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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B2CA1D it is the complementary color #4D35E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B2CA1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B2CA1D shade: #B7CA18, #C8DC2B, #D9EE3E, #EAFF51 and #FBFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B2CA1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B2CA1D shade: #B2CA1D, #A1B80A, #90A600, #7F9400 and #6E8200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B2CA1D shade: #B1C91D, #C9B21D, #C9841D, #C9551D and #C9271D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B2CA1D shade: #B1C91D, #83C91D, #54C91D, #26C91D and #1DC942

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B2CA1D shade matches the following richer shades: #B1C91D and #BEDB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B2CA1D shade: #B1C91D, #A4B62F, #96A442, #899154 and #7B7F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B2CA1D shade: #C9841D, #C9B21D, #B2C91D, #84C91D and #56C91D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B2CA1D shade: #718112, #91A518, #B1C91D, #C8E12E and #D2E652

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B2CA1D shade: #B2CA1D, #1DC956 and #9B1DC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B2CA1D shade: #B2CA1D, #1DB2C9 and #C91DB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B2CA1D shade: #B2CA1D, #1DC956, #341DC9 and #C91D8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B2CA1D shade: #B2CA1D, #1DC98A, #341DC9 and #C91D5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 86 / 21

HEX #B2CA1D

RGB 178 202 29

HSL 68.32, 0.75%, 0.45%

LAB 77.16, -27.78, 73.28

 

Complementary color

CMYK 66 / 77 / 0 / 11

HEX #4D35E2

RGB 77 53 226

HSL 248.32, 0.75%, 0.55%

LAB 37.14, 58.39, -83.31

 

CMYK 9 / 0 / 88 / 21

HEX #B7CA18

RGB 183 202 24

HSL 66.4, 0.79%, 0.44%

LAB 77.5, -25.82, 74.67

 

CMYK 9 / 0 / 80 / 14

HEX #C8DC2B

RGB 200 220 43

HSL 66.78, 0.72%, 0.52%

LAB 83.78, -26.86, 76.3

 

CMYK 9 / 0 / 74 / 7

HEX #D9EE3E

RGB 217 238 62

HSL 67.16, 0.84%, 0.59%

LAB 89.97, -27.73, 76.93

 

CMYK 8 / 0 / 68 / 0

HEX #EAFF51

RGB 234 255 81

HSL 67.24, 1%, 0.66%

LAB 95.83, -27.99, 76.66

 

CMYK 2 / 0 / 61 / 0

HEX #FBFF64

RGB 251 255 100

HSL 61.55, 1%, 0.7%

LAB 97.21, -20.16, 71.27

 

CMYK 12 / 0 / 86 / 21

HEX #B2CA1D

RGB 178 202 29

HSL 68.32, 0.75%, 0.45%

LAB 77.16, -27.78, 73.28

 

CMYK 13 / 0 / 95 / 28

HEX #A1B80A

RGB 161 184 10

HSL 67.93, 0.9%, 0.38%

LAB 70.79, -26.64, 70.72

 

CMYK 13 / 0 / 100 / 35

HEX #90A600

RGB 144 166 0

HSL 67.95, 1%, 0.33%

LAB 64.32, -25.28, 66.47

 

CMYK 14 / 0 / 100 / 42

HEX #7F9400

RGB 127 148 0

HSL 68.51, 1%, 0.29%

LAB 57.74, -23.76, 60.99

 

CMYK 15 / 0 / 100 / 49

HEX #6E8200

RGB 110 130 0

HSL 69.23, 1%, 0.25%

LAB 51.01, -22.22, 55.39

 

CMYK 12 / 0 / 86 / 21

HEX #B1C91D

RGB 177 201 29

HSL 68.37, 0.75%, 0.45%

LAB 76.81, -27.72, 72.96

 

CMYK 0 / 11 / 86 / 21

HEX #C9B21D

RGB 201 178 29

HSL 51.98, 0.75%, 0.45%

LAB 72.46, -5.88, 70.16

 

CMYK 0 / 34 / 86 / 21

HEX #C9841D

RGB 201 132 29

HSL 35.93, 0.75%, 0.45%

LAB 60.79, 18.87, 60.56

 

CMYK 0 / 58 / 86 / 21

HEX #C9551D

RGB 201 85 29

HSL 19.53, 0.75%, 0.45%

LAB 50.69, 43.47, 52.14

 

CMYK 0 / 81 / 86 / 21

HEX #C9271D

RGB 201 39 29

HSL 3.49, 0.75%, 0.45%

LAB 44.17, 61.15, 46.62

 

CMYK 12 / 0 / 86 / 21

HEX #B1C91D

RGB 177 201 29

HSL 68.37, 0.75%, 0.45%

LAB 76.81, -27.72, 72.96

 

CMYK 35 / 0 / 86 / 21

HEX #83C91D

RGB 131 201 29

HSL 84.42, 0.75%, 0.45%

LAB 73.99, -45.69, 69.45

 

CMYK 58 / 0 / 86 / 21

HEX #54C91D

RGB 84 201 29

HSL 100.81, 0.75%, 0.45%

LAB 72.06, -60.21, 67.02

 

CMYK 81 / 0 / 86 / 21

HEX #26C91D

RGB 38 201 29

HSL 116.86, 0.75%, 0.45%

LAB 71.06, -68.69, 65.76

 

CMYK 86 / 0 / 67 / 21

HEX #1DC942

RGB 29 201 66

HSL 132.91, 0.75%, 0.45%

LAB 71.16, -66.97, 53.96

 

CMYK 12 / 0 / 86 / 21

HEX #B1C91D

RGB 177 201 29

HSL 68.37, 0.75%, 0.45%

LAB 76.81, -27.72, 72.96

 

CMYK 13 / 0 / 95 / 14

HEX #BEDB0A

RGB 190 219 10

HSL 68.33, 0.91%, 0.45%

LAB 82.72, -31.18, 80.8

 

CMYK 12 / 0 / 86 / 21

HEX #B1C91D

RGB 177 201 29

HSL 68.37, 0.75%, 0.45%

LAB 76.81, -27.72, 72.96

 

CMYK 10 / 0 / 74 / 29

HEX #A4B62F

RGB 164 182 47

HSL 68, 0.59%, 0.45%

LAB 70.56, -23.29, 62.14

 

CMYK 9 / 0 / 60 / 36

HEX #96A442

RGB 150 164 66

HSL 68.57, 0.43%, 0.45%

LAB 64.51, -18.99, 47.99

 

CMYK 6 / 0 / 42 / 43

HEX #899154

RGB 137 145 84

HSL 67.87, 0.27%, 0.45%

LAB 58.24, -12.79, 31.35

 

CMYK 3 / 0 / 19 / 50

HEX #7B7F67

RGB 123 127 103

HSL 70, 0.1%, 0.45%

LAB 52.25, -5.97, 12.57

 

CMYK 0 / 34 / 86 / 21

HEX #C9841D

RGB 201 132 29

HSL 35.93, 0.75%, 0.45%

LAB 60.79, 18.87, 60.56

 

CMYK 0 / 11 / 86 / 21

HEX #C9B21D

RGB 201 178 29

HSL 51.98, 0.75%, 0.45%

LAB 72.46, -5.88, 70.16

 

CMYK 11 / 0 / 86 / 21

HEX #B2C91D

RGB 178 201 29

HSL 68.02, 0.75%, 0.45%

LAB 76.88, -27.3, 73.05

 

CMYK 34 / 0 / 86 / 21

HEX #84C91D

RGB 132 201 29

HSL 84.07, 0.75%, 0.45%

LAB 74.04, -45.33, 69.51

 

CMYK 57 / 0 / 86 / 21

HEX #56C91D

RGB 86 201 29

HSL 100.12, 0.75%, 0.45%

LAB 72.12, -59.71, 67.1

 

CMYK 12 / 0 / 86 / 49

HEX #718112

RGB 113 129 18

HSL 68.65, 0.76%, 0.29%

LAB 50.98, -19.91, 51.84

 

CMYK 12 / 0 / 85 / 35

HEX #91A518

RGB 145 165 24

HSL 68.51, 0.75%, 0.37%

LAB 64.16, -23.88, 62.52

 

CMYK 12 / 0 / 86 / 21

HEX #B1C91D

RGB 177 201 29

HSL 68.37, 0.75%, 0.45%

LAB 76.81, -27.72, 72.96

 

CMYK 11 / 0 / 80 / 12

HEX #C8E12E

RGB 200 225 46

HSL 68.38, 0.75%, 0.53%

LAB 85.16, -29.12, 76.73

 

CMYK 9 / 0 / 64 / 10

HEX #D2E652

RGB 210 230 82

HSL 68.11, 0.75%, 0.61%

LAB 87.44, -25.7, 67.18

 

CMYK 12 / 0 / 86 / 21

HEX #B2CA1D

RGB 178 202 29

HSL 68.32, 0.75%, 0.45%

LAB 77.16, -27.78, 73.28

 

CMYK 86 / 0 / 57 / 21

HEX #1DC956

RGB 29 201 86

HSL 139.88, 0.75%, 0.45%

LAB 71.36, -64.62, 45.45

 

CMYK 23 / 86 / 0 / 21

HEX #9B1DC9

RGB 155 29 201

HSL 283.95, 0.75%, 0.45%

LAB 41.32, 71.15, -61.7

 

CMYK 12 / 0 / 86 / 21

HEX #B2CA1D

RGB 178 202 29

HSL 68.32, 0.75%, 0.45%

LAB 77.16, -27.78, 73.28

 

CMYK 86 / 11 / 0 / 21

HEX #1DB2C9

RGB 29 178 201

HSL 188.02, 0.75%, 0.45%

LAB 66.76, -28.18, -22.04

 

CMYK 0 / 86 / 11 / 21

HEX #C91DB2

RGB 201 29 178

HSL 308.02, 0.75%, 0.45%

LAB 47.64, 75.56, -37.68

 

CMYK 12 / 0 / 86 / 21

HEX #B2CA1D

RGB 178 202 29

HSL 68.32, 0.75%, 0.45%

LAB 77.16, -27.78, 73.28

 

CMYK 86 / 0 / 57 / 21

HEX #1DC956

RGB 29 201 86

HSL 139.88, 0.75%, 0.45%

LAB 71.36, -64.62, 45.45

 

CMYK 74 / 86 / 0 / 21

HEX #341DC9

RGB 52 29 201

HSL 248.02, 0.75%, 0.45%

LAB 28.97, 59.75, -82.45

 

CMYK 0 / 86 / 29 / 21

HEX #C91D8F

RGB 201 29 143

HSL 320.23, 0.75%, 0.45%

LAB 46.01, 71.17, -19.32

 

CMYK 12 / 0 / 86 / 21

HEX #B2CA1D

RGB 178 202 29

HSL 68.32, 0.75%, 0.45%

LAB 77.16, -27.78, 73.28

 

CMYK 86 / 0 / 31 / 21

HEX #1DC98A

RGB 29 201 138

HSL 158.02, 0.75%, 0.45%

LAB 72.14, -55.42, 20.19

 

CMYK 74 / 86 / 0 / 21

HEX #341DC9

RGB 52 29 201

HSL 248.02, 0.75%, 0.45%

LAB 28.97, 59.75, -82.45

 

CMYK 0 / 86 / 54 / 21

HEX #C91D5C

RGB 201 29 92

HSL 338.02, 0.75%, 0.45%

LAB 44.33, 66.42, 9.63

 

Description

Color code: HEX #B2CA1D | qconv.com Color code: HEX #B2CA1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 202 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 202 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 86 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 86% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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