC27

RGB 188 236 39

HSL 74.62, 0.84%, 0.54%

LAB 87.4, -39.13, 80.06

 

CMYK 18 / 0 / 73 / 15

HEX #B3D93A

RGB 179 217 58

HSL 74.34, 0.68%, 0.54%

LAB 81.57, -33.3, 69.34

 

CMYK 15 / 0 / 61 / 22

HEX #A9C64D

RGB 169 198 77

HSL 74.38, 0.51%, 0.54%

LAB 75.67, -27.14, 55.81

 

CMYK 12 / 0 / 47 / 29

HEX #9FB460

RGB 159 180 96

HSL 75, 0.36%, 0.54%

LAB 70.08, -20.56, 40.23

 

CMYK 7 / 0 / 29 / 37

HEX #95A173

RGB 149 161 115

HSL 75.65, 0.2%, 0.54%

LAB 64.26, -12.31, 22.59

 

CMYK 1 / 0 / 6 / 44

HEX #8C8E86

RGB 140 142 134

HSL 75, 0.03%, 0.54%

LAB 58.64, -2.27, 4

 

CMYK 0 / 22 / 73 / 15

HEX #D9AA3A

RGB 217 170 58

HSL 42.26, 0.68%, 0.54%

LAB 72.1, 6.33, 61.2

 

CMYK 0 / 2 / 73 / 15

HEX #D9D43A

RGB 217 212 58

HSL 58.11, 0.68%, 0.54%

LAB 82.99, -15.34, 71.67

 

CMYK 17 / 0 / 73 / 15

HEX #B4D93A

RGB 180 217 58

HSL 73.96, 0.68%, 0.54%

LAB 81.64, -32.9, 69.42

 

CMYK 36 / 0 / 73 / 15

HEX #8AD93A

RGB 138 217 58

HSL 89.81, 0.68%, 0.54%

LAB 79.23, -48.53, 66.26

 

CMYK 56 / 0 / 73 / 15

HEX #5FD93A

RGB 95 217 58

HSL 106.04, 0.68%, 0.54%

LAB 77.5, -61.46, 63.97

 

CMYK 20 / 0 / 81 / 36

HEX #82A21F

RGB 130 162 31

HSL 74.66, 0.68%, 0.38%

LAB 62.24, -28.52, 58.62

 

CMYK 20 / 0 / 81 / 23

HEX #9EC525

RGB 158 197 37

HSL 74.63, 0.68%, 0.46%

LAB 74.4, -33.35, 68.51

 

CMYK 18 / 0 / 73 / 15

HEX #B3D93A

RGB 179 217 58

HSL 74.34, 0.68%, 0.54%

LAB 81.57, -33.3, 69.34

 

CMYK 14 / 0 / 58 / 12

HEX #C0E05D

RGB 192 224 93

HSL 74.66, 0.68%, 0.62%

LAB 84.64, -29.18, 59.25

 

CMYK 11 / 0 / 45 / 9

HEX #CDE77F

RGB 205 231 127

HSL 75, 0.68%, 0.7%

LAB 87.81, -24.36, 47.58

 

CMYK 18 / 0 / 74 / 15

HEX #B2D939

RGB 178 217 57

HSL 74.63, 0.68%, 0.54%

LAB 81.5, -33.74, 69.58

 

CMYK 73 / 0 / 41 / 15

HEX #3AD97F

RGB 58 217 127

HSL 146.04, 0.68%, 0.54%

LAB 77.32, -60.33, 32.92

 

CMYK 12 / 73 / 0 / 15

HEX #BF3AD9

RGB 191 58 217

HSL 290.19, 0.68%, 0.54%

LAB 50.82, 72.15, -55.3

 

CMYK 18 / 0 / 74 / 15

HEX #B2D939

RGB 178 217 57

HSL 74.63, 0.68%, 0.54%

LAB 81.5, -33.74, 69.58

 

CMYK 73 / 17 / 0 / 15

HEX #3AB4D9

RGB 58 180 217

HSL 193.96, 0.68%, 0.54%

LAB 68.43, -21.25, -28.26

 

CMYK 0 / 73 / 17 / 15

HEX #D93AB4

RGB 217 58 180

HSL 313.96, 0.68%, 0.54%

LAB 53.03, 71.98, -30.21

 

CMYK 18 / 0 / 74 / 15

HEX #B2D939

RGB 178 217 57

HSL 74.63, 0.68%, 0.54%

LAB 81.5, -33.74, 69.58

 

CMYK 73 / 0 / 41 / 15

HEX #3AD97F

RGB 58 217 127

HSL 146.04, 0.68%, 0.54%

LAB 77.32, -60.33, 32.92

 

CMYK 56 / 73 / 0 / 15

HEX #5F3AD9

RGB 95 58 217

HSL 253.96, 0.68%, 0.54%

LAB 38.67, 55.45, -75.58

 

CMYK 0 / 73 / 32 / 15

HEX #D93A94

RGB 217 58 148

HSL 326.04, 0.68%, 0.54%

LAB 51.74, 68, -13.33

 

CMYK 18 / 0 / 74 / 15

HEX #B2D939

RGB 178 217 57

HSL 74.63, 0.68%, 0.54%

LAB 81.5, -33.74, 69.58

 

CMYK 73 / 0 / 19 / 15

HEX #3AD9AF

RGB 58 217 175

HSL 164.15, 0.68%, 0.54%

LAB 78.24, -50.24, 9.11

 

CMYK 56 / 73 / 0 / 15

HEX #5F3AD9

RGB 95 58 217

HSL 253.96, 0.68%, 0.54%

LAB 38.67, 55.45, -75.58

 

CMYK 0 / 73 / 54 / 15

HEX #D93A64

RGB 217 58 100

HSL 344.15, 0.68%, 0.54%

LAB 50.33, 63.47, 13.52

 

Description

Color code: HEX #B2D939 | qconv.com Color code: HEX #B2D939 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 217 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 217 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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