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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D52E it is the complementary color #4D2AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D52E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D52E shade: #B7D529, #C8E73C, #D9F94F, #EAFF62 and #FBFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D52E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D52E shade: #B2D52E, #A1C31B, #90B108, #7F9F00 and #6E8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D52E shade: #B3D62E, #D6CC2E, #D69F2E, #D6712E and #D6442E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D52E shade: #B3D62E, #86D62E, #58D62E, #2ED631 and #2ED65F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D52E shade matches the following richer shades: #B3D62E, #BEEA1A and #CAFE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D52E shade: #B3D62E, #A7C243, #9BAD57, #8F996B and #84857F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D52E shade: #D69E2E, #D6CB2E, #B4D62E, #88D62E and #5BD62E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D52E shade: #7B941D, #98B724, #B3D62E, #BFDD51 and #CCE373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D52E shade: #B2D52E, #2ED671 and #B42ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D52E shade: #B2D52E, #2EB4D6 and #D62EB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D52E shade: #B2D52E, #2ED671, #502ED6 and #D62E93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D52E shade: #B2D52E, #2ED6A4, #502ED6 and #D62E61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 78 / 16

HEX #B2D52E

RGB 178 213 46

HSL 72.57, 0.67%, 0.51%

LAB 80.32, -32.39, 71.84

 

Complementary color

CMYK 63 / 80 / 0 / 18

HEX #4D2AD1

RGB 77 42 209

HSL 252.57, 0.67%, 0.49%

LAB 33.64, 58.59, -79.31

 

CMYK 14 / 0 / 81 / 16

HEX #B7D529

RGB 183 213 41

HSL 70.47, 0.68%, 0.5%

LAB 80.64, -30.56, 73.6

 

CMYK 13 / 0 / 74 / 9

HEX #C8E73C

RGB 200 231 60

HSL 70.88, 0.78%, 0.57%

LAB 86.88, -31.35, 74.23

 

CMYK 13 / 0 / 68 / 2

HEX #D9F94F

RGB 217 249 79

HSL 71.29, 0.93%, 0.64%

LAB 93.04, -32, 74.2

 

CMYK 8 / 0 / 62 / 0

HEX #EAFF62

RGB 234 255 98

HSL 68.03, 1%, 0.69%

LAB 95.95, -26.98, 70.36

 

CMYK 2 / 0 / 54 / 0

HEX #FBFF75

RGB 251 255 117

HSL 61.74, 1%, 0.73%

LAB 97.35, -18.98, 64.31

 

CMYK 16 / 0 / 78 / 16

HEX #B2D52E

RGB 178 213 46

HSL 72.57, 0.67%, 0.51%

LAB 80.32, -32.39, 71.84

 

CMYK 17 / 0 / 86 / 24

HEX #A1C31B

RGB 161 195 27

HSL 72.14, 0.76%, 0.44%

LAB 73.99, -31.52, 70.57

 

CMYK 19 / 0 / 95 / 31

HEX #90B108

RGB 144 177 8

HSL 71.72, 0.91%, 0.36%

LAB 67.57, -30.45, 67.94

 

CMYK 20 / 0 / 100 / 38

HEX #7F9F00

RGB 127 159 0

HSL 72.08, 1%, 0.31%

LAB 61.05, -29.13, 63.49

 

CMYK 22 / 0 / 100 / 45

HEX #6E8D00

RGB 110 141 0

HSL 73.19, 1%, 0.28%

LAB 54.41, -27.68, 57.95

 

CMYK 16 / 0 / 79 / 16

HEX #B3D62E

RGB 179 214 46

HSL 72.5, 0.67%, 0.51%

LAB 80.67, -32.45, 72.18

 

CMYK 0 / 5 / 79 / 16

HEX #D6CC2E

RGB 214 204 46

HSL 56.43, 0.67%, 0.51%

LAB 80.56, -13.07, 73.07

 

CMYK 0 / 26 / 79 / 16

HEX #D69F2E

RGB 214 159 46

HSL 40.36, 0.67%, 0.51%

LAB 68.96, 10.42, 62.62

 

CMYK 0 / 47 / 79 / 16

HEX #D6712E

RGB 214 113 46

HSL 23.93, 0.67%, 0.51%

LAB 58.32, 35.02, 52.62

HEX #D6712E

CMYK 0 / 68 / 79 / 16

HEX #D6442E

RGB 214 68 46

HSL 7.86, 0.67%, 0.51%

LAB 50.25, 55.98, 44.65

HEX #D6442E

CMYK 16 / 0 / 79 / 16

HEX #B3D62E

RGB 179 214 46

HSL 72.5, 0.67%, 0.51%

LAB 80.67, -32.45, 72.18

 

CMYK 37 / 0 / 79 / 16

HEX #86D62E

RGB 134 214 46

HSL 88.57, 0.67%, 0.51%

LAB 78.09, -49.32, 68.87

 

CMYK 59 / 0 / 79 / 16

HEX #58D62E

RGB 88 214 46

HSL 105, 0.67%, 0.51%

LAB 76.29, -62.9, 66.54

 

CMYK 79 / 0 / 77 / 16

HEX #2ED631

RGB 46 214 49

HSL 121.07, 0.67%, 0.51%

LAB 75.39, -70.47, 64.45

 

CMYK 79 / 0 / 56 / 16

HEX #2ED65F

RGB 46 214 95

HSL 137.5, 0.67%, 0.51%

LAB 75.76, -65.87, 46.55

 

CMYK 16 / 0 / 79 / 16

HEX #B3D62E

RGB 179 214 46

HSL 72.5, 0.67%, 0.51%

LAB 80.67, -32.45, 72.18

 

CMYK 19 / 0 / 89 / 8

HEX #BEEA1A

RGB 190 234 26

HSL 72.69, 0.83%, 0.51%

LAB 86.93, -37.78, 82.16

 

CMYK 20 / 0 / 98 / 0

HEX #CAFE06

RGB 202 254 6

HSL 72.58, 0.99%, 0.51%

LAB 93.21, -42.23, 89.5

 

CMYK 16 / 0 / 79 / 16

HEX #B3D62E

RGB 179 214 46

HSL 72.5, 0.67%, 0.51%

LAB 80.67, -32.45, 72.18

 

CMYK 14 / 0 / 65 / 24

HEX #A7C243

RGB 167 194 67

HSL 72.76, 0.51%, 0.51%

LAB 74.32, -26.74, 58.49

 

CMYK 10 / 0 / 50 / 32

HEX #9BAD57

RGB 155 173 87

HSL 72.56, 0.34%, 0.51%

LAB 67.68, -19.59, 41.74

 

CMYK 7 / 0 / 30 / 40

HEX #8F996B

RGB 143 153 107

HSL 73.04, 0.18%, 0.51%

LAB 61.38, -11.59, 23.04

 

CMYK 1 / 0 / 5 / 48

HEX #84857F

RGB 132 133 127

HSL 70, 0.02%, 0.51%

LAB 55.29, -1.54, 3.09

 

CMYK 0 / 26 / 79 / 16

HEX #D69E2E

RGB 214 158 46

HSL 40, 0.67%, 0.51%

LAB 68.71, 10.96, 62.39

 

CMYK 0 / 5 / 79 / 16

HEX #D6CB2E

RGB 214 203 46

HSL 56.07, 0.67%, 0.51%

LAB 80.29, -12.57, 72.84

 

CMYK 16 / 0 / 79 / 16

HEX #B4D62E

RGB 180 214 46

HSL 72.14, 0.67%, 0.51%

LAB 80.74, -32.05, 72.26

 

CMYK 36 / 0 / 79 / 16

HEX #88D62E

RGB 136 214 46

HSL 87.86, 0.67%, 0.51%

LAB 78.18, -48.63, 68.99

 

CMYK 57 / 0 / 79 / 16

HEX #5BD62E

RGB 91 214 46

HSL 103.93, 0.67%, 0.51%

LAB 76.38, -62.17, 66.66

 

CMYK 17 / 0 / 80 / 42

HEX #7B941D

RGB 123 148 29

HSL 72.61, 0.67%, 0.35%

LAB 57.54, -24.73, 54.79

 

CMYK 17 / 0 / 80 / 28

HEX #98B724

RGB 152 183 36

HSL 72.65, 0.67%, 0.43%

LAB 69.94, -29.26, 64.67

 

CMYK 16 / 0 / 79 / 16

HEX #B3D62E

RGB 179 214 46

HSL 72.5, 0.67%, 0.51%

LAB 80.67, -32.45, 72.18

 

CMYK 14 / 0 / 63 / 13

HEX #BFDD51

RGB 191 221 81

HSL 72.86, 0.67%, 0.59%

LAB 83.64, -29.05, 63.17

 

CMYK 10 / 0 / 49 / 11

HEX #CCE373

RGB 204 227 115

HSL 72.32, 0.67%, 0.67%

LAB 86.51, -24.03, 51.69

 

CMYK 16 / 0 / 78 / 16

HEX #B2D52E

RGB 178 213 46

HSL 72.57, 0.67%, 0.51%

LAB 80.32, -32.39, 71.84

 

CMYK 79 / 0 / 47 / 16

HEX #2ED671

RGB 46 214 113

HSL 143.93, 0.67%, 0.51%

LAB 75.99, -63.19, 38.18

 

CMYK 16 / 79 / 0 / 16

HEX #B42ED6

RGB 180 46 214

HSL 287.86, 0.67%, 0.51%

LAB 47.64, 73.3, -58.78

 

CMYK 16 / 0 / 78 / 16

HEX #B2D52E

RGB 178 213 46

HSL 72.57, 0.67%, 0.51%

LAB 80.32, -32.39, 71.84

 

CMYK 79 / 16 / 0 / 16

HEX #2EB4D6

RGB 46 180 214

HSL 192.14, 0.67%, 0.51%

LAB 68.08, -23.55, -27.16

 

CMYK 0 / 79 / 16 / 16

HEX #D62EB4

RGB 214 46 180

HSL 312.14, 0.67%, 0.51%

LAB 51.32, 74.74, -32.91

 

CMYK 16 / 0 / 78 / 16

HEX #B2D52E

RGB 178 213 46

HSL 72.57, 0.67%, 0.51%

LAB 80.32, -32.39, 71.84

 

CMYK 79 / 0 / 47 / 16

HEX #2ED671

RGB 46 214 113

HSL 143.93, 0.67%, 0.51%

LAB 75.99, -63.19, 38.18

 

CMYK 63 / 79 / 0 / 16

HEX #502ED6

RGB 80 46 214

HSL 252.14, 0.67%, 0.51%

LAB 35.03, 58.52, -79.89

 

CMYK 0 / 79 / 31 / 16

HEX #D62E93

RGB 214 46 147

HSL 323.93, 0.67%, 0.51%

LAB 49.93, 70.69, -15.54

 

CMYK 16 / 0 / 78 / 16

HEX #B2D52E

RGB 178 213 46

HSL 72.57, 0.67%, 0.51%

LAB 80.32, -32.39, 71.84

 

CMYK 79 / 0 / 23 / 16

HEX #2ED6A4

RGB 46 214 164

HSL 162.14, 0.67%, 0.51%

LAB 76.89, -53.02, 13.02

 

CMYK 63 / 79 / 0 / 16

HEX #502ED6

RGB 80 46 214

HSL 252.14, 0.67%, 0.51%

LAB 35.03, 58.52, -79.89

 

CMYK 0 / 79 / 55 / 16

HEX #D62E61

RGB 214 46 97

HSL 341.79, 0.67%, 0.51%

LAB 48.4, 66.08, 12.59

 

Description

Color code: HEX #B2D52E | qconv.com Color code: HEX #B2D52E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 213 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 213 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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