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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2CD69 it is the complementary color #4D3296. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2CD69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2CD69 shade: #B7CD64, #C8DF77, #D9F18A, #EAFF9D and #FBFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2CD69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2CD69 shade: #B2CD69, #A1BB56, #90A943, #7F9730 and #6E851D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2CD69 shade: #B2CD6A, #CDCD6A, #CDB26A, #CD986A and #CD7D6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2CD69 shade: #B2CD6A, #98CD6A, #7DCD6A, #6ACD72 and #6ACD8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2CD69 shade matches the following richer shades: #B2CD6A, #BADD5A, #C1ED4A and #C9FE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2CD69 shade: #B2CD6A, #ABBD7A, #A4AD8A, #9C9D9A and #958DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2CD69 shade: #CDB36A, #CDCD6A, #B3CD6A, #98CD6A and #7ECD6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2CD69 shade: #8DAB39, #A3C34B, #B2CD6A, #C2D889 and #D2E2A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2CD69 shade: #B2CD69, #6ACD98 and #C06ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2CD69 shade: #B2CD69, #6AB3CD and #CD6AB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2CD69 shade: #B2CD69, #6ACD98, #846ACD and #CD6A9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2CD69 shade: #B2CD69, #6ACDB6, #846ACD and #CD6A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

Complementary color

CMYK 49 / 67 / 0 / 41

HEX #4D3296

RGB 77 50 150

HSL 256.2, 0.5%, 0.39%

LAB 29.57, 37.3, -50.87

 

CMYK 11 / 0 / 51 / 20

HEX #B7CD64

RGB 183 205 100

HSL 72.57, 0.51%, 0.6%

LAB 78.84, -23, 49.25

 

CMYK 10 / 0 / 47 / 13

HEX #C8DF77

RGB 200 223 119

HSL 73.27, 0.62%, 0.67%

LAB 85.19, -23.25, 48.13

 

CMYK 10 / 0 / 43 / 5

HEX #D9F18A

RGB 217 241 138

HSL 73.98, 0.79%, 0.74%

LAB 91.46, -23.44, 47

 

CMYK 8 / 0 / 38 / 0

HEX #EAFF9D

RGB 234 255 157

HSL 72.86, 1%, 0.81%

LAB 96.59, -21.69, 44.54

 

CMYK 2 / 0 / 31 / 0

HEX #FBFFB0

RGB 251 255 176

HSL 63.04, 1%, 0.85%

LAB 98.1, -13.16, 37.39

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

CMYK 14 / 0 / 54 / 27

HEX #A1BB56

RGB 161 187 86

HSL 75.45, 0.43%, 0.54%

LAB 72.09, -24.24, 47.54

 

CMYK 15 / 0 / 60 / 34

HEX #90A943

RGB 144 169 67

HSL 74.71, 0.43%, 0.46%

LAB 65.52, -23.92, 48.54

 

CMYK 16 / 0 / 68 / 41

HEX #7F9730

RGB 127 151 48

HSL 73.98, 0.52%, 0.39%

LAB 58.84, -23.47, 49.27

 

CMYK 17 / 0 / 78 / 48

HEX #6E851D

RGB 110 133 29

HSL 73.27, 0.64%, 0.32%

LAB 52.04, -22.83, 49.39

 

CMYK 13 / 0 / 48 / 20

HEX #B2CD6A

RGB 178 205 106

HSL 76.36, 0.5%, 0.61%

LAB 78.56, -24.37, 45.97

 

CMYK 0 / 0 / 48 / 20

HEX #CDCD6A

RGB 205 205 106

HSL 60, 0.5%, 0.61%

LAB 80.56, -13.64, 48.85

 

CMYK 0 / 13 / 48 / 20

HEX #CDB26A

RGB 205 178 106

HSL 43.64, 0.5%, 0.61%

LAB 73.45, 0.32, 40.19

 

CMYK 0 / 26 / 48 / 20

HEX #CD986A

RGB 205 152 106

HSL 27.88, 0.5%, 0.61%

LAB 66.88, 14.32, 31.89

 

CMYK 0 / 39 / 48 / 20

HEX #CD7D6A

RGB 205 125 106

HSL 11.52, 0.5%, 0.61%

LAB 60.5, 29, 23.53

 

CMYK 13 / 0 / 48 / 20

HEX #B2CD6A

RGB 178 205 106

HSL 76.36, 0.5%, 0.61%

LAB 78.56, -24.37, 45.97

 

CMYK 26 / 0 / 48 / 20

HEX #98CD6A

RGB 152 205 106

HSL 92.12, 0.5%, 0.61%

LAB 76.91, -34.13, 43.57

 

CMYK 39 / 0 / 48 / 20

HEX #7DCD6A

RGB 125 205 106

HSL 108.48, 0.5%, 0.61%

LAB 75.49, -43.32, 41.51

 

CMYK 48 / 0 / 44 / 20

HEX #6ACD72

RGB 106 205 114

HSL 124.85, 0.5%, 0.61%

LAB 74.79, -47.85, 36.48

 

CMYK 48 / 0 / 32 / 20

HEX #6ACD8C

RGB 106 205 140

HSL 140.61, 0.5%, 0.61%

LAB 75.21, -43.5, 23.63

 

CMYK 13 / 0 / 48 / 20

HEX #B2CD6A

RGB 178 205 106

HSL 76.36, 0.5%, 0.61%

LAB 78.56, -24.37, 45.97

 

CMYK 16 / 0 / 59 / 13

HEX #BADD5A

RGB 186 221 90

HSL 76.03, 0.66%, 0.61%

LAB 83.38, -30.34, 59.04

 

CMYK 19 / 0 / 69 / 7

HEX #C1ED4A

RGB 193 237 74

HSL 76.2, 0.82%, 0.61%

LAB 88.16, -36.1, 70.57

 

CMYK 21 / 0 / 77 / 0

HEX #C9FE3A

RGB 201 254 58

HSL 76.22, 0.99%, 0.61%

LAB 93.28, -41.42, 80.8

 

CMYK 13 / 0 / 48 / 20

HEX #B2CD6A

RGB 178 205 106

HSL 76.36, 0.5%, 0.61%

LAB 78.56, -24.37, 45.97

 

CMYK 10 / 0 / 35 / 26

HEX #ABBD7A

RGB 171 189 122

HSL 76.12, 0.34%, 0.61%

LAB 73.84, -17.28, 31.86

 

CMYK 5 / 0 / 20 / 32

HEX #A4AD8A

RGB 164 173 138

HSL 75.43, 0.18%, 0.61%

LAB 69.19, -9.38, 16.95

 

CMYK 1 / 0 / 2 / 38

HEX #9C9D9A

RGB 156 157 154

HSL 80, 0.02%, 0.61%

LAB 64.58, -0.93, 1.43

 

CMYK 12 / 17 / 0 / 33

HEX #958DAA

RGB 149 141 170

HSL 256.55, 0.15%, 0.61%

LAB 60.2, 8.85, -14.17

 

CMYK 0 / 13 / 48 / 20

HEX #CDB36A

RGB 205 179 106

HSL 44.24, 0.5%, 0.61%

LAB 73.71, -0.21, 40.52

 

CMYK 0 / 0 / 48 / 20

HEX #CDCD6A

RGB 205 205 106

HSL 60, 0.5%, 0.61%

LAB 80.56, -13.64, 48.85

 

CMYK 13 / 0 / 48 / 20

HEX #B3CD6A

RGB 179 205 106

HSL 75.76, 0.5%, 0.61%

LAB 78.63, -23.98, 46.07

 

CMYK 26 / 0 / 48 / 20

HEX #98CD6A

RGB 152 205 106

HSL 92.12, 0.5%, 0.61%

LAB 76.91, -34.13, 43.57

 

CMYK 39 / 0 / 48 / 20

HEX #7ECD6A

RGB 126 205 106

HSL 107.88, 0.5%, 0.61%

LAB 75.54, -43.01, 41.58

 

CMYK 18 / 0 / 67 / 33

HEX #8DAB39

RGB 141 171 57

HSL 75.79, 0.5%, 0.45%

LAB 65.81, -26.89, 53.11

 

CMYK 16 / 0 / 62 / 24

HEX #A3C34B

RGB 163 195 75

HSL 76, 0.5%, 0.53%

LAB 74.4, -28.25, 55.15

 

CMYK 13 / 0 / 48 / 20

HEX #B2CD6A

RGB 178 205 106

HSL 76.36, 0.5%, 0.61%

LAB 78.56, -24.37, 45.97

 

CMYK 10 / 0 / 37 / 15

HEX #C2D889

RGB 194 216 137

HSL 76.71, 0.5%, 0.69%

LAB 83.12, -20.09, 36.55

 

CMYK 7 / 0 / 26 / 11

HEX #D2E2A8

RGB 210 226 168

HSL 76.55, 0.5%, 0.77%

LAB 87.45, -14.98, 26.64

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

CMYK 48 / 0 / 26 / 20

HEX #6ACD98

RGB 106 205 152

HSL 147.88, 0.5%, 0.61%

LAB 75.45, -41.18, 17.6

 

CMYK 6 / 48 / 0 / 20

HEX #C06ACD

RGB 192 106 205

HSL 292.12, 0.5%, 0.61%

LAB 57.96, 49.25, -37.14

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

CMYK 48 / 13 / 0 / 20

HEX #6AB3CD

RGB 106 179 205

HSL 195.76, 0.5%, 0.61%

LAB 69.26, -15.8, -20.25

 

CMYK 0 / 48 / 13 / 20

HEX #CD6AB3

RGB 205 106 179

HSL 315.76, 0.5%, 0.61%

LAB 58.55, 48.52, -21.26

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

CMYK 48 / 0 / 26 / 20

HEX #6ACD98

RGB 106 205 152

HSL 147.88, 0.5%, 0.61%

LAB 75.45, -41.18, 17.6

 

CMYK 36 / 48 / 0 / 20

HEX #846ACD

RGB 132 106 205

HSL 255.76, 0.5%, 0.61%

LAB 51.41, 32.73, -47.92

 

CMYK 0 / 48 / 22 / 20

HEX #CD6A9F

RGB 205 106 159

HSL 327.88, 0.5%, 0.61%

LAB 57.84, 45.46, -10.8

 

CMYK 13 / 0 / 49 / 20

HEX #B2CD69

RGB 178 205 105

HSL 76.2, 0.5%, 0.61%

LAB 78.55, -24.47, 46.44

 

CMYK 48 / 0 / 11 / 20

HEX #6ACDB6

RGB 106 205 182

HSL 166.06, 0.5%, 0.61%

LAB 76.13, -34.63, 2.5

 

CMYK 36 / 48 / 0 / 20

HEX #846ACD

RGB 132 106 205

HSL 255.76, 0.5%, 0.61%

LAB 51.41, 32.73, -47.92

 

CMYK 0 / 48 / 37 / 20

HEX #CD6A81

RGB 205 106 129

HSL 346.06, 0.5%, 0.61%

LAB 56.95, 41.51, 5.36

 

Description

Color code: HEX #B2CD69 | qconv.com Color code: HEX #B2CD69 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 205 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 205 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 49 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 49% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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