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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D5E1 it is the complementary color #4D2A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D5E1 shade: #B7D5DC, #C8E7EF, #D9F9FF, #EAFFFF and #FBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D5E1 shade: #B2D5E1, #A1C3CE, #90B1BB, #7F9FA8 and #6E8D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D5E1 shade: #B1D4E1, #B1C8E1, #B1BBE1, #B4B1E1 and #C1B1E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D5E1 shade: #B1D4E1, #B1C8E1, #B1BBE1 and #B1B1E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D5E1 shade matches the following richer shades: #B1D4E1, #A9D9E9, #A0DDF2 and #97E1FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D5E1 shade: #B1D4E1, #BAD0D8, #C3CCCF, #CBC8C7 and #D4C4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D5E1 shade: #B1E1D3, #B1E1E0, #B1D5E1, #B1C8E1 and #B1BCE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D5E1 shade: #76B4C9, #94C4D5, #B1D4E1, #CFE5EC and #EDF5F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D5E1 shade: #B2D5E1, #C7B1E1 and #E1D9B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D5E1 shade: #B2D5E1, #E1B1D5 and #D5E1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D5E1 shade: #B2D5E1, #C7B1E1, #E1BDB1 and #CBE1B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D5E1 shade: #B2D5E1, #D5B1E1, #E1BDB1 and #BDE1B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 5 / 0 / 12

HEX #B2D5E1

RGB 178 213 225

HSL 195.32, 0.44%, 0.79%

LAB 83.17, -8.94, -9.75

 

Complementary color

CMYK 0 / 45 / 61 / 70

HEX #4D2A1E

RGB 77 42 30

HSL 15.32, 0.44%, 0.21%

LAB 21.31, 14.86, 14.8

 

CMYK 17 / 3 / 0 / 14

HEX #B7D5DC

RGB 183 213 220

HSL 191.35, 0.35%, 0.79%

LAB 83.35, -8.46, -6.8

 

CMYK 16 / 3 / 0 / 6

HEX #C8E7EF

RGB 200 231 239

HSL 192.31, 0.55%, 0.86%

LAB 89.7, -8.48, -7.3

 

CMYK 15 / 2 / 0 / 0

HEX #D9F9FF

RGB 217 249 255

HSL 189.47, 1%, 0.93%

LAB 95.88, -9.1, -6.36

 

CMYK 8 / 0 / 0 / 0

HEX #EAFFFF

RGB 234 255 255

HSL 180, 1%, 0.96%

LAB 98.52, -6.79, -2.34

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 21 / 5 / 0 / 12

HEX #B2D5E1

RGB 178 213 225

HSL 195.32, 0.44%, 0.79%

LAB 83.17, -8.94, -9.75

 

CMYK 22 / 5 / 0 / 19

HEX #A1C3CE

RGB 161 195 206

HSL 194.67, 0.31%, 0.72%

LAB 76.72, -8.93, -9.28

 

CMYK 23 / 5 / 0 / 27

HEX #90B1BB

RGB 144 177 187

HSL 193.95, 0.24%, 0.65%

LAB 70.15, -8.92, -8.81

 

CMYK 24 / 5 / 0 / 34

HEX #7F9FA8

RGB 127 159 168

HSL 193.17, 0.19%, 0.58%

LAB 63.45, -8.92, -8.32

 

CMYK 26 / 5 / 0 / 42

HEX #6E8D95

RGB 110 141 149

HSL 192.31, 0.16%, 0.51%

LAB 56.62, -8.93, -7.83

 

CMYK 21 / 6 / 0 / 12

HEX #B1D4E1

RGB 177 212 225

HSL 196.25, 0.44%, 0.79%

LAB 82.84, -8.73, -10.25

 

CMYK 21 / 11 / 0 / 12

HEX #B1C8E1

RGB 177 200 225

HSL 211.25, 0.44%, 0.79%

LAB 79.67, -2.43, -15

 

CMYK 21 / 17 / 0 / 12

HEX #B1BBE1

RGB 177 187 225

HSL 227.5, 0.44%, 0.79%

LAB 76.27, 4.55, -20.13

 

CMYK 20 / 21 / 0 / 12

HEX #B4B1E1

RGB 180 177 225

HSL 243.75, 0.44%, 0.79%

LAB 73.92, 10.95, -23.68

 

CMYK 14 / 21 / 0 / 12

HEX #C1B1E1

RGB 193 177 225

HSL 260, 0.44%, 0.79%

LAB 74.96, 15.03, -22

 

CMYK 21 / 6 / 0 / 12

HEX #B1D4E1

RGB 177 212 225

HSL 196.25, 0.44%, 0.79%

LAB 82.84, -8.73, -10.25

 

CMYK 21 / 11 / 0 / 12

HEX #B1C8E1

RGB 177 200 225

HSL 211.25, 0.44%, 0.79%

LAB 79.67, -2.43, -15

 

CMYK 21 / 17 / 0 / 12

HEX #B1BBE1

RGB 177 187 225

HSL 227.5, 0.44%, 0.79%

LAB 76.27, 4.55, -20.13

 

CMYK 21 / 21 / 0 / 12

HEX #B1B1E1

RGB 177 177 225

HSL 240, 0.44%, 0.79%

LAB 73.69, 10.02, -24.05

 

CMYK 21 / 6 / 0 / 12

HEX #B1D4E1

RGB 177 212 225

HSL 196.25, 0.44%, 0.79%

LAB 82.84, -8.73, -10.25

 

CMYK 27 / 7 / 0 / 9

HEX #A9D9E9

RGB 169 217 233

HSL 195, 0.59%, 0.79%

LAB 83.94, -11.89, -12.92

 

CMYK 34 / 9 / 0 / 5

HEX #A0DDF2

RGB 160 221 242

HSL 195.37, 0.76%, 0.79%

LAB 84.79, -14.33, -16.45

 

CMYK 40 / 10 / 0 / 2

HEX #97E1FB

RGB 151 225 251

HSL 195.6, 0.93%, 0.79%

LAB 85.7, -16.48, -19.87

 

CMYK 21 / 6 / 0 / 12

HEX #B1D4E1

RGB 177 212 225

HSL 196.25, 0.44%, 0.79%

LAB 82.84, -8.73, -10.25

 

CMYK 14 / 4 / 0 / 15

HEX #BAD0D8

RGB 186 208 216

HSL 196, 0.28%, 0.79%

LAB 82.11, -5.74, -6.47

 

CMYK 6 / 1 / 0 / 19

HEX #C3CCCF

RGB 195 204 207

HSL 195, 0.11%, 0.79%

LAB 81.45, -2.49, -2.56

 

CMYK 0 / 1 / 2 / 20

HEX #CBC8C7

RGB 203 200 199

HSL 15, 0.04%, 0.79%

LAB 80.81, 0.86, 0.86

 

CMYK 0 / 8 / 10 / 17

HEX #D4C4BE

RGB 212 196 190

HSL 16.36, 0.2%, 0.79%

LAB 80.29, 4.59, 5.02

 

CMYK 21 / 0 / 6 / 12

HEX #B1E1D3

RGB 177 225 211

HSL 162.5, 0.44%, 0.79%

LAB 85.96, -18.28, 1.76

 

CMYK 21 / 0 / 0 / 12

HEX #B1E1E0

RGB 177 225 224

HSL 178.75, 0.44%, 0.79%

LAB 86.3, -15.59, -4.61

 

CMYK 21 / 5 / 0 / 12

HEX #B1D5E1

RGB 177 213 225

HSL 195, 0.44%, 0.79%

LAB 83.11, -9.25, -9.85

 

CMYK 21 / 11 / 0 / 12

HEX #B1C8E1

RGB 177 200 225

HSL 211.25, 0.44%, 0.79%

LAB 79.67, -2.43, -15

 

CMYK 21 / 16 / 0 / 12

HEX #B1BCE1

RGB 177 188 225

HSL 226.25, 0.44%, 0.79%

LAB 76.53, 4.01, -19.74

 

CMYK 41 / 10 / 0 / 21

HEX #76B4C9

RGB 118 180 201

HSL 195.18, 0.43%, 0.63%

LAB 69.97, -14.48, -16.92

 

CMYK 31 / 8 / 0 / 16

HEX #94C4D5

RGB 148 196 213

HSL 195.69, 0.44%, 0.71%

LAB 76.42, -11.7, -13.59

 

CMYK 21 / 6 / 0 / 12

HEX #B1D4E1

RGB 177 212 225

HSL 196.25, 0.44%, 0.79%

LAB 82.84, -8.73, -10.25

 

CMYK 12 / 3 / 0 / 7

HEX #CFE5EC

RGB 207 229 236

HSL 194.48, 0.43%, 0.87%

LAB 89.56, -5.87, -5.88

 

CMYK 4 / 1 / 0 / 3

HEX #EDF5F8

RGB 237 245 248

HSL 196.36, 0.44%, 0.95%

LAB 96.03, -2.08, -2.37

 

CMYK 21 / 5 / 0 / 12

HEX #B2D5E1

RGB 178 213 225

HSL 195.32, 0.44%, 0.79%

LAB 83.17, -8.94, -9.75

 

CMYK 12 / 21 / 0 / 12

HEX #C7B1E1

RGB 199 177 225

HSL 267.5, 0.44%, 0.79%

LAB 75.47, 16.95, -21.19

 

CMYK 0 / 4 / 21 / 12

HEX #E1D9B1

RGB 225 217 177

HSL 50, 0.44%, 0.79%

LAB 86.41, -3.63, 20.72

 

CMYK 21 / 5 / 0 / 12

HEX #B2D5E1

RGB 178 213 225

HSL 195.32, 0.44%, 0.79%

LAB 83.17, -8.94, -9.75

 

CMYK 0 / 21 / 5 / 12

HEX #E1B1D5

RGB 225 177 213

HSL 315, 0.44%, 0.79%

LAB 77.43, 23.27, -11.47

 

CMYK 5 / 0 / 21 / 12

HEX #D5E1B1

RGB 213 225 177

HSL 75, 0.44%, 0.79%

LAB 87.57, -12.08, 22.19

 

CMYK 21 / 5 / 0 / 12

HEX #B2D5E1

RGB 178 213 225

HSL 195.32, 0.44%, 0.79%

LAB 83.17, -8.94, -9.75

 

CMYK 12 / 21 / 0 / 12

HEX #C7B1E1

RGB 199 177 225

HSL 267.5, 0.44%, 0.79%

LAB 75.47, 16.95, -21.19

 

CMYK 0 / 16 / 21 / 12

HEX #E1BDB1

RGB 225 189 177

HSL 15, 0.44%, 0.79%

LAB 79.37, 11.01, 10.85

 

CMYK 10 / 0 / 21 / 12

HEX #CBE1B1

RGB 203 225 177

HSL 87.5, 0.44%, 0.79%

LAB 86.86, -15.66, 21.1

 

CMYK 21 / 5 / 0 / 12

HEX #B2D5E1

RGB 178 213 225

HSL 195.32, 0.44%, 0.79%

LAB 83.17, -8.94, -9.75

 

CMYK 5 / 21 / 0 / 12

HEX #D5B1E1

RGB 213 177 225

HSL 285, 0.44%, 0.79%

LAB 76.7, 21.49, -19.21

 

CMYK 0 / 16 / 21 / 12

HEX #E1BDB1

RGB 225 189 177

HSL 15, 0.44%, 0.79%

LAB 79.37, 11.01, 10.85

 

CMYK 16 / 0 / 21 / 12

HEX #BDE1B1

RGB 189 225 177

HSL 105, 0.44%, 0.79%

LAB 85.93, -20.56, 19.66

 

Description

Color code: HEX #B2D5E1 | qconv.com Color code: HEX #B2D5E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 213 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 213 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 5 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 5% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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