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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D513 it is the complementary color #4D2AEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D513. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D513 shade: #B7D50E, #C8E721, #D9F934, #EAFF47 and #FBFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D513. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D513 shade: #B2D513, #A1C300, #90B100, #7F9F00 and #6E8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D513 shade: #B0D312, #D3C212, #D38E12, #D35A12 and #D32612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D513 shade: #B0D312, #7CD312, #48D312, #14D312 and #12D344

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D513 shade matches the following richer shades: #B0D312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D513 shade: #B0D312, #A5C125, #99AE37, #8D9B4A and #81895D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D513 shade: #D38C12, #D3C012, #B3D312, #80D312 and #4CD312

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D513 shade: #71870C, #91AD0F, #B0D312, #C8EC23 and #D1EF49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D513 shade: #B2D513, #12D359 and #A612D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D513 shade: #B2D513, #12B3D3 and #D312B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D513 shade: #B2D513, #12D359, #3212D3 and #D3128C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D513 shade: #B2D513, #12D393, #3212D3 and #D31253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 91 / 16

HEX #B2D513

RGB 178 213 19

HSL 70.82, 0.84%, 0.45%

LAB 80.24, -33.15, 77.5

 

Complementary color

CMYK 67 / 82 / 0 / 7

HEX #4D2AEC

RGB 77 42 236

HSL 250.82, 0.84%, 0.55%

LAB 36.54, 66.05, -90

 

CMYK 14 / 0 / 93 / 16

HEX #B7D50E

RGB 183 213 14

HSL 69.05, 0.88%, 0.45%

LAB 80.56, -31.2, 78.53

 

CMYK 13 / 0 / 86 / 9

HEX #C8E721

RGB 200 231 33

HSL 69.39, 0.8%, 0.52%

LAB 86.77, -32.29, 81.07

 

CMYK 13 / 0 / 79 / 2

HEX #D9F934

RGB 217 249 52

HSL 69.75, 0.94%, 0.59%

LAB 92.91, -33.21, 82.46

 

CMYK 8 / 0 / 72 / 0

HEX #EAFF47

RGB 234 255 71

HSL 66.85, 1%, 0.64%

LAB 95.78, -28.48, 79.99

 

CMYK 2 / 0 / 65 / 0

HEX #FBFF5A

RGB 251 255 90

HSL 61.45, 1%, 0.68%

LAB 97.13, -20.75, 75.09

 

CMYK 16 / 0 / 91 / 16

HEX #B2D513

RGB 178 213 19

HSL 70.82, 0.84%, 0.45%

LAB 80.24, -33.15, 77.5

 

CMYK 17 / 0 / 100 / 24

HEX #A1C300

RGB 161 195 0

HSL 70.46, 1%, 0.38%

LAB 73.94, -31.99, 74.22

 

CMYK 19 / 0 / 100 / 31

HEX #90B100

RGB 144 177 0

HSL 71.19, 1%, 0.35%

LAB 67.56, -30.57, 68.9

 

CMYK 20 / 0 / 100 / 38

HEX #7F9F00

RGB 127 159 0

HSL 72.08, 1%, 0.31%

LAB 61.05, -29.13, 63.49

 

CMYK 22 / 0 / 100 / 45

HEX #6E8D00

RGB 110 141 0

HSL 73.19, 1%, 0.28%

LAB 54.41, -27.68, 57.95

 

CMYK 17 / 0 / 91 / 17

HEX #B0D312

RGB 176 211 18

HSL 70.88, 0.84%, 0.45%

LAB 79.54, -33.06, 77.03

 

CMYK 0 / 8 / 91 / 17

HEX #D3C212

RGB 211 194 18

HSL 54.72, 0.84%, 0.45%

LAB 77.56, -9.98, 76.64

 

CMYK 0 / 33 / 91 / 17

HEX #D38E12

RGB 211 142 18

HSL 38.55, 0.84%, 0.45%

LAB 64.35, 17.56, 66.65

 

CMYK 0 / 57 / 91 / 17

HEX #D35A12

RGB 211 90 18

HSL 22.38, 0.84%, 0.45%

LAB 53.17, 44.64, 58.52

 

CMYK 0 / 82 / 91 / 17

HEX #D32612

RGB 211 38 18

HSL 6.22, 0.84%, 0.45%

LAB 46.01, 64.07, 53.6

 

CMYK 17 / 0 / 91 / 17

HEX #B0D312

RGB 176 211 18

HSL 70.88, 0.84%, 0.45%

LAB 79.54, -33.06, 77.03

 

CMYK 41 / 0 / 91 / 17

HEX #7CD312

RGB 124 211 18

HSL 87.05, 0.84%, 0.45%

LAB 76.63, -52.46, 73.47

 

CMYK 66 / 0 / 91 / 17

HEX #48D312

RGB 72 211 18

HSL 103.21, 0.84%, 0.45%

LAB 74.83, -66.62, 71.25

 

CMYK 91 / 0 / 91 / 17

HEX #14D312

RGB 20 211 18

HSL 119.38, 0.84%, 0.45%

LAB 74.05, -73.47, 70.28

 

CMYK 91 / 0 / 68 / 17

HEX #12D344

RGB 18 211 68

HSL 135.54, 0.84%, 0.45%

LAB 74.28, -70.53, 56.49

 

CMYK 17 / 0 / 91 / 17

HEX #B0D312

RGB 176 211 18

HSL 70.88, 0.84%, 0.45%

LAB 79.54, -33.06, 77.03

 

CMYK 17 / 0 / 91 / 17

HEX #B0D312

RGB 176 211 18

HSL 70.88, 0.84%, 0.45%

LAB 79.54, -33.06, 77.03

 

CMYK 15 / 0 / 81 / 24

HEX #A5C125

RGB 165 193 37

HSL 70.77, 0.68%, 0.45%

LAB 73.72, -28.62, 68.09

 

CMYK 12 / 0 / 68 / 32

HEX #99AE37

RGB 153 174 55

HSL 70.59, 0.52%, 0.45%

LAB 67.52, -23.52, 55.94

 

CMYK 9 / 0 / 52 / 39

HEX #8D9B4A

RGB 141 155 74

HSL 70.37, 0.35%, 0.45%

LAB 61.31, -17.45, 40.34

 

CMYK 6 / 0 / 32 / 46

HEX #81895D

RGB 129 137 93

HSL 70.91, 0.19%, 0.45%

LAB 55.43, -10.62, 22.67

 

CMYK 0 / 34 / 91 / 17

HEX #D38C12

RGB 211 140 18

HSL 37.93, 0.84%, 0.45%

LAB 63.88, 18.65, 66.3

 

CMYK 0 / 9 / 91 / 17

HEX #D3C012

RGB 211 192 18

HSL 54.09, 0.84%, 0.45%

LAB 77.04, -8.96, 76.24

 

CMYK 15 / 0 / 91 / 17

HEX #B3D312

RGB 179 211 18

HSL 69.95, 0.84%, 0.45%

LAB 79.74, -31.84, 77.27

 

CMYK 39 / 0 / 91 / 17

HEX #80D312

RGB 128 211 18

HSL 85.8, 0.84%, 0.45%

LAB 76.81, -51.12, 73.69

 

CMYK 64 / 0 / 91 / 17

HEX #4CD312

RGB 76 211 18

HSL 101.97, 0.84%, 0.45%

LAB 74.93, -65.78, 71.37

 

CMYK 16 / 0 / 91 / 47

HEX #71870C

RGB 113 135 12

HSL 70.73, 0.84%, 0.29%

LAB 52.8, -23.15, 54.69

 

CMYK 16 / 0 / 91 / 32

HEX #91AD0F

RGB 145 173 15

HSL 70.63, 0.84%, 0.37%

LAB 66.48, -28.01, 66.17

 

CMYK 17 / 0 / 91 / 17

HEX #B0D312

RGB 176 211 18

HSL 70.88, 0.84%, 0.45%

LAB 79.54, -33.06, 77.03

 

CMYK 15 / 0 / 85 / 7

HEX #C8EC23

RGB 200 236 35

HSL 70.75, 0.84%, 0.53%

LAB 88.16, -34.53, 81.83

 

CMYK 13 / 0 / 69 / 6

HEX #D1EF49

RGB 209 239 73

HSL 70.84, 0.84%, 0.61%

LAB 89.75, -30.85, 72.87

 

CMYK 16 / 0 / 91 / 16

HEX #B2D513

RGB 178 213 19

HSL 70.82, 0.84%, 0.45%

LAB 80.24, -33.15, 77.5

 

CMYK 91 / 0 / 58 / 17

HEX #12D359

RGB 18 211 89

HSL 142.07, 0.84%, 0.45%

LAB 74.47, -68.12, 47.72

 

CMYK 21 / 91 / 0 / 17

HEX #A612D3

RGB 166 18 211

HSL 286.01, 0.84%, 0.45%

LAB 43.13, 76.64, -64.47

 

CMYK 16 / 0 / 91 / 16

HEX #B2D513

RGB 178 213 19

HSL 70.82, 0.84%, 0.45%

LAB 80.24, -33.15, 77.5

 

CMYK 91 / 15 / 0 / 17

HEX #12B3D3

RGB 18 179 211

HSL 189.95, 0.84%, 0.45%

LAB 67.33, -25.99, -26.69

 

CMYK 0 / 91 / 15 / 17

HEX #D312B3

RGB 211 18 179

HSL 309.95, 0.84%, 0.45%

LAB 48.93, 79.26, -36.11

 

CMYK 16 / 0 / 91 / 16

HEX #B2D513

RGB 178 213 19

HSL 70.82, 0.84%, 0.45%

LAB 80.24, -33.15, 77.5

 

CMYK 91 / 0 / 58 / 17

HEX #12D359

RGB 18 211 89

HSL 142.07, 0.84%, 0.45%

LAB 74.47, -68.12, 47.72

 

CMYK 76 / 91 / 0 / 17

HEX #3212D3

RGB 50 18 211

HSL 249.95, 0.84%, 0.45%

LAB 28.94, 65.82, -88.34

 

CMYK 0 / 91 / 34 / 17

HEX #D3128C

RGB 211 18 140

HSL 322.07, 0.84%, 0.45%

LAB 47.2, 74.73, -15.52

 

CMYK 16 / 0 / 91 / 16

HEX #B2D513

RGB 178 213 19

HSL 70.82, 0.84%, 0.45%

LAB 80.24, -33.15, 77.5

 

CMYK 91 / 0 / 30 / 17

HEX #12D393

RGB 18 211 147

HSL 160.1, 0.84%, 0.45%

LAB 75.34, -57.84, 19.82

 

CMYK 76 / 91 / 0 / 17

HEX #3212D3

RGB 50 18 211

HSL 249.95, 0.84%, 0.45%

LAB 28.94, 65.82, -88.34

 

CMYK 0 / 91 / 61 / 17

HEX #D31253

RGB 211 18 83

HSL 339.79, 0.84%, 0.45%

LAB 45.51, 70.11, 17.18

 

Description

Color code: HEX #B2D513 | qconv.com Color code: HEX #B2D513 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 213 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 213 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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