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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2D3AF it is the complementary color #4D2C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2D3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2D3AF shade: #B7D3AA, #C8E5BD, #D9F7D0, #EAFFE3 and #FBFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2D3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2D3AF shade: #B2D3AF, #A1C19C, #90AF89, #7F9D76 and #6E8B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2D3AF shade: #B3D3B0, #BCD3B0, #C6D3B0, #CFD3B0 and #D3CDB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2D3AF shade: #B3D3B0, #B0D3B6, #B0D3C0, #B0D3C9 and #B0D3D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2D3AF shade matches the following richer shades: #B3D3B0, #AADDA6, #A2E79C, #9AF192 and #92FB88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2D3AF shade: #B3D3B0, #BBC9B9, #C3BFC3, #CBB5CD and #D4ABD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2D3AF shade: #C5D3B0, #BCD3B0, #B3D3B0, #B0D3B6 and #B0D3C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2D3AF shade: #7FB67A, #99C495, #B3D3B0, #CCE2CA and #E6F0E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2D3AF shade: #B2D3AF, #B0CFD3 and #D3B0C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2D3AF shade: #B2D3AF, #B0B3D3 and #D3B0B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2D3AF shade: #B2D3AF, #B0CFD3, #D0B0D3 and #D3B4B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2D3AF shade: #B2D3AF, #B0C4D3, #D0B0D3 and #D3BEB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 17 / 17

HEX #B2D3AF

RGB 178 211 175

HSL 115, 0.29%, 0.76%

LAB 81.37, -17.73, 14.23

 

Complementary color

CMYK 4 / 45 / 0 / 69

HEX #4D2C50

RGB 77 44 80

HSL 295, 0.29%, 0.24%

LAB 23.53, 21.92, -15.84

 

CMYK 13 / 0 / 19 / 17

HEX #B7D3AA

RGB 183 211 170

HSL 100.98, 0.32%, 0.75%

LAB 81.6, -16.84, 17.24

 

CMYK 13 / 0 / 17 / 10

HEX #C8E5BD

RGB 200 229 189

HSL 103.5, 0.43%, 0.82%

LAB 87.96, -16.78, 16.36

 

CMYK 12 / 0 / 16 / 3

HEX #D9F7D0

RGB 217 247 208

HSL 106.15, 0.71%, 0.89%

LAB 94.24, -16.73, 15.52

 

CMYK 8 / 0 / 11 / 0

HEX #EAFFE3

RGB 234 255 227

HSL 105, 1%, 0.95%

LAB 97.86, -11.78, 11.06

 

CMYK 2 / 0 / 4 / 0

HEX #FBFFF6

RGB 251 255 246

HSL 86.67, 1%, 0.98%

LAB 99.49, -2.88, 3.82

 

CMYK 16 / 0 / 17 / 17

HEX #B2D3AF

RGB 178 211 175

HSL 115, 0.29%, 0.76%

LAB 81.37, -17.73, 14.23

 

CMYK 17 / 0 / 19 / 24

HEX #A1C19C

RGB 161 193 156

HSL 111.89, 0.23%, 0.68%

LAB 74.9, -17.83, 15.12

 

CMYK 18 / 0 / 22 / 31

HEX #90AF89

RGB 144 175 137

HSL 108.95, 0.19%, 0.61%

LAB 68.31, -17.96, 16.06

 

CMYK 19 / 0 / 25 / 38

HEX #7F9D76

RGB 127 157 118

HSL 106.15, 0.17%, 0.54%

LAB 61.6, -18.09, 17.06

 

CMYK 21 / 0 / 29 / 45

HEX #6E8B63

RGB 110 139 99

HSL 103.5, 0.17%, 0.47%

LAB 54.74, -18.24, 18.13

 

CMYK 15 / 0 / 17 / 17

HEX #B3D3B0

RGB 179 211 176

HSL 114.86, 0.28%, 0.76%

LAB 81.46, -17.21, 13.84

 

CMYK 11 / 0 / 17 / 17

HEX #BCD3B0

RGB 188 211 176

HSL 99.43, 0.28%, 0.76%

LAB 82.06, -14.09, 14.77

 

CMYK 6 / 0 / 17 / 17

HEX #C6D3B0

RGB 198 211 176

HSL 82.29, 0.28%, 0.76%

LAB 82.77, -10.54, 15.87

 

CMYK 2 / 0 / 17 / 17

HEX #CFD3B0

RGB 207 211 176

HSL 66.86, 0.28%, 0.76%

LAB 83.44, -7.3, 16.9

 

CMYK 0 / 3 / 17 / 17

HEX #D3CDB0

RGB 211 205 176

HSL 49.71, 0.28%, 0.76%

LAB 82.19, -2.74, 15.19

 

CMYK 15 / 0 / 17 / 17

HEX #B3D3B0

RGB 179 211 176

HSL 114.86, 0.28%, 0.76%

LAB 81.46, -17.21, 13.84

 

CMYK 17 / 0 / 14 / 17

HEX #B0D3B6

RGB 176 211 182

HSL 130.29, 0.28%, 0.76%

LAB 81.4, -17.16, 10.54

 

CMYK 17 / 0 / 9 / 17

HEX #B0D3C0

RGB 176 211 192

HSL 147.43, 0.28%, 0.76%

LAB 81.63, -15.3, 5.55

 

CMYK 17 / 0 / 5 / 17

HEX #B0D3C9

RGB 176 211 201

HSL 162.86, 0.28%, 0.76%

LAB 81.86, -13.54, 1.08

 

CMYK 17 / 0 / 0 / 17

HEX #B0D3D3

RGB 176 211 211

HSL 180, 0.28%, 0.76%

LAB 82.12, -11.5, -3.87

 

CMYK 15 / 0 / 17 / 17

HEX #B3D3B0

RGB 179 211 176

HSL 114.86, 0.28%, 0.76%

LAB 81.46, -17.21, 13.84

 

CMYK 23 / 0 / 25 / 13

HEX #AADDA6

RGB 170 221 166

HSL 115.64, 0.45%, 0.76%

LAB 83.45, -26.88, 21.79

 

CMYK 30 / 0 / 32 / 9

HEX #A2E79C

RGB 162 231 156

HSL 115.2, 0.61%, 0.76%

LAB 85.62, -35.81, 29.83

 

CMYK 36 / 0 / 39 / 5

HEX #9AF192

RGB 154 241 146

HSL 114.95, 0.77%, 0.76%

LAB 87.9, -44.29, 37.8

 

CMYK 42 / 0 / 46 / 2

HEX #92FB88

RGB 146 251 136

HSL 114.78, 0.93%, 0.76%

LAB 90.27, -52.29, 45.62

 

CMYK 15 / 0 / 17 / 17

HEX #B3D3B0

RGB 179 211 176

HSL 114.86, 0.28%, 0.76%

LAB 81.46, -17.21, 13.84

 

CMYK 7 / 0 / 8 / 21

HEX #BBC9B9

RGB 187 201 185

HSL 112.5, 0.13%, 0.76%

LAB 79.52, -7.74, 6.35

 

CMYK 0 / 2 / 0 / 24

HEX #C3BFC3

RGB 195 191 195

HSL 300, 0.03%, 0.76%

LAB 77.76, 2.13, -1.52

 

CMYK 1 / 12 / 0 / 20

HEX #CBB5CD

RGB 203 181 205

HSL 295, 0.19%, 0.76%

LAB 76.16, 12.14, -9.23

 

CMYK 1 / 20 / 0 / 16

HEX #D4ABD7

RGB 212 171 215

HSL 295.91, 0.35%, 0.76%

LAB 74.84, 22.5, -16.57

 

CMYK 7 / 0 / 17 / 17

HEX #C5D3B0

RGB 197 211 176

HSL 84, 0.28%, 0.76%

LAB 82.7, -10.9, 15.75

 

CMYK 11 / 0 / 17 / 17

HEX #BCD3B0

RGB 188 211 176

HSL 99.43, 0.28%, 0.76%

LAB 82.06, -14.09, 14.77

 

CMYK 15 / 0 / 17 / 17

HEX #B3D3B0

RGB 179 211 176

HSL 114.86, 0.28%, 0.76%

LAB 81.46, -17.21, 13.84

 

CMYK 17 / 0 / 14 / 17

HEX #B0D3B6

RGB 176 211 182

HSL 130.29, 0.28%, 0.76%

LAB 81.4, -17.16, 10.54

 

CMYK 17 / 0 / 9 / 17

HEX #B0D3C0

RGB 176 211 192

HSL 147.43, 0.28%, 0.76%

LAB 81.63, -15.3, 5.55

 

CMYK 30 / 0 / 33 / 29

HEX #7FB67A

RGB 127 182 122

HSL 115, 0.29%, 0.6%

LAB 69.02, -29.89, 24.97

 

CMYK 22 / 0 / 24 / 23

HEX #99C495

RGB 153 196 149

HSL 114.89, 0.28%, 0.68%

LAB 75.09, -23.32, 19.06

 

CMYK 15 / 0 / 17 / 17

HEX #B3D3B0

RGB 179 211 176

HSL 114.86, 0.28%, 0.76%

LAB 81.46, -17.21, 13.84

 

CMYK 10 / 0 / 11 / 11

HEX #CCE2CA

RGB 204 226 202

HSL 115, 0.29%, 0.84%

LAB 87.72, -11.7, 9.26

HEX #CCE2CA

CMYK 4 / 0 / 5 / 6

HEX #E6F0E5

RGB 230 240 229

HSL 114.55, 0.27%, 0.92%

LAB 93.8, -5.27, 4.15

HEX #E6F0E5

CMYK 16 / 0 / 17 / 17

HEX #B2D3AF

RGB 178 211 175

HSL 115, 0.29%, 0.76%

LAB 81.37, -17.73, 14.23

 

CMYK 17 / 2 / 0 / 17

HEX #B0CFD3

RGB 176 207 211

HSL 186.86, 0.28%, 0.76%

LAB 81.05, -9.44, -5.45

 

CMYK 0 / 17 / 9 / 17

HEX #D3B0C1

RGB 211 176 193

HSL 330.86, 0.28%, 0.76%

LAB 75.3, 15.46, -3.9

 

CMYK 16 / 0 / 17 / 17

HEX #B2D3AF

RGB 178 211 175

HSL 115, 0.29%, 0.76%

LAB 81.37, -17.73, 14.23

 

CMYK 17 / 15 / 0 / 17

HEX #B0B3D3

RGB 176 179 211

HSL 234.86, 0.28%, 0.76%

LAB 73.66, 5.49, -16.48

 

CMYK 0 / 17 / 15 / 17

HEX #D3B0B3

RGB 211 176 179

HSL 354.86, 0.28%, 0.76%

LAB 74.92, 13.13, 3.21

 

CMYK 16 / 0 / 17 / 17

HEX #B2D3AF

RGB 178 211 175

HSL 115, 0.29%, 0.76%

LAB 81.37, -17.73, 14.23

 

CMYK 17 / 2 / 0 / 17

HEX #B0CFD3

RGB 176 207 211

HSL 186.86, 0.28%, 0.76%

LAB 81.05, -9.44, -5.45

 

CMYK 1 / 17 / 0 / 17

HEX #D0B0D3

RGB 208 176 211

HSL 294.86, 0.28%, 0.76%

LAB 75.55, 17.68, -13.36

 

CMYK 0 / 15 / 17 / 17

HEX #D3B4B0

RGB 211 180 176

HSL 6.86, 0.28%, 0.76%

LAB 75.84, 10.5, 6.17

 

CMYK 16 / 0 / 17 / 17

HEX #B2D3AF

RGB 178 211 175

HSL 115, 0.29%, 0.76%

LAB 81.37, -17.73, 14.23

 

CMYK 17 / 7 / 0 / 17

HEX #B0C4D3

RGB 176 196 211

HSL 205.71, 0.28%, 0.76%

LAB 78.12, -3.67, -9.79

 

CMYK 1 / 17 / 0 / 17

HEX #D0B0D3

RGB 208 176 211

HSL 294.86, 0.28%, 0.76%

LAB 75.55, 17.68, -13.36

 

CMYK 0 / 10 / 17 / 17

HEX #D3BEB0

RGB 211 190 176

HSL 24, 0.28%, 0.76%

LAB 78.35, 5.15, 9.76

 

Description

Color code: HEX #B2D3AF | qconv.com Color code: HEX #B2D3AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 211 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 211 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 17 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 17% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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