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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D922 it is the complementary color #4D26DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D922. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D922 shade: #B7D91D, #C8EB30, #D9FD43, #EAFF56 and #FBFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D922. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D922 shade: #B2D922, #A1C70F, #90B500, #7FA300 and #6E9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D922 shade: #B1D822, #D8CE22, #D89D22, #D86B22 and #D83A22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D922 shade: #B1D822, #80D822, #4FD822, #22D826 and #22D857

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D922 shade matches the following richer shades: #B1D822 and #BDEC0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D922 shade: #B1D822, #A6C436, #9AB04A, #8E9C5E and #838773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D922 shade: #D89B22, #D8CC22, #B4D822, #83D822 and #52D822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D922 shade: #779117, #94B41C, #B1D822, #BFE142 and #CBE765

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D922 shade: #B2D922, #22D86B and #B422D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D922 shade: #B2D922, #22B4D8 and #D822B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D922 shade: #B2D922, #22D86B, #4622D8 and #D8228F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D922 shade: #B2D922, #22D8A1, #4622D8 and #D82258

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 84 / 15

HEX #B2D922

RGB 178 217 34

HSL 72.79, 0.73%, 0.49%

LAB 81.4, -34.64, 75.79

 

Complementary color

CMYK 65 / 83 / 0 / 13

HEX #4D26DD

RGB 77 38 221

HSL 252.79, 0.73%, 0.51%

LAB 34.36, 63.54, -85.04

 

CMYK 16 / 0 / 87 / 15

HEX #B7D91D

RGB 183 217 29

HSL 70.85, 0.76%, 0.48%

LAB 81.72, -32.77, 77.2

 

CMYK 15 / 0 / 80 / 8

HEX #C8EB30

RGB 200 235 48

HSL 71.23, 0.82%, 0.55%

LAB 87.92, -33.68, 78.65

 

CMYK 14 / 0 / 74 / 1

HEX #D9FD43

RGB 217 253 67

HSL 71.61, 0.98%, 0.63%

LAB 94.06, -34.43, 79.22

 

CMYK 8 / 0 / 66 / 0

HEX #EAFF56

RGB 234 255 86

HSL 67.46, 1%, 0.67%

LAB 95.87, -27.72, 74.89

 

CMYK 2 / 0 / 59 / 0

HEX #FBFF69

RGB 251 255 105

HSL 61.6, 1%, 0.71%

LAB 97.25, -19.83, 69.28

 

CMYK 18 / 0 / 84 / 15

HEX #B2D922

RGB 178 217 34

HSL 72.79, 0.73%, 0.49%

LAB 81.4, -34.64, 75.79

 

CMYK 19 / 0 / 92 / 22

HEX #A1C70F

RGB 161 199 15

HSL 72.39, 0.86%, 0.42%

LAB 75.11, -33.64, 73.5

 

CMYK 20 / 0 / 100 / 29

HEX #90B500

RGB 144 181 0

HSL 72.27, 1%, 0.35%

LAB 68.73, -32.44, 69.79

 

CMYK 22 / 0 / 100 / 36

HEX #7FA300

RGB 127 163 0

HSL 73.25, 1%, 0.32%

LAB 62.26, -31.03, 64.4

 

CMYK 24 / 0 / 100 / 43

HEX #6E9100

RGB 110 145 0

HSL 74.48, 1%, 0.28%

LAB 55.65, -29.6, 58.89

 

CMYK 18 / 0 / 84 / 15

HEX #B1D822

RGB 177 216 34

HSL 72.86, 0.73%, 0.49%

LAB 81.06, -34.58, 75.47

 

CMYK 0 / 5 / 84 / 15

HEX #D8CE22

RGB 216 206 34

HSL 56.7, 0.73%, 0.49%

LAB 81.21, -13.58, 76.77

 

CMYK 0 / 27 / 84 / 15

HEX #D89D22

RGB 216 157 34

HSL 40.55, 0.73%, 0.49%

LAB 68.63, 11.99, 66.31

 

CMYK 0 / 50 / 84 / 15

HEX #D86B22

RGB 216 107 34

HSL 24.07, 0.73%, 0.49%

LAB 57.3, 38.52, 56.73

 

CMYK 0 / 73 / 84 / 15

HEX #D83A22

RGB 216 58 34

HSL 7.91, 0.73%, 0.49%

LAB 49.18, 59.94, 49.71

 

CMYK 18 / 0 / 84 / 15

HEX #B1D822

RGB 177 216 34

HSL 72.86, 0.73%, 0.49%

LAB 81.06, -34.58, 75.47

 

CMYK 41 / 0 / 84 / 15

HEX #80D822

RGB 128 216 34

HSL 89.01, 0.73%, 0.49%

LAB 78.35, -52.65, 72.08

 

CMYK 63 / 0 / 84 / 15

HEX #4FD822

RGB 79 216 34

HSL 105.16, 0.73%, 0.49%

LAB 76.61, -66.22, 69.87

 

CMYK 84 / 0 / 82 / 15

HEX #22D826

RGB 34 216 38

HSL 121.32, 0.73%, 0.49%

LAB 75.82, -73.01, 67.9

 

CMYK 84 / 0 / 60 / 15

HEX #22D857

RGB 34 216 87

HSL 137.47, 0.73%, 0.49%

LAB 76.16, -68.8, 50.62

 

CMYK 18 / 0 / 84 / 15

HEX #B1D822

RGB 177 216 34

HSL 72.86, 0.73%, 0.49%

LAB 81.06, -34.58, 75.47

 

CMYK 20 / 0 / 94 / 7

HEX #BDEC0E

RGB 189 236 14

HSL 72.7, 0.89%, 0.49%

LAB 87.41, -39.26, 84.03

 

CMYK 18 / 0 / 84 / 15

HEX #B1D822

RGB 177 216 34

HSL 72.86, 0.73%, 0.49%

LAB 81.06, -34.58, 75.47

 

CMYK 15 / 0 / 72 / 23

HEX #A6C436

RGB 166 196 54

HSL 72.68, 0.57%, 0.49%

LAB 74.73, -28.88, 63.79

 

CMYK 13 / 0 / 58 / 31

HEX #9AB04A

RGB 154 176 74

HSL 72.94, 0.41%, 0.49%

LAB 68.33, -22.71, 48.69

 

CMYK 9 / 0 / 40 / 39

HEX #8E9C5E

RGB 142 156 94

HSL 73.55, 0.25%, 0.49%

LAB 61.94, -15.33, 30.81

 

CMYK 3 / 0 / 15 / 47

HEX #838773

RGB 131 135 115

HSL 72, 0.08%, 0.49%

LAB 55.47, -5.23, 10.26

 

CMYK 0 / 28 / 84 / 15

HEX #D89B22

RGB 216 155 34

HSL 39.89, 0.73%, 0.49%

LAB 68.14, 13.06, 65.9

 

CMYK 0 / 6 / 84 / 15

HEX #D8CC22

RGB 216 204 34

HSL 56.04, 0.73%, 0.49%

LAB 80.68, -12.57, 76.33

 

CMYK 17 / 0 / 84 / 15

HEX #B4D822

RGB 180 216 34

HSL 71.87, 0.73%, 0.49%

LAB 81.25, -33.38, 75.71

 

CMYK 39 / 0 / 84 / 15

HEX #83D822

RGB 131 216 34

HSL 88.02, 0.73%, 0.49%

LAB 78.49, -51.65, 72.25

 

CMYK 62 / 0 / 84 / 15

HEX #52D822

RGB 82 216 34

HSL 104.18, 0.73%, 0.49%

LAB 76.69, -65.56, 69.98

 

CMYK 18 / 0 / 84 / 43

HEX #779117

RGB 119 145 23

HSL 72.79, 0.73%, 0.33%

LAB 56.32, -25.2, 55.31

 

CMYK 18 / 0 / 84 / 29

HEX #94B41C

RGB 148 180 28

HSL 72.63, 0.73%, 0.41%

LAB 68.77, -29.76, 65.59

 

CMYK 18 / 0 / 84 / 15

HEX #B1D822

RGB 177 216 34

HSL 72.86, 0.73%, 0.49%

LAB 81.06, -34.58, 75.47

 

CMYK 15 / 0 / 71 / 12

HEX #BFE142

RGB 191 225 66

HSL 72.83, 0.73%, 0.57%

LAB 84.65, -31.84, 69.87

 

CMYK 12 / 0 / 56 / 9

HEX #CBE765

RGB 203 231 101

HSL 72.92, 0.73%, 0.65%

LAB 87.38, -27.56, 59.05

 

CMYK 18 / 0 / 84 / 15

HEX #B2D922

RGB 178 217 34

HSL 72.79, 0.73%, 0.49%

LAB 81.4, -34.64, 75.79

 

CMYK 84 / 0 / 50 / 15

HEX #22D86B

RGB 34 216 107

HSL 144.07, 0.73%, 0.49%

LAB 76.38, -66.03, 41.58

 

CMYK 17 / 84 / 0 / 15

HEX #B422D8

RGB 180 34 216

HSL 288.13, 0.73%, 0.49%

LAB 46.72, 76.73, -61.42

 

CMYK 18 / 0 / 84 / 15

HEX #B2D922

RGB 178 217 34

HSL 72.79, 0.73%, 0.49%

LAB 81.4, -34.64, 75.79

 

CMYK 84 / 17 / 0 / 15

HEX #22B4D8

RGB 34 180 216

HSL 191.87, 0.73%, 0.49%

LAB 67.98, -23.91, -28.43

 

CMYK 0 / 84 / 17 / 15

HEX #D822B4

RGB 216 34 180

HSL 311.87, 0.73%, 0.49%

LAB 50.73, 77.87, -33.81

 

CMYK 18 / 0 / 84 / 15

HEX #B2D922

RGB 178 217 34

HSL 72.79, 0.73%, 0.49%

LAB 81.4, -34.64, 75.79

 

CMYK 84 / 0 / 50 / 15

HEX #22D86B

RGB 34 216 107

HSL 144.07, 0.73%, 0.49%

LAB 76.38, -66.03, 41.58

 

CMYK 68 / 84 / 0 / 15

HEX #4622D8

RGB 70 34 216

HSL 251.87, 0.73%, 0.49%

LAB 32.71, 63.17, -84.92

 

CMYK 0 / 84 / 34 / 15

HEX #D8228F

RGB 216 34 143

HSL 324.07, 0.73%, 0.49%

LAB 49.16, 73.54, -14.26

 

CMYK 18 / 0 / 84 / 15

HEX #B2D922

RGB 178 217 34

HSL 72.79, 0.73%, 0.49%

LAB 81.4, -34.64, 75.79

 

CMYK 84 / 0 / 25 / 15

HEX #22D8A1

RGB 34 216 161

HSL 161.87, 0.73%, 0.49%

LAB 77.3, -55.58, 15.16

 

CMYK 68 / 84 / 0 / 15

HEX #4622D8

RGB 70 34 216

HSL 251.87, 0.73%, 0.49%

LAB 32.71, 63.17, -84.92

 

CMYK 0 / 84 / 59 / 15

HEX #D82258

RGB 216 34 88

HSL 342.2, 0.73%, 0.49%

LAB 47.56, 68.93, 17.02

 

Description

Color code: HEX #B2D922 | qconv.com Color code: HEX #B2D922 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 217 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 217 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 84 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 84% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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