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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2CBF64C it is the complementary color #4D34094C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2CBF64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2CBF64C shade: #B7CBF14C, #C8DDFF4C, #D9EFFF4C, #EAFFFF4C and #FBFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2CBF64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2CBF64C shade: #B2CBF64C, #A1B9E34C, #90A7D04C, #7F95BD4C and #6E83AA4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2CBF64C shade: #B1CBF6, #B1B8F6, #BDB1F6, #D0B1F6 and #E2B1F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2CBF64C shade: #B1CBF6, #B1B8F6 and #B1B1F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2CBF64C shade matches the following richer shades: #B1CBF6 and #AAC9FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2CBF64C shade: #B1CBF6, #B8CCEF, #BFCEE8, #C6D0E1 and #CDD2DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2CBF64C shade: #B1F0F6, #B1DEF6, #B1CCF6, #B1B9F6 and #BCB1F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2CBF64C shade: #6899ED, #8CB2F2, #B1CBF6, #D6E4FA and #FBFCFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2CBF64C shade: #B2CBF6, #E9B1F6 and #E7F6B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2CBF64C shade: #B2CBF6, #F6B1CC and #CCF6B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2CBF64C shade: #B2CBF6, #E9B1F6, #F6DCB1 and #BEF6B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2CBF64C shade: #B2CBF6, #F6B1EE, #F6DCB1 and #B1F6B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 5 / 0 / 1

HEX #B2CBF64C

RGBA 178 203 246 0.3

HSLA 217.94, 0.79%, 0.83%, 0.3

LABA 81.2, 1.08, -23.91, 0.3

 

Complementary color

CMYK 0 / 10 / 26 / 21

HEX #4D34094C

RGBA 77 52 9 0.3

HSLA 37.94, 0.79%, 0.17%, 0.3

LABA 23.85, 6.93, 29.5, 0.3

 

CMYK 7 / 5 / 0 / 2

HEX #B7CBF14C

RGBA 183 203 241 0.3

HSLA 219.31, 0.67%, 0.83%, 0.3

LABA 81.36, 1.39, -20.96, 0.3

 

CMYK 6 / 4 / 0 / 0

HEX #C8DDFF4C

RGBA 200 221 255 0.3

HSLA 217.09, 1%, 0.89%, 0.3

LABA 87.59, 0.09, -18.86, 0.3

 

CMYK 4 / 2 / 0 / 0

HEX #D9EFFF4C

RGBA 217 239 255 0.3

HSLA 205.26, 1%, 0.93%, 0.3

LABA 93.32, -4.04, -10.15, 0.3

 

CMYK 2 / 0 / 0 / 0

HEX #EAFFFF4C

RGBA 234 255 255 0.3

HSLA 180, 1%, 0.96%, 0.3

LABA 98.52, -6.79, -2.34, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FBFFFF4C

RGBA 251 255 255 0.3

HSLA 180, 1%, 0.99%, 0.3

LABA 99.71, -1.31, -0.47, 0.3

 

CMYK 8 / 5 / 0 / 1

HEX #B2CBF64C

RGBA 178 203 246 0.3

HSLA 217.94, 0.79%, 0.83%, 0.3

LABA 81.2, 1.08, -23.91, 0.3

 

CMYK 9 / 6 / 0 / 3

HEX #A1B9E34C

RGBA 161 185 227 0.3

HSLA 218.18, 0.54%, 0.76%, 0.3

LABA 74.71, 1.31, -23.68, 0.3

 

CMYK 9 / 6 / 0 / 6

HEX #90A7D04C

RGBA 144 167 208 0.3

HSLA 218.44, 0.41%, 0.69%, 0.3

LABA 68.11, 1.57, -23.47, 0.3

 

CMYK 10 / 6 / 0 / 8

HEX #7F95BD4C

RGBA 127 149 189 0.3

HSLA 218.71, 0.32%, 0.62%, 0.3

LABA 61.38, 1.86, -23.28, 0.3

 

CMYK 11 / 7 / 0 / 10

HEX #6E83AA4C

RGBA 110 131 170 0.3

HSLA 219, 0.26%, 0.55%, 0.3

LABA 54.5, 2.19, -23.12, 0.3

 

CMYK 28 / 17 / 0 / 4

HEX #B1CBF6

RGB 177 203 246

HSL 217.39, 0.79%, 0.83%

LAB 81.13, 0.79, -24.02

 

CMYK 28 / 25 / 0 / 4

HEX #B1B8F6

RGB 177 184 246

HSL 233.91, 0.79%, 0.83%

LAB 76.24, 11.1, -31.51

 

CMYK 23 / 28 / 0 / 4

HEX #BDB1F6

RGB 189 177 246

HSL 250.43, 0.79%, 0.83%

LAB 75.4, 18.47, -32.73

 

CMYK 15 / 28 / 0 / 4

HEX #D0B1F6

RGB 208 177 246

HSL 266.96, 0.79%, 0.83%

LAB 76.99, 24.2, -30.15

 

CMYK 8 / 28 / 0 / 4

HEX #E2B1F6

RGB 226 177 246

HSL 282.61, 0.79%, 0.83%

LAB 78.62, 29.77, -27.51

 

CMYK 28 / 17 / 0 / 4

HEX #B1CBF6

RGB 177 203 246

HSL 217.39, 0.79%, 0.83%

LAB 81.13, 0.79, -24.02

 

CMYK 28 / 25 / 0 / 4

HEX #B1B8F6

RGB 177 184 246

HSL 233.91, 0.79%, 0.83%

LAB 76.24, 11.1, -31.51

 

CMYK 28 / 28 / 0 / 4

HEX #B1B1F6

RGB 177 177 246

HSL 240, 0.79%, 0.83%

LAB 74.47, 14.96, -34.24

 

CMYK 28 / 17 / 0 / 4

HEX #B1CBF6

RGB 177 203 246

HSL 217.39, 0.79%, 0.83%

LAB 81.13, 0.79, -24.02

 

CMYK 33 / 21 / 0 / 1

HEX #AAC9FD

RGB 170 201 253

HSL 217.59, 0.95%, 0.83%

LAB 80.41, 1.58, -28.89

 

CMYK 28 / 17 / 0 / 4

HEX #B1CBF6

RGB 177 203 246

HSL 217.39, 0.79%, 0.83%

LAB 81.13, 0.79, -24.02

 

CMYK 23 / 15 / 0 / 6

HEX #B8CCEF

RGB 184 204 239

HSL 218.18, 0.63%, 0.83%

LAB 81.62, 0.7, -19.49

 

CMYK 18 / 11 / 0 / 9

HEX #BFCEE8

RGB 191 206 232

HSL 218.05, 0.47%, 0.83%

LAB 82.4, 0.25, -14.54

 

CMYK 12 / 8 / 0 / 12

HEX #C6D0E1

RGB 198 208 225

HSL 217.78, 0.31%, 0.83%

LAB 83.21, -0.05, -9.56

 

CMYK 6 / 4 / 0 / 15

HEX #CDD2DA

RGB 205 210 218

HSL 216.92, 0.15%, 0.83%

LAB 84.04, -0.19, -4.55

 

CMYK 28 / 2 / 0 / 4

HEX #B1F0F6

RGB 177 240 246

HSL 185.22, 0.79%, 0.83%

LAB 90.93, -18.29, -9.29

 

CMYK 28 / 10 / 0 / 4

HEX #B1DEF6

RGB 177 222 246

HSL 200.87, 0.79%, 0.83%

LAB 86.13, -9.19, -16.46

 

CMYK 28 / 17 / 0 / 4

HEX #B1CCF6

RGB 177 204 246

HSL 216.52, 0.79%, 0.83%

LAB 81.39, 0.26, -23.62

 

CMYK 28 / 25 / 0 / 4

HEX #B1B9F6

RGB 177 185 246

HSL 233.04, 0.79%, 0.83%

LAB 76.5, 10.55, -31.12

 

CMYK 24 / 28 / 0 / 4

HEX #BCB1F6

RGB 188 177 246

HSL 249.57, 0.79%, 0.83%

LAB 75.32, 18.17, -32.86

 

CMYK 56 / 35 / 0 / 7

HEX #6899ED

RGB 104 153 237

HSL 217.89, 0.79%, 0.67%

LAB 63.21, 7.81, -47.27

 

CMYK 42 / 26 / 0 / 5

HEX #8CB2F2

RGB 140 178 242

HSL 217.65, 0.8%, 0.75%

LAB 72.11, 3.33, -35.92

 

CMYK 28 / 17 / 0 / 4

HEX #B1CBF6

RGB 177 203 246

HSL 217.39, 0.79%, 0.83%

LAB 81.13, 0.79, -24.02

 

CMYK 14 / 9 / 0 / 2

HEX #D6E4FA

RGB 214 228 250

HSL 216.67, 0.78%, 0.91%

LAB 90.18, -0.33, -12.25

 

CMYK 2 / 1 / 0 / 0

HEX #FBFCFF

RGB 251 252 255

HSL 225, 1%, 0.99%

LAB 98.97, 0.21, -1.56

 

CMYK 28 / 17 / 0 / 4

HEX #B2CBF6

RGB 178 203 246

HSL 217.94, 0.79%, 0.83%

LAB 81.2, 1.08, -23.91

 

CMYK 5 / 28 / 0 / 4

HEX #E9B1F6

RGB 233 177 246

HSL 288.7, 0.79%, 0.83%

LAB 79.28, 31.97, -26.43

 

CMYK 6 / 0 / 28 / 4

HEX #E7F6B1

RGB 231 246 177

HSL 73.04, 0.79%, 0.83%

LAB 94.34, -15.96, 31.63

 

CMYK 28 / 17 / 0 / 4

HEX #B2CBF6

RGB 178 203 246

HSL 217.94, 0.79%, 0.83%

LAB 81.2, 1.08, -23.91

 

CMYK 0 / 28 / 17 / 4

HEX #F6B1CC

RGB 246 177 204

HSL 336.52, 0.79%, 0.83%

LAB 79.27, 29.03, -3.64

 

CMYK 17 / 0 / 28 / 4

HEX #CCF6B1

RGB 204 246 177

HSL 96.52, 0.79%, 0.83%

LAB 92.54, -25.55, 28.89

 

CMYK 28 / 17 / 0 / 4

HEX #B2CBF6

RGB 178 203 246

HSL 217.94, 0.79%, 0.83%

LAB 81.2, 1.08, -23.91

 

CMYK 5 / 28 / 0 / 4

HEX #E9B1F6

RGB 233 177 246

HSL 288.7, 0.79%, 0.83%

LAB 79.28, 31.97, -26.43

 

CMYK 0 / 11 / 28 / 4

HEX #F6DCB1

RGB 246 220 177

HSL 37.39, 0.79%, 0.83%

LAB 88.9, 2.65, 24.43

 

CMYK 23 / 0 / 28 / 4

HEX #BEF6B1

RGB 190 246 177

HSL 108.7, 0.79%, 0.83%

LAB 91.7, -30.3, 27.61

 

CMYK 28 / 17 / 0 / 4

HEX #B2CBF6

RGB 178 203 246

HSL 217.94, 0.79%, 0.83%

LAB 81.2, 1.08, -23.91

 

CMYK 0 / 28 / 3 / 4

HEX #F6B1EE

RGB 246 177 238

HSL 306.96, 0.79%, 0.83%

LAB 80.3, 34.65, -20.47

 

CMYK 0 / 11 / 28 / 4

HEX #F6DCB1

RGB 246 220 177

HSL 37.39, 0.79%, 0.83%

LAB 88.9, 2.65, 24.43

 

CMYK 28 / 0 / 25 / 4

HEX #B1F6B9

RGB 177 246 185

HSL 126.96, 0.79%, 0.83%

LAB 91.13, -33.2, 22.62

 

Description

Color code: HEX #B2CBF64C | qconv.com Color code: HEX #B2CBF64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 203 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 203 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 5 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 5% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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